159:"Gao Bing's search for such cultural ideals was very much rooted in the intellectual and political climate of the early Ming, consumed as it was, having displaced the Yuan dynasty , with the need to validate its claim to power. sponsored a number of other codifying projects as well, and eventually adopted Gao's version of Tang poetry as the officially sanctioned one.", from "The Chinese Poetic Canon and its Boundaries", Pauline Yu, in
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is translatable as "pioneers of orthodoxy". The highest ranking classes of poetry (and thus rated most worthy of study and emulation), reserved for the 8th century, "High Tang" poetry were the "patriarchs"
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system which would later greatly influence the perception of
Chinese poetry: in part because of Gao Bing's explicit nine-rank grading system (similar to the
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Gao Bing's ranking system for qualifying Tang dynasty poetry used a 9-rank system. The lowest rank which Gao declared worthy of inclusion in his
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aimed in part to correct what Gao Bing saw as lacking in previous works, particularly those of
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215:, Grace S. Fong, editor. (Montreal: Center for East Asian Research, McGill University).
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47:. It contained 5,769 poems by 620 poets, along with notes and commentary. The
31:-era poems and wrote commentary material upon them in a work published as the
27:(1368–1644) as an author and poetry theorist. Gao Bing collected and arranged
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19:(高棅, 1350 to 1423), was a Chinese poetry anthologist and poet. A native of
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Yu, Pauline (2002). "Chinese Poetry and Its
Institutions", in
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79:), by which he evaluated the works of poets such as
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67:1340). Other works would later build upon the
163:, Reaktion Books, John Hay ed., 1994, p. 119
43:in a systematic method to classify poetry by
23:, he flourished during the newly established
142:, another Ming dynasty Tang poetry anthology
213:Hsiang Lectures on Chinese Poetry, Volume 2
177:, vol. 2, Cambridge University Press, 2010
175:The Cambridge History of Chinese Literature
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33:Graded Compendium of Tang Poetry
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45:Classical Chinese poetry forms
39:, 唐詩品彙), a seminal work using
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229:Chinese poetry anthologists
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107:was what he referred to as
77:Imperial examination system
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120:, 正宗) and the "masters",
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139:Three Hundred Tang Poems
73:nine-rank grading system
63:critic Yang Shihong (
234:Ming dynasty writers
244:Writers from Fuzhou
161:Boundaries in China
41:prosodic principles
239:Poets from Fujian
105:Tang Shi Ping Hui
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69:Tangshi Pinhui
49:Tangshi Pinhui
37:Tangshi Pinhui
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25:Ming Dynasty
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29:Tang poetry
223:Categories
206:References
189:Yu, 62-64
124:(大家) and
118:zhengzong
180:, p. 11.
132:See also
113:Zhengshi
109:zhengshi
89:Wang Wei
17:Gao Bing
126:mingjia
75:of the
55:critic
128:(名家).
111:(正始).
97:Pinhui
95:Gao's
87:, and
85:Li Bai
57:Yan Yu
21:Fuzhou
147:Notes
122:dajia
81:Du Fu
61:Yuan
59:and
53:Song
225::
91:.
83:,
65:fl
116:(
35:(
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