Garage rock - Knowledge

2876:, became increasingly pervasive across the musical landscape, affecting a number of genres, including garage rock. The members of garage bands, like so many musicians of the 1960s, were part of a generation that was largely born into the paradigm and customs of an older time, but grew up confronting a new set of issues facing a more advanced and technological age. Postwar prosperity brought the advantages of better education, as well as more spare time for recreation, which along with the new technology, made it possible for an increasing number of young people to play music. With the advent of television, 763: 4153:(1972): "The social situation similarly set the pace, doing its part by opening once rigid-boundaries of individual musics — folk, jazz, more exotic foreign forms — as well as cracking open the door to a world in which the youth felt that they had too long suffered a pat on the head ad a kick in the ass. Lastly you might take into account the players and audiences themselves, nurtured on a steady diet of rock for as long as they could remember, the former sure that a piece of plutonian pie could easily be theirs by as simple act of faith as picking up a guitar..." 2853:

collective sense of discontent and alienation crept into the psyche of the youth in the United States and elsewhere—even in the largely conservative suburban communities which produced so many garage bands. Garage bands, though generally apolitical, nonetheless reflected the attitudes and tenor of the times. Nightly news reports had a cumulative effect on the mass consciousness, including musicians. Detectable in much of the music from this era is a disparate array of raw sounds and emotions, coinciding with surrounding events, such as the

2482: 1897: 1534: 6833: 1444: 7036: 2791: 1322: 962: 801: 2647:, who had several instrumental hits, as well as the Aztecs and the Sunsets. In late 1963 and early 1964 British Invasion influence began to permeate the music scenes there. In June 1964 the Beatles visited Australia as part of their world tour and were greeted by a crowd of an estimated 300,000 in Adelaide. In response, many prior Australian surf bands adapted by adding vocals over guitars, and a host of new bands formed. The first wave of British-inspired bands tended towards the pop-oriented sound of the 2407: 2310: 3317:, who formed in 1972, were a fixture in the underground rock scene in Cleveland, Ohio, which has sometimes been mentioned as a precursor to the punk scenes in New York and London. The Electric Eels were notorious for mayhem at their shows and had a markedly nihilistic approach suggestive of later acts and recorded a set of demos in 1975, from which the single "Agitated" b/w "Cyclotron" was eventually released in 1978, several years after the group's demise. 17605: 3966: 3373: 2918: 17617: 3128:

jockeys began to have less freedom, making it increasingly difficult for local and regional bands to receive airplay. Teen clubs and dance venues which previously served as reliable and steady engagements for young groups started to close. The garage sound disappeared at both the national and local level, as band members graduated and departed for college, work, or the military. Musicians in bands frequently faced the prospect of the

1601: 3491: 2207: 2784:, numerous bands began to expand their sound, sometimes employing eastern scales and various sonic effects to achieve exotic and hypnotic soundscapes in their music. The development was nonetheless the result of a longer musical evolution growing out of folk rock and other forms, and prefigured even in certain surf rock recordings. As the decade progressed, psychedelic influences became pervasive in much garage rock. 447: 1979: 394:, numerous garage bands incorporated exotic elements into the genre's primitive stylistic framework. After 1968, as more sophisticated forms of rock music came to dominate the marketplace, garage rock records largely disappeared from national and regional charts, and the movement faded. Other countries in the 1960s experienced similar rock movements that have sometimes been characterized as variants of garage rock. 1720: 3182: 2633: 2572: 542: 2081: 3978: 1185: 3029: 3990: 2056:, and eventually adopted that name as the group's moniker. As the Spiders they recorded two singles, most notably "Don't Blow Your Mind", which became a local hit in Phoenix in 1966. The group ventured to Los Angeles in 1967 in hopes of achieving greater success, however they found it not there, but while in Detroit several years later, re-christened as 3135:, and many were selected for service. Some died in action. With the tumultuous political events of 1968, the tense mood of the country reached a breaking point, while increasing use of drugs and other factors intermingled with shifting musical tastes. New styles either evolved out of garage rock or replaced it, such as 583:" to characterize it, making it the first musical form to bear the description. While the coinage of the term "punk" in relation to rock music is unknown, it was sometimes used then to describe primitive or rudimentary rock musicianship, but more specifically 1960s garage as a style. In the May 1971 issue of 2067:

came about as the result of the merger of two previous bands and featured songwriters Tommy Talton and Wane Proctor. They recorded a string of self-composed songs, such as primitive rockers, "You Burn Me Upside Down" and "Mirror of my Mind", as well as the esoteric "In the Past", later covered by the

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groups) to respond by altering their style, and countless new bands to form, as teenagers around the country picked up guitars and started bands by the thousands. In many cases, garage bands were particularly influenced by the increasingly bold sound of a second wave of British groups with a harder,

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Garage rock acts were diverse in both musical ability and style, ranging from crude and amateurish to near-studio level musicianship. There were also regional variations in flourishing scenes, such as in California and Texas. The north-western states of Idaho, Washington and Oregon had a distinctly

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on guitars often for the purpose of enhancing the music's sonic palate, adding an aggressive edge with loudly amplified instruments to create a barrage of "clanging" sounds, in many cases expressing anger, defiance, and sexual frustration. The genre came into its peak of popularity at a time when a

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movement that emerged in the mid-1970s and is now most commonly applied to groups associated with that movement or who followed in its wake. For the 1960s style, the term "garage rock" came into favor in the 1980s. According to Mike Markesich: "Initially launched into the underground vernacular at

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In the early to mid-1980s, several revival scenes emerged featuring acts that consciously attempted to replicate the look and sound of 1960s garage bands. Later in the decade, a louder, more contemporary garage subgenre developed that combined garage rock with modern punk rock and other influences,

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by several years. The signature garage sound that eventually emerged in the Pacific Northwest is sometimes referred to as "the Northwest Sound" and had its origins in the late 1950s, when a handful of R&B and rock & roll acts sprang up in various cities and towns in an area stretching from

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Garage bands performed in a variety of venues. Local and regional groups typically played at parties, school dances, and teen clubs. For acts of legal age (and in some cases younger), bars, nightclubs, and college fraternity socials also provided regular engagements. Occasionally, groups had the

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The term "garage rock", often used in reference to 1960s acts, stems from the perception that many performers were young amateurs who rehearsed in the family garage. While numerous bands were made up of middle-class teenagers from the suburbs, others were from rural or urban areas or were composed

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ideals, often expressed through rock music. Though set to a backdrop of tragic events that proved increasingly disillusioning, various forms of personal and musical experimentation held promise, at least for a time, in the minds of many. While opening boundaries and testing the frontiers of what

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Despite famine, economic hardship, and political instability, India experienced its own proliferation of garage bands in the 1960s, persisting into the early 1970s with the 1960s musical style still intact even after it fallen out of favor elsewhere. Mumbai, with its hotels, clubs, and nightlife,

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were fronted by lead singer Iggy Pop, Describing their approach, Stephen Thomas Erlewine commented: "Taking their cue from the over-amplified pounding of British blues, the primal raunch of American garage rock, and the psychedelic rock (as well as the audience-baiting) of the Doors, the Stooges

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radio stations eventually overtook AM radio in popularity, and as the large major-label record companies became more powerful and less willing to sign new acts, the once plentiful local and regional independent labels of the mid-1960s began to fold. Radio playlists became more regimented and disc

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In 1964 and 1965, the impact of the Beatles and the British Invasion shifted the musical landscape, presenting not only a challenge, but also a new impetus, as previously established acts in the Pacific Northwest adapted to the new climate, often reaching greater levels of commercial and artistic

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Even at the height of garage rock's popularity in the mid-1960s, the success of most of its records, in spite of a handful of notable exceptions, was relegated to local and regional markets. In the wake of psychedelia, as rock music became increasingly sophisticated, garage rock began to fade.

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Although Britain did not develop a distinct garage rock genre in the same way as the United States, many British beat groups shared important characteristics with the American bands who often attempted to emulate them, and the music of certain UK acts has been mentioned in particular relation to

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as an "exposition of punk rock". Conjuring up the mid-1960s, Lester Bangs in June 1971 wrote "...then punk bands started cropping up who were writing their own songs but taking the Yardbirds' sound and reducing it to this kind of goony fuzztone clatter ... oh, it was beautiful, it was pure

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Performances often sounded amateurish, naïve, or intentionally raw, with typical themes revolving around the traumas of high school life and songs about "lying girls" being particularly common. The lyrics and delivery were frequently more aggressive than that of the more established acts of the

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Latin America got swept up in the worldwide beat trend and developed several of its own national scenes. Mexico experienced its own equivalent to North American garage. The nation's proximity to the United States was detectable in the raw sounds produced by a number of groups while the country

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on mainstream American culture waned as major record companies took a controlling influence and sought to market more conventionally acceptable recordings. Electric musical instruments (particularly guitars) and amplification were becoming more affordable, allowing young musicians to form small

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musical forms and concepts considered at the time to be decidedly out of the mainstream. Such artists shared certain characteristics with the garage bands in their use of primitivistic instrumentation and arrangements, while displaying psychedelic rock's affinity for exploration—creating more

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Referring to the 1960s, Mike Markesich commented "teenage rock & roll groups (i.e. combos) proliferated Everywheresville USA". Though it is impossible to determine how many garage bands were active in the era, their numbers were extensive in what Markesich has characterized as a "cyclonic

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On page 49, Markesich mentions that the book's core discography (consisting almost exclusively of US acts) includes approximately 16,000 recordings made by over 4500 groups. Release dates for records generally range from 1963 to 1972 (with several later exceptions), but the vast bulk of the

479:", which allowed musicians to gain exposure and a chance to win a prize, such as free equipment or recording time in a local studio. Contests were held, locally, regionally and nationally, and three of the most prestigious national events were held annually by the Tea Council of the US, the 2441:

Having nurtured the Beatles' early development in Hamburg, Germany was well-positioned to play a key role as beat music overtook the continent. Bands from Britain and around Europe traveled there to gain exposure, playing in clubs and appearing on popular German television shows such as

1023:'s 1963 off-the-cuff version of "Louie Louie" became the de facto "big bang" for three-chord rock, starting as a regional hit in Seattle, then rising to No. 1 on the national charts and eventually becoming a major success overseas. The group unwittingly became the target of an 914:(often referred to as the Fabulous Wailers) had national chart hit in 1959, the instrumental "Tall Cool One". After the demise of the Blue Notes, "Rockin' Robin" did a brief stint with the Wailers, and with him on vocals in 1962, they recorded a version of Richard Berry's 1957 song " 1935:" and Bo Diddley's "Oh Yeah", and also released the aggressive "I'm Gonna Make You Mine", which Mike Stax remarked "was recorded live in the studio with the amps cranked beyond distortion, this is 60s punk at its sexually charged, aggressive best." Also recording for Dunwich were 3426:

in the larger public mind. Both bands spearheaded the popular punk movement from their respective locations. Simultaneously, Australia developed its own punk scene, which derived some of its inspiration from the 1960s Australian garage/beat movement. One of its leading bands

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Though the garage rock boom faded at the end of the 1960s, a handful of maverick acts carried its impetus into the next decade, seizing on the style's rougher edges, while brandishing them with increased volume and aggression. Such acts, often retroactively described as

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compilation consists of recordings by garage rock acts from India that competed in the 1970 and 1971 Simla Beat contests. Though its tracks were recorded at the turn of the 1970s, most of them bear a striking resemblance to music made in the West several years earlier.

1108:. For many, particularly the young, the Beatles' visit re-ignited the sense of excitement and possibility that had momentarily faded in the wake of the assassination. Much of this new excitement was expressed in rock music, often to the chagrin of parents and elders. 3516:

emerged in the late 1980s. It differed from the "retro" revival in that its acts did not attempt to replicate the exact look and sound of 1960s groups, and their approach tended to be louder, often infusing garage rock with elements of Stooges-era proto-punk, 1970s

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were one of the first bands to gain national prominence. Their 1965 song "¡Demolición!" with its humorously anarchistic lyrics was a huge hit in Peru. About them Phil Freeman noted "These guys were a punk rock band, even if nobody outside Lima knew it at the time".

2095:, who recorded "Hard to Cry", had a power chord-driven approach. The Painted Ship were known for primal songs such as the angst-ridden "Frustration" and "Little White Lies", which Stansted Montfichet called a "punk classic". Chad Allan and the Reflections from 2281:

took the influence of the Kingsmen's version of "Louie Louie" and applied greater volume and distortion, which in turn, influenced the approach of many American garage bands. With Van Morrison, Them recorded two songs widely covered by American garage bands:

2690:, who throughout 1965 went through a complete and total lineup change between the release their first single in March and on the subsequent releases later that year, such as the primitivist anthems "Wild About You", as well as their self-titled LP. In 1966, 3438:

Despite the influence of garage rock and proto-punk on the originating musicians of these scenes, punk rock emerged as a new phenomenon, distinct from its prior associations, and the garage band era of the 1960s came to be viewed as a distant forerunner.

1371:, from Saginaw, Michigan, became a No. 1 hit in the US. The song's organ riffs and theme of teenage heartbreak have been mentioned as a landmark recording of the garage rock era and recognized for influencing the works of acts as diverse as 4081:. Bangs describes the Dead Boys as "classic trashy garage rock". However, it is difficult to determine whether it was used in quite the same generic sense it is now. Bangs' subsequent 1981 essay "Protopunk: The Garage Bands", which appeared in 3899: 2367:

as garage rock. Extolling the virtues of their seemingly unrepentant primitivism and sexually charged innuendo, in 1971 Lester Bangs memorialized the Troggs as a quintessential "punk" band of the 1960s. They had a worldwide hit in 1966 with

1584:, they "were the unholy practitioners of punk rock long before anyone knew what to call it". Founded in 1960, they eventually enlisted the services of vocalist Gerry Rosalie and saxophonist Rob Lind and proceeded to cut their first single, " 1030:

Though often associated with Pacific Northwest acts such as the Kingsmen, frat rock also thrived elsewhere. In 1963, singles by several regional bands from other parts of the United States began appearing on the national charts, including

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were another notorious group of the period, who Iain McIntyre remarked "Thanks to their brightly coloured hair and bad-ass attitude, the Creatures left in their wake a legacy of multiple arrests, bloodied noses and legendary rave ups".

1632:. In the film of the show, their drummer, Victor "Moulty" Moulton, is seen holding one of his drumsticks with a prosthetic clamp while playing—the result of a previous accident in which he lost his left hand. In 1966, Moulton recorded " 3607:, the band's intention musically was to sound like "a band from the past that took a time trip into the future to make their record." When the Strokes released their commercial debut, the public perception of "rock music" was based in 2618:, who later moved to London and become a solo act. Every year the annual Simla Beat Contest was held in Bombay by the Imperial Tobacco Company. Groups from all over India, such as the Fentones and Velvet Fogg, competed in the event. 2417:

The beat boom swept through continental Europe, resulting in the emergence of national movements sometimes cited as European variants of garage rock. The Netherlands had one of the largest scenes, sometimes retroactively described as

10981: 1588:" in 1964. The song was re-issued again in 1965, this time with the even more intense "Psycho" on the flip side. They released several albums and are also known for other "high-octane" rockers such as "Cinderella" and "He's Waitin 712:

groups to perform in front of local audiences of their peers; and in some areas there was a breakdown, especially among radio audiences, of traditional black and white markets, with more white teenagers listening to and purchasing

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whirlwind of musical activity like none other". According to Mark Nobles, it is estimated that between 1964 and 1968 over 180,000 bands formed in the United States, and several thousand US garage acts made records during the era.

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surf bands formed, playing raucous guitar- and saxophone-driven instrumentals. Writer Neil Campbell commented: "There were literally thousands of rough-and-ready groups performing in local bars and dance halls throughout the US

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trend of the 1960s, other countries developed grass-roots rock movements that closely mirrored what was happening in North America, which have sometimes been characterized as variants of garage rock or as closely related forms.

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In the wake of the British Invasion, garage rock experienced a boom in popularity. With thousands of garage bands active in the US and Canada, hundreds produced regional hits during the period, often receiving airplay on local

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the start of the '80s, the garage tag ... slowly sifted its way amid like-minded fans to finally be recognized as a worthy descriptive replacement". The term "garage punk" has also persisted, and style has been referred to as

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the new world had to offer, 1960s youth ultimately had to accept the limitations of the new reality, yet often did so while experiencing the ecstasy of a moment when the realm of the infinite seemed possible and within reach.

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Tapping into the psychedelic zeitgeist, musicians sonically pushed barriers and explored new horizons. Garage acts, while generally lacking the budgetary means to produce musical extravaganzas on the scale of the Beatles'

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for famous touring acts. Some garage rock bands went on tour, particularly those better-known, but even more obscure groups sometimes received bookings or airplay beyond their immediate locales. Groups often competed in

3276:, which, along with the release of their other previously unissued tracks, finally earned them a reputation as pioneers in punk rock. Death's music anticipated the arrival of later African American punk acts such as the 4085:, does use the term "garage bands" to describe 1960s groups, but not the term "garage rock", indicating that a consensus may not have yet (in 1981) coalesced around the term "garage rock" as the name for the 1960s genre. 819: 2969:

ramblings. Other notable bands that incorporated psychedelia into garage rock were the Electric Prunes, the Music Machine, the Blues Magoos, and the Chocolate Watchband. Garage rock helped lay the groundwork for the

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compiled by Lenny Kaye. In the liner notes, Kaye used "punk rock" as a collective term for 1960s garage bands and also "garage-punk" to describe a song recorded in 1966 by the Shadows of Knight. In the January 1973

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was the center of L.A. nightlife, providing bands with high-profile venues to attract a larger following and possibly capture the attention of record labels looking to sign a new act. Exploitation films such as

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from Austin, Texas, are usually thought to be first band to use the term "psychedelic"—in their promotional literature in early 1966. They also used it in the title of their debut album released in November,

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and critical attention paid to primitive-sounding rock of the past and present, a self-conscious musical aesthetic began to emerge around the term "punk" that eventually manifested in the punk scenes of

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area had a particularly high concentration of acts and venues, and the Beatles emerged from this thriving music scene. In London and elsewhere, certain groups developed a harder-driving, distinctively

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has been cited as an early influence on garage rock and is known for his innovative use of guitar techniques and effects such as power chords and distortion. He is best known for his 1958 instrumental

13070: 10030: 13986: 11339: 363:, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family 14986: 3791: 3633: 2037:

from San Antonio cut two highly regarded songs, "I'm in Pittsburgh and It's Raining", which became a local hit, and "1523 Blair", that Jason Ankeny described as "Texas psychedelia at its finest".

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from the Hague had a diverse but primitive sound, particularly on their early records. Also from the Hague, the Golden Earrings, who later gained international fame in the 1970s and 1980s as

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Chicago, known for electric blues, continued to have a strong recording industry in the 1960s and was also a hotbed of activity for garage rock. Chicago blues as well as the Rolling Stones,

743:, whose recordings of relatively unsophisticated and hard-driving songs from a few years earlier proclaimed personal independence and freedom from parental controls and conservative norms. 15003: 7876: 386:—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of grass-roots acts produced regional hits, some of which gained national popularity, usually played on 8860: 2643:

Australia and New Zealand experienced a garage/beat explosion in the mid-1960s. Before the British Invasion hit, the region enjoyed a sizable surf rock scene, with popular bands such as

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had a bustling music scene. The Jets, who were active from 1964 to 1966, were perhaps the first beat group to become popular there. Also popular in Mumbai were the Trojans, featuring

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Garage rock has experienced various revivals in the ensuing years and continues to influence numerous modern acts who prefer a "back to basics" and "do it yourself" musical approach.

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time, often with nasal, growled, or shouted vocals, sometimes punctuated by shrieks or screams at climactic moments of release. Instrumentation was frequently characterized by basic

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template for the songs of numerous 1960s garage bands. By the end of the 1950s regional scenes were abundant around the country and helped set the stage for garage rock the 1960s.

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In the late 1960s and early 1970s, several Michigan bands rooted in garage rock recorded works that became highly influential, particularly with the 1970s punk movement. In 1969,

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and other late-1960s big-production spectaculars, rock albums became increasingly elaborate and were expected to display a high level of maturity and complexity, while the 45-RPM

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commented: "Punk rock is a fascinating genre ... Punk rock at its best is the closest we came in the 1960s to the original rockabilly spirit of rock & roll." In addition to

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released the distortion-driven "She Lied" in 1964, which Rob Fitzpatrick called "a truly spectacular piece of proto-punk, the sort of perfect blend of melody and aggression that

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from Bristol, Connecticut, issued a song now regarded as a garage rock classic, "Going All the Way". Garage rock flourished up and down the Atlantic coast, with acts such as

14226: 8675: 6806: 818: 15444: 10801: 3354:, were another influential New York act of this period. The music from these disparate scenes helped set the stage for the punk rock phenomenon of the mid- to late- 1970s. 651:

made an oblique reference to "every last punk teenage garage band having its Own Original Approach". The term "punk rock" was later appropriated by the more commonly-known

15311: 15269: 8891: 2651:. With rise in popularity of bands such as the Rolling Stones and the Animals, a second wave of Australian bands emerged that favored a harder, blues-influenced approach. 2582:

The Far East was not immune to the beat craze, and Japan was no exception; this was particularly true after the Beatles' 1966 visit, when they played five shows at Tokyo's

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remarked that the period "dashed by so fast that nobody knew much of what to make of it while it was around". In the early 1970s, Kaye and other US rock critics, such as

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that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic

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and acts achieved success in America between 1964 and 1966, often referred to in the US as "the British Invasion". Such acts had a profound impact, leading many (often

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success, while scores of new bands formed. After relocating to Portland, Paul Revere & the Raiders in 1963 became the first rock-and-roll act to be signed to

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Musicologist Pete Dale notes "96 Tears" as a typical example of 1960s punk, containing a "basic beat, repetitive structure, and a hypnotically simple keyboard part".

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Between 1969 and 1975, other movements further removed from the American garage rock tradition emerged, that nonetheless displayed hallmarks of proto-punk, such as

3913: 3537:. Originally associated with the 1960s garage revival of the early 1980s, the Pandoras' sound became increasingly harder as decade progressed. Out of Japan came 13667: 12903: 11824: 8767: 3025:, and psychedelic laced with leftist political commentary. In a 1970 interview, Ed Sanders became the first known musician to describe his music as "punk rock". 1636:", a spoken monologue set to music, in which he recounted the travails of his disfigurement, released under the Barbarians' name, but backed by future members of 12759: 1156:

often resulting in a raw and primitive sound. Numerous acts sometimes characterized as garage rock formed in countries outside North America, such as England's

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During the 1960s, garage rock was not recognized as a distinct genre and had no specific name, but critical hindsight in the early 1970s—and especially the 1972

15219: 12934: 1427:, revived James' career, where he assembled a new group under the name Tommy James and the Shondells. They followed with twelve more top 40 singles. In 1967, 15466: 15080: 14175:

Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968 (4-CD Box Set) – Get Me to the World On Time: How the Sound of Nuggets Engulfed the Globe

13902: 11638: 10646: 3893: 3844: 3815:, containing the original album and three additional discs of material, that included extensive liner notes by some of garage rock's most influential writers. 418:

movement that it influenced. The term "garage rock" gained favor amongst commentators and devotees during the 1980s. The style has also been referred to as "

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from Montreal specialized in a gritty blues-based sound influenced by the Rolling Stones and released the single "1–2–5". Two other bands from Toronto were

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Coinciding with the "British Invasion" of the US, a musical cross-fertilization developed between the two continents. In their 1964 transatlantic hits "

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from Miami, had a hard, sometimes thrashing sound and a reputation for musical mayhem, typified in songs such as "From a Curbstone" and "I'm Movin' On".

2005:" and a string of albums, but the band was hampered by drug busts and related legal problems that hastened their demise. Richie Unterberger singled out 626:, writings about the genre appeared in various independent "fanzine" publications during the period. In May 1973, Billy Altman launched the short-lived 15161: 14905: 12254: 7681: 7408: 6154: 5186: 3083:

from Germany, whose members were former US servicemen who chose to remain in Germany, where in 1965 they developed an experimental sound on their album

3050:, are now generally considered the foremost experimental rock group of the period. At the time of recording their first album, they were involved with 2988:

Certain acts conveyed a world view markedly removed from the implicit innocence of much psychedelia and suburban garage, often infusing their work with

1554:, but did not achieve their commercial breakthrough until 1965 with the song "Steppin Out", which was followed by string of chart-topping hits such as " 946:

to the arrival of the Beatles ... he indigenous popular music which functioned in this way ... was the proto-punk more commonly identified as

786:", which featured the sound of distorted, "clanging" guitar chords, which anticipated much of what was to come. The combined influences of early-1960s 15055: 14609:

Nuggets: Original Artyfacts from the First Psychedelic Era 1965–1968 (4-Cd Box Set) - 'Optical Sound: The Technicolor Tales Behind the Various Nuggets'

9341: 9215: 8350: 4007: 2950: 496: 16034: 11669: 7715: 7619: 3619:, putting their throwback style of garage rock as a stark contrast to the mainstream. The Strokes were accompanied in this commercial breakthrough by 3270:, whose membership was made up of brothers David, Bobby, and Dannis Hackney, recorded tracks for an album that remained unreleased for over 30 years, 18196: 13184: 11731: 11471: 8319: 6560: 5723: 3919: 1771:

were favorites with the "in-crowd" and managed to achieve national hits with songs that have come to be regarded as garage classics: the Seeds with "

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The mid- to late-1970s saw the arrival of the acts now most commonly identified as punk rock. Frequently mentioned as the first of these were the

1555: 1164:" became a staple in countless American garage bands' repertoires. By 1965, the influence of the British Invasion prompted folk musicians such as 414:" to describe it, making it the first form of music to bear the description, predating the more familiar use of the term appropriated by the later 11855: 6942: 6502: 6104: 1216:". According to Richie Unterberger, they were perhaps the first American group to pose a successful response to the British Invasion. That year, 15011: 12285: 9600: 9307: 8737: 8533: 7868: 7576: 6631: 2892:, the new generation was more global in its mindset and began to conceive of a higher order of human relations, attempting to reach for a set of 12316: 9769: 9150: 9119: 9072: 8852: 8285: 7910: 7463: 7350: 3384:

Identification of garage rock by certain critics in the early 1970s (and their use of the term "punk rock" to describe it), as well as the 1972

2698:", and later that year released "Black", a brooding version of a traditional folk ballad noted for its expressionistic use of guitar feedback. 11998: 11110: 10942: 9181: 9010: 8412: 8046: 7811: 7780: 15496: 10189: 9987: 9494: 9041: 8607: 8576: 5789: 3459:, from Los Angeles, who formed in 1972 and pre-dated many of the revival acts of the 1980s. In the early 1980s, revival scenes linked to the 556:

In the 1960s, garage rock had no name and was not thought of as a genre distinct from other rock and roll of the era. Rock critic and future

14462:

Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968 (4-CD Box Set) – Sic Transit Gloria: The Story of Punk Rock in the '60s

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in 2003 designating it a "new garage rock revolution", or simply a "new rock revolution". The mainstream attention to the revival began with

634:, but, unlike the later magazine, was largely devoted to discussion of 1960s garage and psychedelic acts. Greg Shaw's seasonal publication, 434:

emerged, and some achieved commercial success. Garage rock continues to appeal to musicians and audiences who prefer a "back to basics" or "

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Though the phrase "punk rock" was the favored generic term in the early 1970s, "garage band" was also mentioned in reference to groups. In

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centered in London. Some of the harder-driving and more obscure bands associated with the mod scene in the UK are sometimes referred to as

1592:". Prompted by the Sonics, the Wailers entered the mid-1960s with a harder-edged sound in the fuzz-driven "Hang Up" and "Out of Our Tree". 14811: 13467: 12060: 11246: 8472: 7746: 6197: 14515: 13609: 13557: 13251: 11501: 11370: 7842: 3917:

is devoted primarily to Latin American groups of the 1960s and is available in a single-CD edition, as well as an expanded 4-CD box set.

2965:, released in October 1966, one month before the 13th Floor Elevators' debut album, and whose all-night sessions produced mind-expanding 870:, played a critical role in the inception of garage rock, hosting the first scene to produce a sizable number of acts, and pre-dated the 14957: 14729: 14209: 12431: 10827: 10759: 9396: 8798: 8242: 5820: 5406: 925:

Other regional scenes of teenage bands playing R&B-oriented rock were well-established in the early 1960s, several years before the

833:, with its use of "cheesy"-sounding Farfisa organ riffs and banging drums, featured stylistic elements that anticipate the garage sound. 18148: 15117: 14838: 14116: 13043: 12728: 7150: 3256:. The Punks had a sometimes thrashing sound that caught the attention of rock journalist Lester Bangs, and their song "My Time's Comin 2438:, had a top ten hit in the Netherlands in 1965 with "Please Go", followed by "That Day", which went to number two on the Dutch charts. 1880: 430:

label originally and otherwise associated with 1960s garage bands. In the 2000s, a wave of garage-influenced acts associated with the

11406: 10131: 9424: 7650: 7281: 2702:' "I Want, Need, Love You" featured an intense and hard-driving guitar sound that Ian D. Marks described as "speaker cone-shredding". 2459:

from Hamburg also had a lengthy history, but were more serious in their approach. There were numerous bands active in Spain, such as

1970:", a song which Michael Hann described as "one of garage's gnarliest, snarliest, most tight-trousered pieces of hormonal aggression". 1015:

As a result of cross-pollination between surf rock, hot rod music, and other influences, a new style of rock sometimes referred to as

15244: 13078: 11184: 9276: 6243: 5360: 3405:, and elsewhere between 1975 and 1977, and in the process transformed into a new musical and social movement having its own separate 1513:

were a beat group from the Beatles' home city of Liverpool, England, but became best known in Germany, often performing in Hamburg's

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is ranked as one of the top two garage rock songs of all time, second only to "You're Gonna Miss Me", by the 13th Floor Elevators.

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released several singles in 1967, including "Are You Gonna Be There (at the Love In)", which was also featured on their debut album

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forms of primitivist rock, sometimes characterized as variants of garage rock. New York City was the home to several such groups.

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stations. Several acts gained wider exposure just long enough to have one or occasionally more national hits in an era rife with "

1176:. The resulting success of Dylan, the Byrds, and other folk rock acts influenced the sound and approach of numerous garage bands. 15436: 15319: 15261: 15028: 13325: 13185:"Latinos in the Garage: A Genealogical Examination of the Latino/a Presence and Influence in Garage Rock (and Rock and Pop Music)" 12957: 11308: 10603: 8667: 8442: 5299: 16217: 10046: 8883: 2849: 2172: 1224:" went to No. 2, and they followed it up a year later with another No. 2 hit, "Little Red Riding Hood". Also in 1965, 7311: 6900: 6669: 3291:, gained attention with their minimalistic style. In 1972, they recorded a set of demos that formed the basis of their belated 2426:, who Richie Unterberger singled out as one of the most important 1960s rock acts from a non-English speaking country, featured 2336:, which is sometimes viewed as a more stylish British equivalent of garage rock. Several bands often mentioned as Freakbeat are 15780:

Fuzz, Acid and Flowers Revisited: A Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-1975). Borderline

13792: 13483:

Bonnazzelli, Andrew (November–December 2001). "Review: The (International) Noise Conspiracy, A New Morning; Changing Weather".

5576: 5023: 3780: 2306:, both of whom were known for a particularly raw approach to blues-influenced rock that has sometimes been compared to garage. 2183:

The garage phenomenon, though most often associated with North America, was not exclusive to it. As part of the international

1213: 810: 14880: 5879: 3005:, who formed in 1963, were one of rock's first experimental bands and its core members were singer, poet, and social activist 2229:

assimilated American rhythm and blues influences. The genre provided the model for the format of many later rock groups. The

769:, pictured in 1993, who helped pioneer the use of guitar power chords and distortion as early as 1958 with the instrumental, " 18165: 16211: 15969: 15950: 15927: 15908: 15889: 15870: 15851: 15823: 15802: 15786: 15769: 15748: 15729: 15710: 15691: 15613: 15471: 14863: 14758: 14723: 14702: 14683: 14664: 14616: 14588: 14563: 14540: 14509: 14488: 14469: 14435: 14414: 14395: 14364: 14341: 14322: 14297: 14278: 14259: 14203: 14182: 14160: 14141: 14110: 14089: 14068: 14049: 14030: 14011: 13967: 13944: 13883: 13855: 13836: 13817: 13773: 13727: 13708: 13656: 13637: 13603: 13582: 13551: 13530: 13461: 13440: 13418: 13396: 13377: 13358: 13314: 13295: 13276: 13245: 13173: 13154: 13135: 13114: 8494: 8373: 6308: 3811:

that consisted of songs from the original album plus additional tracks. In 1998, Rhino released a four-CD box set version of

3763:, began signing to larger, better-known independent labels. Several bands followed them in signing to larger labels such as 1618:, wearing sandals and long hair and cultivating an image of "noble savages", recorded an album and several singles, such as " 1400: 1059:, from South Bend, Indiana followed, becoming a hit in early 1964. Frat rock persisted into the mid-1960s with acts such as 12802: 9944: 8078: 4049:'s song "Flower Punk", which, amongst other things, parodies amateur musicians and mimics the lyrics of garage rock staple " 2861:, yet certain commentators have also noted an apparent bygone innocence as part of the style's appeal to later generations. 18237: 17507: 16964: 16282: 11692: 6861: 6334: 3665: 3227:(now billed as Iggy and the Stooges) in 1973, which featured the cathartic "Search and Destroy" as its opening track. The 3073: 2699: 1816: 9456:, p. 91. Bhatia mentions that Biddu, previously of India's the Trojans, produced the Tigers and that they cut a hit.. 8914: 7524: 7216: 4103:

On pages 10 and 51 the author indicates that the term often used for many the Indian bands of the 1960s is "garage bands".

854:, "the origins of garage rock as a genre can be traced to California and the Pacific Northwest in the early Sixties". The 15813: 12895: 8167: 4703: 1884:. The album's opening cut was a rendition of "Let's Talk About Girls", previously recorded by the Tongues of Truth (aka 17160: 1962:

recorded a string of songs beginning with local hit "The Story Of My Life", followed by "Where You Gonna Go". In 1966,

1958:

released a version of "I Can Only Give You Everything" before they went on to greater success at the end of the decade.

1403:", which featured a cocksure half-spoken lead vocal set over chiming 12-string guitar chords, reached No. 8 on the 918:"—their arrangement became the much-replicated blueprint for practically every band in the region, including Portland's 18358: 17153: 12475: 11816: 8759: 1863: 1388: 1064: 1027:

investigation in response to complaints about the song's alleged use of profanity in its nearly indecipherable lyrics.

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Rock and Roll and the American Landscape: The Birth of an Industry and the Expansion of the Popular Culture, 1955–1969

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success and appeal. A second wave of bands that gained international recognition as a result of the movement included

2009:, from Corpus Christi, for their songwriting skills, and they are best known for the frantic and sped-up "Bad Girl". 18363: 18252: 18191: 15988: 15651: 15632: 13507: 12926: 12504: 12418: 11602: 8948: 3215:

were raw, immediate, and vulgar." The group released three albums during this period, beginning with the self-titled

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Beat music emerged in Britain in the early 1960s, as musicians who originally came together to play rock and roll or

15211: 13894: 12024: 11630: 10802:"Against 'Sgt. Pepper': the Beatles Classic Made Pop Seem Male, Nerdy, and Important - and that Wasn't a Good Thing" 10638: 3848:

also features harder material. There are several notable anthologies devoted to female garage bands from the 1960s.

1509:(previously known as the Hairem) from Sacramento, California. All-female bands were not exclusive to North America. 18209: 18204: 17212: 17170: 11523: 11039: 3566: 3064: 2738: 2718: 2295: 2049: 1680: 1420: 1368: 17143: 14940: 1315:

s Hot 100 and was later memorialized by Lester Bangs in his 1971 piece "Psychotic Reactions and Carburetor Dung".

1098:. On February 9, 1964, during their first visit to the United States, the Beatles made an historic appearance on 894:

of R&B songs. During the late 1950s and early 1960s other instrumental groups playing in the region, such as

17425: 16170: 15565: 15144: 8821: 7247: 4162: 2726: 2710: 1801:, employed innovative musical techniques, sometimes building their own custom-made fuzzboxes. Their first album 1619: 1432: 1331: 1266: 1238: 971: 15361: 10440: 9894: 6977: 5441: 2161:

Outside of the mainland, garage rock became a fixture in the islands and territories adjacent to the continent.

17655: 16105: 15670: 15538: 15419: 15186: 12633: 11754: 11062: 10510: 9851: 8705: 7185: 2002: 1467: 1217: 1081: 17080: 14715:

Unknown Legends of Rock 'n' Roll:Psychedelic Unknowns, Mad Geniuses, Punk Pioneers, Lo-Fi Mavericks & More

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cut the defiant "Social End Product", aimed at social oppression much in the manner of 1970s punk rock acts.

2001:

on guitar and vocals and are considered one of the prominent bands of the era. They had a regional hit with "

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from Fulda, Minnesota, were active from 1963 to 1967 and had a hit in Canada with "I Don't Love You No More".

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Commenting on the 1960s youth generation, as well as garage bands, Lenny Kaye mentions in his liner notes to

4063: 3272: 1848: 1277: 579:"Garage rock" was not the initial name applied to the style. In the early 1970s such critics used the term " 17208: 16251:– Website devoted to covering as many as 1400 Dutch Nederbeat bands of the 1960s (in both Dutch and English) 16199: 16026: 12246: 8342: 3479:

earnestly attempting to replicate the sound and look of the 1960s garage bands. This trend fed in into the

3380:(pictured in 1977), who were influenced by garage rock, spearheaded the mid-1970s punk movement in New York. 2686:, became the most popular group in Australia during the mid-1960s. One of Sydney's most notorious acts was 17487: 17165: 16232: 15090: 14061:

Leaders of the Pack: Girl Groups of the 1960s and Their Influence on Popular Culture in Britain and America

12075: 11661: 9333: 9245: 7707: 4113: 3830: 3428: 3178:, and specialized in music that was often loud, but more primitive than the typical hard rock of the time. 2671: 2369: 2274: 2100: 2092: 1752: 1537: 1482:

and her sisters. Quatro went on to greater fame as a musical solo act and television actress in the 1970s.

1161: 524: 484: 32: 16125: 16085: 13215: 11723: 11463: 8311: 7611: 6552: 5715: 18242: 18099: 17455: 15394: 15344: 12833: 11549: 10674: 7096: 5225: 3685: 2767: 2722: 2595: 2575: 2127: 2022: 1824: 1803: 1672: 1517:. All-female groups of the 1960s anticipated later acts associated with the 1970s punk movement, such as 1475: 1463: 1447: 427: 17: 11785: 11429: 11207: 5111: 18368: 17800: 17560: 16189: 14388:

How Britain Got the Blues: the Transmission and Reception of American Blues Style in the United Kingdom

13895:"The Sound of the Suburbs: A Case Study of Three Garage Bands in San Jose, California during the 1960s" 11847: 11587: 6934: 6494: 6096: 3956: 3513: 3507: 3069: 2893: 2873: 2603: 2423: 2162: 1664: 1060: 648: 515:

were not uncommon. Occasionally, the tempo was sped up in passages sometimes referred to as "raveups".

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from New York, some of whose members earlier played in 1960s garage bands. They were followed by the

2831:, such as the use of fuzz and feedback, as opposed to the clean guitar sounds prevalent in early rock. 1679:

from the Bronx, who got their start in New York's Greenwich Village scene and had a hit in 1966 with "

18373: 17482: 17375: 17240: 17130: 16642: 13876:

Fuzz, Acid and Flowers: Comprehensive Guide to American Garage, Psychedelic and Hippie Rock (1964-75)

10898: 10862: 9761: 9299: 9111: 9064: 7455: 7342: 4012: 3945: 3546: 3463:

movements of the period sprang up in Los Angeles, New York, Boston, and elsewhere, with acts such as

3342: 3325: 3293: 3068:. The album's lyrics, though generally apolitical, depict the world of hard drugs in songs such as " 2546: 2138:. The Paupers released several singles and two albums. The Mynah Birds featured the combination of 2115: 2034: 1856: 1105: 16833: 15941:

Urban Spacemen and Wayfaring Strangers: Overlooked Innovators and Eccentric Visionaries of '60s Rock

12448: 12308: 11990: 11102: 9173: 9142: 9002: 8404: 8038: 7902: 7803: 7772: 5781: 2662:, formerly with Johnny Rebb and His Rebels. "Come On" was their best-known song from this period. 597:

Much of the revival of interest in 1960s garage rock can be traced to the release of the 1972 album

17460: 16275: 16257:– magazine that provides information on garage rock and vintage music from the 1960s and other eras 16145: 15488: 10181: 9979: 9486: 9033: 8599: 8568: 4691:"Show 42 - The Acid Test: Psychedelics and a sub-culture emerge in San Francisco. [Part 2]" 4046: 3867:

There are numerous collections featuring garage/beat music from outside of North America. Rhino's

3768: 3432: 2944: 2687: 2553:, Argentina, were one of the country's first beat groups, and two of their members went on to form 2026: 1994: 991: 907: 887: 15004:"'Riot on Sunset Strip': Watch the Standells and Chocolate Watchband in this exploitation classic" 11941: 10720: 8971: 2091:

Like the United States, Canada experienced a large and vigorous garage rock movement. Vancouver's

536: 18216: 18175: 18169: 17992: 17400: 17370: 17175: 17125: 17075: 14555: 13012: 10564: 9388: 5398: 4510: 4129: 3231:

band (previously the Spiders) relocated to Detroit, where they began to gain success with a new "

2731: 2452: 1875: 1760: 454: 14770:"Ed Sanders, Founder of the Fugs, led an Exorcism of the White House ... and it May Have Worked" 12864: 12052: 9694: 1431:

emerged from the garage outfit Thee Sixpence and had a No. 1 hit in 1967 with psychedelic "

18079: 17933: 17492: 17115: 17095: 16891: 15287:"The Bee Gees, Easybeats, others – Down Under Nuggets: Original Australian Artyfacts (1965–67)" 14803: 13451: 11238: 8464: 7738: 6266: 6189: 3729: 3600: 3545:

from Tokyo. Garage punk and revival acts persisted into the 1990s and the new millennium, with

3487:

explosion, which embraced influences by 1960s garage bands such as the Sonics and the Wailers.

3464: 3337: 3267: 3253: 3043: 1959: 1871: 1656: 1651:, became one of the region's most popular bands and, in addition to issuing five singles and a 1498: 1428: 1416: 1396: 1090:

During the mid-1960s, garage rock entered its most active period, prompted by the influence of

1039:

from Minneapolis, which essentially fused together parts from two songs previously recorded by

762: 14499: 13593: 13541: 13235: 11493: 11362: 9087: 7834: 4636: 18332: 18262: 17872: 17514: 17135: 17100: 17060: 17055: 17050: 17040: 17030: 17025: 16998: 16974: 16959: 16954: 16949: 16388: 16052:"Journey Through Tyme, or: Finally a History of Dallas' Great Garage Rock Scene of the 1960s" 15108:"The Strange Boys Sign to Rough Trade, Tour With Julian Casablancas, Prep New Album for 2010" 14961: 14713: 14656: 14193: 10751: 8790: 8250: 5812: 4690: 4128:

scale. The first musical act to use the term "psychedelic was the New York-based folk group

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in London, who struck a far more defiant pose and effectively heralded the arrival punk as a

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traveled from New York to Philadelphia to record a set of hallucinogenic songs for the album

2750: 2695: 2287: 1916: 1900: 1786: 1611: 783: 770: 590: 14828: 14445:

Shaw, Greg (January 4, 1973). "Punk Rock: The Arrogant Underbelly of Sixties Pop (review of

14100: 11396: 7142: 4447: 2384:, later a popular solo artist, specialized in an upbeat style of rock—their 1966 recording " 1789:, was one of the most popular bands in the scene. Their propulsive 1966 proto-punk anthem " 18353: 18158: 17344: 17313: 17110: 17105: 17090: 17085: 17070: 17045: 17035: 16865: 16853: 16828: 16637: 10779: 10777: 10123: 10069: 7642: 4169:

are two examples of FM rock radio formats that became prominent in the late 1960 and 1970s.

3874: 3314: 2064: 2045: 2010: 1986: 1944: 1737: 1685: 1502: 1285: 1100: 1095: 911: 364: 359:

structures played on electric guitars and other instruments, sometimes distorted through a

15761:

Playing for a Piece of the Door: A History of Garage & Frat Bands in Memphis 1960–1975

11176: 10974:"Vietnam War Scars: Springsteen's First Drummer, Heroic Nurse Among Those New Jersey Lost" 9268: 6901:"Founding member of '60s LA garage rock band the Premiers to be laid to rest in Riverside" 6235: 5352: 3248:

Two bands that formed during the waning days of the Detroit scene in the early 1970s were

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whose members played their own instruments. One of the first of such acts was New York's

410:

began to retroactively identify the music as a genre and for several years used the term "

8: 17609: 17540: 17502: 17497: 17405: 17120: 17065: 16315: 16268: 15033: 14833: 13411:

Sonic Boom: The History of Northwest Rock, from "Louie Louie" to "Smells Like Teen Spirit

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featuring work by various artists of the 1960s. The first major garage rock compilation,

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who are seen during the opening credits performing the theme song, as well as San Jose's

1694: 1690: 1652: 1506: 938: 476: 210: 16993: 13677: 13546:(2nd ed.). New York, NY: Routledge by arrangement with Edinburgh University Press. 12760:"Nuggets: Original Artyfacts from the First Psychedelic Era 1965–1968 [Box Set]" 11145: 10996: 10774: 6699: 4194: 3747:

The mid-2000s saw several underground bands achieve mainstream prominence. Acts such as

1923:

and were known for a tough, hard-driving sound. In 1966 they had hits with versions of

406:—did much to define and memorialize the style. Between 1971 and 1973, certain American 18326: 18221: 18126: 18089: 18048: 17744: 17648: 16969: 16310: 15939: 15038: 14935: 14747: 14227:"The British Invasion: From the Beatles to the Stones, The Sixties Belonged to Britain" 13956: 13519: 13333: 13207: 11401: 11300: 10595: 9533: 8434: 7932: 7898: 7768: 7703: 7564: 7396: 6930: 6548: 6330: 6296: 5394: 4738: 4073:

The term "garage rock" was used as early as 1977 by Lester Bangs to describe punk band

3760: 3759:

and Jay Reatard, that initially released records on smaller garage punk labels such as

3653: 3521:, and other influences, creating a new hybrid. Several notable garage punk bands were 3422: 3333: 2993: 2816: 2505: 2476: 2283: 2239: 1982: 1948: 1932: 1832: 1644: 1604: 1471: 1301: 1270: 1153: 1104:

watched by a record-breaking viewing audience of a nation mourning the recent death of

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Res: Anthropology and Aesthetics, 48: Autumn 2005: Permanent/Impermanent - Henry Flynt

13044:"Do the Pop!: The Australian Garage-Rock Sound 1976-1987 Review by Richie Unterberger" 12965: 12174: 10054: 6369: 4383: 2848:

By the mid-1960s, numerous garage bands began to employ tone-altering devices such as

2493:

simultaneously embraced the British Invasion. One of Mexico's most popular acts were

1730:

The garage craze came into full swing in California, particularly in Los Angeles. The

640:, was influential amongst enthusiasts and collectors of the genre in the early 1970s. 636: 18257: 17867: 17810: 17621: 17616: 17555: 16821: 16496: 16471: 16368: 15984: 15965: 15946: 15923: 15904: 15885: 15866: 15847: 15841: 15819: 15798: 15782: 15765: 15759: 15744: 15725: 15706: 15687: 15681: 15666: 15647: 15628: 15609: 15543: 14754: 14719: 14698: 14679: 14660: 14612: 14584: 14574: 14559: 14536: 14505: 14484: 14465: 14431: 14410: 14391: 14360: 14337: 14318: 14308: 14293: 14274: 14255: 14199: 14178: 14156: 14137: 14106: 14085: 14079: 14064: 14045: 14026: 14007: 13963: 13940: 13879: 13851: 13832: 13813: 13769: 13723: 13704: 13694: 13652: 13633: 13599: 13578: 13547: 13526: 13503: 13485: 13457: 13436: 13414: 13392: 13373: 13354: 13310: 13291: 13272: 13241: 13211: 13169: 13150: 13131: 13125: 13110: 12500: 12414: 10336: 4415: 3982: 3786: 3705: 3677: 3620: 3578: 3460: 3284: 3262: 3202: 3144: 3036: 2983: 2960: 2889: 2746: 2299: 2270: 1908: 1794: 1577: 1559: 1384: 1380: 1230: 1205: 1172:

to adopt the use of electric guitars and amplifiers, resulting in what became termed

855: 787: 702: 665: 557: 545: 499:, teamed with bass and drums. Guitarists sometimes played using aggressive-sounding 431: 398: 391: 205: 175: 121: 46: 16305: 14931:"New Orleans Garage-Rock Teen Stars the Gaunga Dyns Reunite at 11th Ponderosa Stomp" 14501:

Continuum Encyclopedia of Popular Music of the World Volume 8: Genres: North America

13413:(1st ed.). New York: Backstreet Books (an imprint of Hal Leonard Corporation). 10918: 5648: 5480: 5015: 3402: 18028: 18008: 17830: 17820: 17815: 17475: 17450: 17203: 17198: 16683: 16622: 16531: 16526: 16220:– website and blog which hosts discussions on various topics related to garage rock 15570: 15139: 15112: 14855: 13933: 13928: 13389:

Chilling Out: The Cultural Politics of Substance Consumption, Youth and Drug Policy

13199: 8003:"Nuggets, Vol. 2: Original Artyfacts from the British Empire & Beyond (Review)" 7591: 5871: 5568: 4137: 3931: 3855: 3820: 3808: 3661: 3542: 3480: 3398: 3351: 3288: 3237: 3140: 3090: 2906: 2824: 2776:

Increasingly throughout 1966, partly due to the growing influence of drugs such as

2554: 2494: 2380:, a racially integrated band from North London whose membership included guitarist 2197: 2006: 1896: 1812: 1676: 1585: 1551: 1533: 1111:

In the wake of the Beatles' first visit, a subsequent string of successful British

1085: 1048: 926: 871: 756: 694: 383: 326: 106: 16184: 11063:"MC5 on 'Kick Out The Jams': "We weren't on a meth power trip… just a power trip"" 7516: 6409: 6300: 3392:

movement that emerged in the mid-to-late 1970s. As a result of the popularity of

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It is generally agreed that the garage rock boom peaked around 1966. That April,

18302: 18297: 18292: 18282: 17965: 17415: 17252: 16933: 16918: 16612: 16466: 16320: 16236: 16056: 14425: 13521:

The Rough Guide to Rock: The Definitive Guide to More than 1200 Artists and Bands

12449:"Indie Anthology: The Strokes release their influential debut album 'Is This It'" 11554: 9936: 3796: 3701: 3693: 3641: 3558: 3406: 3367: 3298: 3242: 3174:", worked in a variety of rock genres and came from various places, most notably 3124: 3085: 3010: 2955: 2877: 2627: 2599: 2481: 2430:

on lead vocals and specialized in an eclectic R&B and folk-influenced style.

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Michigan had one of the largest scenes in the country. In early 1966, Detroit's

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from Tacoma had a raunchy, hard-driving sound that influenced later acts such as

1494: 1487: 1459: 1044: 1032: 748: 732: 631: 16006: 10882: 9545: 7869:"When Neil Young & Rick James Created the 60's Motown Band, The Mynah Birds" 6853: 3583:

The 2000s was identified as having another wave of garage rock revivalism, with

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arena. The popular 1960s beat/garage movement in Japan is often referred to as

2298:" affected the sound of countless American garage bands. Also influential were 1458:

Garage rock was not an exclusively male phenomenon—it fostered the emergence of

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4-CD box set includes music from the United Kingdom and other countries in the

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album in 1976. In 1974, an updated garage rock scene began to coalesce around

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style. Nationally popular blues- and R&B- influenced beat groups included

2155: 2041: 1867: 1836: 1798: 1573: 1510: 1305: 1250: 1246: 1201: 1052: 1040: 744: 724: 580: 549: 411: 321: 190: 15981:

Price and Reference Guide for 1960s Garage, Psychedelic and Uncharted Rock 45s

13351:

There Was a Time: Rock & Roll in the 1960s in Charlotte and North Carolina

13203: 10232: 9637: 9635: 8159: 5305: 3897:

was the first compilation series to highlight 1960s Australian garage bands.

2943:, nonetheless managed to infuse esoteric elements into basic primitive rock. 1943:, who released the cathartic "Project Blue". Other notable Chicago acts were 1443: 18347: 18317: 18094: 18018: 17945: 17845: 17805: 17641: 17590: 17570: 17519: 17465: 17296: 17267: 17193: 17018: 16923: 16816: 16743: 16703: 16556: 16476: 16383: 14749:

This Ain't the Summer of Love: Conflict and Crossover in Heavy Metal and Punk

14580: 14451: 14314: 13700: 13625: 13495: 12020: 11631:"Cleveland's Early Punk Pioneers: From Cultural Vacuum to Creative Explosion" 5213: 4125: 4074: 4002: 3835: 3804: 3709: 3649: 3628: 3562: 3468: 3347: 3306: 3152: 2753:"How is the Air Up There?", which went to No. 4 on the nation's charts. 2742: 2679: 2663: 2655: 2644: 2636: 2406: 2243: 2235: 2108: 2014: 1998: 1936: 1912: 1756: 1723: 1648: 1633: 1624: 1483: 1408: 1372: 1293: 1225: 1145: 1137: 1120: 891: 740: 708: 690: 606: 594:

folklore, Old America, and sometimes I think those were the best days ever".

495:

structures played on electric guitars or keyboards often distorted through a

492: 356: 215: 165: 91: 16901: 14979:"Flashback: Standells Perform Boston Anthem 'Dirty Water' on 'Mike Douglas'" 13810:

The Emergence of Rock and Roll: Music and the Rise of American Youth Culture

3870:

Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964–1969

1419:. Discovered by a Pittsburgh disc jockey in 1965, the resulting success of " 18312: 18287: 18058: 17855: 17710: 17575: 17565: 17410: 17349: 17262: 17257: 17218: 16984: 16908: 16858: 16848: 16738: 16461: 13428: 13406: 13286:

Bangs, Lester (1981). "Protopunk: The Garage Bands". In Miller, Jim (ed.).

10276: 9632: 7060: 3994: 3970: 3828:

label in 1978 and has been issued in successive installments on LP and CD.

3825: 3752: 3645: 3476: 3472: 3148: 3132: 2940: 2936: 2881: 2869: 2706: 2587: 2566: 2534: 2357: 2263: 2214: 2147: 2053: 1967: 1928: 1852: 1840: 1828: 1731: 1714: 1706: 1668: 1581: 1563: 1518: 1262: 1209: 1056: 1036: 1020: 995: 987: 919: 895: 878:

There and elsewhere, groups of teenagers were inspired directly by touring

851: 830: 752: 673: 569: 504: 480: 16205: 12958:"Nuggets, Vol. 2: Original Artyfacts from the British Empire & Beyond" 11610: 8944: 8286:"The Pretty Things recall their wild past and explore their angry present" 6425: 5738: 4908: 4906: 3512:

Out of the garage revival, a more aggressive form of garage rock known as

18153: 18111: 18106: 18053: 18013: 17987: 17950: 17921: 17906: 17901: 17825: 17788: 17420: 17395: 17279: 17235: 16789: 16779: 16698: 16521: 16506: 16456: 16446: 16441: 16426: 16325: 15237:"Mudhoney's Mark Arm on Being Influenced by the Sonics & the Wailers" 13672: 13127:

Garage Rock and Its Roots: Musical Rebels and the Drive for Individuality

10372: 9557: 8718:

Website database includes over 1,400 mid-1960s bands from the Netherlands

5516: 3737: 3697: 3669: 3608: 3604: 3590: 3550: 3538: 3530: 3417: 3310: 3207: 3189: 3129: 3055: 3051: 2998: 2858: 2771: 2675: 2659: 2513: 2509: 2485: 2456: 2373: 2353: 2255: 2247: 2210: 2131: 2084: 2069: 1924: 1820: 1782: 1660: 1629: 1479: 1451: 1424: 1392: 1391:", had a sound and image that helped pave the way for later acts such as 1297: 1221: 1149: 1141: 1133: 1091: 915: 883: 736: 720: 512: 500: 471: 407: 375: 185: 18136: 16245:- articles, interviews, and reviews of 1960s psychedelic and garage acts 10400: 10356: 10260: 6876: 6090: 6088: 4830: 4545: 3206:, which featured a set of highly energetic, politically charged songs. 2857:

of major political figures and the ongoing escalation of troops sent to

2542: 2107:", then went on to greater success in the late 1960s and early 1970s as 1019:

emerged, which has been mentioned as an early subgenre of garage rock.

18121: 18116: 18063: 18038: 17955: 17938: 17894: 17884: 17793: 17756: 17732: 17715: 17683: 17580: 17535: 17289: 17272: 17223: 16896: 16838: 16728: 16718: 16713: 16667: 16662: 16652: 16592: 16582: 16566: 16561: 16546: 16541: 16516: 16436: 16431: 16400: 16395: 16373: 16291: 15741:

Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording

15722:

Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde

14881:"The 101 strangest records on Spotify: Rockin' Ramrods – She Lied" 14170: 14102:

Wild About You: The Sixties Beat Explosion in Australia and New Zealand

10533: 5958: 4903: 4343: 4133: 3756: 3733: 3721: 3595: 3522: 3456: 3372: 3277: 3232: 3171: 3164: 3022: 3006: 2989: 2840: 2820: 2648: 2521: 2460: 2431: 2410: 2381: 2377: 2364: 2341: 2313: 2184: 2143: 2139: 2044:

were from Durant, Oklahoma, and released a string of singles, such as "

1963: 1885: 1790: 1768: 1663:

would go on to transform the planet with a dozen or more years later".

1569: 1412: 1376: 1355: 1254: 1188: 1157: 1116: 1112: 1007: 842: 728: 669: 661: 565: 561: 520: 419: 379: 352: 316: 306: 200: 150: 126: 116: 111: 101: 16242: 15625:

Five Years Ahead of My Time: Garage Rock from the 1950s to the Present

15495:. Madness, Money and Music: The Legacy of Lansing's 1960s Rock Scene. 13450:

Bogdanov, Vladamir; Woodstra, Chris; Erlewine, Stephen Thomas (2002).

10216: 10146: 10023:"Trippin' Out in TX: A journey through Texas' psychedelic music scene" 9784: 9741: 6587: 6335:"The Liverbirds | From Merseyside to Hamburg: Complete Star Club" 4094:

Not to be confused with Alice Cooper's American band of the same name.

3455:

The earliest group to attempt to revive the sound of 1960s garage was

3054:, who produced some its tracks, and his assemblage of "scenesters" at 3017:. They specialized in a satirical mixture of amateurish garage rock, 2917: 1490:

and cut records with a sometimes somber sound, such as "Up Down Sue".

18322: 18307: 18247: 18141: 18043: 17960: 17911: 17889: 17879: 17850: 17840: 17835: 17783: 17778: 17688: 17664: 17323: 17306: 17245: 17013: 16784: 16774: 16769: 16693: 16688: 16657: 16647: 16632: 16627: 16602: 16597: 16587: 16551: 16536: 16511: 16491: 16481: 15795:

Screaming for Change: Articulating a Unifying Philosophy of Punk Rock

13920:

Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968

13668:"Alice doesn't live here anymore. But he can't forget the Motor City" 13271:(1st ed.). New York: Anchor Books (a division of Random House). 13071:"Music Review: Los Nuggetz: '60s Garage and Psych From Latin America" 11918: 8853:"Something Else! Interview: Frans Krassenburg of the Golden Earrings" 6085: 5974: 5918: 4121: 3888: 3878: 3792:

Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968

3748: 3673: 3624: 3518: 3389: 3363: 3329: 3321: 3249: 3223: 3136: 3117: 3097:, specialized in a style featuring chanting and hypnotic percussion. 3080: 3032: 2971: 2912: 2865: 2828: 2777: 2734:' early sound was largely R&B-influenced garage and psychedelic. 2691: 2615: 2526: 2497:, who recorded several albums and stayed active well into the 1970s. 2444: 2427: 2419: 2401: 2397: 2349: 2333: 2278: 2230: 2201: 1844: 1827:. Garage rock was also present in the Latino community of East L.A. 1764: 1710: 1522: 1514: 1281: 1173: 1169: 1165: 1125: 791: 778: 766: 698: 652: 615: 573: 511:

were used frequently and harmonicas and hand-held percussion such as

450: 435: 415: 371: 311: 230: 180: 170: 160: 155: 53: 45:"Garage rock revival" redirects here. For the early 2000s genre, see 13630:

Staring at Sound: The True Story of Oklahoma's Fabulous Flaming Lips

13453:

All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul

13147:

Rock 'n' Roll and the Cleveland Connection: Music of the Great Lakes

12021:"Ramones Biography | The Rock and Roll Hall of Fame and Museum" 9586: 9584: 9569: 9201: 9199: 8697: 8113: 7971: 6722: 3332:

in Germany. Conversely, glam rock had an influence on the sound of

2538: 2388:" was a hit in Europe before becoming a British number one in 1968. 2309: 541: 17982: 17970: 17928: 17862: 17761: 17727: 17008: 16733: 16723: 16501: 16421: 16378: 16335: 15085: 5464: 4802: 4605: 4603: 4117: 4036:

discography is composed of records released between 1964 and 1968).

4017: 3838:

that focuses on hard-driving and primitive examples of the genre.

3616: 3612: 3309:, a leading band in the scene, were founded by former Modern Lover 3185: 3175: 3047: 3018: 3002: 2885: 2530: 2345: 2178: 2096: 1747:, captured the musical and social milieu of life on the strip. In 1637: 1615: 1600: 1364: 1289: 1197: 684: 387: 15514:"The Moving Sidewalks: Where The British Invasion Met Texas Blues" 13573:

Coerver, Don; Pasztor, Suzanne; Huffington, Robert (August 2004).

9886: 9652: 9650: 8627: 8625: 8206: 8101: 6002: 5835: 5754: 5679: 5603: 5321: 5253: 3490: 3155:. By 1969 the garage rock phenomenon had largely run its course. 2756: 1528: 18272: 17975: 17771: 17751: 17545: 17354: 17228: 16979: 16759: 13595:

Anyone Can Do It: Empowerment, Tradition and the Punk Underground

12594: 12452: 12131: 11902: 10320: 10002: 9959: 9917: 9874: 9820: 9796: 9729: 9662: 9581: 9237: 9196: 8752: 6845: 6140: 6138: 6119: 5813:"How the McCoys' Hit the Top of the Charts With 'Hang on Sloopy'" 4327: 4050: 3413: 3377: 3094: 3028: 2550: 2501: 2321: 2259: 2226: 2119: 2048:", which became a top 10 US hit in 1967. From Phoenix, Arizona, 1978: 1785:, a racially integrated band headed by African-American musician 1776: 1129: 1075: 934: 906:

from Seattle. The Blue Notes from Tacoma, Washington, fronted by

794:

also played significant roles in shaping the sound garage rock.

508: 446: 16229: 16223: 14829:"50 Years Ago Today, The Beatles Taught a Young America to Play" 14598:

Spitz, Bob (2013). Koepp, Stephen (ed.). "The Beatles Invasion (

9674: 6778: 5134: 4600: 4275: 3785:

According to Peter Aaron, there are over a thousand garage rock

3181: 2632: 1719: 1501:

scene in the late 1960s. Other notable 1960s female groups were

18277: 18023: 17720: 16708: 15608:(1st ed.). Gretna, Louisiana: Pelican Publishing Company. 14602:

magazine special issue)". New York: Time Books. pp. 55–59.

14198:(1st ed.). Rowman & Littlefield Publishing Group Inc. 13901:. San Jose, California: San Jose State University: 7–8, 10–11. 13237:

Rock the Nation: Latin/o Identities and the Latin Rock Diaspora

13166:

TV-a-go-go: Rock on TV from American Bandstand to American Idol

10388: 9717: 9647: 9622: 9620: 9618: 9327: 9325: 8622: 7559: 7557: 7511: 7509: 7507: 7505: 6441: 4045:

Used in this sense, the term is detectable as early as 1968 in

3741: 3484: 3442: 2872:

by experimenting with abstract and surreal lyrical imagery and

2018: 1423:" by a defunct group, the Shondells, whose membership included 922:

who went on to achieve a major hit with it the following year.

879: 863: 713: 195: 15901:

New Atlantis: Musicians Battle for the Survival of New Orleans

15187:"Old music: The Barbarians – Are You a Boy or Are You a Girl?" 14504:. New York: The Continuum Publishing Group. pp. 222–223. 11332:"Waterford Band the Punks Lives Again Thanks to HBO's "Vinyl"" 10504: 10502: 10292: 9929: 9459: 8334: 7959: 7423: 7275: 7273: 6135: 5500: 5241: 2658:

switched to a vocal rock format and brought in veteran singer

2598:

were one of the better-known groups. Other notable bands were

2571: 2504:

during the mid-1960s in a period sometimes referred to as the

2206: 2080: 910:, were one of the city's first teenage rock & roll bands. 38:"Garage punk" redirects here. For the 1980s hybrid style, see 16260: 14084:(1st ed.). Branford, Connecticut: Priceless Info Press. 10630: 9971: 9832: 9808: 9521: 8032: 8030: 8028: 7478: 6670:"Where the Action Is! Los Angeles Nuggets 1965–1968 (Review)" 6488: 6486: 6484: 3824:

series was begun by Greg Shaw and originally appeared on his

2683: 2611: 2146:

on guitar, who both went on to fame as solo acts, as well as

1866:

area had a bustling scene featuring the Chocolate Watchband,

1184: 930: 867: 585: 96: 17633: 16239:– covers the group sounds ("G.S.") garage/beat boom in Japan 16214:– covers Australian garage rock bands of the 1960s and later 15812:

Medina, Cuahtémoc (Autumn 2005). Pellizzi, Francesco (ed.).

15312:"In the Red Records' Larry Hardy – Interview – January 2010" 14025:(1st ed.). Miami, Florida: Distinctive Punishing Corp. 12729:"Nuggets: A Classic Collection From the Psychedelic Sixties" 11024: 10934: 10850: 10714: 10712: 10248: 9686: 9615: 9480: 9478: 9476: 9474: 9322: 8548: 7554: 7502: 6465: 6217: 6215: 4818: 4403: 3357: 2294:'s use of fuzz distortion in the Rolling Stones' 1965 hit, " 1811:

were one of the more successful garage bands to incorporate

17470: 16248: 15686:. Backbeat Books (Hal Leonard Performing Arts Publishing). 15665:(2nd ed.). Ann Arbor, Michigan: Popular Culture, Ink. 14611:(track-by-track liner notes). Rhino Entertainment Company. 13575:

Mexico: An Encyclopedia of Contemporary Culture and History

12980: 12803:"Uptight Tonight: Ultimate 60's Garage Collection (Review)" 12606: 12522: 12199: 12197: 12152: 12150: 12095: 11096: 11094: 11092: 11090: 11088: 10558: 10556: 10499: 8937: 8661: 8659: 7270: 6357: 5079: 4922: 4869: 4867: 4865: 4863: 4861: 4626: 4624: 4622: 4573: 4371: 3900:

Down Under Nuggets: Original Australian Artyfacts 1965–1967

3192:, who are considered one of the preeminent proto-punk acts. 3059: 2517: 953: 16254: 16226:– garage bands of the 1960s by state, province and country 15212:"Listen: 'Pitch' investigates the '60s rock song 'Moulty'" 14430:(1st ed.). New Haven, London: Yale University Press. 13829:

Sixties Rock: Garage, Psychedelic, and Other Satisfactions

13109:. Backbeat Books (an imprint of Hal Leonard Corporation). 12534: 12476:"Is This It' at 20: How The Strokes changed music forever" 11693:"Die Electric Eels: Short, Sloppy, Raw, with a Lousy Solo" 11261: 11012: 10204: 8915:"Beat-Club: when TV and music Revolutionized German youth" 8721: 8025: 6481: 6453: 5669: 5667: 5638: 5636: 5634: 5548: 4983: 4981: 4891: 4790: 2099:, Manitoba, began in 1962 and had a hit in the mid-1960s, 1779:", which became a staple in countless bands' repertoires. 1296:

from Los Angeles almost made it into the US top ten with "

17916: 17766: 16764: 14334:

Immigration and American Popular Culture: an Introduction

12497:

Turn on your Mind: Four Decades of Great Psychedelic Rock

10709: 10475: 10432: 9844: 9509: 9471: 8844: 8668:"Living in the Past: 19 Forgotten Nederbiet Gems '64-'67" 8303: 7996: 7994: 7992: 7990: 7435: 6799:"The Music Machine: Black Glove and the Loneliest Garage" 6790: 6212: 6169: 4716: 4714: 4657: 4655: 3585: 3388:

compilation exerted a marked degree of influence on the

3197: 2781: 1955: 1024: 719:

Numerous young people were inspired by musicians such as

15412:"One and Done: 1965's Top 10 Songs by 'One-Hit Wonders'" 15262:"Richard Berry, Songwriter of 'Louie Louie', Dies at 61" 14195:

British Invasion: The Crosscurrents of Musical Influence

13572: 13449: 13288:

The Rolling Stone Illustrated History of Rock & Roll

12708: 12510: 12194: 12162: 12147: 11125: 11085: 10965: 10668: 10666: 10664: 10587: 10553: 10463: 10420: 9093: 8760:"Thinking About Today: Their Complete Works (Outsiders)" 8656: 8277: 8265: 8194: 8140: 7282:"The 13th Floor Elevators: The Psychedelic Sounds of..." 6957: 6575: 6049: 5775: 5773: 5654: 5179:"The Frantics: The Complete Frantics on Dolton (Review)" 5045: 5043: 5041: 4858: 4619: 4461: 4083:

The Rolling Stone Illustrated History of Rock & Roll

3640:

Detroit's garage rock scene included the White Stripes,

3553:. Some of the more prolific independent labels include 3435:' 1965 song "Wild About You" on their 1977 debut album. 3260:" was retroactively featured in a 2016 episode of HBO's 3062:. She shared billing with them on the resulting album, 1261:

charts in October 1965. They were immediately signed to

15663:

Surfin' Guitars: Instrumental Surf Bands of the Sixties

14292:(1st ed.). Charleston, London: The History Press. 14225:

Puterbaugh, Parke (July 14, 1988). Wenner, Jann (ed.).

13309:. New York: Anchor Books (a division of Random House). 12696: 12570: 12331: 12209: 11969: 11967: 10162: 10090: 10088: 9753: 9238:"¡Demolición!: The Complete Recordings Allmusic review" 9103: 9056: 8182: 8130: 8128: 7862: 7860: 7544: 7542: 7024: 6754: 6651: 6649: 5664: 5631: 5591: 5269: 5201: 5158: 5055: 4978: 4956: 4954: 4941: 4939: 4937: 4435: 4222: 4220: 2761: 773:", has been cited as an early influence on garage rock. 441: 16208:– interviews with former members of 1960s garage bands 15462:"The Standells: From the Sunset Strip to Adams Avenue" 14481:

Pop Culture Latin America!: Media, Arts, and Lifestyle

14290:

Milwaukee Garage Bands: Generations of Grassroots Rock

14023:

Savage Lost: Florida Garage Bands: The '60s and Beyond

13812:(1st ed.). Routlage: Taylor & Francis Group. 12403: 12355: 12107: 11984: 11982: 10828:"Sgt Pepper's: When The Beatles Got High on Pomposity" 9425:"GS I Love You Too: Japanese Garage Bands of the '60s" 8994: 8875: 8487: 7987: 7119: 6766: 6603: 6517: 6397: 5946: 5695: 5433: 5421: 4998: 4996: 4780: 4778: 4776: 4711: 4652: 4479: 4467: 4315: 4253: 4251: 4249: 4247: 3906:

Do the Pop! The Australian Garage Rock Sound 1976-1987

3845:

Uptight Tonight: The Ultimate 1960s Garage Punk Primer

1265:

and followed up with another hit in 1966, a cover of "

15056:"Where to Start with the Primal Sound of Garage Rock" 13739:"Bob Dylan, the Beatles, and the Rock of the Sixties" 12992: 12558: 12367: 12300: 11817:"New York Dolls 'Personality Crisis': Classic Tracks" 11486: 10743: 10661: 10639:"The American Punk Rock Movement: From the 1970's On" 10105: 10103: 9418: 9416: 9414: 9356: 9025: 8560: 7674:"Shakin' All Over/Hey Ho/It's Time: All Music Review" 7136: 7134: 6529: 6061: 5770: 5091: 5038: 4966: 4846: 4763: 4761: 4491: 4291: 4263: 4077:

in an article appearing in the October 24 edition of

3954: 3926:

GS I Love You Too: Japanese Garage Bands of the 1960s

3158: 2158:

and recorded several songs including "It's My Time".

1655:, toured with the Beatles in 1966. Also from Boston, 16202:– histories of local and regional bands of the 1960s 15705:. Santa Barbara, California: Greenwood Biographies. 15162:"Anarchy in the UK: A brief history of punk fashion" 14653:

Rock and Roll: Its History and Stylistic Development

13370:

India Psychedelic: The Story of a Rocking Generation

12782: 12489: 12379: 11964: 11870: 10308: 10085: 9368: 9206:

Watts, Jonathan; Collyns, Dan (September 14, 2012).

8963: 8374:"The Who, the Mods, and the Quadrophenia Connection" 8222: 8125: 7857: 7539: 7490: 7312:"The Psychedelic Sounds of the 13th Floor Elevators" 7012: 6854:"Liner Notes for I Had Too Much to Dream Last Night" 6821: 6742: 6646: 5990: 5804: 5375: 5333: 4951: 4934: 4359: 4217: 2557:, a popular act in Argentina during the late 1960s. 1332:

Question Mark and the Mysterians – "96 Tears" (1966)

15606:

Louisiana Rocks!: The True Genesis of Rock and Roll

15081:"Ty Segall Signs to Drag City for New Studio Album" 12684: 12672: 12648: 12582: 12546: 12391: 12343: 12119: 12046: 12044: 12042: 11979: 11934: 11839: 11292: 10697: 10618: 8517: 8465:"Pop/Rock » British Invasion » Freakbeat" 7365: 7165: 7076: 7048: 7000: 6073: 5934: 5906: 5894: 5851: 5619: 5281: 5146: 5067: 4993: 4879: 4773: 4667: 4590: 4588: 4533: 4303: 4244: 2075: 1793:" was another song often covered by other groups. 1647:(sometimes called Barry & the Remains), led by 902:, who came to specialize in a surf rock sound, and 139:

Late 1950s to early 1960s, United States and Canada

15938: 14746: 14572: 13955: 13932: 13518: 12600: 12269: 11715: 11457: 11455: 10793: 10487: 10100: 9411: 8906: 8690: 8079:"GS I Love You: Japanese Garage Bands of the '60s" 7131: 6892: 4758: 4726: 4232: 4008:List of 1960s one-hit wonders in the United States 3599:. Playing a style indebted to '60s-70s bands like 3076:", and other topics considered taboo at the time. 2951:The Psychedelic Sounds of the 13th Floor Elevators 2823:contains characteristics that came to typify much 2150:who later accompanied Young to California to join 1387:, who reached the top 20 with fuzz guitar-driven " 31:"Garage band" redirects here. For other uses, see 15962:The Billboard Book of Top 40 Hits: Eighth Edition 15683:We Never Learn: The Gunk Punk Undergut, 1988–2001 15566:"The Halloween Concert That Reinvented Bob Dylan" 14573:Smitz, P.; Bain, C.; Bao, S.; Farfor, S. (2005). 14004:One Chord Wonders: Power and Meaning in Punk Rock 12660: 11624: 11622: 11620: 11146:"The Story of MC5's Historic 'Kick Out the Jams'" 8072: 8070: 8068: 8066: 8064: 7377: 5234:, pp. 78–85, 90, 109–116, 138–140, 189–190; 4116:1960 instrumental "LSD-25" mentions LSD, and in " 3920:GS I Love You: Japanese Garage Bands of the 1960s 3450: 2992:political or philosophical messages, dabbling in 1966:from Minneapolis released the guitar-overdriven " 1815:influences into their sound, such as in the hit " 672:- derived garage sounds of certain acts, such as 530: 18345: 15979:Wickham, Barry G.; Richman, Geoffrey M. (2008). 15846:(2nd ed.). London: Barrie and Jenkins Ltd. 15362:"The kids are all right! And they love the '60s" 14479:Shaw, Lisa; Dennison, Stephanie (January 2005). 14404: 14355:Punk rock: so what?: the cultural legacy of punk 12499:(Milwaukee, WI: Hal Leonard Corporation, 2003), 12039: 11755:"8 Krautrock Artists You Need to Hear Right Now" 11516: 11390: 11388: 10075: 9542:, pp. 1–3, 46, 50–51, 54, 67, 78, 121, 134. 6784: 6385: 5536: 4585: 4140:" (there pronounced as "psycho-delic") in 1964. 2900: 2179:Variants in regions outside of the US and Canada 1478:(later known as Cradle), from Detroit, featured 1179: 685:Regional rock & roll, instrumental, and surf 15764:(1st ed.). Memphis: Sharngri-La Projects. 15644:Surf Beat: Rock 'n' Roll's Forgotten Revolution 15387:"All Tomorrow's Partisans: Lou Reed, 1942–2013" 14906:"When did they start calling it 'garage' rock?" 14695:The White Stripes and the Sound of Mutant Blues 14650: 12413:(Edinburgh: Edinburgh University Press, 2004), 12088:, pp. 34, 66, 76, 106, 132–133, 187, 215; 11746: 11684: 11452: 11354: 11054: 3891:music from Continental Europe from the 1960s. 3549:releasing records by bands playing fast-paced, 2977: 2935:or the instrumental virtuosity of acts such as 2757:Integration with psychedelia and counterculture 2745:were known for a raw R&B-influenced sound. 1595: 1529:Regional scenes in the United States and Canada 875:Puget Sound to Seattle and Tacoma, and beyond. 519:recognizable regional sound with bands such as 15978: 14132:Morrison, Craig (2005). Komara, Edward (ed.). 13353:(1st ed.). Charlotte: Fort Canoga Press. 13305:Bangs, Lester (2003a). Morthland, John (ed.). 11899:, pp. 34, 66, 76, 106, 132–133, 187, 215. 11777: 11617: 11542: 11323: 8591: 8061: 6027:"The Syndicate of Sound: Little Girl (Review)" 2694:had a hit in Australia with their version of " 1076:Impact of the Beatles and the British Invasion 664:". "Frat rock" has been used to refer to the 17649: 16276: 15983:. Petaluma, California: Richman and Wickham. 15724:(1st ed.). University of Chicago Press. 14098: 12986: 12053:"The History Of Australian Punk In 30 Tracks" 11385: 10636: 10008: 9965: 9923: 9880: 9838: 9826: 9814: 9802: 9790: 9747: 9735: 9723: 9680: 9668: 9656: 9641: 9626: 9575: 9563: 8813: 8107: 3854:was the first female garage rock series, and 1407:charts and was later covered by acts such as 1300:", a song now often associated with Boston. " 537:Punk rock § Etymology and classification 462:of professional musicians in their twenties. 16212:Everett True's Australian Garage Rock Primer 15920:The Music Lover's Guide to Record Collecting 14928: 14478: 14331: 14249: 13939:(1st ed.). Dorling Kindersley Limited. 13493: 13348: 12927:"The Rebel Kind: Girls with Guitars, Vol. 3" 12612: 12467: 11002: 10924: 10904: 10888: 10868: 10783: 10637:Essor-Winston, Marissa (November 20, 2012). 10394: 10382: 10362: 10342: 10282: 10266: 10254: 10238: 10210: 10079: 9205: 9097: 8634:"Trans-World Punk Rave-Up, Vol. 1–2: Review" 4353: 3631:, all had a sound "to some extent rooted in 3572: 3443:1970s–2000s: Revivalist and hybrid movements 2621: 1486:, also from Michigan, signed with Chicago's 755:scene in Southern California and provided a 15797:. Rowman & Littlefield Publishers Inc. 15437:"The 50 Best Garage Rock Songs of All Time" 14878: 14711: 14336:. New York, NY: New York University Press. 13482: 13267:Bangs, Lester (2003). Marcus, Greil (ed.). 12896:"Destroy That Boy! More Girls with Guitars" 12540: 11301:"Iggy and the Stooges - Raw Power (Review)" 11018: 10908: 8884:"Old music: Golden Earring – Twilight Zone" 8782: 7600:, pp. 14–17, 29–30, 34–35, 49, 51, 88. 6797:Robinson, Sean Michael (October 28, 2014). 6581: 4744: 4649:, pp. 8, 56–57, 61, 64, 101, 113, 225. 1823:-toned guitar, and which appeared on their 1288:", which was later covered by acts such as 17656: 17642: 16283: 16269: 15434: 14224: 14063:(1st ed.). Rowman & Littlefield. 13765:The Clash: Return of the Last Gang in Town 13500:The Guide to United States Popular Culture 13233: 13182: 12424: 12137: 12013: 11808: 10168: 8188: 6882: 5968: 5810: 5112:"Chris Montez: The More I See You/Call Me" 3929:Both sets feature GS acts from Japan. The 3903:is also devoted to Australian acts, while 3877:. It is of particular interest to fans of 3656:, and Rocket 455. Elsewhere, acts such as 2864:In 1965, the influence of artists such as 422:", or, in certain instances, "frat rock". 15818:. Harvard University Press. p. 187. 15536: 15234: 15135:"Red Rag: Jay Reatard Signs with Matador" 14273:(First ed.). Oakland, CA: PM Press. 14077: 14039: 13624: 12714: 12626:"Signed: Black Lips Sign To Vice Records" 12203: 12188: 12168: 12156: 11721: 11397:"This Band Was Punk Before Punk Was Punk" 11143: 11006: 10928: 10892: 10872: 10856: 10787: 10469: 10426: 10270: 9554:, pp. 1–2, 29, 50, 54, 121–122, 134. 8523: 8271: 8146: 7965: 7484: 7441: 7429: 7070: 6839: 6593: 6435: 6221: 6175: 6129: 6055: 6012: 5984: 5928: 5841: 5764: 5748: 5685: 5673: 5642: 5097: 5085: 4987: 4912: 4897: 4836: 4824: 4808: 4796: 4685: 4630: 4579: 4441: 4429: 4389: 4349: 4333: 4321: 4297: 4281: 4269: 3431:, from Brisbane, included a rendition of 3358:Mid-1970s: Emergence of the punk movement 2052:featured Vincent Furnier, later known as 707:In the late 1950s, the initial impact of 15385:Seavey, Todd Seavey (October 28, 2013). 15359: 15284: 15209: 15026: 14929:Fensterstock, Alison (October 2, 2013). 14903: 14673: 14497: 14385: 14306: 14131: 13922:(Media notes). Elektra Records. 7E-2006. 13892: 13845: 13651:. Quintessence Publishing. p. 184. 13649:1,000 Songs You Must Hear Before You Die 13539: 13386: 13323: 12998: 12576: 12564: 12441: 12438:, vol. 26, no. 4, ISSN 0886-3032, p. 95. 12337: 12180: 11550:"Music: Anthems of the Blank Generation" 11205: 11144:Rivadavia, Eduardo (February 27, 2014). 11060: 10799: 10481: 10410: 10366: 10346: 10286: 10242: 10226: 9362: 9208:"Where did Punk Begin? A Cinema in Peru" 8283: 8200: 7739:"The Ugly Ducklings - Somewhere Outside" 7217:"Old Music: The Electras - Action Woman" 6963: 6796: 6535: 5658: 5597: 5490: 5275: 5235: 4928: 4567: 4257: 4047:Frank Zappa and the Mothers of Invention 3489: 3371: 3180: 3027: 2916: 2801:Count Five – "Psychotic Reaction" (1966) 2631: 2570: 2480: 2405: 2308: 2290:, and "I Can Only Give You Everything". 2286:", which became a big hit for Chicago's 2205: 2079: 1977: 1895: 1775:" and the Leaves with their version of " 1751:, several bands make appearances at the 1718: 1683:", which appeared on their debut album, 1599: 1532: 1442: 1245:compilation. Featuring a lead vocal by 1241:", which was later included on the 1972 1183: 1070: 954:Frat rock and initial commercial success 761: 589:, Dave Marsh described a performance by 540: 445: 15903:. Oxford, UK: Oxford University Press. 15743:(1st ed.). Duke University Press. 15641: 15563: 15409: 15372:from the original on September 14, 2020 15285:Paterson, Beverly (November 27, 2013). 15259: 14744: 14718:. Hal Leonard Corporation. p. 69. 14423: 14058: 14020: 13905:from the original on September 29, 2015 13873: 13869:(Media notes). Sundazed Music. SC11010. 13736: 13665: 13577:. 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In 1964, the group appeared on the 14: 18346: 16005:Christgau, Robert (October 14, 1971). 15660: 15578:from the original on December 29, 2015 15537:Whiteside, Jonny (February 28, 2015). 15486: 15435:Stiernberg, Bonnie (August 27, 2014). 15384: 15334: 15197:from the original on September 3, 2017 15159: 15132: 15105: 15078: 15053: 14989:from the original on December 10, 2015 14976: 14955: 14853: 14841:from the original on November 22, 2015 14801: 14530: 14287: 14150: 14099:Marks, Ian D.; McIntyre, Iain (2010). 13979:"The Sonics Put Nasty into Every Note" 13954:Kitts, Thomas M. (November 28, 2007). 13864: 13646: 13612:from the original on February 16, 2017 13525:(3rd ed.). London: Rough Guides. 13427: 13405: 13367: 13349:Berger, Jacob; Coston, Daniel (2014). 13307:Mainlines, Blood Feasts, and Bad Taste 13304: 13254:from the original on February 16, 2017 13163: 12770:from the original on November 26, 2017 12690: 12678: 12654: 12473: 12361: 12349: 12247:"Thee Mighty Caesars – biography" 12227:from the original on September 2, 2016 12184: 12141: 12050: 11928: 11827:from the original on February 17, 2020 11814: 11752: 11703:from the original on February 16, 2020 11672:from the original on December 31, 2019 11641:from the original on December 25, 2019 11628: 11474:from the original on December 22, 2015 11430:"Death: ...For the Whole World to See" 11373:from the original on December 22, 2015 11113:from the original on September 8, 2015 10971: 10943:"Vietnam: the first rock and roll war" 10940: 10825: 10752:"The Monks - Black Monk Time (Review)" 10703: 10624: 10547: 10543: 10539: 10451:from the original on December 22, 2015 10121: 9705:from the original on November 17, 2015 9551: 9539: 9527: 9515: 9465: 9453: 9344:from the original on November 25, 2017 9310:from the original on December 21, 2018 9279:from the original on February 13, 2017 9153:from the original on February 28, 2018 9094:Coerver, Pasztor & Huffington 2004 8982:from the original on December 10, 2015 8832:from the original on December 22, 2015 8822:"Nothing But Trouble: The Best of Q65" 8536:from the original on February 27, 2018 8524:Frisicano, Andrew (November 2, 2016). 8495:"Troggs Singer Reg Presley Dead at 71" 7981: 7783:from the original on December 22, 2015 7718:from the original on February 21, 2015 7684:from the original on December 28, 2013 7640: 7609: 7322:from the original on December 22, 2015 7291:from the original on November 15, 2015 7066: 6945:from the original on February 28, 2015 6898: 6732: 6634:from the original on November 22, 2014 6459: 6447: 6431: 6419: 6403: 6379: 6067: 5964: 5952: 5912: 5823:from the original on September 8, 2020 5655:Bogdanov, Woodstra & Erlewine 2002 5474: 5452:from the original on December 15, 2019 5409:from the original on November 12, 2010 5381: 5327: 5315: 5263: 5247: 5231: 5219: 5207: 5164: 5152: 5140: 4972: 4960: 4945: 4852: 4563: 4521:from the original on November 12, 2015 4497: 4462:Bogdanov, Woodstra & Erlewine 2002 4457: 4453: 4425: 4377: 4365: 4337: 4309: 4285: 4226: 4062:Letters in title were not capitalized. 3803:grew into a multi-volume series, when 3781:List of garage rock compilation albums 2154:in 1966. They signed a contract with 1438: 17637: 16264: 15622: 15459: 15235:Mazzarone, Mike (February 14, 2013). 15210:Matheson, Whitney (August 13, 2014). 15184: 14879:Fitzpatrick, Rob (January 22, 2014). 14767: 14651:Stuessy, J.; Lipscomb, S. D. 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Pepper's Lonely Hearts Club Band 2529:became one of Peru's leading groups. 2391: 1208:broke into the national charts with " 679: 17508:Rock music and the fall of communism 16037:from the original on August 17, 2013 16020:– via www.robertchristgau.com. 15918:Thompson, Dave (September 1, 2002). 15863:The Byrds: Timeless Flight Revisited 15701:Edmondson, Jacqueline (April 2009). 15592: 15511: 15499:from the original on August 18, 2016 15309: 15106:Jacobs, Justin (November 11, 2009). 15001: 14866:from the original on August 12, 2016 14826: 14814:from the original on October 7, 2016 14802:Billet, Alexander (March 29, 2016). 14692: 14628:"Remembering the Continental Co-ets" 14606: 14459: 14444: 14268: 14155:(1st ed.). Arcadia Publishing. 14105:(1st ed.). Verse Chorus Press. 13926: 13917: 13867:Oh Yeah! The Best of Dunwich Records 13807: 13761: 13692: 13591: 13435:(1st ed.). 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Like Sydney's the Missing Links, 1839:are considered prominent figures in 1819:", whose opening featured a buzzing 1817:I Had Too Much to Dream (Last Night) 1689:, along with a lengthy rendition of 1544: 972:The Kingsmen – "Louie, Louie" (1963) 630:, which pre-dated the more familiar 442:Social milieu and stylistic features 15551:from the original on April 16, 2016 15272:from the original on March 26, 2016 14732:from the original on April 24, 2016 14535:(2nd ed.). London: Routledge. 14518:from the original on August 1, 2020 14405:Schinder, S.; Schwartz, A. (2008). 14250:Rawlings-Way, Charles, ed. 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Two of the best-known acts were 2101:Johnny Kidd & the Pirates 1320: 960: 799: 525:Paul Revere & the Raiders 351:) is a raw and energetic style of 25: 18385: 18253:Animal rights and punk subculture 16164: 16050:Wilonsky, Robert (June 3, 2011). 15922:. 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The group, who sometimes wore 3065:The Velvet Underground & Nico 3035:'s music imbued garage rock with 2191: 2173:The World Ain't Round It's Square 2025:from Dallas cut the fuzz-driven " 1063:, who had a top twenty hit with " 632:1975 publication of the same name 17615: 17604: 17603: 15964:. Record Research. p. 499. 15487:Tupica, Rich (January 4, 2013). 15079:Hughes, Josiah (March 2, 2011). 15054:Heller, Jason (March 30, 2015). 14153:Fort Worth's Rock and Roll Roots 13831:. University of Illinois Press. 13456:(3rd ed.). Backbeat Books. 13372:(1st ed.). 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See 2805: 2470: 2463:, who had a worldwide hit with " 2165:from Bermuda recorded the album 2076:Canada, islands, and territories 1369:Question Mark and the Mysterians 1354:Problems playing this file? See 1336: 1006:Problems playing this file? See 976: 841:Problems playing this file? See 815: 18238:List of punk compilation albums 17426:Progressive rock (radio format) 16243:It's Psychedelic Baby! Magazine 15470:. San Diego, CA. Archived from 15460:Thorn, Steve (September 2013). 14977:Greene, Andy (April 16, 2013). 14904:Flanagan, Mike (May 22, 2014). 14827:Dean, Bill (February 9, 2014). 14768:Woods, Baynard (June 2, 2017). 14626:Steil, Mark (August 21, 2001). 14533:Popular Music: The Key Concepts 13977:Kot, Gregory (April 23, 2015). 13893:Kauppila, Paul (October 2006). 13149:. Kent State University Press. 13097: 12834:"Girls in the Garage, Vol. 1–6" 12474:Golsen, Tyler (July 30, 2021). 11032:"Rewind to the garage rock era" 6190:"Truth Gotta Stand: Luv'd Ones" 6097:"Goldie & The Gingerbreads" 5560: 5387: 5345: 5300:Songwriter of Louie Louie dies 5293: 5170: 5103: 5008: 4503: 4067: 4056: 4039: 4029: 3774: 3676:from Memphis, enjoyed moderate 2363:Some commentators have branded 1807:featured the hit "Talk Talk". 1620:Are You a Boy or Are You a Girl 1218:Sam the Sham & the Pharaohs 1065:Double Shot (Of My Baby's Love) 507:. Portable organs such as the 16290: 15337:"Bluffer's Guide: Garage Punk" 15002:Hall, Oliver (July 17, 2015). 14958:"Riot on Sunset Strip: Review" 14856:"The Fugs - Final CD (Part 1)" 14854:Dougan, John (July 16, 2003). 13848:Encyclopedia of Recorded Sound 11991:"Sex Pistols | Biography" 11395:Rubin, Mike (March 12, 2009). 11330:Graff, Gary (March 15, 2016). 11061:Uhelszki, Jaan (May 4, 2018). 10439:Benes, Ross (March 12, 2014). 8122:, pp. 56–57, 61, 64, 101. 7215:Hann, Michael (June 1, 2012). 4187: 3451:Retro revival acts 1970s-1980s 2262:, Northern Ireland, featuring 1985:from Oklahoma had a hit with " 1831:, who had a hit in 1964 with " 1082:Cultural impact of the Beatles 531:Recognition and classification 390:stations. With the advent of 13: 1: 17663: 16077: 15865:(2nd ed.). Rogan House. 15793:Kristiansen, Lars J. (2010). 15539:"Rockin' from the Golden Age" 15185:Marsh, David (May 28, 2012). 15160:Lister, Kat (March 2, 2017). 14359:(first ed.). Routledge. 13391:. McGraw-Hill International. 9644:, pp. 12, 16, 18–19, 87. 9269:"Los York's - Los York's '68" 6624:"Richard and the Young Lions" 4175: 3887:series focuses on garage and 3328:in Great Britain, as well as 3273:...For the Whole World to See 3235:" image, and recorded 1971's 3221:in 1969 and culminating with 2997:urbanized, intellectual, and 2901:Garage-based psychedelic rock 2868:, who moved beyond political 2682:of the later hard rock group 2328:tailored their appeal to the 2296:(I Can't Get No) Satisfaction 2029:", which in Mike Markesich's 1700: 1675:from Newark, New Jersey, and 1538:Paul Revere & the Raiders 1180:Height of success and airplay 1160:. Their 1966 worldwide hit " 994:and provided a major hit for 16190:Resources in other libraries 15937:Unterberger, Richie (2000). 15646:. New York: Backbeat Books. 15310:Rose, Steve (January 2010). 14712:Unterberger, Richie (1998). 14271:Punk Rock: An Oral Biography 14021:Lemlich, Jeffrey M. (1992). 13234:Avant-Mier, Roberto (2010). 11753:Sommer, Tim (July 7, 2015). 11494:"Jonathan Richman Biography" 10076:Schinder & Schwartz 2008 8913:Brady, Kate (July 9, 2014). 6785:Schinder & Schwartz 2008 6418:, pp. 3, 17, 172, 178; 5330:, pp. 133–138, 151–155. 5020:Rock & Roll Hall of Fame 4180: 3338:1973 self-titled debut album 3200:issued their live debut LP, 2978:Primitivist avant-garde acts 2963:: A Mind-Expanding Phenomena 2500:The beat boom flourished in 2275:All Day and All of the Night 1596:New England and Mid-Atlantic 1124:blues-based attack, such as 485:United States Junior Chamber 33:Garage band (disambiguation) 7: 18243:List of punk rock festivals 17456:List of years in rock music 15945:. Hal Leonard Corporation. 15512:Ward, Ed (March 13, 2013). 15029:"The Black Keys: El Camino" 14794: 14674:Szatmary, David P. (2013). 14427:The Yale Book of Quotations 13130:. McFarland & Company. 11603:"Mickey Clean and the Mezz" 11361:Monger, James Christopher. 9566:, pp. 12, 55, 63, 317. 7867:Jones, Josh (May 1, 2014). 3950: 3686:Black Rebel Motorcycle Club 3593:and their 2001 debut album 2874:switched to electric guitar 2768:Counterculture of the 1960s 2721:, Steve and the Board, and 1804:(Turn On) The Music Machine 1673:Richard and the Young Lions 1468:Can't You Hear My Heartbeat 1464:Goldie and the Gingerbreads 10: 18390: 18197:Second wave punk musicians 17561:Rock and Roll Hall of Fame 16206:Beyond the Beat Generation 15880:Rosenberg, Stuart (2008). 15661:Dalley, Robert J. (1996). 15627:. London: Reaktion Books. 13931:. In Wolter, Debra (ed.). 13124:Abbey, Eric James (2006). 11989:Erlewine, Stephen Thomas. 11784:Erlewine, Stephen Thomas. 11101:Erlewine, Stephen Thomas. 10907:, pp. 144, 149, 152; 8698:"Dutch Sixties Beatgroups" 8310:Erlewine, Stephen Thomas. 8001:Erlewine, Stephen Thomas. 7521:Rock and Roll Hall of Fame 7248:"The 13th Floor Elevators" 6668:Erlewine, Stephen Thomas. 5143:, pp. 6, 26, 159–160. 5016:"Ritchie Valens Biography" 3943: 3909:covers more recent bands. 3778: 3576: 3508:Garage punk (fusion genre) 3505: 3361: 3162: 3100: 2981: 2910: 2904: 2765: 2625: 2564: 2474: 2395: 2195: 1891: 1704: 1681:(We Ain't Got) Nothin' Yet 1558:" (originally recorded by 1269:", originally recorded by 1079: 688: 534: 40:Garage punk (fusion genre) 29: 18359:20th-century music genres 18230: 18192:First wave punk musicians 18184: 18072: 18001: 17701: 17671: 17599: 17528: 17483:Electronics in rock music 17434: 17388: 17363: 17337: 17186: 17149:Hard rock and heavy metal 16942: 16874: 16809: 16802: 16752: 16676: 16643:Pub rock (United Kingdom) 16575: 16409: 16361: 16346: 16298: 16235:January 20, 2014, at the 16185:Resources in your library 16126:"Kenny & the Kasuals" 15840:Murrells, Joseph (1978). 15720:Gendron, Bernard (2002). 15703:Jerry Garcia: A Biography 14424:Shapiro, Fred R. (2006). 14134:Encyclopedia of the Blues 14042:Popular Music and Society 14040:Longhurst, Brian (2007). 13368:Bhatia, Sidharth (2014). 13240:. Bloomsbury Publishing. 13204:10.1080/03007760701579977 13192:Popular Music and Society 13145:Adams, Deanna R. (2002). 13050:. AllMusic, Netaktion LLC 12987:Marks & McIntyre 2010 12409:S. Borthwick and R. Moy, 11005:, pp. 101–104, 146; 10927:, pp. 101–104, 146; 10871:, pp. 144, 148–149; 10786:, pp. 144, 148–149; 10009:Marks & McIntyre 2010 9966:Marks & McIntyre 2010 9924:Marks & McIntyre 2010 9895:"The Masters Apprentices" 9881:Marks & McIntyre 2010 9839:Marks & McIntyre 2010 9827:Marks & McIntyre 2010 9815:Marks & McIntyre 2010 9803:Marks & McIntyre 2010 9791:Marks & McIntyre 2010 9748:Marks & McIntyre 2010 9736:Marks & McIntyre 2010 9724:Marks & McIntyre 2010 9681:Marks & McIntyre 2010 9669:Marks & McIntyre 2010 9657:Marks & McIntyre 2010 9642:Marks & McIntyre 2010 9627:Marks & McIntyre 2010 9576:Marks & McIntyre 2010 9564:Marks & McIntyre 2010 8108:Marks & McIntyre 2010 6553:"Barry & the Remains" 5442:"The Swingin' Medallions" 4013:List of garage rock bands 3946:List of garage rock bands 3573:2000s garage rock revival 3547:independent record labels 3120:as the preferred medium. 3079:Outside of New York were 2622:Australia and New Zealand 2013:, from Houston, featured 1857:Land of a Thousand Dances 1106:President John F. Kennedy 591:? and the Mysterians 302: 297: 253: 248: 241: 236: 229: 224: 143: 135: 84: 69: 64: 18364:American styles of music 17461:Origins of rock and roll 16106:"The Syndicate of Sound" 15843:The Book of Golden Discs 15597: 14386:Schwartz, R. F. (2007). 14078:Markesich, Mike (2012). 14044:(2nd ed.). Polity. 13874:Joynson, Vernon (1997). 13846:Hoffmann, Frank (2004). 13387:Blackman, S. J. (2004). 13168:. Chicago Review Press. 11103:"The Stooges: Biography" 11003:Berger & Coston 2014 10925:Berger & Coston 2014 10905:Berger & Coston 2014 10889:Berger & Coston 2014 10869:Berger & Coston 2014 10784:Berger & Coston 2014 10511:"The Velvet Underground" 10395:Berger & Coston 2014 10383:Berger & Coston 2014 10363:Berger & Coston 2014 10343:Berger & Coston 2014 10283:Berger & Coston 2014 10267:Berger & Coston 2014 10255:Berger & Coston 2014 10239:Berger & Coston 2014 10211:Browne & Browne 2001 10080:Rubin & Melnick 2007 9793:, pp. 154–155, 163. 9750:, pp. 197–204, 338. 9098:Shaw & Dennison 2005 8160:"Birth of Mersey Beat 1" 7517:"Alice Cooper Biography" 7186:"The Unrelated Segments" 6905:Arts & Entertainment 6450:, pp. 172–178, 183. 5318:, pp. 119, 135–138. 5250:, pp. 119, 135–138. 4023: 3923:and its companion piece 3884:Trans World Punk Rave-Up 3409:, identity, and values. 3046:, whose roster included 2945:The 13th Floor Elevators 2063:From Florida, Orlando's 1995:the 13th Floor Elevators 1671:, from Long Island, and 1497:became a fixture in the 937:. At the same time, in 751:" helped jump-start the 52:Not to be confused with 17401:Adult album alternative 15998: 15960:Whitburn, Joel (2004). 15778:Joynson, Vernon (2004) 15680:Davidson, Eric (2010). 14678:. New Jersey: Pearson. 14556:Oxford University Press 14498:Shepherd, John (2012). 13827:Hicks, Michael (1999). 13808:Hall, Mitchell (2014). 13718:Frith, S., ed. (2004). 13647:Dimery, Robert (2010). 13543:American Youth Cultures 13540:Campbell, Neil (2004). 13517:Buckley, Peter (2003). 13107:If You Like the Ramones 13013:"Ugly Things, Vol. 1–3" 10047:"The 60's Drug Culture" 9468:, pp. 1–4, 10, 51. 5493:, pp. 7–8, 10–11; 5302:Retrieved 07 April 2022 4566:, pp. x, 169–188; 4130:the Holy Modal Rounders 3858:issued the more recent 3668:from Umeå, Sweden, and 3664:from Chatham, England, 3070:I'm Waiting for the Man 2967:stream of consciousness 2732:The Masters Apprentices 2674:, the older brother of 2560: 2372:", written by American 2320:By 1965, bands such as 1876:The Chocolate Watchband 1761:the Chocolate Watchband 1433:Incense and Peppermints 1061:the Swingin' Medallions 908:"Rockin' Robin" Roberts 17493:Rock Against Communism 16892:Brazilian thrash metal 15899:Swenson, John (2012). 15861:Rogan, Johnny (1998). 15739:Grubbs, David (2014). 15642:Crowley, Kent (2011). 15391:The American Spectator 15216:AZ Central (USA Today) 14632:Minnesota Public Radio 14288:Roller, Peter (2013). 14173:(September 15, 1998). 14059:MacLeod, Sean (2015). 11927:, pp. 24, 50–53; 9578:, pp. 12, 55, 63. 9530:, pp. 15–22, 91.. 8557:, pp. 56–58, 101. 7641:Montfichet, Stansted. 7610:Montfichet, Stansted. 7401:"The Moving Sidewalks" 6803:The Hooded Utilitarian 6147:"The Pleasure Seekers" 4424:, pp. 17–18, 30; 3914:Los Nuggetz Volume Uno 3834:is a series issued by 3807:in the 1980s released 3601:the Velvet Underground 3498: 3465:the Chesterfield Kings 3381: 3352:Handsome Dick Manitoba 3193: 3044:The Velvet Underground 3040: 2925: 2794: 2749:recorded a version of 2640: 2579: 2537:and Los Flippers from 2489: 2488:, from Uruguay in 1965 2414: 2317: 2218: 2122:had a hit with "Nothin 2088: 1997:from Austin, featured 1990: 1960:The Unrelated Segments 1904: 1872:the Syndicate of Sound 1727: 1608: 1541: 1455: 1429:Strawberry Alarm Clock 1417:the Chesterfield Kings 1397:The Syndicate of Sound 1325: 1308:went to No. 5 on 1284:hit No. 5 with " 1192: 965: 804: 774: 553: 458: 370:In the US and Canada, 18333:Timeline of punk rock 18263:Death of Brian Deneke 17873:Progressive metalcore 17515:Rockism and poptimism 16975:British rock and roll 16144:Unterberger, Richie. 16124:Unterberger, Richie. 16007:"Consumer Guide (20)" 15172:on September 26, 2016 14910:Colorado Public Radio 14657:Pearson Prentice Hall 14550:Smith, Chris (2009). 14351:Sabin, Roger (1999). 14307:Rowthorn, C. (2003). 14192:Philo, Simon (2015). 14151:Nobles, Mark (2012). 13935:Punk: The Whole Story 13929:"Punk Rock Year Zero" 13865:Jarema, Jeff (1991). 13785:"Play Like Dick Dale" 13762:Gray, Marcus (2004). 13680:on September 12, 2015 13105:Aaron, Peter (2013). 13042:Unterberger, Richie. 13011:Unterberger, Richie. 12894:Unterberger, Richie. 12863:Unterberger, Richie. 12758:Unterberger, Richie. 12104:, pp. 24, 50–53. 11607:Boston Rock Storybook 11150:Ultimate Classic Rock 10891:, pp. 144, 152; 10719:Unterberger, Richie. 10563:Unterberger, Richie. 10509:Unterberger, Richie. 9978:Unterberger, Richie. 9893:Unterberger, Richie. 9760:Unterberger, Richie. 9693:Unterberger, Richie. 9591:Unterberger, Richie. 9485:Unterberger, Richie. 9423:Unterberger, Richie. 9298:Unterberger, Richie. 9172:Unterberger, Richie. 9141:Unterberger, Richie. 9063:Unterberger, Richie. 9032:Unterberger, Richie. 9001:Unterberger, Richie. 8970:Unterberger, Richie. 8666:Unterberger, Richie. 8632:Unterberger, Richie. 8567:Unterberger, Richie. 8343:"The Downliners Sect" 8341:Unterberger, Richie. 8253:on September 18, 2013 8241:Unterberger, Richie. 8077:Unterberger, Richie. 7833:Unterberger, Richie. 7341:Unterberger, Richie. 6852:Unterberger, Richie. 6234:Unterberger, Richie. 5817:Ultimate Classic Rock 5780:Unterberger, Richie. 5714:Unterberger, Richie. 5557:, pp. 17–18, 62. 4511:"Garage Rock Revival" 4412:, pp. 17–18, 30. 4400:, pp. 17–18, 30. 4380:, pp. 75, 83–88. 3690:Death from Above 1979 3493: 3375: 3184: 3106:After the release of 3093:and partially shaven 3031: 2920: 2793: 2713:, and from Melbourne 2666:, featuring vocalist 2635: 2574: 2484: 2409: 2312: 2288:the Shadows of Knight 2209: 2093:the Northwest Company 2083: 2068:Chocolate Watchband. 1981: 1917:the Shadows of Knight 1901:The Shadows of Knight 1899: 1851:, who had a hit with 1722: 1603: 1536: 1446: 1324: 1187: 1080:Further information: 1071:1964–1968: Peak years 964: 803: 765: 544: 449: 18159:Scottish Gaelic punk 17350:Sahara desert region 16638:Pub rock (Australia) 15623:Bovey, Seth (2019). 15604:Aswell, Tom (2010). 15524:on February 11, 2017 15489:"Back to the Garage" 15474:on September 8, 2013 15467:San Diego Troubadour 15322:on February 16, 2010 14745:Waksman, S. (2009). 14531:Shuker, Roy (2005). 14136:. Psychology Press. 14002:Laing, Dave (2015). 13918:Kaye, Lenny (1972). 12865:"Girls With Guitars" 12455:. September 19, 2022 12187:, pp. 184–196; 12051:Cunningham, Adrian. 11786:"The New York Dolls" 11613:on October 24, 2007. 10182:"Psychedelic/Garage" 10122:Chadbourne, Eugene. 10078:, pp. 266–267; 9393:Julian Cope Presents 9334:"Los Gatos Salvajes" 9096:, pp. 440–441; 8501:. February 5, 2013. 8110:, pp. 7–9, 317. 7968:, pp. 209, 387. 7708:"The Ugly Ducklings" 7432:, pp. 118, 387. 6885:, pp. 555–574; 6434:, pp. 176–177; 5314:, pp. 261–264; 4132:on their version of 3875:British commonwealth 3809:fifteen installments 3736:from Australia, and 3483:movement and future 2017:on guitar, later of 2011:The Moving Sidewalks 2003:You're Gonna Miss Me 1945:the Little Boy Blues 1825:self titled debut LP 1749:Riot on Sunset Strip 1738:Riot on Sunset Strip 1686:Psychedelic Lollipop 1503:the Daughters of Eve 1476:The Pleasure Seekers 1448:The Pleasure Seekers 1383:. Two months later, 1101:The Ed Sullivan Show 1096:the British Invasion 1045:The Bird is the Word 929:, in places such as 898:, formed in 1958 in 890:, and began to play 858:, which encompasses 477:battles of the bands 438:" musical approach. 426:sometimes using the 18201:List of punk bands 17541:List of rock genres 17503:Rock Against Sexism 17498:Rock Against Racism 17406:Album-oriented rock 16086:"The Music Machine" 15247:on December 8, 2015 15041:on December 4, 2011 14964:on October 28, 2011 14834:The Gainesville Sun 14607:Stax, Mike (1998). 14269:Robb, John (2012). 13927:Kent, Nick (2006). 13632:. Crown/Archetype. 13592:Dale, Pete (2016). 13336:on December 9, 2008 13164:Austen, J. (2005). 12531:, pp. 189–190. 11662:"The Electric Eels" 11462:Lewis, Uncle Dave. 11363:"Death (Biography)" 10875:, pp. 36, 38; 10596:"The Fugs (Review)" 10241:, pp. 97–105; 10159:, pp. 116–117. 10082:, pp. 162–164. 10027:San Antonio Current 10011:, pp. 179–186. 9968:, pp. 164–170. 9926:, pp. 265–269. 9883:, pp. 275–292. 9829:, pp. 205–208. 9805:, pp. 214–223. 9738:, pp. 252–253. 9695:"The Missing Links" 9671:, pp. 117–132. 8945:"Beat! Beat! Beat!" 8312:"The Pretty Things" 7933:Unterberger, Richie 7899:Unterberger, Richie 7769:Unterberger, Richie 7704:Unterberger, Richie 7612:"Northwest Company" 7565:Unterberger, Richie 7487:, pp. 21, 110. 7397:Unterberger, Richie 7073:, pp. 60, 381. 6931:Unterberger, Richie 6549:Unterberger, Richie 6462:, pp. 176–177. 6422:, pp. 174–178. 6366:, pp. 122–123. 6331:Unterberger, Richie 6297:Unterberger, Richie 5716:"The Beau Brummels" 5395:Unterberger, Richie 5238:, pp. 838–842. 4931:, pp. 383–342. 4876:, pp. 261–264. 4843:, pp. 261–264. 4827:, pp. 294–296. 4755:, pp. 106–107. 4570:, pp. 213–214. 3851:Girls in the Garage 3831:Back from the Grave 3694:the Yeah Yeah Yeahs 3637:-era garage rock". 3527:thee Mighty Caesars 3340:and its follow-up, 2974:of the late 1960s. 2954:. In August 1966, 2922:The Electric Prunes 2751:the Changin' Times' 2705:From Brisbane came 2422:. From Amsterdam, 2304:the Downliners Sect 2152:Buffalo Springfield 2142:on lead vocals and 1919:, who recorded for 1809:The Electric Prunes 1691:the Nashville Teens 1657:the Rockin' Ramrods 1439:Female garage bands 939:Southern California 882:performers such as 211:paisley underground 27:Genre of rock music 18327:List of punk films 18222:Women in punk rock 17745:Christian hardcore 15758:Hall, Ron (2001). 15422:on January 9, 2015 15397:on October 7, 2016 15266:The New York Times 15241:Alternative Nation 15120:on August 21, 2016 14943:on October 4, 2013 14936:The Times-Picayune 13899:SJSU Scholar Works 12084:, pp. 26–29; 11911:, pp. 22–23; 11895:, pp. 26–29; 11891:, pp. 96–98; 11402:The New York Times 11134:, pp. 94, 95. 11009:, pp. 36, 38. 10859:, pp. 36, 38. 10790:, pp. 36, 38. 10397:, pp. 97–105. 10329:, pp. 18–19; 10225:, pp. 18–22; 10155:, pp. 59–60; 9683:, pp. 87–100. 9518:, pp. 23, 32. 8215:, pp. 17–18; 7984:, pp. 10, 51. 7097:"Little Boy Blues" 7033:, pp. 34, 53. 6858:Richie Unterberger 6378:, pp. 35–36; 6267:"Daughters of Eve" 5983:, pp. 45–46; 5927:, pp. 38–39; 5872:"Iggy Pop - Party" 5751:, p. 21, 230. 5747:, pp. 77–78; 5473:, pp. 18–20; 5440:Hamilton, Andrew. 5088:, pp. 10, 12. 5064:, pp. 17, 21. 4915:, pp. 10–12; 4751:, pp. 96–98; 4645:, pp. 21–23; 4582:, pp. 5, 294. 3861:Girls with Guitars 3795:, was released by 3761:In the Red Records 3744:from New Zealand. 3654:the Detroit Cobras 3541:from Nagasaki and 3499: 3497:performing in 2011 3382: 3334:the New York Dolls 3194: 3041: 2926: 2817:Psychotic Reaction 2795: 2737:From New Zealand, 2700:The Black Diamonds 2641: 2614:, originally from 2580: 2547:Los Gatos Salvajes 2533:hosted bands such 2506:Uruguayan Invasion 2490: 2477:Uruguayan Invasion 2415: 2392:Continental Europe 2318: 2240:the Rolling Stones 2219: 2171:, which features " 2116:the Ugly Ducklings 2089: 2027:It's a Cry'n Shame 1991: 1983:The Five Americans 1949:the New Colony Six 1905: 1728: 1609: 1542: 1472:Continental Co-ets 1456: 1326: 1302:Psychotic Reaction 1271:Little Willie John 1193: 1154:the Rolling Stones 966: 900:Tacoma, Washington 805: 775: 680:1958–1964: Origins 554: 459: 340:(sometimes called 18369:Rock music genres 18341: 18340: 18258:Conservative Punk 18185:People and groups 17868:Melodic metalcore 17811:Beatdown hardcore 17631: 17630: 17556:Progressive music 17384: 17383: 16822:Palm Desert Scene 16798: 16797: 16472:Experimental rock 16369:Instrumental rock 16200:'60s Garage Bands 16171:Library resources 16104:Skelly, Richard. 16011:The Village Voice 15971:978-0-8230-8554-5 15952:978-0-87930-616-8 15929:978-0-87930-713-4 15910:978-0-19-993171-2 15891:978-1-4401-6458-3 15872:978-0-9529540-1-9 15853:978-0-214-20512-5 15825:978-0-87365-766-2 15804:978-0-7391-4274-5 15787:978-1-899855-14-8 15771:978-0-9668575-1-1 15750:978-0-8223-5576-2 15731:978-0-226-28735-5 15712:978-0-313-35121-1 15693:978-0-87930-972-5 15615:978-1-58980-677-1 15593:Suggested reading 15544:Los Angeles Times 14760:978-0-520-25717-7 14725:978-0-87930-534-5 14704:978-0-7119-9836-0 14697:. Omnibus Press. 14693:True, E. (2004). 14685:978-0-205-93624-3 14666:978-0-13-193098-8 14618:978-1-56826-804-0 14590:978-1-74059-740-1 14579:(14th ed.). 14565:978-0-19-537371-4 14542:978-0-415-59866-8 14511:978-1-4411-6078-2 14490:978-1-85109-504-9 14471:978-1-56826-804-0 14455:. pp. 68–70. 14437:978-0-300-10798-2 14416:978-0-313-33846-5 14397:978-0-7546-5580-0 14366:978-0-415-17030-7 14343:978-0-8147-7552-3 14324:978-1-74059-162-1 14299:978-1-60949-625-8 14280:978-1-60486-005-4 14261:978-1-74104-816-2 14254:. Lonely Planet. 14205:978-0-8108-8626-1 14184:978-1-56826-804-0 14162:978-0-7385-8499-7 14143:978-0-415-92699-7 14112:978-1-891241-28-4 14091:978-0-9856482-5-1 14070:978-1-4422-5201-1 14051:978-0-7456-3162-2 14032:978-978-094-296-0 14013:978-1-62963-057-1 13969:978-0-415-97769-2 13946:978-0-7566-2359-3 13885:978-1-899855-06-3 13857:978-0-415-93835-8 13838:978-0-252-06915-4 13819:978-0-415-83312-7 13775:978-0-634-08240-5 13729:978-0-415-29905-3 13710:978-1-74104-565-9 13693:Else, D. (2007). 13658:978-0-7893-2089-6 13639:978-0-307-41931-6 13605:978-1-317-18025-8 13584:978-1-57607-132-8 13553:978-0-415-97197-3 13532:978-1-84353-105-0 13502:. Popular Press. 13486:New Music Monthly 13463:978-0-87930-627-4 13442:978-0-7385-4818-0 13420:978-0-87930-946-6 13398:978-0-335-20072-6 13379:978-93-5029-837-4 13360:978-0-615-80940-3 13316:978-0-375-71367-5 13297:978-0-330-26568-3 13290:. Picador Books. 13278:978-0-679-72045-4 13247:978-1-4411-6797-2 13175:978-1-55652-572-8 13156:978-0-87338-691-3 13137:978-0-7864-2564-8 13116:978-1-61713-457-9 12705:, pp. 51–54. 12636:on April 25, 2012 12613:Rawlings-Way 2008 12601:Smitz et al. 2005 12307:Phares, Heather. 12116:, pp. 26–29. 11336:The Oakland Press 11042:on April 17, 2016 10947:Stars and Stripes 10915:, pp. 96–98. 10879:, pp. 17–18. 10385:, pp. 1, 97. 10057:on March 16, 2016 9941:New Zealand Music 9726:, pp. 49–54. 9659:, pp. 55–61. 9389:"The Golden Cups" 7835:"The Mynah Birds" 7737:Pettipas, Keith. 7143:"MC5 (Biography)" 7128:, pp. 62–63. 7069:, pp. 1–13; 6775:, pp. 51–52. 6763:, pp. 47–48. 6612:, pp. 32–33. 6600:, pp. 52–53. 6526:, pp. 35–36. 6025:Planer, Lindsay. 5704:, pp. 54–55. 5569:"Them - 'Gloria'" 5266:, pp. 22–29. 5210:, pp. 28–33. 5177:Planer, Lindsay. 5167:, pp. 98–99. 5052:, pp. 18–19. 4919:, pp. 18–19. 4900:, pp. 39–40. 4799:, pp. 38–39. 4664:, pp. 22–23. 4616:, pp. 22–23. 4488:, pp. 17–18. 4476:, pp. 18–22. 4354:Fensterstock 2013 4079:The Village Voice 3706:Cage the Elephant 3621:the White Stripes 3579:Post-punk revival 3461:underground music 3433:the Missing Links 3343:Too Much Too Soon 3315:The Electric Eels 3285:the Modern Lovers 3203:Kick Out the Jams 2984:Experimental rock 2961:Psychedelic Moods 2890:space exploration 2810: 2711:the Purple Hearts 2688:the Missing Links 2541:, Los Yetis from 2450:Beat! Beat! Beat! 2300:the Pretty Things 2271:You Really Got Me 2217:(center), in 1965 1909:the Pretty Things 1862:San Jose and the 1795:The Music Machine 1653:self-titled album 1578:the White Stripes 1560:the Wilde Knights 1545:Pacific Northwest 1505:from Chicago and 1385:the Music Machine 1381:Bruce Springsteen 1341: 1286:Time Won't Let Me 1206:the Beau Brummels 990:" was written by 981: 856:Pacific Northwest 820: 788:instrumental rock 703:Instrumental rock 637:Who Put the Bomp! 558:Patti Smith Group 546:The Music Machine 432:post-punk revival 399:compilation album 335: 334: 206:post-punk revival 122:instrumental rock 85:Stylistic origins 47:Post-punk revival 16:(Redirected from 18381: 18374:1980s neologisms 18231:Related articles 18009:Alternative rock 17831:Melodic hardcore 17821:Digital hardcore 17816:Crossover thrash 17658: 17651: 17644: 17635: 17634: 17619: 17607: 17606: 17476:Rhythm and blues 17451:British Invasion 16807: 16806: 16684:Alternative rock 16623:Post-progressive 16532:Psychedelic rock 16527:Progressive rock 16359: 16358: 16355: 16349:decade of origin 16285: 16278: 16271: 16262: 16261: 16160: 16158: 16156: 16140: 16138: 16136: 16120: 16118: 16116: 16100: 16098: 16096: 16073: 16071: 16069: 16046: 16044: 16042: 16021: 16019: 16017: 15994: 15975: 15956: 15944: 15933: 15914: 15895: 15876: 15857: 15836: 15834: 15832: 15808: 15775: 15754: 15735: 15716: 15697: 15676: 15657: 15638: 15619: 15587: 15585: 15583: 15560: 15558: 15556: 15533: 15531: 15529: 15520:. Archived from 15508: 15506: 15504: 15483: 15481: 15479: 15456: 15454: 15452: 15431: 15429: 15427: 15418:. Archived from 15406: 15404: 15402: 15393:. Archived from 15381: 15379: 15377: 15356: 15354: 15352: 15347:on June 22, 2013 15343:. Archived from 15331: 15329: 15327: 15318:. Archived from 15316:Rockfeedback.com 15306: 15304: 15302: 15281: 15279: 15277: 15256: 15254: 15252: 15243:. Archived from 15231: 15229: 15227: 15206: 15204: 15202: 15181: 15179: 15177: 15168:. Archived from 15156: 15154: 15152: 15143:. Archived from 15140:Drowned in Sound 15129: 15127: 15125: 15116:. Archived from 15102: 15100: 15098: 15093:on July 13, 2015 15089:. Archived from 15075: 15073: 15071: 15066:on April 1, 2015 15062:. Archived from 15050: 15048: 15046: 15037:. Archived from 15023: 15021: 15019: 15014:on July 19, 2015 15010:. Archived from 14998: 14996: 14994: 14973: 14971: 14969: 14960:. Archived from 14952: 14950: 14948: 14939:. Archived from 14925: 14923: 14921: 14916:on March 8, 2017 14912:. Archived from 14900: 14898: 14896: 14875: 14873: 14871: 14850: 14848: 14846: 14823: 14821: 14819: 14789: 14787: 14785: 14764: 14752: 14741: 14739: 14737: 14708: 14689: 14670: 14655:(5th ed.). 14647: 14645: 14643: 14638:on June 27, 2004 14634:. Archived from 14622: 14603: 14594: 14569: 14546: 14527: 14525: 14523: 14494: 14475: 14456: 14441: 14420: 14401: 14382: 14380: 14378: 14347: 14328: 14313:(8th ed.). 14303: 14284: 14265: 14246: 14244: 14242: 14233:. No. 530. 14221: 14219: 14217: 14188: 14166: 14147: 14128: 14126: 14124: 14095: 14074: 14055: 14036: 14017: 13998: 13996: 13994: 13973: 13961: 13950: 13938: 13923: 13914: 13912: 13910: 13889: 13870: 13861: 13842: 13823: 13804: 13802: 13800: 13795:on March 1, 2014 13791:. Archived from 13779: 13758: 13756: 13754: 13745:. No. 585. 13733: 13714: 13689: 13687: 13685: 13676:. Archived from 13662: 13643: 13621: 13619: 13617: 13588: 13569: 13567: 13565: 13536: 13524: 13513: 13490: 13479: 13477: 13475: 13446: 13424: 13402: 13383: 13364: 13345: 13343: 13341: 13332:. Archived from 13320: 13301: 13282: 13263: 13261: 13259: 13230: 13228: 13226: 13220: 13214:. Archived from 13189: 13179: 13160: 13141: 13120: 13091: 13090: 13088: 13086: 13077:. Archived from 13066: 13060: 13059: 13057: 13055: 13039: 13033: 13032: 13030: 13028: 13008: 13002: 12996: 12990: 12984: 12978: 12977: 12975: 12973: 12964:. Archived from 12953: 12947: 12946: 12944: 12942: 12922: 12916: 12915: 12913: 12911: 12891: 12885: 12884: 12882: 12880: 12860: 12854: 12853: 12851: 12849: 12829: 12823: 12822: 12820: 12818: 12801:Leggett, Steve. 12798: 12792: 12786: 12780: 12779: 12777: 12775: 12755: 12749: 12748: 12746: 12744: 12724: 12718: 12712: 12706: 12700: 12694: 12688: 12682: 12676: 12670: 12664: 12658: 12652: 12646: 12645: 12643: 12641: 12632:. Archived from 12622: 12616: 12610: 12604: 12598: 12592: 12586: 12580: 12574: 12568: 12562: 12556: 12550: 12544: 12541:Bonnazzelli 2001 12538: 12532: 12526: 12520: 12514: 12508: 12493: 12487: 12486: 12484: 12482: 12471: 12465: 12464: 12462: 12460: 12445: 12439: 12428: 12422: 12407: 12401: 12395: 12389: 12383: 12377: 12371: 12365: 12359: 12353: 12347: 12341: 12335: 12329: 12328: 12326: 12324: 12304: 12298: 12297: 12295: 12293: 12273: 12267: 12266: 12264: 12262: 12243: 12237: 12236: 12234: 12232: 12213: 12207: 12201: 12192: 12178: 12172: 12166: 12160: 12154: 12145: 12135: 12129: 12123: 12117: 12111: 12105: 12099: 12093: 12079: 12073: 12072: 12070: 12068: 12048: 12037: 12036: 12034: 12032: 12017: 12011: 12010: 12008: 12006: 11986: 11977: 11971: 11962: 11961: 11959: 11957: 11946:Independent Lens 11938: 11932: 11922: 11916: 11906: 11900: 11886: 11880: 11874: 11868: 11867: 11865: 11863: 11843: 11837: 11836: 11834: 11832: 11812: 11806: 11805: 11803: 11801: 11781: 11775: 11774: 11772: 11770: 11750: 11744: 11743: 11741: 11739: 11719: 11713: 11712: 11710: 11708: 11688: 11682: 11681: 11679: 11677: 11657: 11651: 11650: 11648: 11646: 11626: 11615: 11614: 11609:. Archived from 11599: 11597: 11595: 11590:on June 28, 2012 11586:. Archived from 11574: 11568: 11567: 11565: 11563: 11546: 11540: 11539: 11537: 11535: 11520: 11514: 11513: 11511: 11509: 11490: 11484: 11483: 11481: 11479: 11459: 11450: 11449: 11447: 11445: 11425: 11419: 11418: 11416: 11414: 11392: 11383: 11382: 11380: 11378: 11358: 11352: 11351: 11349: 11347: 11327: 11321: 11320: 11318: 11316: 11296: 11290: 11289: 11287: 11285: 11265: 11259: 11258: 11256: 11254: 11234: 11228: 11227: 11225: 11223: 11203: 11197: 11196: 11194: 11192: 11172: 11166: 11165: 11163: 11161: 11141: 11135: 11129: 11123: 11122: 11120: 11118: 11098: 11083: 11082: 11080: 11078: 11058: 11052: 11051: 11049: 11047: 11028: 11022: 11019:Unterberger 1998 11016: 11010: 11000: 10994: 10993: 10991: 10989: 10969: 10963: 10962: 10960: 10958: 10938: 10932: 10922: 10916: 10909:Unterberger 1998 10902: 10896: 10886: 10880: 10866: 10860: 10854: 10848: 10847: 10845: 10843: 10821: 10819: 10817: 10797: 10791: 10781: 10772: 10771: 10769: 10767: 10747: 10741: 10740: 10738: 10736: 10716: 10707: 10701: 10695: 10694: 10692: 10690: 10670: 10659: 10658: 10656: 10654: 10634: 10628: 10622: 10616: 10615: 10613: 10611: 10591: 10585: 10584: 10582: 10580: 10560: 10551: 10537: 10531: 10530: 10528: 10526: 10506: 10497: 10491: 10485: 10479: 10473: 10467: 10461: 10460: 10458: 10456: 10436: 10430: 10424: 10418: 10404: 10398: 10392: 10386: 10376: 10370: 10360: 10354: 10349:, pp. 7–8; 10340: 10334: 10324: 10318: 10312: 10306: 10296: 10290: 10285:, pp. 101; 10280: 10274: 10264: 10258: 10252: 10246: 10236: 10230: 10220: 10214: 10208: 10202: 10201: 10199: 10197: 10178: 10172: 10166: 10160: 10150: 10144: 10143: 10141: 10139: 10119: 10113: 10107: 10098: 10092: 10083: 10073: 10067: 10066: 10064: 10062: 10053:. Archived from 10042: 10040: 10038: 10018: 10012: 10006: 10000: 9999: 9997: 9995: 9980:"Chants R&B" 9975: 9969: 9963: 9957: 9956: 9954: 9952: 9933: 9927: 9921: 9915: 9914: 9912: 9910: 9890: 9884: 9878: 9872: 9871: 9869: 9867: 9848: 9842: 9836: 9830: 9824: 9818: 9812: 9806: 9800: 9794: 9788: 9782: 9781: 9779: 9777: 9757: 9751: 9745: 9739: 9733: 9727: 9721: 9715: 9714: 9712: 9710: 9690: 9684: 9678: 9672: 9666: 9660: 9654: 9645: 9639: 9630: 9624: 9613: 9612: 9610: 9608: 9588: 9579: 9573: 9567: 9561: 9555: 9549: 9543: 9537: 9531: 9525: 9519: 9513: 9507: 9506: 9504: 9502: 9482: 9469: 9463: 9457: 9451: 9445: 9444: 9442: 9440: 9420: 9409: 9408: 9406: 9404: 9384: 9378: 9372: 9366: 9360: 9354: 9353: 9351: 9349: 9329: 9320: 9319: 9317: 9315: 9295: 9289: 9288: 9286: 9284: 9264: 9258: 9257: 9255: 9253: 9234: 9228: 9227: 9225: 9223: 9203: 9194: 9193: 9191: 9189: 9169: 9163: 9162: 9160: 9158: 9138: 9132: 9131: 9129: 9127: 9107: 9101: 9091: 9085: 9084: 9082: 9080: 9060: 9054: 9053: 9051: 9049: 9029: 9023: 9022: 9020: 9018: 8998: 8992: 8991: 8989: 8987: 8967: 8961: 8960: 8958: 8956: 8941: 8935: 8934: 8932: 8930: 8910: 8904: 8903: 8901: 8899: 8879: 8873: 8872: 8870: 8868: 8848: 8842: 8841: 8839: 8837: 8817: 8811: 8810: 8808: 8806: 8786: 8780: 8779: 8777: 8775: 8756: 8750: 8749: 8747: 8745: 8725: 8719: 8717: 8715: 8713: 8694: 8688: 8687: 8685: 8683: 8663: 8654: 8653: 8651: 8649: 8629: 8620: 8619: 8617: 8615: 8595: 8589: 8588: 8586: 8584: 8564: 8558: 8552: 8546: 8545: 8543: 8541: 8521: 8515: 8514: 8512: 8510: 8491: 8485: 8484: 8482: 8480: 8461: 8455: 8454: 8452: 8450: 8431: 8425: 8424: 8422: 8420: 8400: 8394: 8393: 8391: 8389: 8369: 8363: 8362: 8360: 8358: 8338: 8332: 8331: 8329: 8327: 8307: 8301: 8300: 8298: 8296: 8281: 8275: 8269: 8263: 8262: 8260: 8258: 8249:. Archived from 8238: 8232: 8226: 8220: 8210: 8204: 8198: 8192: 8186: 8180: 8179: 8177: 8175: 8156: 8150: 8144: 8138: 8132: 8123: 8117: 8111: 8105: 8099: 8098: 8096: 8094: 8074: 8059: 8058: 8056: 8054: 8034: 8023: 8022: 8020: 8018: 7998: 7985: 7975: 7969: 7963: 7957: 7956: 7954: 7952: 7929: 7923: 7922: 7920: 7918: 7895: 7889: 7888: 7886: 7884: 7864: 7855: 7854: 7852: 7850: 7830: 7824: 7823: 7821: 7819: 7799: 7793: 7792: 7790: 7788: 7765: 7759: 7758: 7756: 7754: 7734: 7728: 7727: 7725: 7723: 7700: 7694: 7693: 7691: 7689: 7669: 7663: 7662: 7660: 7658: 7638: 7632: 7631: 7629: 7627: 7607: 7601: 7595: 7589: 7588: 7586: 7584: 7561: 7552: 7546: 7537: 7536: 7534: 7532: 7513: 7500: 7494: 7488: 7482: 7476: 7475: 7473: 7471: 7451: 7445: 7439: 7433: 7427: 7421: 7420: 7418: 7416: 7393: 7387: 7381: 7375: 7369: 7363: 7362: 7360: 7358: 7338: 7332: 7331: 7329: 7327: 7307: 7301: 7300: 7298: 7296: 7277: 7268: 7267: 7265: 7263: 7243: 7237: 7236: 7234: 7232: 7212: 7206: 7205: 7203: 7201: 7181: 7175: 7169: 7163: 7162: 7160: 7158: 7138: 7129: 7123: 7117: 7116: 7114: 7112: 7092: 7086: 7080: 7074: 7064: 7058: 7052: 7046: 7040: 7034: 7028: 7022: 7016: 7010: 7004: 6998: 6997: 6995: 6993: 6973: 6967: 6961: 6955: 6954: 6952: 6950: 6935:"Thee Midniters" 6927: 6921: 6920: 6918: 6916: 6896: 6890: 6880: 6874: 6873: 6871: 6869: 6849: 6843: 6837: 6831: 6825: 6819: 6818: 6816: 6814: 6794: 6788: 6782: 6776: 6770: 6764: 6758: 6752: 6746: 6740: 6726: 6720: 6719: 6717: 6715: 6696: 6690: 6689: 6687: 6685: 6665: 6659: 6653: 6644: 6643: 6641: 6639: 6619: 6613: 6607: 6601: 6596:, pp. 387; 6591: 6585: 6582:Fitzpatrick 2014 6579: 6573: 6572: 6570: 6568: 6545: 6539: 6533: 6527: 6521: 6515: 6514: 6512: 6510: 6495:"Victor Moulton" 6490: 6479: 6469: 6463: 6457: 6451: 6445: 6439: 6429: 6423: 6413: 6407: 6401: 6395: 6389: 6383: 6373: 6367: 6361: 6355: 6354: 6352: 6350: 6327: 6321: 6320: 6318: 6316: 6293: 6287: 6286: 6284: 6282: 6262: 6256: 6255: 6253: 6251: 6231: 6225: 6219: 6210: 6209: 6207: 6205: 6185: 6179: 6173: 6167: 6166: 6164: 6162: 6142: 6133: 6123: 6117: 6116: 6114: 6112: 6092: 6083: 6077: 6071: 6065: 6059: 6053: 6047: 6046: 6044: 6042: 6022: 6016: 6006: 6000: 5994: 5988: 5978: 5972: 5962: 5956: 5950: 5944: 5938: 5932: 5922: 5916: 5910: 5904: 5898: 5892: 5891: 5889: 5887: 5867: 5861: 5855: 5849: 5839: 5833: 5832: 5830: 5828: 5808: 5802: 5801: 5799: 5797: 5777: 5768: 5758: 5752: 5742: 5736: 5735: 5733: 5731: 5711: 5705: 5699: 5693: 5683: 5677: 5671: 5662: 5652: 5646: 5640: 5629: 5623: 5617: 5607: 5601: 5595: 5589: 5588: 5586: 5584: 5567:Janovitz, Bill. 5564: 5558: 5552: 5546: 5540: 5534: 5525:, pp. 1–4; 5520: 5514: 5509:, pp. 2–3; 5504: 5498: 5489:, pp. 2–3; 5484: 5478: 5477:, pp. 7–10. 5468: 5462: 5461: 5459: 5457: 5437: 5431: 5425: 5419: 5418: 5416: 5414: 5391: 5385: 5379: 5373: 5372: 5370: 5368: 5349: 5343: 5337: 5331: 5325: 5319: 5309: 5303: 5297: 5291: 5285: 5279: 5273: 5267: 5257: 5251: 5245: 5239: 5229: 5223: 5217: 5211: 5205: 5199: 5198: 5196: 5194: 5174: 5168: 5162: 5156: 5150: 5144: 5138: 5132: 5131: 5129: 5127: 5107: 5101: 5095: 5089: 5083: 5077: 5071: 5065: 5059: 5053: 5047: 5036: 5035: 5033: 5031: 5012: 5006: 5000: 4991: 4985: 4976: 4970: 4964: 4958: 4949: 4943: 4932: 4926: 4920: 4910: 4901: 4895: 4889: 4883: 4877: 4871: 4856: 4850: 4844: 4834: 4828: 4822: 4816: 4806: 4800: 4794: 4788: 4782: 4771: 4765: 4756: 4745:Unterberger 1998 4742: 4736: 4730: 4724: 4718: 4709: 4707: 4695: 4683: 4677: 4671: 4665: 4659: 4650: 4640: 4634: 4628: 4617: 4607: 4598: 4592: 4583: 4577: 4571: 4561: 4555: 4549: 4543: 4537: 4531: 4530: 4528: 4526: 4507: 4501: 4495: 4489: 4483: 4477: 4471: 4465: 4451: 4445: 4439: 4433: 4419: 4413: 4407: 4401: 4387: 4381: 4375: 4369: 4363: 4357: 4347: 4341: 4331: 4325: 4319: 4313: 4307: 4301: 4295: 4289: 4279: 4273: 4267: 4261: 4255: 4242: 4236: 4230: 4224: 4215: 4214: 4212: 4210: 4191: 4170: 4163:Progressive rock 4160: 4154: 4147: 4141: 4138:Hesitation Blues 4110: 4104: 4101: 4095: 4092: 4086: 4071: 4065: 4060: 4054: 4043: 4037: 4033: 3993: 3992: 3991: 3981: 3980: 3979: 3969: 3968: 3967: 3960: 3932:Simla Beat 70/71 3840:Big Beat Records 3662:the Buff Medways 3481:alternative rock 3289:Jonathan Richman 3259: 3238:Love It to Death 3188:was a member of 3141:progressive rock 2907:Psychedelic rock 2812: 2811: 2792: 2549:, who came from 2198:British Invasion 2125: 2105:Shakin' All Over 2007:The Zakary Thaks 1974:Other US Regions 1773:Pushin' Too Hard 1677:the Blues Magoos 1591: 1552:Columbia Records 1493:San Francisco's 1460:all-female bands 1343: 1342: 1323: 1314: 1236: 1212:", followed by " 1086:British Invasion 1049:Papa Oom Mow Mow 983: 982: 963: 927:British Invasion 872:British Invasion 822: 821: 802: 695:Rhythm and blues 660:'60s punk" and " 659: 455:the Fifth Estate 384:British Invasion 348: 327:psychedelic rock 144:Derivative forms 136:Cultural origins 107:rhythm and blues 62: 61: 57: 50: 43: 36: 21: 18389: 18388: 18384: 18383: 18382: 18380: 18379: 18378: 18344: 18343: 18342: 18337: 18303:Punk literature 18298:Punk visual art 18293:Punk ideologies 18283:Punk subculture 18226: 18217:Punk filmmakers 18180: 18068: 17997: 17966:Punk pathetique 17703: 17697: 17667: 17662: 17632: 17627: 17595: 17524: 17444: 17430: 17416:Mainstream rock 17380: 17359: 17333: 17182: 16938: 16870: 16803:Regional scenes 16794: 16748: 16672: 16613:Industrial rock 16571: 16467:Electronic rock 16405: 16353: 16352:(sub-subgenres 16351: 16350: 16348: 16342: 16321:Electric guitar 16294: 16289: 16237:Wayback Machine 16224:Garage Hangover 16196: 16195: 16194: 16179: 16178: 16174: 16167: 16154: 16152: 16143: 16134: 16132: 16123: 16114: 16112: 16103: 16094: 16092: 16083: 16080: 16067: 16065: 16057:Dallas Observer 16049: 16040: 16038: 16024: 16015: 16013: 16004: 16001: 15991: 15972: 15959: 15953: 15936: 15930: 15917: 15911: 15898: 15892: 15879: 15873: 15860: 15854: 15839: 15830: 15828: 15826: 15811: 15805: 15792: 15772: 15757: 15751: 15738: 15732: 15719: 15713: 15700: 15694: 15679: 15673: 15654: 15635: 15616: 15603: 15600: 15595: 15590: 15581: 15579: 15554: 15552: 15527: 15525: 15502: 15500: 15477: 15475: 15450: 15448: 15425: 15423: 15400: 15398: 15375: 15373: 15350: 15348: 15325: 15323: 15300: 15298: 15291:Something Else! 15275: 15273: 15250: 15248: 15225: 15223: 15200: 15198: 15175: 15173: 15150: 15148: 15147:on May 18, 2012 15123: 15121: 15096: 15094: 15069: 15067: 15044: 15042: 15017: 15015: 15008:Dangerous Minds 14992: 14990: 14967: 14965: 14946: 14944: 14919: 14917: 14894: 14892: 14869: 14867: 14844: 14842: 14817: 14815: 14797: 14792: 14783: 14781: 14761: 14735: 14733: 14726: 14705: 14686: 14676:Rockin' in Time 14667: 14641: 14639: 14619: 14591: 14566: 14543: 14521: 14519: 14512: 14491: 14472: 14464:(liner notes). 14438: 14417: 14398: 14376: 14374: 14367: 14344: 14325: 14300: 14281: 14262: 14240: 14238: 14215: 14213: 14206: 14185: 14177:(liner notes). 14163: 14144: 14122: 14120: 14113: 14092: 14081:Teenbeat Mayhem 14071: 14052: 14033: 14014: 13992: 13990: 13983:Chicago Tribune 13970: 13947: 13908: 13906: 13886: 13858: 13839: 13820: 13798: 13796: 13776: 13768:. Hal Leonard. 13752: 13750: 13730: 13711: 13683: 13681: 13659: 13640: 13615: 13613: 13606: 13585: 13563: 13561: 13554: 13533: 13510: 13473: 13471: 13464: 13443: 13421: 13399: 13380: 13361: 13339: 13337: 13317: 13298: 13279: 13257: 13255: 13248: 13224: 13222: 13221:on June 1, 2011 13218: 13187: 13176: 13157: 13138: 13117: 13100: 13095: 13094: 13084: 13082: 13081:on June 6, 2017 13067: 13063: 13053: 13051: 13040: 13036: 13026: 13024: 13009: 13005: 12997: 12993: 12985: 12981: 12971: 12969: 12968:on June 6, 2017 12954: 12950: 12940: 12938: 12923: 12919: 12909: 12907: 12892: 12888: 12878: 12876: 12861: 12857: 12847: 12845: 12832:Ankeny, Jason. 12830: 12826: 12816: 12814: 12799: 12795: 12787: 12783: 12773: 12771: 12756: 12752: 12742: 12740: 12725: 12721: 12713: 12709: 12701: 12697: 12689: 12685: 12677: 12673: 12665: 12661: 12653: 12649: 12639: 12637: 12624: 12623: 12619: 12611: 12607: 12599: 12595: 12587: 12583: 12575: 12571: 12563: 12559: 12551: 12547: 12539: 12535: 12527: 12523: 12519:, p. 1144. 12515: 12511: 12494: 12490: 12480: 12478: 12472: 12468: 12458: 12456: 12447: 12446: 12442: 12429: 12425: 12408: 12404: 12396: 12392: 12384: 12380: 12372: 12368: 12360: 12356: 12348: 12344: 12336: 12332: 12322: 12320: 12305: 12301: 12291: 12289: 12274: 12270: 12260: 12258: 12245: 12244: 12240: 12230: 12228: 12215: 12214: 12210: 12202: 12195: 12183:, p. 134; 12179: 12175: 12167: 12163: 12155: 12148: 12138:Stiernberg 2014 12136: 12132: 12124: 12120: 12112: 12108: 12100: 12096: 12080: 12076: 12066: 12064: 12049: 12040: 12030: 12028: 12019: 12018: 12014: 12004: 12002: 11987: 11980: 11972: 11965: 11955: 11953: 11940: 11939: 11935: 11923: 11919: 11907: 11903: 11887: 11883: 11875: 11871: 11861: 11859: 11848:"The Dictators" 11844: 11840: 11830: 11828: 11813: 11809: 11799: 11797: 11782: 11778: 11768: 11766: 11751: 11747: 11737: 11735: 11728:Dangerous Minds 11720: 11716: 11706: 11704: 11697:Dangerous Minds 11689: 11685: 11675: 11673: 11658: 11654: 11644: 11642: 11627: 11618: 11593: 11591: 11580:"Reality Bites" 11575: 11571: 11561: 11559: 11558:. July 11, 1977 11548: 11547: 11543: 11533: 11531: 11522: 11521: 11517: 11507: 11505: 11492: 11491: 11487: 11477: 11475: 11460: 11453: 11443: 11441: 11426: 11422: 11412: 11410: 11393: 11386: 11376: 11374: 11359: 11355: 11345: 11343: 11328: 11324: 11314: 11312: 11297: 11293: 11283: 11281: 11266: 11262: 11252: 11250: 11235: 11231: 11221: 11219: 11204: 11200: 11190: 11188: 11175:Ankeny, Jason. 11173: 11169: 11159: 11157: 11142: 11138: 11130: 11126: 11116: 11114: 11099: 11086: 11076: 11074: 11059: 11055: 11045: 11043: 11030: 11029: 11025: 11017: 11013: 11001: 10997: 10987: 10985: 10970: 10966: 10956: 10954: 10939: 10935: 10923: 10919: 10903: 10899: 10887: 10883: 10867: 10863: 10855: 10851: 10841: 10839: 10832:The Irish Times 10815: 10813: 10798: 10794: 10782: 10775: 10765: 10763: 10748: 10744: 10734: 10732: 10717: 10710: 10702: 10698: 10688: 10686: 10671: 10662: 10652: 10650: 10635: 10631: 10623: 10619: 10609: 10607: 10592: 10588: 10578: 10576: 10561: 10554: 10538: 10534: 10524: 10522: 10507: 10500: 10492: 10488: 10484:, p. 1725. 10480: 10476: 10468: 10464: 10454: 10452: 10437: 10433: 10425: 10421: 10405: 10401: 10393: 10389: 10377: 10373: 10361: 10357: 10341: 10337: 10325: 10321: 10313: 10309: 10297: 10293: 10289:, pp. 7–8. 10281: 10277: 10269:, pp. 97; 10265: 10261: 10253: 10249: 10245:, pp. 7–8. 10237: 10233: 10229:, pp. 7–8. 10221: 10217: 10209: 10205: 10195: 10193: 10180: 10179: 10175: 10169:Stiernberg 2014 10167: 10163: 10151: 10147: 10137: 10135: 10120: 10116: 10108: 10101: 10093: 10086: 10074: 10070: 10060: 10058: 10045: 10043: 10036: 10034: 10019: 10015: 10007: 10003: 9993: 9991: 9976: 9972: 9964: 9960: 9950: 9948: 9935: 9934: 9930: 9922: 9918: 9908: 9906: 9891: 9887: 9879: 9875: 9865: 9863: 9852:"The Creatures" 9850: 9849: 9845: 9837: 9833: 9825: 9821: 9813: 9809: 9801: 9797: 9789: 9785: 9775: 9773: 9758: 9754: 9746: 9742: 9734: 9730: 9722: 9718: 9708: 9706: 9691: 9687: 9679: 9675: 9667: 9663: 9655: 9648: 9640: 9633: 9625: 9616: 9606: 9604: 9593:"The Atlantics" 9589: 9582: 9574: 9570: 9562: 9558: 9550: 9546: 9538: 9534: 9526: 9522: 9514: 9510: 9500: 9498: 9483: 9472: 9464: 9460: 9452: 9448: 9438: 9436: 9421: 9412: 9402: 9400: 9385: 9381: 9373: 9369: 9361: 9357: 9347: 9345: 9330: 9323: 9313: 9311: 9296: 9292: 9282: 9280: 9265: 9261: 9251: 9249: 9236: 9235: 9231: 9221: 9219: 9204: 9197: 9187: 9185: 9170: 9166: 9156: 9154: 9139: 9135: 9125: 9123: 9112:"Los Dug Dug's" 9110:Ankeny, Jason. 9108: 9104: 9092: 9088: 9078: 9076: 9061: 9057: 9047: 9045: 9030: 9026: 9016: 9014: 8999: 8995: 8985: 8983: 8968: 8964: 8954: 8952: 8943: 8942: 8938: 8928: 8926: 8911: 8907: 8897: 8895: 8880: 8876: 8866: 8864: 8857:Something Else! 8849: 8845: 8835: 8833: 8818: 8814: 8804: 8802: 8787: 8783: 8773: 8771: 8758: 8757: 8753: 8743: 8741: 8730:"The Outsiders" 8726: 8722: 8711: 8709: 8696: 8695: 8691: 8681: 8679: 8664: 8657: 8647: 8645: 8630: 8623: 8613: 8611: 8596: 8592: 8582: 8580: 8565: 8561: 8553: 8549: 8539: 8537: 8522: 8518: 8508: 8506: 8493: 8492: 8488: 8478: 8476: 8463: 8462: 8458: 8448: 8446: 8433: 8432: 8428: 8418: 8416: 8401: 8397: 8387: 8385: 8370: 8366: 8356: 8354: 8339: 8335: 8325: 8323: 8308: 8304: 8294: 8292: 8282: 8278: 8270: 8266: 8256: 8254: 8239: 8235: 8227: 8223: 8211: 8207: 8199: 8195: 8189:Puterbaugh 1988 8187: 8183: 8173: 8171: 8158: 8157: 8153: 8145: 8141: 8133: 8126: 8118: 8114: 8106: 8102: 8092: 8090: 8075: 8062: 8052: 8050: 8035: 8026: 8016: 8014: 7999: 7988: 7976: 7972: 7964: 7960: 7950: 7948: 7930: 7926: 7916: 7914: 7896: 7892: 7882: 7880: 7865: 7858: 7848: 7846: 7831: 7827: 7817: 7815: 7800: 7796: 7786: 7784: 7766: 7762: 7752: 7750: 7735: 7731: 7721: 7719: 7701: 7697: 7687: 7685: 7670: 7666: 7656: 7654: 7639: 7635: 7625: 7623: 7608: 7604: 7596: 7592: 7582: 7580: 7569:"We the People" 7562: 7555: 7547: 7540: 7530: 7528: 7515: 7514: 7503: 7495: 7491: 7483: 7479: 7469: 7467: 7454:Ankeny, Jason. 7452: 7448: 7440: 7436: 7428: 7424: 7414: 7412: 7394: 7390: 7382: 7378: 7370: 7366: 7356: 7354: 7339: 7335: 7325: 7323: 7308: 7304: 7294: 7292: 7285:Pitchfork Media 7278: 7271: 7261: 7259: 7244: 7240: 7230: 7228: 7213: 7209: 7199: 7197: 7184:Ankeny, Jason. 7182: 7178: 7170: 7166: 7156: 7154: 7141:Ankeny, Jason. 7139: 7132: 7124: 7120: 7110: 7108: 7095:Ankeny, Jason. 7093: 7089: 7081: 7077: 7065: 7061: 7053: 7049: 7041: 7037: 7029: 7025: 7017: 7013: 7005: 7001: 6991: 6989: 6974: 6970: 6966:, pp. 7–8. 6962: 6958: 6948: 6946: 6928: 6924: 6914: 6912: 6897: 6893: 6883:Avant-Mier 2008 6881: 6877: 6867: 6865: 6850: 6846: 6838: 6834: 6826: 6822: 6812: 6810: 6795: 6791: 6783: 6779: 6771: 6767: 6759: 6755: 6747: 6743: 6727: 6723: 6713: 6711: 6704:Rotten Tomatoes 6698: 6697: 6693: 6683: 6681: 6666: 6662: 6654: 6647: 6637: 6635: 6622:Ankeny, Jason. 6620: 6616: 6608: 6604: 6592: 6588: 6580: 6576: 6566: 6564: 6546: 6542: 6534: 6530: 6522: 6518: 6508: 6506: 6493:Viglione, Joe. 6491: 6482: 6470: 6466: 6458: 6454: 6446: 6442: 6430: 6426: 6414: 6410: 6402: 6398: 6390: 6386: 6374: 6370: 6362: 6358: 6348: 6346: 6328: 6324: 6314: 6312: 6294: 6290: 6280: 6278: 6265:Ankeny, Jason. 6263: 6259: 6249: 6247: 6232: 6228: 6220: 6213: 6203: 6201: 6186: 6182: 6174: 6170: 6160: 6158: 6145:Ankeny, Jason. 6143: 6136: 6124: 6120: 6110: 6108: 6093: 6086: 6078: 6074: 6066: 6062: 6054: 6050: 6040: 6038: 6023: 6019: 6007: 6003: 5995: 5991: 5979: 5975: 5969:Avant-Mier 2010 5967:, p. 184; 5963: 5959: 5951: 5947: 5939: 5935: 5923: 5919: 5911: 5907: 5899: 5895: 5885: 5883: 5868: 5864: 5856: 5852: 5840: 5836: 5826: 5824: 5809: 5805: 5795: 5793: 5778: 5771: 5759: 5755: 5743: 5739: 5729: 5727: 5712: 5708: 5700: 5696: 5684: 5680: 5672: 5665: 5653: 5649: 5641: 5632: 5624: 5620: 5616:, p. 1103. 5608: 5604: 5596: 5592: 5582: 5580: 5565: 5561: 5553: 5549: 5541: 5537: 5521: 5517: 5505: 5501: 5485: 5481: 5469: 5465: 5455: 5453: 5438: 5434: 5426: 5422: 5412: 5410: 5392: 5388: 5380: 5376: 5366: 5364: 5351: 5350: 5346: 5338: 5334: 5326: 5322: 5310: 5306: 5298: 5294: 5286: 5282: 5274: 5270: 5258: 5254: 5246: 5242: 5230: 5226: 5218: 5214: 5206: 5202: 5192: 5190: 5175: 5171: 5163: 5159: 5151: 5147: 5139: 5135: 5125: 5123: 5110:Viglione, Joe. 5108: 5104: 5096: 5092: 5084: 5080: 5072: 5068: 5060: 5056: 5048: 5039: 5029: 5027: 5014: 5013: 5009: 5001: 4994: 4986: 4979: 4971: 4967: 4959: 4952: 4944: 4935: 4927: 4923: 4911: 4904: 4896: 4892: 4884: 4880: 4872: 4859: 4851: 4847: 4839:, p. 295; 4835: 4831: 4823: 4819: 4811:, p. 295; 4807: 4803: 4795: 4791: 4783: 4774: 4766: 4759: 4743: 4739: 4731: 4727: 4719: 4712: 4693: 4687:Gilliland, John 4684: 4680: 4672: 4668: 4660: 4653: 4641: 4637: 4629: 4620: 4608: 4601: 4593: 4586: 4578: 4574: 4562: 4558: 4550: 4546: 4538: 4534: 4524: 4522: 4509: 4508: 4504: 4496: 4492: 4484: 4480: 4472: 4468: 4456:, p. 140; 4452: 4448: 4440: 4436: 4420: 4416: 4408: 4404: 4388: 4384: 4376: 4372: 4364: 4360: 4348: 4344: 4332: 4328: 4320: 4316: 4308: 4304: 4296: 4292: 4280: 4276: 4268: 4264: 4256: 4245: 4237: 4233: 4225: 4218: 4208: 4206: 4193: 4192: 4188: 4183: 4178: 4173: 4161: 4157: 4148: 4144: 4111: 4107: 4102: 4098: 4093: 4089: 4072: 4068: 4061: 4057: 4044: 4040: 4034: 4030: 4026: 3999: 3989: 3987: 3977: 3975: 3965: 3963: 3955: 3953: 3948: 3942: 3797:Elektra Records 3783: 3777: 3730:Franz Ferdinand 3642:the Von Bondies 3581: 3575: 3510: 3504: 3502:Other movements 3453: 3445: 3370: 3368:Punk subculture 3362:Main articles: 3360: 3299:the Rathskeller 3257: 3167: 3161: 3123:Album-oriented 3118:long-play album 3103: 3086:Black Monk Time 3011:Tuli Kupferberg 2986: 2980: 2915: 2909: 2903: 2878:nuclear weapons 2846: 2845: 2837: 2835: 2834: 2833: 2832: 2813: 2806: 2803: 2796: 2790: 2774: 2764: 2759: 2630: 2628:Australian rock 2624: 2600:the Golden Cups 2569: 2563: 2479: 2473: 2404: 2394: 2326:the Small Faces 2204: 2194: 2181: 2136:the Mynah Birds 2123: 2078: 2031:Teenbeat Mayhem 1976: 1921:Dunwich Records 1894: 1744:Mondo Hollywood 1717: 1703: 1598: 1589: 1580:. According to 1547: 1531: 1495:the Ace of Cups 1488:Dunwich Records 1441: 1361: 1360: 1352: 1350: 1349: 1348: 1347: 1344: 1337: 1334: 1327: 1321: 1312: 1234: 1228:almost reached 1202:One-Hit Wonders 1182: 1168:and members of 1088: 1078: 1073: 1013: 1012: 1004: 1002: 1001: 1000: 999: 984: 977: 974: 967: 961: 956: 848: 847: 839: 837: 836: 835: 834: 823: 816: 813: 806: 800: 733:Jerry Lee Lewis 705: 687: 682: 657: 649:John Mendelsohn 647:in March 1971, 539: 533: 470:opportunity to 444: 346: 331: 293: 249:Regional scenes 220: 131: 58: 51: 44: 37: 30: 28: 23: 22: 15: 12: 11: 5: 18387: 18377: 18376: 18371: 18366: 18361: 18356: 18339: 18338: 18336: 18335: 18330: 18320: 18315: 18310: 18305: 18300: 18295: 18290: 18285: 18280: 18275: 18270: 18265: 18260: 18255: 18250: 18245: 18240: 18234: 18232: 18228: 18227: 18225: 18224: 18219: 18214: 18213: 18212: 18207: 18199: 18194: 18188: 18186: 18182: 18181: 18179: 18178: 18173: 18163: 18162: 18161: 18156: 18149:United Kingdom 18146: 18145: 18144: 18139: 18129: 18124: 18119: 18114: 18109: 18104: 18103: 18102: 18092: 18087: 18082: 18076: 18074: 18070: 18069: 18067: 18066: 18061: 18056: 18051: 18046: 18041: 18036: 18031: 18026: 18021: 18016: 18011: 18005: 18003: 18002:Related genres 17999: 17998: 17996: 17995: 17990: 17985: 17980: 17979: 17978: 17968: 17963: 17958: 17953: 17948: 17943: 17942: 17941: 17936: 17926: 17925: 17924: 17914: 17909: 17904: 17899: 17898: 17897: 17892: 17887: 17882: 17877: 17876: 17875: 17870: 17865: 17860: 17859: 17858: 17853: 17843: 17833: 17828: 17823: 17818: 17813: 17803: 17798: 17797: 17796: 17791: 17786: 17776: 17775: 17774: 17764: 17759: 17754: 17749: 17748: 17747: 17740:Christian punk 17737: 17736: 17735: 17725: 17724: 17723: 17718: 17707: 17705: 17702:Subgenres and 17699: 17698: 17696: 17695: 17694: 17693: 17692: 17691: 17675: 17673: 17669: 17668: 17661: 17660: 17653: 17646: 17638: 17629: 17628: 17626: 17625: 17613: 17600: 17597: 17596: 17594: 17593: 17588: 17586:Wagnerian rock 17583: 17578: 17573: 17568: 17563: 17558: 17553: 17551:Outlaw country 17548: 17543: 17538: 17532: 17530: 17526: 17525: 17523: 17522: 17517: 17512: 17511: 17510: 17505: 17500: 17495: 17488:Social effects 17485: 17480: 17479: 17478: 17473: 17468: 17458: 17453: 17447: 17445: 17443: 17442: 17439: 17435: 17432: 17431: 17429: 17428: 17423: 17418: 17413: 17408: 17403: 17398: 17392: 17390: 17386: 17385: 17382: 17381: 17379: 17378: 17373: 17367: 17365: 17361: 17360: 17358: 17357: 17352: 17347: 17341: 17339: 17335: 17334: 17332: 17331: 17326: 17321: 17316: 17311: 17310: 17309: 17299: 17294: 17293: 17292: 17282: 17277: 17276: 17275: 17265: 17260: 17255: 17250: 17249: 17248: 17243: 17233: 17232: 17231: 17221: 17216: 17206: 17201: 17196: 17190: 17188: 17184: 17183: 17181: 17180: 17179: 17178: 17173: 17168: 17163: 17161:Neo-rockabilly 17158: 17157: 17156: 17146: 17138: 17133: 17128: 17123: 17118: 17113: 17108: 17103: 17098: 17093: 17088: 17083: 17078: 17073: 17068: 17063: 17058: 17053: 17048: 17043: 17038: 17033: 17028: 17023: 17022: 17021: 17016: 17011: 17001: 16996: 16991: 16990: 16989: 16988: 16987: 16977: 16967: 16962: 16957: 16952: 16946: 16944: 16940: 16939: 16937: 16936: 16931: 16926: 16921: 16916: 16911: 16906: 16905: 16904: 16899: 16894: 16884: 16878: 16876: 16872: 16871: 16869: 16868: 16863: 16862: 16861: 16851: 16846: 16841: 16836: 16831: 16826: 16825: 16824: 16813: 16811: 16804: 16800: 16799: 16796: 16795: 16793: 16792: 16787: 16782: 16777: 16772: 16767: 16762: 16756: 16754: 16750: 16749: 16747: 16746: 16741: 16736: 16731: 16726: 16721: 16716: 16711: 16706: 16701: 16696: 16691: 16686: 16680: 16678: 16674: 16673: 16671: 16670: 16665: 16660: 16655: 16650: 16645: 16640: 16635: 16630: 16625: 16620: 16615: 16610: 16608:Heartland rock 16605: 16600: 16595: 16590: 16585: 16579: 16577: 16573: 16572: 16570: 16569: 16564: 16559: 16554: 16549: 16544: 16539: 16534: 16529: 16524: 16519: 16514: 16509: 16504: 16499: 16494: 16489: 16484: 16479: 16474: 16469: 16464: 16459: 16454: 16452:Christian rock 16449: 16444: 16439: 16434: 16429: 16424: 16419: 16417:Anatolian rock 16413: 16411: 16407: 16406: 16404: 16403: 16398: 16393: 16392: 16391: 16381: 16376: 16371: 16365: 16363: 16356: 16344: 16343: 16341: 16340: 16339: 16338: 16333: 16331:Rhythm section 16328: 16323: 16313: 16308: 16302: 16300: 16296: 16295: 16288: 16287: 16280: 16273: 16265: 16259: 16258: 16252: 16246: 16240: 16227: 16221: 16215: 16209: 16203: 16193: 16192: 16187: 16181: 16180: 16169: 16168: 16166: 16165:External links 16163: 16162: 16161: 16141: 16121: 16101: 16079: 16076: 16075: 16074: 16047: 16022: 16000: 15997: 15996: 15995: 15989: 15976: 15970: 15957: 15951: 15934: 15928: 15915: 15909: 15896: 15890: 15877: 15871: 15858: 15852: 15837: 15824: 15809: 15803: 15790: 15776: 15770: 15755: 15749: 15736: 15730: 15717: 15711: 15698: 15692: 15677: 15671: 15658: 15652: 15639: 15633: 15620: 15614: 15599: 15596: 15594: 15591: 15589: 15588: 15561: 15534: 15509: 15484: 15457: 15432: 15407: 15382: 15357: 15332: 15307: 15282: 15257: 15232: 15207: 15182: 15157: 15130: 15103: 15076: 15051: 15024: 14999: 14974: 14953: 14926: 14901: 14876: 14851: 14824: 14798: 14796: 14793: 14791: 14790: 14774:Orlando Weekly 14765: 14759: 14742: 14724: 14709: 14703: 14690: 14684: 14671: 14665: 14648: 14623: 14617: 14604: 14595: 14589: 14570: 14564: 14547: 14541: 14528: 14510: 14495: 14489: 14476: 14470: 14457: 14442: 14436: 14421: 14415: 14402: 14396: 14383: 14365: 14348: 14342: 14329: 14323: 14304: 14298: 14285: 14279: 14266: 14260: 14247: 14222: 14204: 14189: 14183: 14167: 14161: 14148: 14142: 14129: 14111: 14096: 14090: 14075: 14069: 14056: 14050: 14037: 14031: 14018: 14012: 13999: 13974: 13968: 13951: 13945: 13924: 13915: 13890: 13884: 13878:. Borderline. 13871: 13862: 13856: 13843: 13837: 13824: 13818: 13805: 13780: 13774: 13759: 13734: 13728: 13715: 13709: 13690: 13663: 13657: 13644: 13638: 13626:DeRogatis, Jim 13622: 13604: 13589: 13583: 13570: 13552: 13537: 13531: 13514: 13508: 13496:Browne, Ray B. 13491: 13480: 13462: 13447: 13441: 13425: 13419: 13403: 13397: 13384: 13378: 13365: 13359: 13346: 13321: 13315: 13302: 13296: 13283: 13277: 13264: 13246: 13231: 13198:(5): 555–574. 13180: 13174: 13161: 13155: 13142: 13136: 13121: 13115: 13101: 13099: 13096: 13093: 13092: 13061: 13034: 13003: 12991: 12979: 12948: 12917: 12886: 12855: 12824: 12793: 12781: 12750: 12719: 12715:Markesich 2012 12707: 12695: 12683: 12671: 12659: 12647: 12617: 12605: 12593: 12581: 12569: 12557: 12545: 12533: 12521: 12509: 12495:J. DeRogatis, 12488: 12466: 12440: 12423: 12402: 12390: 12378: 12376:, p. 469. 12366: 12364:, p. 121. 12354: 12342: 12330: 12299: 12278:"The Pandoras" 12276:Deming, Mark. 12268: 12238: 12208: 12204:Markesich 2012 12193: 12189:Mazzarone 2013 12173: 12169:DeRogatis 2007 12161: 12157:Markesich 2012 12146: 12130: 12118: 12106: 12094: 12074: 12038: 12012: 11978: 11963: 11933: 11917: 11901: 11881: 11869: 11846:Dougan, John. 11838: 11821:Sound on Sound 11807: 11776: 11745: 11714: 11683: 11660:Dougan, John. 11652: 11616: 11601:Harvard, Joe. 11584:Boston Phoenix 11569: 11541: 11515: 11498:Star Pulse.com 11485: 11451: 11420: 11384: 11353: 11322: 11299:Deming, Mark. 11291: 11268:Deming, Mark. 11260: 11237:Deming, Mark. 11229: 11208:"Punk Profits" 11198: 11167: 11136: 11124: 11084: 11053: 11023: 11011: 11007:Markesich 2012 10995: 10964: 10933: 10929:Markesich 2012 10917: 10911:, p. 69; 10897: 10893:Markesich 2012 10881: 10873:Markesich 2012 10861: 10857:Markesich 2012 10849: 10792: 10788:Markesich 2012 10773: 10750:Deming, Mark. 10742: 10708: 10696: 10673:Deming, Mark. 10660: 10629: 10617: 10594:Raggett, Ned. 10586: 10552: 10532: 10498: 10486: 10474: 10470:Markesich 2012 10462: 10431: 10427:Markesich 2012 10419: 10399: 10387: 10371: 10355: 10345:, p. 97; 10335: 10319: 10307: 10301:, p. 21; 10291: 10275: 10271:Markesich 2012 10259: 10257:, p. 101. 10247: 10231: 10215: 10203: 10173: 10161: 10145: 10124:"The Gamblers" 10114: 10099: 10084: 10068: 10013: 10001: 9970: 9958: 9928: 9916: 9885: 9873: 9843: 9841:, p. 256. 9831: 9819: 9817:, p. 339. 9807: 9795: 9783: 9762:"The Pleazers" 9752: 9740: 9728: 9716: 9685: 9673: 9661: 9646: 9631: 9614: 9580: 9568: 9556: 9544: 9532: 9520: 9508: 9470: 9458: 9446: 9410: 9387:Cope, Julian. 9379: 9367: 9355: 9332:Deming, Mark. 9321: 9300:"Los Speakers" 9290: 9267:Deming, Mark. 9259: 9229: 9195: 9164: 9133: 9102: 9086: 9065:"Los Cheyenes" 9055: 9024: 8993: 8962: 8936: 8905: 8874: 8843: 8820:Deming, Mark. 8812: 8781: 8751: 8728:Deming, Mark. 8720: 8689: 8655: 8621: 8590: 8559: 8547: 8516: 8486: 8456: 8426: 8395: 8364: 8333: 8302: 8276: 8272:Markesich 2012 8264: 8233: 8221: 8205: 8203:, p. 133. 8193: 8181: 8151: 8147:Longhurst 2007 8139: 8124: 8112: 8100: 8060: 8024: 7986: 7980:, p. 26; 7970: 7966:Markesich 2012 7958: 7924: 7890: 7856: 7825: 7794: 7760: 7729: 7695: 7664: 7643:"Painted Ship" 7633: 7602: 7590: 7553: 7538: 7501: 7489: 7485:Markesich 2012 7477: 7456:"The Outcasts" 7446: 7444:, p. 388. 7442:Markesich 2012 7434: 7430:Markesich 2012 7422: 7388: 7376: 7364: 7333: 7310:Deming, Mark. 7302: 7269: 7246:Deming, Mark. 7238: 7207: 7176: 7164: 7130: 7118: 7087: 7075: 7071:Markesich 2012 7059: 7047: 7035: 7023: 7011: 6999: 6968: 6956: 6922: 6891: 6875: 6844: 6840:Markesich 2012 6832: 6820: 6789: 6787:, p. 263. 6777: 6765: 6753: 6741: 6721: 6691: 6660: 6645: 6614: 6602: 6594:Markesich 2012 6586: 6574: 6540: 6528: 6516: 6480: 6474:, p. 35; 6464: 6452: 6440: 6438:, p. 219. 6436:Markesich 2012 6424: 6408: 6406:, p. 169. 6396: 6384: 6368: 6356: 6322: 6288: 6257: 6226: 6224:, p. 156. 6222:Markesich 2012 6211: 6180: 6178:, p. 289. 6176:Markesich 2012 6168: 6134: 6130:Markesich 2012 6118: 6084: 6072: 6060: 6056:Markesich 2012 6048: 6017: 6013:Markesich 2012 6011:, p. 60; 6001: 5989: 5985:Markesich 2012 5973: 5971:, p. 102. 5957: 5955:, p. 184. 5945: 5933: 5929:Markesich 2012 5917: 5905: 5893: 5870:Deming, Mark. 5862: 5850: 5844:, p. 23; 5842:Markesich 2012 5834: 5803: 5769: 5765:Markesich 2012 5763:, p. 37; 5753: 5749:Markesich 2012 5737: 5706: 5694: 5688:, p. 21; 5686:Markesich 2012 5678: 5674:Markesich 2012 5663: 5661:, p. 134. 5647: 5643:Markesich 2012 5630: 5618: 5612:, p. 36; 5602: 5600:, p. 222. 5590: 5559: 5547: 5535: 5515: 5499: 5479: 5463: 5432: 5430:, p. 116. 5420: 5399:"The Trashmen" 5386: 5374: 5344: 5342:, p. 159. 5332: 5320: 5304: 5292: 5280: 5278:, p. 213. 5268: 5262:, p. 24; 5252: 5240: 5224: 5212: 5200: 5169: 5157: 5145: 5133: 5102: 5098:Whiteside 2015 5090: 5086:Markesich 2012 5078: 5066: 5054: 5037: 5007: 4992: 4988:Markesich 2012 4977: 4975:, p. 115. 4965: 4950: 4933: 4921: 4913:Markesich 2012 4902: 4898:Markesich 2012 4890: 4878: 4857: 4855:, p. 108. 4845: 4837:Markesich 2012 4829: 4825:Markesich 2012 4817: 4809:Markesich 2012 4801: 4797:Markesich 2012 4789: 4772: 4757: 4747:, p. 69; 4737: 4725: 4723:, p. 492. 4710: 4699:Pop Chronicles 4678: 4666: 4651: 4635: 4633:, p. 295. 4631:Markesich 2012 4618: 4612:, p. 68; 4599: 4584: 4580:Markesich 2012 4572: 4556: 4544: 4532: 4502: 4500:, p. 119. 4490: 4478: 4466: 4446: 4442:Markesich 2012 4434: 4430:Markesich 2012 4414: 4402: 4396:, p. 25; 4392:, p. 20; 4390:Markesich 2012 4382: 4370: 4358: 4352:, p. 16; 4350:Markesich 2012 4342: 4336:, p. 16; 4334:Markesich 2012 4326: 4322:Markesich 2012 4314: 4302: 4298:Markesich 2012 4290: 4282:Markesich 2012 4274: 4270:Markesich 2012 4262: 4243: 4231: 4229:, p. 140. 4216: 4185: 4184: 4182: 4179: 4177: 4174: 4172: 4171: 4155: 4142: 4105: 4096: 4087: 4066: 4055: 4038: 4027: 4025: 4022: 4021: 4020: 4015: 4010: 4005: 3998: 3997: 3985: 3973: 3952: 3949: 3944:Main article: 3941: 3938: 3864:compilations. 3776: 3773: 3718:Arctic Monkeys 3714:the Libertines 3682:the Black Keys 3658:Billy Childish 3574: 3571: 3535:thee Headcoats 3503: 3500: 3495:The Black Keys 3452: 3449: 3444: 3441: 3359: 3356: 3303:Kenmore Square 3160: 3157: 3102: 3099: 2979: 2976: 2905:Main article: 2902: 2899: 2855:assassinations 2836: 2821:the Count Five 2814: 2804: 2799: 2798: 2797: 2788: 2787: 2786: 2763: 2760: 2758: 2755: 2747:The La De Da's 2743:Chants R&B 2719:the Loved Ones 2715:the Pink Finks 2696:Fortune Teller 2670:and guitarist 2623: 2620: 2562: 2559: 2472: 2469: 2465:Black Is Black 2436:Golden Earring 2393: 2390: 2386:Baby Come Back 2330:mod subculture 2292:Keith Richards 2193: 2192:United Kingdom 2190: 2180: 2177: 2156:Motown Records 2077: 2074: 2042:Five Americans 1975: 1972: 1893: 1890: 1868:the Count Five 1837:Thee Midniters 1799:Sean Bonniwell 1702: 1699: 1612:The Barbarians 1597: 1594: 1546: 1543: 1530: 1527: 1511:The Liverbirds 1484:The Luv'd Ones 1440: 1437: 1351: 1345: 1335: 1330: 1329: 1328: 1319: 1318: 1317: 1306:the Count Five 1257:, topping the 1251:Hang On Sloopy 1247:Rick Derringer 1237:top ten with " 1181: 1178: 1077: 1074: 1072: 1069: 1053:California Sun 1041:the Rivingtons 1003: 985: 975: 970: 969: 968: 959: 958: 957: 955: 952: 892:cover versions 838: 825:The 1962 hit " 824: 814: 809: 808: 807: 798: 797: 796: 745:Ritchie Valens 725:Little Richard 686: 683: 681: 678: 550:Sean Bonniwell 532: 529: 443: 440: 436:do-it-yourself 382:groups of the 333: 332: 330: 329: 324: 319: 314: 309: 303: 300: 299: 295: 294: 292: 291: 288: 285: 282: 279: 276: 273: 270: 267: 264: 263:United Kingdom 261: 258: 254: 251: 250: 246: 245: 239: 238: 234: 233: 227: 226: 222: 221: 219: 218: 213: 208: 203: 198: 193: 191:heartland rock 188: 183: 178: 173: 168: 163: 158: 153: 147: 145: 141: 140: 137: 133: 132: 130: 129: 124: 119: 114: 109: 104: 99: 94: 88: 86: 82: 81: 80: 79: 76: 71: 67: 66: 26: 9: 6: 4: 3: 2: 18386: 18375: 18372: 18370: 18367: 18365: 18362: 18360: 18357: 18355: 18352: 18351: 18349: 18334: 18331: 18328: 18324: 18321: 18319: 18318:Straight edge 18316: 18314: 18311: 18309: 18306: 18304: 18301: 18299: 18296: 18294: 18291: 18289: 18286: 18284: 18281: 18279: 18276: 18274: 18271: 18269: 18266: 18264: 18261: 18259: 18256: 18254: 18251: 18249: 18246: 18244: 18241: 18239: 18236: 18235: 18233: 18229: 18223: 18220: 18218: 18215: 18211: 18208: 18206: 18203: 18202: 18200: 18198: 18195: 18193: 18190: 18189: 18187: 18183: 18177: 18174: 18171: 18167: 18166:United States 18164: 18160: 18157: 18155: 18152: 18151: 18150: 18147: 18143: 18140: 18138: 18135: 18134: 18133: 18130: 18128: 18125: 18123: 18120: 18118: 18115: 18113: 18110: 18108: 18105: 18101: 18100:List of bands 18098: 18097: 18096: 18093: 18091: 18088: 18086: 18083: 18081: 18078: 18077: 18075: 18071: 18065: 18062: 18060: 18057: 18055: 18052: 18050: 18047: 18045: 18042: 18040: 18037: 18035: 18032: 18030: 18027: 18025: 18022: 18020: 18017: 18015: 18012: 18010: 18007: 18006: 18004: 18000: 17994: 17991: 17989: 17986: 17984: 17981: 17977: 17974: 17973: 17972: 17969: 17967: 17964: 17962: 17959: 17957: 17954: 17952: 17949: 17947: 17946:Post-hardcore 17944: 17940: 17937: 17935: 17932: 17931: 17930: 17927: 17923: 17920: 17919: 17918: 17915: 17913: 17910: 17908: 17905: 17903: 17900: 17896: 17893: 17891: 17888: 17886: 17883: 17881: 17878: 17874: 17871: 17869: 17866: 17864: 17861: 17857: 17854: 17852: 17849: 17848: 17847: 17846:Electronicore 17844: 17842: 17839: 17838: 17837: 17834: 17832: 17829: 17827: 17824: 17822: 17819: 17817: 17814: 17812: 17809: 17808: 17807: 17806:Hardcore punk 17804: 17802: 17799: 17795: 17792: 17790: 17787: 17785: 17782: 17781: 17780: 17777: 17773: 17770: 17769: 17768: 17765: 17763: 17760: 17758: 17755: 17753: 17750: 17746: 17743: 17742: 17741: 17738: 17734: 17731: 17730: 17729: 17726: 17722: 17719: 17717: 17714: 17713: 17712: 17709: 17708: 17706: 17704:fusion genres 17700: 17690: 17687: 17686: 17685: 17682: 17681: 17680: 17677: 17676: 17674: 17670: 17666: 17659: 17654: 17652: 17647: 17645: 17640: 17639: 17636: 17624: 17623: 17618: 17614: 17612: 17611: 17602: 17601: 17598: 17592: 17591:Wall of Sound 17589: 17587: 17584: 17582: 17579: 17577: 17574: 17572: 17571:Rock festival 17569: 17567: 17564: 17562: 17559: 17557: 17554: 17552: 17549: 17547: 17544: 17542: 17539: 17537: 17534: 17533: 17531: 17527: 17521: 17520:Women in rock 17518: 17516: 17513: 17509: 17506: 17504: 17501: 17499: 17496: 17494: 17491: 17490: 17489: 17486: 17484: 17481: 17477: 17474: 17472: 17469: 17467: 17466:Country music 17464: 17463: 17462: 17459: 17457: 17454: 17452: 17449: 17448: 17446: 17440: 17437: 17436: 17433: 17427: 17424: 17422: 17419: 17417: 17414: 17412: 17409: 17407: 17404: 17402: 17399: 17397: 17394: 17393: 17391: 17389:Radio formats 17387: 17377: 17374: 17372: 17369: 17368: 17366: 17362: 17356: 17353: 17351: 17348: 17346: 17343: 17342: 17340: 17336: 17330: 17327: 17325: 17322: 17320: 17317: 17315: 17312: 17308: 17305: 17304: 17303: 17300: 17298: 17295: 17291: 17288: 17287: 17286: 17283: 17281: 17278: 17274: 17271: 17270: 17269: 17266: 17264: 17261: 17259: 17256: 17254: 17251: 17247: 17244: 17242: 17239: 17238: 17237: 17234: 17230: 17227: 17226: 17225: 17222: 17220: 17217: 17214: 17210: 17207: 17205: 17202: 17200: 17197: 17195: 17192: 17191: 17189: 17185: 17177: 17174: 17172: 17169: 17167: 17164: 17162: 17159: 17155: 17154:Extreme metal 17152: 17151: 17150: 17147: 17145: 17142: 17141: 17139: 17137: 17134: 17132: 17129: 17127: 17124: 17122: 17119: 17117: 17114: 17112: 17109: 17107: 17104: 17102: 17099: 17097: 17094: 17092: 17089: 17087: 17084: 17082: 17079: 17077: 17074: 17072: 17069: 17067: 17064: 17062: 17059: 17057: 17054: 17052: 17049: 17047: 17044: 17042: 17039: 17037: 17034: 17032: 17029: 17027: 17024: 17020: 17017: 17015: 17012: 17010: 17007: 17006: 17005: 17002: 17000: 16997: 16995: 16992: 16986: 16983: 16982: 16981: 16978: 16976: 16973: 16972: 16971: 16968: 16966: 16963: 16961: 16958: 16956: 16953: 16951: 16948: 16947: 16945: 16941: 16935: 16932: 16930: 16927: 16925: 16922: 16920: 16917: 16915: 16912: 16910: 16907: 16903: 16900: 16898: 16895: 16893: 16890: 16889: 16888: 16885: 16883: 16880: 16879: 16877: 16875:South America 16873: 16867: 16864: 16860: 16857: 16856: 16855: 16852: 16850: 16847: 16845: 16842: 16840: 16837: 16835: 16832: 16830: 16827: 16823: 16820: 16819: 16818: 16815: 16814: 16812: 16810:North America 16808: 16805: 16801: 16791: 16788: 16786: 16783: 16781: 16778: 16776: 16773: 16771: 16768: 16766: 16763: 16761: 16758: 16757: 16755: 16751: 16745: 16742: 16740: 16737: 16735: 16732: 16730: 16727: 16725: 16722: 16720: 16717: 16715: 16712: 16710: 16707: 16705: 16702: 16700: 16697: 16695: 16692: 16690: 16687: 16685: 16682: 16681: 16679: 16675: 16669: 16666: 16664: 16661: 16659: 16656: 16654: 16651: 16649: 16646: 16644: 16641: 16639: 16636: 16634: 16631: 16629: 16626: 16624: 16621: 16619: 16616: 16614: 16611: 16609: 16606: 16604: 16601: 16599: 16596: 16594: 16591: 16589: 16586: 16584: 16581: 16580: 16578: 16574: 16568: 16565: 16563: 16560: 16558: 16557:Southern rock 16555: 16553: 16550: 16548: 16545: 16543: 16540: 16538: 16535: 16533: 16530: 16528: 16525: 16523: 16520: 16518: 16515: 16513: 16510: 16508: 16505: 16503: 16500: 16498: 16495: 16493: 16490: 16488: 16485: 16483: 16480: 16478: 16477:Flamenco rock 16475: 16473: 16470: 16468: 16465: 16463: 16460: 16458: 16455: 16453: 16450: 16448: 16445: 16443: 16440: 16438: 16435: 16433: 16430: 16428: 16425: 16423: 16420: 16418: 16415: 16414: 16412: 16408: 16402: 16399: 16397: 16394: 16390: 16387: 16386: 16385: 16384:Rock and roll 16382: 16380: 16377: 16375: 16372: 16370: 16367: 16366: 16364: 16360: 16357: 16354:not included) 16345: 16337: 16334: 16332: 16329: 16327: 16326:Electric bass 16324: 16322: 16319: 16318: 16317: 16314: 16312: 16309: 16307: 16304: 16303: 16301: 16297: 16293: 16286: 16281: 16279: 16274: 16272: 16267: 16266: 16263: 16256: 16253: 16250: 16247: 16244: 16241: 16238: 16234: 16231: 16228: 16225: 16222: 16219: 16216: 16213: 16210: 16207: 16204: 16201: 16198: 16197: 16191: 16188: 16186: 16183: 16182: 16177: 16172: 16151: 16147: 16142: 16131: 16127: 16122: 16111: 16107: 16102: 16091: 16087: 16084:Eder, Bruce. 16082: 16081: 16063: 16059: 16058: 16053: 16048: 16036: 16032: 16028: 16023: 16012: 16008: 16003: 16002: 15992: 15990:9780615260211 15986: 15982: 15977: 15973: 15967: 15963: 15958: 15954: 15948: 15943: 15942: 15935: 15931: 15925: 15921: 15916: 15912: 15906: 15902: 15897: 15893: 15887: 15884:. iUniverse. 15883: 15878: 15874: 15868: 15864: 15859: 15855: 15849: 15845: 15844: 15838: 15827: 15821: 15817: 15816: 15810: 15806: 15800: 15796: 15791: 15788: 15784: 15781: 15777: 15773: 15767: 15763: 15762: 15756: 15752: 15746: 15742: 15737: 15733: 15727: 15723: 15718: 15714: 15708: 15704: 15699: 15695: 15689: 15685: 15684: 15678: 15674: 15668: 15664: 15659: 15655: 15653:9781617130076 15649: 15645: 15640: 15636: 15634:9781789140651 15630: 15626: 15621: 15617: 15611: 15607: 15602: 15601: 15577: 15573: 15572: 15567: 15562: 15550: 15546: 15545: 15540: 15535: 15523: 15519: 15515: 15510: 15498: 15494: 15490: 15485: 15473: 15469: 15468: 15463: 15458: 15446: 15442: 15438: 15433: 15421: 15417: 15413: 15408: 15396: 15392: 15388: 15383: 15371: 15367: 15363: 15358: 15346: 15342: 15338: 15333: 15321: 15317: 15313: 15308: 15296: 15292: 15288: 15283: 15271: 15267: 15263: 15258: 15246: 15242: 15238: 15233: 15221: 15217: 15213: 15208: 15196: 15192: 15188: 15183: 15171: 15167: 15163: 15158: 15146: 15142: 15141: 15136: 15131: 15119: 15115: 15114: 15109: 15104: 15092: 15088: 15087: 15082: 15077: 15065: 15061: 15057: 15052: 15040: 15036: 15035: 15030: 15025: 15013: 15009: 15005: 15000: 14988: 14984: 14983:Rolling Stone 14980: 14975: 14963: 14959: 14954: 14942: 14938: 14937: 14932: 14927: 14915: 14911: 14907: 14902: 14890: 14886: 14882: 14877: 14865: 14861: 14857: 14852: 14840: 14836: 14835: 14830: 14825: 14813: 14809: 14805: 14800: 14799: 14779: 14775: 14771: 14766: 14762: 14756: 14751: 14750: 14743: 14731: 14727: 14721: 14717: 14716: 14710: 14706: 14700: 14696: 14691: 14687: 14681: 14677: 14672: 14668: 14662: 14658: 14654: 14649: 14637: 14633: 14629: 14624: 14620: 14614: 14610: 14605: 14601: 14596: 14592: 14586: 14582: 14581:Lonely Planet 14578: 14577: 14571: 14567: 14561: 14557: 14553: 14548: 14544: 14538: 14534: 14529: 14517: 14513: 14507: 14503: 14502: 14496: 14492: 14486: 14482: 14477: 14473: 14467: 14463: 14458: 14454: 14453: 14452:Rolling Stone 14448: 14443: 14439: 14433: 14429: 14428: 14422: 14418: 14412: 14408: 14407:Icons of Rock 14403: 14399: 14393: 14389: 14384: 14372: 14368: 14362: 14358: 14357: 14354: 14349: 14345: 14339: 14335: 14330: 14326: 14320: 14316: 14315:Lonely Planet 14312: 14311: 14305: 14301: 14295: 14291: 14286: 14282: 14276: 14272: 14267: 14263: 14257: 14253: 14248: 14236: 14232: 14231:Rolling Stone 14228: 14223: 14211: 14207: 14201: 14197: 14196: 14190: 14186: 14180: 14176: 14172: 14168: 14164: 14158: 14154: 14149: 14145: 14139: 14135: 14130: 14118: 14114: 14108: 14104: 14103: 14097: 14093: 14087: 14083: 14082: 14076: 14072: 14066: 14062: 14057: 14053: 14047: 14043: 14038: 14034: 14028: 14024: 14019: 14015: 14009: 14005: 14000: 13988: 13984: 13980: 13975: 13971: 13965: 13962:. Routledge. 13960: 13959: 13952: 13948: 13942: 13937: 13936: 13930: 13925: 13921: 13916: 13904: 13900: 13896: 13891: 13887: 13881: 13877: 13872: 13868: 13863: 13859: 13853: 13850:. Routledge. 13849: 13844: 13840: 13834: 13830: 13825: 13821: 13815: 13811: 13806: 13794: 13790: 13789:Guitar Player 13786: 13781: 13777: 13771: 13767: 13764: 13760: 13748: 13744: 13743:Rolling Stone 13740: 13735: 13731: 13725: 13722:. Routledge. 13721: 13716: 13712: 13706: 13702: 13701:Lonely Planet 13698: 13697: 13696:Great Britain 13691: 13679: 13675: 13674: 13669: 13664: 13660: 13654: 13650: 13645: 13641: 13635: 13631: 13627: 13623: 13611: 13607: 13601: 13598:. Routledge. 13597: 13596: 13590: 13586: 13580: 13576: 13571: 13559: 13555: 13549: 13545: 13544: 13538: 13534: 13528: 13523: 13522: 13515: 13511: 13509:0-87972-821-3 13505: 13501: 13497: 13494:Browne, Pat; 13492: 13489:. p. 69. 13488: 13487: 13481: 13469: 13465: 13459: 13455: 13454: 13448: 13444: 13438: 13434: 13430: 13429:Blecha, Peter 13426: 13422: 13416: 13412: 13408: 13407:Blecha, Peter 13404: 13400: 13394: 13390: 13385: 13381: 13375: 13371: 13366: 13362: 13356: 13352: 13347: 13335: 13331: 13327: 13322: 13318: 13312: 13308: 13303: 13299: 13293: 13289: 13284: 13280: 13274: 13270: 13265: 13253: 13249: 13243: 13239: 13238: 13232: 13217: 13213: 13209: 13205: 13201: 13197: 13193: 13186: 13181: 13177: 13171: 13167: 13162: 13158: 13152: 13148: 13143: 13139: 13133: 13129: 13128: 13122: 13118: 13112: 13108: 13103: 13102: 13080: 13076: 13072: 13065: 13049: 13045: 13038: 13022: 13018: 13014: 13007: 13000: 12999:Paterson 2013 12995: 12988: 12983: 12967: 12963: 12959: 12956:Bruno, Paul. 12952: 12936: 12932: 12928: 12925:Sendra, Tim. 12921: 12905: 12901: 12897: 12890: 12874: 12870: 12866: 12859: 12843: 12839: 12835: 12828: 12812: 12808: 12804: 12797: 12791:, p. 54. 12790: 12785: 12769: 12765: 12761: 12754: 12738: 12734: 12730: 12727:Eder, Bruce. 12723: 12717:, p. 38. 12716: 12711: 12704: 12699: 12692: 12687: 12680: 12675: 12668: 12663: 12656: 12651: 12635: 12631: 12627: 12621: 12615:, p. 52. 12614: 12609: 12603:, p. 58. 12602: 12597: 12591:, p. 75. 12590: 12585: 12579:, p. 90. 12578: 12577:Blackman 2004 12573: 12566: 12565:Harvilla 2011 12561: 12555:, p. 59. 12554: 12549: 12543:, p. 69. 12542: 12537: 12530: 12525: 12518: 12513: 12506: 12505:0-634-05548-8 12502: 12498: 12492: 12477: 12470: 12454: 12450: 12444: 12437: 12433: 12427: 12420: 12419:0-7486-1745-0 12416: 12412: 12406: 12400:, p. 73. 12399: 12394: 12388:, p. 98. 12387: 12382: 12375: 12370: 12363: 12358: 12351: 12346: 12340:, p. 37. 12339: 12338:Rowthorn 2003 12334: 12318: 12314: 12310: 12309:"Guitar Wolf" 12303: 12287: 12283: 12279: 12272: 12256: 12252: 12248: 12242: 12226: 12222: 12218: 12217:"Garage Punk" 12212: 12206:, p. 43. 12205: 12200: 12198: 12190: 12186: 12182: 12181:Szatmary 2013 12177: 12171:, p. 35. 12170: 12165: 12159:, p. 40. 12158: 12153: 12151: 12143: 12139: 12134: 12128:, p. 21. 12127: 12122: 12115: 12110: 12103: 12098: 12092:, p. 53. 12091: 12087: 12083: 12078: 12062: 12058: 12054: 12047: 12045: 12043: 12026: 12022: 12016: 12000: 11996: 11992: 11985: 11983: 11976:, p. 53. 11975: 11970: 11968: 11951: 11947: 11943: 11942:"The Ramones" 11937: 11930: 11926: 11921: 11915:, p. 14. 11914: 11910: 11905: 11898: 11894: 11890: 11885: 11879:, p. 90. 11878: 11873: 11857: 11853: 11849: 11842: 11826: 11822: 11818: 11811: 11795: 11791: 11787: 11780: 11764: 11760: 11756: 11749: 11733: 11729: 11725: 11718: 11702: 11698: 11694: 11687: 11671: 11667: 11663: 11656: 11640: 11636: 11632: 11625: 11623: 11621: 11612: 11608: 11604: 11589: 11585: 11581: 11573: 11557: 11556: 11551: 11545: 11529: 11525: 11519: 11503: 11499: 11495: 11489: 11473: 11469: 11465: 11458: 11456: 11439: 11435: 11431: 11428:Jurek, Thom. 11424: 11408: 11404: 11403: 11398: 11391: 11389: 11372: 11368: 11364: 11357: 11341: 11337: 11333: 11326: 11310: 11306: 11302: 11295: 11279: 11275: 11271: 11264: 11248: 11244: 11240: 11233: 11217: 11213: 11209: 11202: 11186: 11182: 11178: 11177:"The Iguanas" 11171: 11155: 11151: 11147: 11140: 11133: 11128: 11112: 11108: 11104: 11097: 11095: 11093: 11091: 11089: 11072: 11068: 11064: 11057: 11041: 11037: 11033: 11027: 11021:, p. 69. 11020: 11015: 11008: 11004: 10999: 10983: 10979: 10975: 10968: 10952: 10948: 10944: 10937: 10931:, p. 36. 10930: 10926: 10921: 10914: 10910: 10906: 10901: 10895:, p. 36. 10894: 10890: 10885: 10878: 10874: 10870: 10865: 10858: 10853: 10837: 10833: 10829: 10824: 10811: 10807: 10803: 10796: 10789: 10785: 10780: 10778: 10761: 10757: 10753: 10746: 10730: 10726: 10722: 10715: 10713: 10705: 10700: 10684: 10680: 10676: 10669: 10667: 10665: 10648: 10644: 10640: 10633: 10626: 10621: 10605: 10601: 10597: 10590: 10574: 10570: 10566: 10559: 10557: 10549: 10545: 10541: 10536: 10520: 10516: 10512: 10505: 10503: 10495: 10490: 10483: 10482:Hoffmann 2004 10478: 10472:, p. 32. 10471: 10466: 10450: 10446: 10442: 10435: 10429:, p. 31. 10428: 10423: 10416: 10412: 10411:Sclafani 2009 10408: 10403: 10396: 10391: 10384: 10380: 10375: 10369:, p. 10. 10368: 10367:Kauppila 2006 10365:, p. 1; 10364: 10359: 10352: 10348: 10347:Kauppila 2006 10344: 10339: 10333:, p. 95. 10332: 10328: 10323: 10316: 10311: 10305:, p. 27. 10304: 10300: 10295: 10288: 10287:Kauppila 2006 10284: 10279: 10272: 10268: 10263: 10256: 10251: 10244: 10243:Kauppila 2006 10240: 10235: 10228: 10227:Kauppila 2006 10224: 10219: 10212: 10207: 10191: 10187: 10183: 10177: 10170: 10165: 10158: 10154: 10149: 10133: 10129: 10125: 10118: 10111: 10106: 10104: 10097:, p. 59. 10096: 10091: 10089: 10081: 10077: 10072: 10056: 10052: 10048: 10032: 10028: 10024: 10021:Stieb, Matt. 10017: 10010: 10005: 9989: 9985: 9981: 9974: 9967: 9962: 9946: 9942: 9938: 9932: 9925: 9920: 9904: 9900: 9896: 9889: 9882: 9877: 9861: 9857: 9853: 9847: 9840: 9835: 9828: 9823: 9816: 9811: 9804: 9799: 9792: 9787: 9771: 9767: 9763: 9756: 9749: 9744: 9737: 9732: 9725: 9720: 9704: 9700: 9696: 9689: 9682: 9677: 9670: 9665: 9658: 9653: 9651: 9643: 9638: 9636: 9629:, p. 12. 9628: 9623: 9621: 9619: 9602: 9598: 9594: 9587: 9585: 9577: 9572: 9565: 9560: 9553: 9548: 9541: 9536: 9529: 9524: 9517: 9512: 9496: 9492: 9488: 9481: 9479: 9477: 9475: 9467: 9462: 9455: 9450: 9434: 9430: 9426: 9419: 9417: 9415: 9398: 9394: 9390: 9383: 9377:, p. 49. 9376: 9371: 9364: 9363:Bartlett 2008 9359: 9343: 9339: 9335: 9328: 9326: 9309: 9305: 9301: 9294: 9278: 9274: 9270: 9263: 9247: 9243: 9239: 9233: 9217: 9213: 9209: 9202: 9200: 9183: 9179: 9175: 9174:"Los Mockers" 9168: 9152: 9148: 9144: 9143:"Los Shakers" 9137: 9121: 9117: 9113: 9106: 9100:, p. 46. 9099: 9095: 9090: 9074: 9070: 9066: 9059: 9043: 9039: 9035: 9028: 9012: 9008: 9004: 9003:"The Rattles" 8997: 8981: 8977: 8973: 8966: 8950: 8946: 8940: 8924: 8920: 8916: 8909: 8893: 8889: 8885: 8878: 8862: 8858: 8854: 8847: 8831: 8827: 8823: 8816: 8800: 8796: 8792: 8789:Eder, Bruce. 8785: 8769: 8765: 8761: 8755: 8739: 8735: 8731: 8724: 8707: 8703: 8699: 8693: 8677: 8673: 8669: 8662: 8660: 8643: 8639: 8635: 8628: 8626: 8609: 8605: 8601: 8594: 8578: 8574: 8570: 8563: 8556: 8551: 8535: 8531: 8527: 8520: 8504: 8500: 8499:Rolling Stone 8496: 8490: 8474: 8470: 8466: 8460: 8444: 8440: 8436: 8430: 8414: 8410: 8406: 8405:"Small Faces" 8403:Eder, Bruce. 8399: 8383: 8379: 8375: 8368: 8352: 8348: 8344: 8337: 8321: 8317: 8313: 8306: 8291: 8287: 8280: 8274:, p. 15. 8273: 8268: 8252: 8248: 8244: 8237: 8231:, p. 34. 8230: 8225: 8219:, p. 41. 8218: 8214: 8209: 8202: 8201:Schwartz 2007 8197: 8190: 8185: 8169: 8165: 8164:triumphpc.com 8161: 8155: 8149:, p. 98. 8148: 8143: 8137:, p. 36. 8136: 8131: 8129: 8121: 8116: 8109: 8104: 8088: 8084: 8080: 8073: 8071: 8069: 8067: 8065: 8048: 8044: 8040: 8033: 8031: 8029: 8012: 8008: 8004: 7997: 7995: 7993: 7991: 7983: 7979: 7974: 7967: 7962: 7946: 7942: 7938: 7934: 7928: 7912: 7908: 7904: 7903:"The Savages" 7900: 7894: 7878: 7874: 7870: 7863: 7861: 7844: 7840: 7836: 7829: 7813: 7809: 7805: 7804:"The Paupers" 7798: 7782: 7778: 7774: 7773:"The Haunted" 7770: 7764: 7748: 7744: 7740: 7733: 7717: 7713: 7709: 7705: 7699: 7683: 7679: 7675: 7672:Sendra, Tim. 7668: 7652: 7648: 7644: 7637: 7621: 7617: 7613: 7606: 7599: 7594: 7578: 7574: 7570: 7566: 7560: 7558: 7550: 7545: 7543: 7526: 7522: 7518: 7512: 7510: 7508: 7506: 7499:, p. 98. 7498: 7493: 7486: 7481: 7465: 7461: 7457: 7450: 7443: 7438: 7431: 7426: 7410: 7406: 7402: 7398: 7392: 7385: 7380: 7374:, p. 89. 7373: 7368: 7352: 7348: 7344: 7337: 7321: 7317: 7313: 7306: 7290: 7286: 7283: 7276: 7274: 7257: 7253: 7249: 7242: 7226: 7222: 7218: 7211: 7195: 7191: 7187: 7180: 7174:, p. 73. 7173: 7168: 7152: 7148: 7144: 7137: 7135: 7127: 7122: 7106: 7102: 7098: 7091: 7085:, p. 46. 7084: 7079: 7072: 7068: 7063: 7057:, p. 53. 7056: 7051: 7044: 7039: 7032: 7027: 7021:, p. 58. 7020: 7015: 7009:, p. 42. 7008: 7003: 6987: 6983: 6979: 6976:Eder, Bruce. 6972: 6965: 6964:Kauppila 2006 6960: 6944: 6940: 6936: 6932: 6926: 6910: 6906: 6902: 6895: 6889:, p. 44. 6888: 6884: 6879: 6863: 6859: 6855: 6848: 6841: 6836: 6830:, p. 63. 6829: 6824: 6808: 6804: 6800: 6793: 6786: 6781: 6774: 6769: 6762: 6757: 6751:, p. 10. 6750: 6745: 6738: 6734: 6730: 6725: 6709: 6705: 6701: 6695: 6679: 6675: 6671: 6664: 6658:, p. 61. 6657: 6652: 6650: 6633: 6629: 6625: 6618: 6611: 6606: 6599: 6595: 6590: 6583: 6578: 6562: 6558: 6554: 6550: 6544: 6537: 6536:Matheson 2014 6532: 6525: 6520: 6504: 6500: 6496: 6489: 6487: 6485: 6477: 6473: 6468: 6461: 6456: 6449: 6444: 6437: 6433: 6428: 6421: 6417: 6412: 6405: 6400: 6393: 6388: 6381: 6377: 6372: 6365: 6360: 6344: 6340: 6336: 6332: 6326: 6310: 6306: 6302: 6298: 6292: 6276: 6272: 6268: 6261: 6245: 6241: 6237: 6236:"Ace of Cups" 6230: 6223: 6218: 6216: 6199: 6195: 6191: 6184: 6177: 6172: 6156: 6152: 6148: 6141: 6139: 6132:, p. 85. 6131: 6127: 6122: 6106: 6102: 6098: 6095:Eder, Bruce. 6091: 6089: 6082:, p. 50. 6081: 6076: 6070:, p. 75. 6069: 6064: 6058:, p. 23. 6057: 6052: 6036: 6032: 6028: 6021: 6015:, p. 23. 6014: 6010: 6005: 5999:, p. 62. 5998: 5993: 5987:, p. 32. 5986: 5982: 5977: 5970: 5966: 5961: 5954: 5949: 5943:, p. 31. 5942: 5937: 5931:, p. 23. 5930: 5926: 5921: 5914: 5909: 5903:, p. 31. 5902: 5897: 5881: 5877: 5873: 5866: 5860:, p. 52. 5859: 5854: 5848:, p. 20. 5847: 5843: 5838: 5822: 5818: 5814: 5807: 5791: 5787: 5783: 5776: 5774: 5767:, p. 21. 5766: 5762: 5757: 5750: 5746: 5741: 5725: 5721: 5717: 5710: 5703: 5698: 5691: 5687: 5682: 5676:, p. 28. 5675: 5670: 5668: 5660: 5659:Szatmary 2013 5657:, p. 3; 5656: 5651: 5645:, p. 14. 5644: 5639: 5637: 5635: 5628:, p. 22. 5627: 5622: 5615: 5611: 5606: 5599: 5598:Shepherd 2012 5594: 5578: 5574: 5570: 5563: 5556: 5551: 5544: 5539: 5533:, p. 56. 5532: 5528: 5524: 5519: 5512: 5508: 5503: 5496: 5492: 5491:Kauppila 2006 5488: 5483: 5476: 5472: 5467: 5451: 5447: 5443: 5436: 5429: 5424: 5408: 5404: 5400: 5396: 5390: 5384:, p. 19. 5383: 5378: 5362: 5358: 5354: 5348: 5341: 5336: 5329: 5324: 5317: 5313: 5308: 5301: 5296: 5289: 5284: 5277: 5276:Campbell 2004 5272: 5265: 5261: 5256: 5249: 5244: 5237: 5236:Morrison 2005 5233: 5228: 5221: 5216: 5209: 5204: 5188: 5184: 5180: 5173: 5166: 5161: 5154: 5149: 5142: 5137: 5121: 5117: 5113: 5106: 5099: 5094: 5087: 5082: 5076:, p. 17. 5075: 5070: 5063: 5058: 5051: 5046: 5044: 5042: 5025: 5021: 5017: 5011: 5004: 4999: 4997: 4990:, p. 10. 4989: 4984: 4982: 4974: 4969: 4963:, p. 59. 4962: 4957: 4955: 4948:, p. 15. 4947: 4942: 4940: 4938: 4930: 4929:Morrison 2005 4925: 4918: 4914: 4909: 4907: 4899: 4894: 4888:, p. 52. 4887: 4882: 4875: 4870: 4868: 4866: 4864: 4862: 4854: 4849: 4842: 4838: 4833: 4826: 4821: 4815:, p. 51. 4814: 4810: 4805: 4798: 4793: 4787:, p. 23. 4786: 4781: 4779: 4777: 4770:, p. 68. 4769: 4764: 4762: 4754: 4750: 4746: 4741: 4734: 4729: 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4006: 4004: 4003:American rock 4001: 4000: 3996: 3986: 3984: 3974: 3972: 3962: 3961: 3958: 3947: 3940:List of bands 3937: 3934: 3933: 3928: 3927: 3922: 3921: 3916: 3915: 3910: 3908: 3907: 3902: 3901: 3896: 3895: 3890: 3886: 3885: 3880: 3876: 3872: 3871: 3865: 3863: 3862: 3857: 3853: 3852: 3847: 3846: 3841: 3837: 3836:Crypt Records 3833: 3832: 3827: 3823: 3822: 3816: 3814: 3810: 3806: 3805:Rhino Records 3802: 3798: 3794: 3793: 3788: 3782: 3772: 3770: 3766: 3762: 3758: 3754: 3750: 3745: 3743: 3739: 3735: 3732:from the UK, 3731: 3727: 3723: 3719: 3715: 3712:from the US, 3711: 3710:Kings of Leon 3707: 3703: 3699: 3695: 3691: 3687: 3683: 3679: 3675: 3674:the Oblivians 3671: 3667: 3663: 3659: 3655: 3651: 3650:the Dirtbombs 3647: 3643: 3638: 3636: 3635: 3630: 3629:Jim DeRogatis 3626: 3622: 3618: 3614: 3610: 3606: 3602: 3598: 3597: 3592: 3588: 3587: 3580: 3570: 3568: 3564: 3560: 3556: 3552: 3548: 3544: 3543:the 5.6.7.8's 3540: 3536: 3532: 3528: 3524: 3520: 3515: 3509: 3496: 3492: 3488: 3486: 3482: 3478: 3474: 3470: 3469:the Fuzztones 3466: 3462: 3458: 3448: 3440: 3436: 3434: 3430: 3425: 3424: 3423:cause célèbre 3419: 3415: 3410: 3408: 3404: 3400: 3395: 3391: 3387: 3379: 3374: 3369: 3365: 3355: 3353: 3350:, fronted by 3349: 3348:The Dictators 3345: 3344: 3339: 3335: 3331: 3327: 3323: 3318: 3316: 3312: 3308: 3307:The Real Kids 3304: 3300: 3296: 3295: 3294:Modern Lovers 3290: 3286: 3281: 3279: 3275: 3274: 3269: 3265: 3264: 3255: 3251: 3246: 3244: 3240: 3239: 3234: 3230: 3226: 3225: 3220: 3219: 3213: 3209: 3205: 3204: 3199: 3191: 3187: 3183: 3179: 3177: 3173: 3166: 3156: 3154: 3150: 3146: 3142: 3138: 3134: 3131: 3126: 3121: 3119: 3116:ceded to the 3115: 3111: 3110: 3098: 3096: 3092: 3088: 3087: 3082: 3077: 3075: 3071: 3067: 3066: 3061: 3057: 3053: 3049: 3045: 3038: 3034: 3030: 3026: 3024: 3020: 3016: 3012: 3009:, along with 3008: 3004: 3000: 2995: 2991: 2985: 2975: 2973: 2968: 2964: 2962: 2957: 2953: 2952: 2946: 2942: 2938: 2934: 2933: 2923: 2919: 2914: 2908: 2898: 2895: 2891: 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Show 1621: 1617: 1613: 1606: 1602: 1593: 1587: 1583: 1579: 1575: 1571: 1567: 1565: 1561: 1557: 1553: 1539: 1535: 1526: 1524: 1520: 1516: 1512: 1508: 1504: 1500: 1496: 1491: 1489: 1485: 1481: 1477: 1473: 1469: 1465: 1461: 1453: 1449: 1445: 1436: 1434: 1430: 1426: 1422: 1418: 1414: 1410: 1409:the Dead Boys 1406: 1402: 1398: 1394: 1390: 1386: 1382: 1378: 1374: 1370: 1366: 1359: 1357: 1333: 1316: 1311: 1307: 1303: 1299: 1295: 1294:the Standells 1291: 1287: 1283: 1279: 1278:the Outsiders 1274: 1272: 1268: 1264: 1260: 1256: 1252: 1248: 1244: 1240: 1233: 1232: 1227: 1226:the Castaways 1223: 1219: 1215: 1214:Just a Little 1211: 1207: 1203: 1199: 1190: 1186: 1177: 1175: 1171: 1167: 1163: 1159: 1155: 1151: 1147: 1146:Pretty Things 1143: 1139: 1138:the Yardbirds 1135: 1131: 1127: 1122: 1118: 1114: 1109: 1107: 1103: 1102: 1097: 1093: 1087: 1083: 1068: 1066: 1062: 1058: 1054: 1050: 1046: 1042: 1038: 1034: 1028: 1026: 1022: 1018: 1011: 1009: 997: 993: 992:Richard Berry 989: 973: 951: 949: 945: 940: 936: 932: 928: 923: 921: 917: 913: 909: 905: 901: 897: 893: 889: 888:Richard Berry 885: 881: 876: 873: 869: 865: 861: 857: 853: 850:According to 846: 844: 832: 828: 812: 795: 793: 789: 785: 780: 772: 768: 764: 760: 758: 754: 750: 746: 742: 741:Eddie Cochran 738: 734: 730: 726: 722: 717: 715: 710: 709:rock and roll 704: 700: 696: 692: 691:Rock and roll 677: 675: 671: 667: 663: 654: 650: 646: 645:Rolling Stone 641: 639: 638: 633: 629: 628:punk magazine 625: 621: 620:Rolling Stone 617: 613: 609: 608: 607:Rolling Stone 602: 601: 595: 592: 588: 587: 582: 577: 575: 571: 567: 563: 559: 551: 547: 543: 538: 528: 526: 522: 516: 514: 510: 506: 502: 498: 494: 488: 486: 482: 478: 473: 472:open at shows 467: 463: 456: 452: 448: 439: 437: 433: 429: 423: 421: 417: 413: 409: 405: 404: 400: 395: 393: 389: 385: 381: 377: 373: 368: 366: 362: 358: 354: 350: 343: 339: 328: 325: 323: 320: 318: 315: 313: 310: 308: 305: 304: 301: 296: 289: 286: 283: 280: 277: 274: 271: 268: 265: 262: 259: 257:United States 256: 255: 252: 247: 244: 240: 237:Fusion genres 235: 232: 228: 223: 217: 216:Southern rock 214: 212: 209: 207: 204: 202: 199: 197: 194: 192: 189: 187: 184: 182: 179: 177: 174: 172: 169: 167: 166:bubblegum pop 164: 162: 159: 157: 154: 152: 149: 148: 146: 142: 138: 134: 128: 125: 123: 120: 118: 115: 113: 110: 108: 105: 103: 100: 98: 95: 93: 92:Rock and roll 90: 89: 87: 83: 77: 74: 73: 72: 68: 63: 60: 55: 48: 41: 34: 19: 18313:Puntala-rock 18288:Punk fashion 18059:Thrash metal 17856:Nintendocore 17711:Anarcho-punk 17678: 17620: 17608: 17576:Rock musical 17566:Rock concert 17411:Classic rock 17140:Yugoslavian 16985:Post-Britpop 16866:Puerto Rican 16859:Chicano rock 16739:Slacker rock 16486: 16462:Country rock 16427:Baroque rock 16175: 16153:. 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Retrieved 7677: 7667: 7655:. Retrieved 7646: 7636: 7624:. Retrieved 7615: 7605: 7598:Lemlich 1992 7593: 7581:. Retrieved 7572: 7549:Dominic 2003 7529:. Retrieved 7520: 7492: 7480: 7468:. Retrieved 7459: 7449: 7437: 7425: 7413:. Retrieved 7404: 7391: 7379: 7367: 7355:. Retrieved 7346: 7336: 7326:December 19, 7324:. Retrieved 7315: 7305: 7295:December 19, 7293:. Retrieved 7284: 7260:. Retrieved 7251: 7241: 7229:. Retrieved 7221:The Guardian 7220: 7210: 7198:. Retrieved 7189: 7179: 7167: 7155:. Retrieved 7146: 7121: 7109:. Retrieved 7100: 7090: 7078: 7062: 7050: 7038: 7026: 7014: 7002: 6992:December 21, 6990:. Retrieved 6981: 6971: 6959: 6947:. Retrieved 6938: 6925: 6913:. Retrieved 6904: 6894: 6878: 6868:December 21, 6866:. Retrieved 6857: 6847: 6835: 6823: 6811:. Retrieved 6802: 6792: 6780: 6768: 6756: 6744: 6724: 6712:. Retrieved 6703: 6694: 6682:. Retrieved 6673: 6663: 6636:. Retrieved 6627: 6617: 6605: 6589: 6577: 6565:. Retrieved 6556: 6543: 6531: 6519: 6507:. Retrieved 6498: 6467: 6455: 6443: 6427: 6411: 6399: 6387: 6371: 6364:MacLeod 2015 6359: 6347:. Retrieved 6338: 6325: 6313:. Retrieved 6304: 6291: 6279:. Retrieved 6270: 6260: 6248:. Retrieved 6239: 6229: 6202:. Retrieved 6193: 6183: 6171: 6159:. Retrieved 6150: 6121: 6109:. Retrieved 6100: 6075: 6063: 6051: 6039:. Retrieved 6030: 6020: 6004: 5992: 5976: 5960: 5948: 5936: 5920: 5908: 5896: 5884:. Retrieved 5875: 5865: 5853: 5837: 5825:. Retrieved 5816: 5806: 5794:. Retrieved 5785: 5782:"The McCoys" 5756: 5740: 5728:. Retrieved 5719: 5709: 5697: 5690:Simmons 2015 5681: 5650: 5621: 5614:Buckley 2003 5605: 5593: 5581:. Retrieved 5572: 5562: 5550: 5538: 5523:Lemlich 1992 5518: 5507:Lemlich 1992 5502: 5487:Lemlich 1992 5482: 5466: 5456:December 15, 5454:. Retrieved 5445: 5435: 5428:Waksman 2009 5423: 5411:. Retrieved 5402: 5389: 5377: 5365:. Retrieved 5356: 5347: 5335: 5323: 5307: 5295: 5288:Pareles 1997 5283: 5271: 5255: 5243: 5227: 5215: 5203: 5191:. Retrieved 5182: 5172: 5160: 5155:, p. 1. 5148: 5136: 5124:. Retrieved 5115: 5105: 5093: 5081: 5069: 5057: 5028:. Retrieved 5019: 5010: 5003:Gilmore 1990 4968: 4924: 4893: 4881: 4848: 4832: 4820: 4804: 4792: 4740: 4735:, p. 8. 4728: 4721:Shapiro 2006 4697: 4681: 4669: 4638: 4575: 4559: 4547: 4535: 4525:November 11, 4523:. Retrieved 4514: 4505: 4493: 4481: 4469: 4464:, p. 3. 4449: 4437: 4422:Lemlich 1992 4417: 4410:Lemlich 1992 4405: 4398:Lemlich 1992 4385: 4373: 4361: 4345: 4329: 4317: 4305: 4300:, p. 9. 4293: 4277: 4272:, p. 5. 4265: 4234: 4207:. Retrieved 4198: 4195:"Punk Blues" 4189: 4158: 4150: 4145: 4108: 4099: 4090: 4082: 4078: 4069: 4058: 4041: 4031: 3930: 3924: 3918: 3912: 3911: 3904: 3898: 3892: 3882: 3868: 3866: 3859: 3856:Ace Records' 3849: 3843: 3829: 3819: 3817: 3812: 3800: 3790: 3787:compilations 3784: 3775:Compilations 3753:Thee Oh Sees 3746: 3646:Electric Six 3639: 3632: 3594: 3584: 3582: 3511: 3473:the Pandoras 3454: 3446: 3437: 3421: 3411: 3393: 3385: 3383: 3341: 3319: 3292: 3282: 3271: 3266:. In 1974, 3261: 3247: 3243:I'm Eighteen 3236: 3229:Alice Cooper 3222: 3216: 3201: 3195: 3168: 3149:country rock 3122: 3107: 3104: 3084: 3078: 3063: 3042: 2994:experimental 2987: 2959: 2949: 2937:Jimi Hendrix 2930: 2927: 2894:transcendent 2882:civil rights 2863: 2847: 2838: 2775: 2736: 2707:the Pleazers 2704: 2672:George Young 2653: 2642: 2608: 2591: 2588:Group Sounds 2581: 2567:Group Sounds 2535:Los Speakers 2499: 2491: 2449: 2443: 2440: 2416: 2362: 2358:Wimple Winch 2338:the Creation 2319: 2268: 2264:Van Morrison 2224: 2220: 2215:Van Morrison 2213:, featuring 2182: 2168:Live 'n Wild 2166: 2160: 2148:Bruce Palmer 2113: 2090: 2062: 2058:Alice Cooper 2054:Alice Cooper 2039: 2035:The Outcasts 2030: 1992: 1968:Action Woman 1953: 1941:the Banshees 1929:Van Morrison 1906: 1879: 1861: 1853:Chris Kenner 1841:Chicano rock 1829:The Premiers 1802: 1781: 1755:, including 1748: 1742: 1736: 1732:Sunset Strip 1729: 1715:Chicano rock 1707:Sunset Strip 1695:Tobacco Road 1684: 1669:the Vagrants 1642: 1623: 1610: 1582:Peter Blecha 1568: 1556:Just Like Me 1548: 1519:the Runaways 1492: 1457: 1404: 1367:" (1966) by 1362: 1353: 1309: 1275: 1263:Bang Records 1258: 1242: 1229: 1210:Laugh, Laugh 1204:". In 1965, 1194: 1110: 1099: 1089: 1057:the Rivieras 1037:the Trashmen 1033:Surfin' Bird 1029: 1021:The Kingsmen 1016: 1014: 1005: 996:the Kingsmen 988:Louie, Louie 947: 943: 924: 920:the Kingsmen 904:the Frantics 896:the Ventures 877: 852:Lester Bangs 849: 840: 831:Chris Montez 776: 753:Chicano rock 747:' 1958 hit " 718: 706: 676:and others. 674:the Kingsmen 644: 642: 635: 627: 623: 619: 611: 605: 598: 596: 584: 578: 570:Lester Bangs 555: 548:, featuring 517: 505:power chords 489: 481:Music Circus 468: 464: 460: 424: 408:rock critics 401: 396: 369: 345: 341: 337: 336: 298:Other topics 59: 18354:Garage rock 18154:Celtic punk 18122:Netherlands 18054:Speed metal 18014:Gothic rock 17988:Street punk 17951:Psychobilly 17922:Street punk 17907:Latino punk 17902:Horror punk 17826:Krishnacore 17801:Garage punk 17789:Celtic punk 17679:Garage rock 17421:Modern rock 17396:Active rock 17376:New Zealand 17204:Bangladeshi 17199:Azerbaijani 16834:Costa Rican 16790:Viking rock 16780:Stoner rock 16699:Gothic rock 16522:Occult rock 16497:Heavy metal 16487:Garage rock 16457:Comedy rock 16447:Chamber pop 16442:Boogie rock 16255:Ugly Things 16218:G45 Central 16176:Garage rock 16068:February 8, 15528:February 9, 15251:November 3, 15070:February 6, 15045:December 5, 14845:October 10, 14804:"Monk Time" 14621:. R2 75466. 14474:. R2756466. 14390:. Ashgate. 14377:November 5, 14252:New Zealand 14187:. R2756466. 14171:Palao, Alec 13993:February 6, 13673:Metro Times 13616:February 1, 13258:February 1, 12962:Pop Matters 12691:Hughes 2011 12679:Jacobs 2009 12655:Kharas 2007 12459:December 5, 12362:Blecha 2007 12350:Rutter 2006 12261:February 1, 12185:Blecha 2009 12142:Heller 2015 11929:Lister 2017 11534:February 3, 10721:"The Monks" 10704:Billet 2016 10625:Dougan 2003 10548:Dougan 2003 10544:Seavey 2013 10540:Billet 2016 10196:February 5, 9937:"Bluestars" 9552:Bhatia 2014 9540:Bhatia 2014 9528:Bhatia 2014 9516:Bhatia 2014 9466:Bhatia 2014 9454:Bhatia 2014 9439:February 5, 8972:"The Lords" 8435:"Freakbeat" 8378:Pop Matters 8174:January 18, 7982:Bhatia 2014 7753:January 29, 7626:October 16, 7067:Jarema 1991 7045:, p. . 6842:, p. . 6733:Gibron 2011 6460:Blecha 2009 6448:Blecha 2009 6432:Blecha 2009 6420:Blecha 2009 6404:Blecha 2009 6380:Blecha 2009 6188:Koda, Cub. 6068:Shuker 2005 5965:Dimery 2010 5953:Dimery 2010 5913:Greene 2013 5475:Nobles 2012 5382:Austen 2005 5353:"Frat Rock" 5328:Blecha 2009 5316:Blecha 2009 5264:Roller 2013 5248:Blecha 2009 5232:Blecha 2009 5220:Blecha 2009 5208:Blecha 2009 5165:Blecha 2009 5153:Blecha 2009 5141:Blecha 2009 4973:Roller 2013 4961:Blecha 2007 4946:Roller 2013 4853:Bangs 2003a 4564:Blecha 2009 4498:Roller 2013 4458:Tupica 2013 4454:Shuker 2005 4426:Tupica 2013 4378:Nobles 2012 4366:Nobles 2012 4338:Tupica 2013 4310:Nobles 2012 4286:Nobles 2012 4227:Shuker 2005 3894:Ugly Things 3765:Rough Trade 3738:the Datsuns 3698:the Killers 3678:underground 3670:Jay Reatard 3609:post-grunge 3605:the Ramones 3591:the Strokes 3551:lo-fi music 3539:Guitar Wolf 3531:the Mummies 3514:garage punk 3418:Sex Pistols 3311:John Felice 3283:In Boston, 3218:The Stooges 3208:The Stooges 3190:the Stooges 3145:heavy metal 3130:Vietnam War 3056:the Factory 3052:Andy Warhol 3037:avant-garde 2999:avant garde 2825:psychedelic 2772:Psychedelia 2660:Johnny Rebb 2596:The Spiders 2576:The Spiders 2514:Los Mockers 2510:Los Shakers 2486:Los Mockers 2457:The Rattles 2374:Chip Taylor 2354:the Sorrows 2248:the Animals 2163:The Savages 2132:the Paupers 2128:The Haunted 2085:The Paupers 2050:the Spiders 1915:influenced 1833:Farmer John 1813:psychedelic 1665:The Squires 1661:the Ramones 1645:the Remains 1630:James Brown 1605:The Remains 1480:Suzi Quatro 1452:Suzi Quatro 1425:Tommy James 1421:Hanky Panky 1401:Little Girl 1393:the Ramones 1298:Dirty Water 1292:. In July, 1222:Wooly Bully 1142:Small Faces 1134:the Animals 1113:beat groups 1092:the Beatles 1067:" in 1966. 948:garage rock 916:Louie Louie 912:The Wailers 884:Johnny Otis 827:Let's Dance 757:three-chord 737:Buddy Holly 721:Chuck Berry 513:tambourines 428:garage punk 392:psychedelia 376:the Beatles 374:—and later 342:garage punk 338:Garage rock 269:Netherlands 243:Garage punk 186:psychobilly 176:heavy metal 75:Garage punk 70:Other names 65:Garage rock 18:Garage punk 18348:Categories 18323:Punk films 18176:Yugoslavia 18170:California 18073:By country 18064:Visual kei 18039:Noise rock 18029:Industrial 17956:Punk blues 17939:Skate punk 17895:Thrashcore 17885:Riot grrrl 17794:Gypsy punk 17757:Dance-punk 17733:Avant-punk 17716:Crust punk 17684:Proto-punk 17672:Precursors 17581:Rock opera 17536:Beatlesque 17371:Australian 17290:Rock kapak 17273:Visual kei 17253:Indonesian 17096:Portuguese 17081:Macedonian 17076:Lithuanian 16955:Belarusian 16934:Venezuelan 16919:Ecuadorian 16902:Tropicália 16897:Samba rock 16729:Rock kapak 16719:Jangle pop 16714:Indie rock 16668:Yacht rock 16663:Visual kei 16653:Shock rock 16593:Dance-rock 16583:Arena rock 16567:Swamp rock 16562:Space rock 16547:Samba rock 16542:Roots rock 16517:Noise rock 16437:Blues rock 16432:Beat music 16401:Surf music 16396:Rockabilly 16374:Latin rock 16311:Distortion 16299:Components 16292:Rock music 15672:1560750421 15493:City Pulse 14860:PopMatters 14123:August 12, 13075:Popshifter 12789:Aaron 2013 12703:Aaron 2013 12430:M. Spitz, 12386:Frith 2004 12374:Adams 2002 12102:Laing 2015 12090:Aaron 2013 11974:Aaron 2013 11925:Laing 2015 11909:Laing 2015 11889:Smith 2009 11877:Aaron 2013 11132:Aaron 2013 10913:Smith 2009 10565:"The Fugs" 10494:Woods 2017 10331:Philo 2015 10303:Palao 1998 10223:Hicks 1999 10153:Hicks 1999 10110:Gress 2014 10095:Hicks 1999 9866:August 12, 9375:Hicks 1999 8555:Bangs 2003 8229:Hicks 1999 8217:Kitts 2007 8213:Hicks 1999 8135:Hicks 1999 8120:Bangs 2003 7978:Palao 1998 7497:Aaron 2013 7231:October 4, 7043:Aaron 2013 7019:Aaron 2013 6828:Aaron 2013 6761:Hicks 1999 6749:Hicks 1999 6737:Thorn 2013 6656:Aaron 2013 6476:Marsh 2012 6416:Hicks 1999 6376:Hicks 1999 6126:Steil 2001 5997:Aaron 2013 5702:Palao 1998 5626:Laing 2015 5610:Hicks 1999 5555:Hicks 1999 5531:Spitz 2013 5340:Sabin 1999 5312:Bangs 1981 5260:Hicks 1999 5074:Hicks 1999 5062:Hicks 1999 5030:August 23, 4886:Aaron 2013 4874:Bangs 1981 4841:Bangs 1981 4813:Aaron 2013 4785:Laing 2015 4753:Hicks 1999 4749:Smith 2009 4733:Bangs 2003 4674:Laing 2015 4662:Laing 2015 4647:Bangs 2003 4643:Laing 2015 4614:Laing 2015 4552:Hicks 1999 4540:Hicks 1999 4486:Hicks 1999 4474:Hicks 1999 4394:Hicks 1999 4239:Abbey 2006 4176:References 4134:Lead Belly 4120:" (1962), 3983:Rock music 3779:See also: 3757:Black Lips 3722:Bloc Party 3596:Is This It 3577:See also: 3523:the Gories 3506:See also: 3457:the Droogs 3429:the Saints 3407:subculture 3278:Bad Brains 3233:shock rock 3172:proto-punk 3165:Proto-punk 3163:See also: 3015:Ken Weaver 3007:Ed Sanders 2990:subversive 2982:See also: 2911:See also: 2841:media help 2766:See also: 2649:Merseybeat 2626:See also: 2604:the Tigers 2565:See also: 2522:Los Saicos 2475:See also: 2461:Los Bravos 2396:See also: 2382:Eddy Grant 2378:The Equals 2370:Wild Thing 2365:the Troggs 2342:the Action 2314:The Troggs 2196:See also: 2144:Neil Young 2140:Rick James 1993:In Texas, 1964:the Litter 1886:the Grodes 1881:No Way Out 1791:7 and 7 Is 1787:Arthur Lee 1769:the Leaves 1705:See also: 1701:California 1570:The Sonics 1454:far right) 1413:the Banned 1377:the Cramps 1373:the B-52's 1356:media help 1255:the McCoys 1239:Liar, Liar 1189:Count Five 1162:Wild Thing 1158:the Troggs 1008:media help 860:Washington 843:media help 777:Guitarist 729:Bo Diddley 689:See also: 662:proto-punk 610:review of 566:Dave Marsh 562:Lenny Kaye 560:guitarist 535:See also: 521:the Sonics 501:bar chords 483:, and the 420:proto-punk 378:and other 353:rock music 317:jangle pop 307:Blues rock 201:punk blues 151:Proto-punk 102:rockabilly 18308:Punk zine 18268:DIY ethic 18248:Afro-punk 18142:Trallpunk 18080:Australia 18044:Post-punk 17993:Surf punk 17961:Punk jazz 17912:Nazi punk 17890:Taqwacore 17880:Queercore 17851:Crunkcore 17841:Deathcore 17836:Metalcore 17784:Anti-folk 17779:Folk punk 17689:Glam punk 17665:Punk rock 17319:Taiwanese 17302:Pakistani 17285:Malaysian 17213:1959–1975 17209:Cambodian 17171:Post-punk 17136:Ukrainian 17116:Slovenian 17086:Norwegian 17056:Icelandic 17051:Hungarian 17014:Nederbeat 16929:Uruguayan 16914:Colombian 16887:Brazilian 16882:Argentine 16844:Dominican 16785:Sufi rock 16775:Post-rock 16770:Math rock 16744:Trop rock 16694:Dream pop 16689:Deathrock 16658:Soft rock 16648:Punk rock 16633:Power pop 16628:Post-punk 16603:Glam rock 16598:Funk rock 16588:Cock rock 16552:Soft rock 16537:Raga rock 16512:Krautrock 16507:Jazz rock 16492:Hard rock 16482:Folk rock 16347:Genres by 16316:Rock band 15518:NPR Music 15276:April 27, 15060:A.V. Club 15034:Pitchfork 14808:Red Wedge 14736:April 12, 14576:Australia 13909:August 1, 13212:193227122 13054:August 9, 12667:Rose 2010 12589:Else 2007 12553:True 2004 12507:, p. 373. 12421:, p. 117. 12398:True 2004 12126:Shaw 1998 12114:Gray 2004 12086:Robb 2012 12082:Gray 2004 11913:Kent 2006 11897:Robb 2012 11893:Gray 2004 11562:April 13, 11413:March 15, 10877:Shaw 1998 10823:Source B: 10415:Kaye 1972 10327:Shaw 1998 10299:Shaw 1998 10157:Hall 2014 9403:August 8, 9314:August 2, 9222:August 8, 8509:March 21, 8295:April 10, 7951:April 24, 7384:Ward 2013 7372:Stax 1998 7172:Stax 1998 7126:Stax 1998 7083:Stax 1998 7055:Stax 1998 7031:Stax 1998 7007:Shaw 1998 6887:Stax 1998 6773:Stax 1998 6729:Hall 2015 6610:Stax 1998 6598:Stax 1998 6524:Stax 1998 6472:Stax 1998 6080:Stax 1998 6009:Stax 1998 5981:Stax 1998 5941:Dale 2016 5925:Stax 1998 5901:Stax 1998 5858:Stax 1998 5846:Shaw 1998 5761:Stax 1998 5745:Stax 1998 5543:Dean 2014 5527:Dean 2014 5511:Dean 2014 5495:Dean 2014 5471:Shaw 1998 5050:Shaw 1998 4917:Shaw 1998 4768:Shaw 1973 4610:Shaw 1973 4595:Kaye 1972 4181:Citations 4122:Dick Dale 3889:Nederbeat 3879:freakbeat 3799:in 1972. 3769:Drag City 3749:Ty Segall 3625:the Hives 3519:punk rock 3364:Punk rock 3330:Krautrock 3250:the Punks 3224:Raw Power 3212:Ann Arbor 3153:bubblegum 3137:acid rock 3081:the Monks 3039:elements. 3033:The Monks 2972:acid rock 2913:acid rock 2866:Bob Dylan 2850:fuzzboxes 2829:acid rock 2778:marijuana 2723:the Moods 2692:the Throb 2616:Bangalore 2555:Los Gatos 2527:Los Yorks 2453:The Lords 2445:Beat Club 2428:Wally Tax 2420:Nederbeat 2402:Beat-Club 2398:Nederbeat 2350:the Smoke 2334:Freakbeat 2279:the Kinks 2252:Newcastle 2231:Liverpool 2202:Freakbeat 2114:In 1966, 1931:-penned " 1864:South Bay 1845:San Diego 1797:, led by 1765:The Seeds 1711:Surf rock 1643:Boston's 1586:The Witch 1523:the Slits 1515:Star-Club 1450:in 1966 ( 1405:Billboard 1389:Talk Talk 1310:Billboard 1282:Cleveland 1259:Billboard 1231:Billboard 1174:folk rock 1170:the Byrds 1166:Bob Dylan 1126:the Kinks 1017:frat rock 792:surf rock 779:Link Wray 767:Link Wray 716:records. 699:Surf rock 670:surf rock 653:punk rock 616:Greg Shaw 581:punk rock 574:Greg Shaw 552:, in 1966 457:) in 1964 451:The D-Men 416:punk rock 412:punk rock 372:surf rock 312:folk rock 266:Australia 231:Frat rock 225:Subgenres 181:power pop 171:hard rock 161:acid rock 156:punk rock 78:'60s punk 54:UK garage 18137:Könsrock 18034:New wave 17983:Ska punk 17971:Punk rap 17929:Pop-punk 17863:Mathcore 17762:Egg punk 17728:Art punk 17610:Category 17297:Nepalese 17268:Japanese 17224:Filipino 17194:Armenian 17166:New wave 17144:Art rock 17101:Romanian 17026:Estonian 17009:Indorock 16994:Croatian 16950:Albanian 16924:Peruvian 16829:Canadian 16817:American 16734:Shoegaze 16724:Rap rock 16618:New wave 16422:Art rock 16379:Pop rock 16336:Drum kit 16306:Backbeat 16233:Archived 16155:July 10, 16150:AllMusic 16130:AllMusic 16110:AllMusic 16095:June 12, 16090:AllMusic 16078:Websites 16062:Archived 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12869:AllMusic 12842:Archived 12838:AllMusic 12817:June 20, 12811:Archived 12807:AllMusic 12774:June 12, 12768:Archived 12764:AllMusic 12737:Archived 12733:AllMusic 12630:Spacelab 12481:June 16, 12323:June 12, 12317:Archived 12313:AllMusic 12286:Archived 12282:AllMusic 12255:Archived 12251:AllMusic 12231:July 23, 12225:Archived 12221:AllMusic 12067:April 8, 12061:Archived 12031:July 13, 12025:Archived 12005:July 13, 11999:Archived 11995:AllMusic 11956:June 22, 11950:Archived 11856:Archived 11852:AllMusic 11825:Archived 11794:Archived 11790:AllMusic 11769:June 10, 11763:Archived 11759:Observer 11738:June 10, 11732:Archived 11701:Archived 11670:Archived 11666:AllMusic 11639:Archived 11594:June 11, 11528:Archived 11508:June 10, 11502:Archived 11478:June 10, 11472:Archived 11468:AllMusic 11444:June 10, 11438:Archived 11434:AllMusic 11407:Archived 11371:Archived 11367:AllMusic 11340:Archived 11315:June 15, 11309:Archived 11305:AllMusic 11278:Archived 11274:AllMusic 11247:Archived 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