54:, who took an active role in the Gallery's programming. The exhibition format Krauss and Brooks adopted was loose, with no set open hours, no compensation for staff, no entry charge, and no censorship of artists. Within this framework, Gallery House staged exhibitions that gained critical attention, including some of the earliest recorded shows of ‘expanded cinema’, new film, and video work. Among them were Brooks' ambitious, influential three-part
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Fieldgate Gallery in London that celebrated defunct alternative art exhibition spaces in London, prominently including Gallery House. The exhibition drew attention from leading art journals, appearing on top-ten-of-the-year lists by then-Tate Modern film curator
22:, London was a nonprofit art space founded in 1972 by Sigi Krauss, which was open for sixteen months until its abrupt closure in 1973. Gallery House hosted exhibitions, residencies, performances, "happenings", and events.
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who wrote that these spaces "nurtured an alternative practice that has remained largely invisible due to its ephemerality, yet were enormously important for the development of artists".
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Documents from
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Catalogue description material relating to the Sigi Krauss
Gallery, Gallery House and the Artists Meeting...
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Archive, along with material from Sigi Krauss
Gallery and the later Artists Meeting Place space.
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Hudek, Antony. "A Porous Entity: The Centre for
Behavioural Art at Gallery House, 1972-73", in
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222:"LIGHTS, CAMERA, AKTION! Erika Balsom on "Filmaktion: Expanded Cinema and Film Performance""
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in which the artist filled the House's ballroom with party lights, disco detritus, and
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Gallery House occupied a vacant mansion owned by the German government, next to the
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Eds. Jo Applin, Catherine
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London Art Worlds: Mobile, Contingent, and
Ephemeral Networks, 1960–1980.
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Comer, Stuart (January–February 2007). "Looking Back: Themed Shows".
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In 2006, the Centre of
Attention curatorial collective organized
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Cinema
Expanded: Avant-Garde Film in the Age of Intermedia
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In 2017, curators Antony Hudek and Alex
Sainsbury mounted
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British Culture and Society in the 1970s: The Lost Decade
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Sounding the Gallery: Video and the Rise of Art-Music
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This Way Out of England: Gallery House in Retrospect
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