879:". Bonus tracks were added to various versions: "Shame" on the vinyl and European CD versions; "Shame", "When I Want", and "You" on the Japanese edition. Some promotional copies featured the extra track "Jen", which was left off the album, as Adkins felt it was out of place. A deluxe edition of the album was released showcasing the album's songs in demo form. The UK deluxe edition included "Shame" and "When I Want", and demo versions of both of them, as bonus tracks, while the Japanese version featured "Shame", "When I Want", "You", demos of these three tracks, alongside "Sparkle", an acoustic version of "Work", and a cover of "
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514:. Lind said that while Trombino was able to handle recording, mix and be a producer, Norton preferred to focus his efforts on the production. He added that Norton's long career producing aided the band's direction. Norton spent two days at the band's own studio, where they showed him demos they had done. Norton enjoyed the demos and was enlisted by the band to produce their next album. Pre-production started and lasted for a month before recording sessions began in February 2004 at
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631:. Linton said producer Norton provided a number of "really good" song ideas in regards to the sound and final arrangements. Norton helped the band think about transitions between sections in songs; previously Adkins felt "the best transition was none... I always thought it was more powerful not to do one." The album drew comparisons to the bands
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449:" at number five. Due to the album's popularity, the band promoted it with two years of touring, which made it hard for the members to unwind after returning home. In May 2003, vocalist and lead guitarist Jim Adkins said that the band had a lot of new material and would record sometime thereafter with
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and Davies acted as additional engineers; the latter also did digital editing. While recording strings for "Drugs or Me", there were 30 minutes remaining for the session. Davies transcribed a synthesizer placeholder part for "23" into string notation and had the musicians record it with the time left
521:
When they entered the studio, they had accumulated about 30 tracks to work with; Norton and engineer David
Schiffman were assisted by Jason Grossman and Steven Rhodes. The drum parts and a few basic tracks were completed over the course of three weeks. Drummer Zach Lind said he fell into the habit of
472:
Jimmy Eat World began pre-production in mid-July with
Trombino, where they worked on 18 songs. Recording began in early August, with the aim of working on 14 songs. By September 2003, after five weeks, recording sessions were nearly finished. The group reached a breaking point with Trombino as they
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Sputnikmusic staff member Adam Knott wrote that each second of the album "is direct in its accessible, spirited approach and brilliantly executed." Its "ut-wrenching guitar lines, rhythmic releases and poignant songwriting are not even consistent; they're constant." In a review for
Punknews.org,
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on August 24, 2004. Two versions of the CD single were released: one included demos of "When I Want" and "Shame" and the music video for "Pain"; while the other featured the demo "Shame", a live recording of "Yer Feet", and the video for "Pain". The video, which premiered on
September 14 through
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shared greater musical density. When working on material, Adkins would show the band a rough outline of it, which the rest of the members would flesh out and potentially add further instrumentation, such as piano. Discussing the title, Adkins said it could be perceived in different ways: "It's
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Jimmy Eat World regrouped sometime after and wrote "Work", "Pain", "Polaris", and "23". The band had been working with
Trombino for around 10 years and wanted to see what ideas another producer would suggest. Bassist Rick Burch said they felt it was too soon to work on an album, having spent a
534:, where most of the album was recorded. Adkins said the group simply wanted a change of scenery from California, as Tucson helped them work without distractions; guitars and vocals were done there. During the course of the sessions, the band recorded up to 9 or 10 versions of each track.
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ran out of song ideas; their disagreements led to
Trombino's departure from the project, with Adkins saying, "I wouldn't want to work with people who aren't extremely passionate about their ideas and their contributions." The band subsequently took a break and performed a few shows.
817:. It starts with a bass part and echo-affected acoustic guitars, before the drums and Adkins's vocal part accompany them. Adkins said it is about discovery and taking chances on opportunities that arise. The song was an attempt to match both the atmospheric material on
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over. Sessions were concluded in May 2004, with mixing taking place from mid-June over the course of a month, with Costey at Cello
Studios. He was assisted in this process by Claudius Mittendorfer with secondary engineer Dan Leffler. Costey mixed "Drugs or Me" at
703:
material. "Just
Tonight..." was one of the earliest songs written for the album, and ended up receiving constant minor changes during the writing process. The track was originally called "Sex You Up"; Lind said its final name "Just Tonight..." was a reference to
744:-indebted track, "Pain", discusses the pros and cons of self-medicating through the use of alcohol and drugs. It was the last track written for the album, done just before they entered the studio. Adkins came up with the lyrics while walking around the
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EP was released, which featured a rendition of "Kill". In 2014, the band went on a celebratory 10th anniversary tour for the album, where they played it live in its entirety, touring the US, Australia, and New
Zealand. To coincide with this,
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reviewer Tim Sendra stated "Futures will most likely not be the sensation that Bleed
American was – it is too dark and inwardly focused for that." Sendra, however, noted that the album shows a sound progression that fans should accept.
723:" (1993) in mind, said the track was simply about "doing something you know you shouldn't be doing". "Kill" opens with a piano and acoustic guitar intro, which builds to crescendos in the vein of the Pixies. Burch's bassline plays a
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from Adkins and a 30-second acoustic guitar part. Lind was impressed that out of all the ideas they had, this section had fallen by the wayside. He showed the clip to Adkins, when the pair quickly expanded it into a full song.
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Gareth Dobson said the album would not "break the mould, it's not too radical, but then, JEW never were." It was "an inviting, maturing album that still shows enough vitality to still be classed as a good rock album."
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841:. On July 30, the album's track listing was revealed. Samples of three new tracks—"Futures", "Nothingwrong", and "Night Drive"—were posted on the group's website shortly afterwards. "Pain" was released as the album's
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to the acoustic guitar; strings are barely audible during the bridge section. Adkins set himself a challenge to write a track that had no repetitive lyrics, which became "Kill"; it features a reference to the
803:"Night Drive" opens with an "ooh" vocal melody; it talks about an alcoholic person in Adkins's life. Adkins said with the track, the listener "get the feeling of a verse, chorus and bridge", despite only one
1024:. Following this, between late August and October, the band had a supporting slot on Green Day's three-month US arena tour. In December, the group again supported Green Day, for two shows in Australia.
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687:. Adkins said the track was about Bush as well as disillusionment. One of lines from the song's chorus – "Trade up for the fast ride" – is taken verbatim from "In the Same Room", a track from
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890:"Work" was released to radio on December 7, 2004. To coincide with the UK stint of a European tour, "Work" was released as a single there in March 2005. The CD single included the
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1312:, Betty Clarke noted that the record was "the ultimate pop-rock break-up album", with Adkins "jump neck-deep into heartbreak. His lyrics are his strength." Rob Sheffield of
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writer Todd Gilchrist criticized it as "music for adults trying to be kids, and, well, I'm an adult." He added that it was not "a bad album, but merely an unspecial one".
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has expressed admiration for it. Three of the album's songs, namely, "Just Tonight...", "Work", and "Nothingwrong", were covered by Australian acts for the tribute album
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reached number seven in Canada, number 27 in Australia, number 33 in Germany, and number 65 in Switzerland. The album was certified gold in Canada, and silver in the UK.
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607:. The band incorporated more guitar solos, which rhythm guitarist Tom Linton had been insisting on, and complex guitar lines. Adkins viewed the release as a sequel to
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said it contained the "same trademarks that made so enjoyable ... upbeat pop-punk, tempered with moodier, slower songs, great melodies and vocal harmonies".
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found in the album a return to the group's early beginnings, "sporting 11 sparkling gems that carefully balance balladry ... with bombast". Bram Teitelman of
732:
song "Half Right". Lind had discovered a piece of music that became "Kill" partway through writing when looking through their ideas on a computer. It was had
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writer Brian Hiatt opined that "if Jimmy are in the middle of a long ride, Futures retains just enough tunefulness to keep us from jumping out of the car."
764:, which the rest of the song was then based upon. They later re-made it, building the song around Adkins' vocals and swapping the acoustic eighth notes for
623:
and said the album's second half was more atmospheric than their previous work. Some of the material on the album dated back to when the band was recording
647:. The lyrics delve into darker subject matter, such as despair, politics, drug abuse, and self-loathing. Adkins said several tracks were influenced by the
307:. The sessions lasted from February to May 2004 and were held at various studios in California and Arizona. Described as encompassing several rock styles,
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was announced for release in three months' time; alongside this, the band emailed three songs, namely "Pain", "Just Tonight..." and "Polaris", to their
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festivals. Later in September, the group played two shows in the UK. To promote its release, the band played in-store gigs, held listening parties at
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In February and March 2005, the group went on a European tour, which ended with a stint in the UK. At the end of March, the band performed on
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was certified gold in the US by the RIAA in March 2005, which was followed by gold certification of "Pain" two months later. Outside the US,
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included the album on their list of the year's best releases. "Pain" was later certified gold by the RIAA and peaked at number 93 on the
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299:(2001) for two years, the band returned home and began working on new material by mid-2003. Following fruitless sessions with producer
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Scott Heisel said the tracks "toe the ever-so-thin line between commercial success and artistic integrity", thanks in part to Norton.
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for two shows in the UK in June, which was followed by a European tour in June and July. In late August, the group performed at the
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included more solos and complex guitar parts than past releases, intended to expand on the atmosphere of their third studio album
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987:. Throughout December, the band played a series of radio festivals. In January 2005, they went on a brief, two-week US tour with
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740:"The World You Love" was initially titled "Suicide" and went through many versions before the band landed at the final one. The
667:
and the Pixies. The song starts with two harmonizing guitar riffs, shifting into verses that put the vocals at the forefront. A
530:, but Norton pushed Lind to challenge himself. Sessions then moved to the home studio of Harvey Moltz, a friend of the band, in
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representative personally knew Phair, and eventually got in contact with her. Adkins, who wrote the song while having Phair's "
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after selling 98,000 copies in its first week. It would go on to sell over 615,000 copies, and was later certified gold by the
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498:, suggesting that they should have taken a six month break. The members had liked albums by the different acts that producer
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477:, a stop-gap video/live-album, was released in October. The following month, the band's label, DreamWorks, was bought by
430:. It became a commercial success, selling over 1.3 million copies, being certified platinum in the United States by the
6228:
4604:"For The Record: Quick News On Britney Spears, Jimmy Eat World, John Mayer, Death Cab For Cutie, The Stills & More"
2264:
1978:
875:. According to Adkins, the event had a phonebooth "in the middle of nowhere with a sign above it that says 'Talk to God
4380:
6071:
2785:"For The Record: Quick News On Mary J. Blige And G-Unit, Dixie Chicks, R. Kelly, Jimmy Eat World, Outkast & More"
446:
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2811:"DreamWorks SKG, And Vivendi Universal Entertainment Jointly Extend Their Agreement for Film and Home Video to 2010"
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The opening song, "Futures", was a mid-tempo track that was compared to other acts Norton had worked with, such as
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instead of concluding early as they intended. The following track, "Nothingwrong", was the most reminiscent of
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section was a wall of loud guitars, instead of the final version where it shifts to acoustic guitars and a
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343:, many of whom found it an enjoyable listen and praised the songwriting. It charted at number 6 on the US
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919:, was re-pressed on vinyl. In 2021, the band performed the album in its entirety again, alongside 2019's
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was made available for streaming through MTV's website before being released on October 19 through
752:-led ballad about Adkins's friend choosing him or drugs. It features strings that were arranged by
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898:'s remix of "Drugs or Me" and an acoustic version of "Work", as well as the song's music video.
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contributed backing vocals to it; the group felt it would be a song she should sing. The band's
627:, while other material had existed for only two weeks prior to the band entering the studio for
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was promoted with headlining tours of the US, Europe, and Japan, before the band toured with
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1004:. A short series of shows in Japan led into a two-month US arena tour, co-headlining with
8:
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found the band to be "rid their bighearted radio rock into O.C.-worthy teen turmoil on
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was well received by music critics upon its release. On the review aggregating website
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in Los Angeles, California. Trombino worked with the band previously, having produced
370:
in the US, the UK, and Australia. Jimmy Eat World followed the album with two further
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McMahon, James, ed. (January 31, 2015). "50 Albums You Need to Hear Before You Die".
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included the album on their best-of-2004 album lists. It was ranked at number 44 in
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Jake Davies – additional engineer, digital editing, string recording
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being present throughout it. The album's closer, "23", recalled the 1989 album
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pessimistic, it's optimistic, and hopeful, and greedy all at the same time."
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4540:"On 10th Anniversary of Futures, Jimmy Eat World Still Relishes the Present"
887:. The cover was also featured on the 7" vinyl version of the single "Work".
711:"Work" is a pop-rock track with vocal harmonies that recalled "The Middle".
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5080:"Rod Rules, Nelly's Suit Steps Up, Usher Slips Down Billboard Albums Chart"
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3761:"Jim Adkins interview, a chat with Jim Adkins, Jimmy Eats World, Invented"
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1387:. "Work" charted at number six on Alternative Airplay, and number ten on
872:
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424:
378:" in December 2004 and "Futures" in May 2005. Some publications, such as
359:
94:
4830:"The Format joins Jimmy Eat World/Taking Back Sunday co-headlining tour"
2485:"Jimmy Eat World Say If You Don't Like Futures Right Away, Don't Bother"
975:. In October and November, they embarked on a US tour with the likes of
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sold 98,000 copies in its first week, charting at number six on the US
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3004:"Jimmy Eat World: Looking for Long-Term Futures in the Music Industry"
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of 73, based on 22 critics, indicating "generally favorable reviews".
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5676:"American album certifications – Jimmy Eat World – Jimmy Eat World"
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2515:"American album certifications – Jimmy Eat World – Jimmy Eat World"
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655:; he said he was "reacting to the political climate of that period".
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3863:"Jimmy Eat World Get In Touch With Their Political Side On Futures"
3533:
2936:"Can Creed And Success Co-Exist? An Interview with Jimmy Eat World"
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In late August and early September 2004, the band performed at the
871:. The artwork was a photograph taken by Christopher Wray-McCann at
814:
765:
599:. The album saw the band shy away from the pop-influenced sound of
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In July 2001, Jimmy Eat World released their fourth studio album,
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then mastered the recordings at Sterling Sound in New York City.
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in Los Angeles with Jake Davies, who was assisted by Greg Burns.
405:. "Work" and "Futures" both reached the top 30 of the radio-only
5646:
791:. Norton persuaded the band to end the song with another chorus
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Christopher Wray-McCann – front cover photograph
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drummer Jake Bundrick cited the album as an inspiration, while
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5516:"5 Albums I Can't Live Without: Alex Gaskarth Of All Time Low"
4016:"Jimmy Eat World Tap Into The 'Pain' Of A John Cusack Classic"
3187:"Jim Adkins of Jimmy Eat World Digs into 4 Songs from Futures"
5236:"Canadian album certifications – Jimmy Eat World – Futures"
4571:"Jimmy Eat World announce 'Futures' 10-year anniversary tour"
4474:"Jimmy Eat World announce 'Futures' 10-year anniversary tour"
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chain stores, and a session for Launch.com. They appeared on
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Additional recording was done by the band at Tempe Studio in
38:
5264:"British album certifications – Jimmy Eat World – Futures"
5137:"RIAA - Gold & Platinum search results: Jimmy Eat World"
4316:(sleeve). Interscope/Tiny Evil Records. 2004. 0602498642405.
3954:"Jimmy Eat World 'Work' It Out With Liz Phair On New Single"
3247:
Jimmy Eat World 2020, event occurs at 0:15, 0:29–32, 1:06–29
317:(1999). The songs on the album were compared to the work of
5139:. Recording Industry Association of America. Archived from
4384:
679:-enhanced vocals. In an earlier iteration of the song, the
676:
3149:['It's about everyone's future ...'] (in German).
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1391:. "Futures" charted at number 27 on Alternative Airplay.
1339:
1202:
760:. An earlier version included an acoustic guitar playing
584:
112:
5384:"Jimmy Eat World Chart History (Bubbling Under Hot 100)"
4330:(sleeve). Interscope/Tiny Evil Records. 2004. UICW-1053.
4200:"Stream The Entire New Jimmy Eat World Album On Mtv.Com"
3038:"10/30: Interview: Jimmy Eat World go back to 'Futures'"
1383:, number 27 on Digital Song Sales, and number 93 on the
619:
Lind compared its darker sound to the middle portion of
554:
in New York City with secondary engineer Ross Petersen.
5546:"Exclusive: Sing It Back: A Tribute To Jimmy Eat World"
5485:"My Record Collection by Mayday Parade's Jake Bundrick"
4507:"Jimmy Eat World: Why we've gone back to the 'Futures'"
1346:
772:
671:-affected guitar line in the pre-chorus leads into the
541:, where they recorded vocals. Strings were recorded at
4145:"Jimmy Eat World Sets Release Date, Streams Available"
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in April and May. Some shows featured supporting acts
5294:"Jimmy Eat World Chart History (Alternative Airplay)"
2150:
Jimmy Eat World – additional recording
409:
chart, with the former peaking higher at number six.
325:, while some of the guitar parts echoed the sound of
5324:"Jimmy Eat World Chart History (Digital Song Sales)"
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s "50 Albums You Need to Hear Before You Die" list.
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902:was released to radio on May 10, 2005. In 2013, an
5186:"Australiancharts.com – Jimmy Eat World – Futures"
4260:"Jimmy Eat World answer your questions / In Depth"
4173:(sleeve). Interscope Records. 2004. 0602498641255.
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5201:"Offiziellecharts.de – Jimmy Eat World – Futures"
5165:"Jimmy Eat World Chart History (Canadian Albums)"
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4883:"Jimmy Eat World, Green Day Announce Summer Tour"
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3619:Hiller, Joachim (November 2004 – February 2005).
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2573:"Jimmy Eat World Gearing Up To Record Next Album"
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2449:"Bleed American - Jimmy Eat World | Release Info"
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2153:Claudius Mittendorfer – assistant
854:and roughly followed the theme of the 1985 film
821:and the intentionally simplistic songs found on
522:doing simple drum patterns during the making of
285:is the fifth studio album by American rock band
5733:Jim Adkins | Mini Dive 02 - "23" String Session
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5637:"Official Rock & Metal Albums Chart Top 40"
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2683:
2413:Shipments figures based on certification alone.
4628:
4601:
4467:
4465:
4083:"Futures : Jimmy Eat World : Review"
3411:
3409:
3407:
3092:
2933:
2929:
2927:
2782:
2716:"Dissected: Jimmy Eat World (with Jim Adkins)"
2159:Ross Petersen – second engineer
2108: – string arrangement (track 7)
1230:
799:, specifically the track "Get It Faster". The
5875:
5598:
5578:"Futures (Deluxe Edition) by Jimmy Eat World"
5513:
5230:
5228:
5220:"Swisscharts.com – Jimmy Eat World – Futures"
5009:
4913:
4799:"Jimmy Eat World, Taking Back Sunday To Tour"
4760:
4653:
4631:"Jimmy Eat World: album, single and UK dates"
4504:
4440:"Jimmy Eat World Release Itunes Sessions Ep;"
4230:
4111:
3972:
3900:
3850:(booklet). Interscope Records. 2004. 9880189.
3727:
3725:
3723:
3379:
3377:
3375:
3362:
3360:
3358:
3276:
3129:
2872:
2138: – mixing, additional engineer
412:
5482:
5215:
5213:
5107:"Jimmy Eat World Sees The 'Light' This Fall"
5104:
4980:
4978:
4568:
4427:(sleeve). Interscope Records. 2005. 9880673.
4366:(sleeve). Interscope Records. 2005. 9880359.
4187:(sleeve). Interscope Records. 2004. 9864179.
4040:
3986:"Jimmy Eat World - Futures (album review 4)"
3792:
3790:
3788:
3786:
3784:
3782:
3731:
3517:
3386:"Jimmy Eat World - Futures (album review 7)"
3220:
3216:
3214:
2960:
2189:
2156:Dan Leffler – second engineer
1170:
1084:
5849:The Genius Of... Futures by Jimmy Eat World
5630:
5452:"50 Albums You Need To Hear Before You Die"
5222:. Hung Medien. Retrieved January 13, 2014.
5196:
5194:
5188:. Hung Medien. Retrieved January 13, 2014.
5181:
5179:
5160:
5158:
4827:
4471:
4462:
4257:
4142:
4076:
4074:
4072:
4070:
3691:
3689:
3687:
3685:
3683:
3681:
3651:
3452:
3404:
3328:
2924:
2839:
2570:
2478:
2476:
2474:
2069:Personnel per booklet, except where noted.
860:. It was shot in North Bridge, California.
5882:
5868:
5592:"Jimmy Eat World Release Deluxe 'Futures'"
5225:
4880:
4413:(sleeve). Interscope Records. 2005. WORK1.
4009:
4007:
3947:
3945:
3887:
3720:
3372:
3355:
2602:
2600:
2598:
2596:
2594:
2177:Ben Allgood – art direction
2174:Kevin Scanlon – photography
2114: – backing vocals (track 3)
1438:Sing It Back: A Tribute to Jimmy Eat World
639:, while some of the guitar lines recalled
434:(RIAA). Two of its singles charted on the
29:
5834:at YouTube (streamed copy where licensed)
5788:
5680:Recording Industry Association of America
5476:
5354:"Jimmy Eat World Chart History (Hot 100)"
5288:
5286:
5284:
5258:
5256:
5210:
4975:
4197:
4080:
3779:
3366:
3298:
3296:
3211:
2969:
2713:
2519:Recording Industry Association of America
2144:Jason Grossman – assistant
2132:David Schiffman – engineer
2095:Tom Linton – rhythm guitar
691:. "Just Tonight..." was in the vein of "
432:Recording Industry Association of America
352:Recording Industry Association of America
5614:
5605:"Official Scottish Albums Chart Top 100"
5191:
5176:
5155:
4067:
3678:
3067:
3065:
2752:"Jimmy Eat World – 09.22.10 - Interview"
2471:
2147:Steven Rhodes – assistant
941:Jimmy Eat World performing live in 2005.
936:
303:, the band re-grouped and recorded with
289:, released on October 19, 2004, through
18:2004 studio album by Jimmy Eat World
5838:The Making of Jimmy Eat World's Futures
5809:from the original on September 29, 2020
5752:
5704:
5668:
5438:
5052:"Jimmy Eat World: Futures Album Review"
4997:from the original on September 13, 2019
4943:
4941:
4809:from the original on September 10, 2016
4791:
4375:
4373:
4239:from the original on September 24, 2015
4004:
3952:Montgomery, James (November 15, 2004).
3942:
3434:from the original on September 17, 2014
3050:from the original on September 29, 2020
2750:Bautts, Jonathan (September 28, 2010).
2679:
2677:
2675:
2673:
2671:
2669:
2667:
2665:
2663:
2661:
2646:from the original on September 29, 2020
2591:
2459:from the original on September 29, 2020
2089:Rick Burch – bass guitar
6211:
5717:from the original on February 26, 2022
5394:from the original on February 22, 2020
5364:from the original on February 22, 2020
5334:from the original on February 22, 2020
5304:from the original on February 22, 2020
5281:
5253:
5117:from the original on November 21, 2015
4984:
4583:from the original on December 15, 2020
3992:from the original on February 16, 2013
3921:
3861:Montgomery, James (October 18, 2004).
3759:Ramirez, Carlos (September 27, 2010).
3695:
3541:from the original on February 27, 2018
3415:
3293:
3180:
3178:
3176:
3174:
3172:
3144:
3035:
3031:
3029:
2035:
2021:
2007:
1993:
1973:
1959:
1945:
1931:
1917:
1903:
1889:
1875:
1861:
1847:
1833:
1819:
1805:
1791:
1777:
1763:
1593:
1582:
5863:
5769:
5740:from the original on November 6, 2020
4916:"Green Day Are Coming Back For More!"
4895:from the original on February 9, 2020
4641:from the original on October 12, 2004
4629:Dobson, Gareth (September 17, 2004).
4151:from the original on October 28, 2021
4055:from the original on November 6, 2019
3983:
3490:
3486:
3484:
3482:
3392:from the original on February 3, 2013
3287:
3147:"'Es geht um jedermanns Zukunft ...'"
3062:
2783:MTV News Staff (September 19, 2003).
2709:
2707:
2162:Greg Burns – assistant
2086: – vocals, lead guitar
2051:
1749:
1735:
1721:
1703:
1689:
1675:
1657:
1643:
1629:
1571:
1560:
1549:
1534:
1523:
1512:
1497:
1486:
1475:
1065:
1042:
748:campus. "Drugs or Me" is a piano-and-
502:had previously produced, such as the
339:was met with favorable reaction from
5789:Teitelman, Bram (October 23, 2004).
5705:Griffin, Myles (December 31, 2004).
5129:
4938:
4914:Biles, Joanne (September 15, 2005).
4538:Escudero, Nicki (October 29, 2014).
4450:from the original on October 9, 2020
4370:
4081:Sheffield, Rob (November 11, 2004).
4014:D'Angelo, Joe (September 28, 2004).
3881:
3797:Gilchrist, Todd (January 10, 2005).
3560:Laudig, Michele (January 13, 2005).
3527:Turner, Catherine (August 3, 2005).
3185:Escudero, Nicki (October 29, 2014).
3145:Möller, Mathias (January 18, 2005).
3071:
2934:Dierksen, Dave (November 30, 2004).
2900:Henderson, Steve (August 10, 2007).
2658:
2194:
2072:
1347:Commercial performance and accolades
1032:
494:considerable amount of time touring
6239:Albums recorded at EastWest Studios
5889:
5784:from the original on April 2, 2016.
4985:Dobson, Gareth (October 22, 2004).
4381:"FMQB Airplay Archive: Modern Rock"
4112:Haag, Stephen (November 15, 2004).
3169:
3026:
2842:"Saves the Day Rock Their Paranoia"
2817:. November 11, 2003. Archived from
2483:D'Angelo, Joe (September 1, 2004).
1232:
13:
5078:D'Angelo, Joe (October 27, 2004).
4963:from the original on July 24, 2020
4569:Rogers, Jack (December 15, 2020).
4486:from the original on March 6, 2020
4231:Heisel, Scott (October 16, 2004).
3930:from the original on March 5, 2016
3922:Heisel, Scott (October 19, 2004).
3890:Bandbox Issue #44: Jimmy Eat World
3740:from the original on March 6, 2019
3732:SowingSeason (February 22, 2012).
3708:from the original on April 6, 2019
3505:from the original on July 25, 2013
3479:
3467:from the original on June 25, 2020
3384:FlawedPerfection (July 26, 2006).
3264:from the original on June 21, 2004
3199:from the original on April 1, 2016
2873:Wilson, Kelly (October 14, 2004).
2764:from the original on July 20, 2012
2728:from the original on March 4, 2016
2704:
771:"Polaris" was done in the vein of
14:
6250:
5823:
5416:. Jimmy Eat World. Archived from
4858:. Jimmy Eat World. Archived from
4775:. Jimmy Eat World. Archived from
4744:. Jimmy Eat World. Archived from
4718:. Jimmy Eat World. Archived from
4692:. Jimmy Eat World. Archived from
4666:. Jimmy Eat World. Archived from
4550:from the original on May 12, 2020
4505:Levin, Darren (August 15, 2014).
4438:Wippsson, Johan (July 23, 2013).
4272:from the original on June 7, 2019
4212:from the original on May 12, 2020
4041:Murray, Noel (October 25, 2004).
3984:Knott, Adam (November 26, 2009).
3633:from the original on May 27, 2019
3596:. Jimmy Eat World. Archived from
3491:Hiatt, Brian (October 22, 2004).
3416:Clarke, Betty (October 8, 2004).
3343:from the original on May 16, 2015
3306:. Jimmy Eat World. Archived from
3260:. Jimmy Eat World. May 29, 2004.
3225:. Jimmy Eat World. Archived from
3076:. Jimmy Eat World. Archived from
2877:. Jimmy Eat World. Archived from
2688:. Jimmy Eat World. Archived from
2610:. Jimmy Eat World. Archived from
2540:"Jimmy Eat World - Chart History"
2338:
1322:, their fifth and finest album."
1172:
1086:
5653:"Jimmy Eat World Chart History (
5584:
5570:
5538:
5514:Lentini, Liza (March 17, 2023).
5507:
5483:Goodwyn, Tom (October 6, 2015).
5444:
5432:
5406:
5376:
5346:
5105:Hasty, Katie (August 15, 2007).
4602:MTV News Staff (July 19, 2004).
4198:Roth, Kaj (September 28, 2004).
3696:Sendra, Tim (October 19, 2004).
3453:Kroth, Maya (October 20, 2004).
3329:Hogan, Marc (October 19, 2004).
3221:Weber, Scott (October 6, 2004).
2684:Rashidi, Waleed (October 2004).
2092:Zach Lind – drums
1443:
1379:"Pain" charted at number one on
1251:
1246:
1241:
1236:
1231:
1191:
1186:
1181:
1176:
1171:
1105:
1100:
1095:
1090:
1085:
775:; the guitar part was a mix of "
756:and was compared to the work of
5773:The Importance of Understanding
5621:"Official Albums Chart Top 100"
5554:. July 24, 2015. Archived from
5316:
5098:
5071:
5044:
4907:
4874:
4848:
4821:
4734:
4708:
4682:
4622:
4595:
4562:
4531:
4498:
4431:
4417:
4403:
4356:
4334:
4320:
4306:
4302:. 2004. 6 02498 63856 9/WT-004.
4284:
4251:
4224:
4191:
4177:
4163:
4136:
4105:
4034:
3854:
3752:
3645:
3612:
3586:
3553:
3446:
3322:
3250:
3241:
2996:
2893:
2866:
2833:
2803:
2776:
1963:"When I Want" (Remastered 2021)
5797:. Vol. 116, no. 43.
5778:University of California Press
5665:. Retrieved January 13, 2014.
5173:. Retrieved January 13, 2014.
4832:. Punknews.org. Archived from
4258:Diver, Mike (March 11, 2008).
3621:"Jimmy Eat World / Futures CD"
2840:Smith, Dane (April 11, 2006).
2626:
2564:
2532:
2441:
1614:
1463:
1368:had sold over 615,000 copies.
1001:The Tonight Show with Jay Leno
675:chorus section, complete with
561:
358:" was released as the album's
293:. After touring in support of
1:
6234:Albums produced by Gil Norton
5643:. Retrieved August 26, 2024.
5627:. Retrieved August 26, 2024.
5611:. Retrieved August 26, 2024.
5268:British Phonographic Industry
5207:. Retrieved August 26, 2024.
4828:Paul, Aubin (April 8, 2005).
4472:Crane, Matt (June 24, 2014).
4233:"Interviews: Jimmy Eat World"
4143:Paul, Aubin (July 15, 2004).
2429:
2205:Weekly chart performance for
2039:"Yer Feet " (Remastered 2021)
1452:. All recordings produced by
1358:200. Prior to the release of
966:Late Night with Conan O'Brien
488:
3674:– via Jimmy Eat World.
3652:Doran, John (October 2004).
3529:"Interview: Jimmy Eat World"
3223:"Absolute Punk.net 10.06.04"
2902:"Jimmy Eat World - 07.27.07"
2875:"Get Out Magazine - Arizona"
2686:"Mean Street Magazine 10.04"
2571:Moss, Corey (May 23, 2003).
2329:
2315:
2300:
2285:
2273:
2258:
2246:
2229:
2064:
1027:
1016:. Jimmy Eat World supported
78:Harvey Moltz's house, Tucson
7:
4987:"Jimmy Eat World - Futures"
3924:"Jimmy Eat World - Futures"
3763:. Bullz-Eye. Archived from
3734:"Jimmy Eat World - Futures"
3698:"Futures - Jimmy Eat World"
3036:Masley, Ed (June 4, 2015).
2970:Sill, Don (December 2004).
2714:Kaye, Ben (June 14, 2013).
2168: – mastering
2011:"Sparkle" (Remastered 2021)
1851:"The World You Love" (Demo)
1022:Reading and Leeds Festivals
699:, and recalled the group's
566:
10:
6255:
5711:Spartanburg Herald-Journal
4881:Spin Staff (May 9, 2005).
2307:UK Rock & Metal Albums
2129: – producer
1406:Spartanburg Herald-Journal
932:
828:
603:and expand on the mood of
413:Background and development
257:Released: December 7, 2004
6229:Interscope Records albums
6190:
6172:
6049:
6031:
6013:
5932:
5897:
5020:"Jimmy Eat World Futures"
4114:"Jimmy Eat World Futures"
3654:"Jimmy Eat World Futures"
3455:"Jimmy Eat World Futures"
3304:"Jimmy Eat World Futures"
3072:Sami (October 13, 2004).
2410:
2395:
2380:
2365:
2354:
2351:
2320:
2305:
2290:
2278:
2263:
2251:
2234:
2222:
2199:
2190:Charts and certifications
2025:"Shame" (Remastered 2021)
1997:"Work " (Remastered 2021)
1624:
1621:
1618:
1613:
1470:
1467:
1462:
1073:
1070:
1050:
1047:
658:
274:
244:Released: August 24, 2004
231:
220:
216:
179:
171:
159:
147:
131:
93:
66:
58:
50:
37:
28:
23:
5730:Jimmy Eat World (2020).
5205:GfK Entertainment Charts
1277:, the album obtained an
768:guitar and piano parts.
6040:Stay on My Side Tonight
5770:Noche, Celeste (2009).
5641:Official Charts Company
5625:Official Charts Company
5609:Official Charts Company
3418:"CD: Jimmy Eat World -
204:Stay on My Side Tonight
6219:Jimmy Eat World albums
3125:. 2004. 0602498642405.
2642:. September 25, 2003.
1907:"Nothing Wrong" (Demo)
1389:Bubbling Under Hot 100
942:
575:has been described as
512:Dashboard Confessional
266:Released: May 10, 2005
6142:I Will Steal You Back
6135:Coffee and Cigarettes
5594:. September 17, 2021.
5495:on September 30, 2020
5082:. MTV. Archived from
4606:. MTV. Archived from
4294:(sleeve). Interscope/
4022:on September 29, 2020
4018:. MTV. Archived from
3956:. MTV. Archived from
3865:. MTV. Archived from
3562:"Learning As They Go"
3074:"Punktastic 10.13.04"
2815:Universal Music Group
2791:on September 29, 2020
2787:. MTV. Archived from
2575:. MTV. Archived from
1809:"Just Tonight" (Demo)
1448:All songs written by
940:
746:University of Arizona
479:Universal Music Group
5748:– via YouTube.
4959:. October 19, 2004.
4949:"Critic Reviews for
4926:on February 27, 2018
4836:on November 23, 2021
4805:. February 7, 2005.
4519:on February 27, 2018
4352:. 2004. UICS-1092/3.
4124:on November 16, 2004
3869:on February 27, 2018
3666:on November 25, 2005
3600:on November 25, 2005
3498:Entertainment Weekly
3310:on November 25, 2005
3229:on September 4, 2010
3080:on September 4, 2010
3043:The Arizona Republic
3014:on December 14, 2021
2854:on November 21, 2007
2721:Consequence of Sound
2692:on September 4, 2010
2495:on February 27, 2018
2100:Additional musicians
1921:"Night Drive" (Demo)
1879:"Drugs or Me" (Demo)
1693:"The World You Love"
1527:"The World You Love"
1300:Entertainment Weekly
1153:Entertainment Weekly
1038:Professional ratings
445:" at number 75 and "
5791:"Essential Reviews"
5464:on January 21, 2017
5143:on October 29, 2012
5032:on October 30, 2004
4953:by Jimmy Eat World"
4696:on December 4, 2004
4670:on October 10, 2004
4093:on October 13, 2007
3892:(booklet). Bandbox/
3888:Rice, Alex (2022).
3767:on January 24, 2021
3157:on November 4, 2021
2948:on December 4, 2004
2912:on January 11, 2013
2821:on January 26, 2013
2614:on October 11, 2004
2348:
2344:Certifications for
2281:Schweizer Hitparade
2223:Australian Albums (
2209:
1981:" (Remastered 2021)
1610:
1609:2021 Deluxe Edition
1381:Alternative Airplay
1039:
993:Reuben's Accomplice
758:Death Cab for Cutie
475:Believe in What You
407:Alternative Airplay
6014:Compilation albums
5707:"Best of the Year"
5420:on August 25, 2007
4722:on January 7, 2005
3123:Interscope Records
2552:on August 12, 2016
2343:
2254:Offizielle Top 100
2204:
1608:
1037:
1006:Taking Back Sunday
972:Jimmy Kimmel Live!
943:
869:Interscope Records
850:, was directed by
833:On July 15, 2004,
483:Interscope Records
481:and absorbed into
428:DreamWorks Records
291:Interscope Records
6206:
6205:
6058:Lucky Denver Mint
5526:on March 17, 2023
4748:on April 14, 2005
4610:on March 20, 2019
4544:Phoenix New Times
4479:Alternative Press
4391:on March 22, 2013
4350:Tiny Evil Records
4300:Tiny Evil Records
3960:on March 20, 2019
3331:"Jimmy Eat World"
3192:Phoenix New Times
2984:on March 19, 2005
2972:"Jimmy Eat World"
2426:
2425:
2419:
2418:
2414:
2334:
2333:
2186:
2185:
2061:
2060:
1647:"Just Tonight..."
1604:
1603:
1490:"Just Tonight..."
1268:
1267:
1033:Critical response
805:chord progression
485:in January 2004.
278:
277:
212:
211:
62:February–May 2004
6246:
6191:Related articles
6181:Chase This Light
6156:Sure and Certain
5976:Chase This Light
5884:
5877:
5870:
5861:
5860:
5818:
5816:
5814:
5785:
5766:
5757:(1553). London.
5749:
5747:
5745:
5726:
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5722:
5691:
5690:
5688:
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5672:
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5581:
5574:
5568:
5567:
5565:
5563:
5542:
5536:
5535:
5533:
5531:
5522:. Archived from
5511:
5505:
5504:
5502:
5500:
5491:. Archived from
5480:
5474:
5473:
5471:
5469:
5460:. Archived from
5448:
5442:
5436:
5430:
5429:
5427:
5425:
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5404:
5403:
5401:
5399:
5380:
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5091:
5086:on June 10, 2015
5075:
5069:
5068:
5066:
5064:
5048:
5042:
5041:
5039:
5037:
5028:. Archived from
5016:
5007:
5006:
5004:
5002:
4991:Drowned in Sound
4982:
4973:
4972:
4970:
4968:
4945:
4936:
4935:
4933:
4931:
4922:. Archived from
4911:
4905:
4904:
4902:
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4878:
4872:
4871:
4869:
4867:
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4846:
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4784:
4779:on April 3, 2005
4769:
4758:
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4732:
4731:
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4675:
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4648:
4646:
4635:Drowned in Sound
4626:
4620:
4619:
4617:
4615:
4599:
4593:
4592:
4590:
4588:
4566:
4560:
4559:
4557:
4555:
4535:
4529:
4528:
4526:
4524:
4515:. Archived from
4502:
4496:
4495:
4493:
4491:
4469:
4460:
4459:
4457:
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4435:
4429:
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4414:
4407:
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4396:
4387:. Archived from
4377:
4368:
4367:
4360:
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4332:
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4324:
4318:
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4288:
4282:
4281:
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4277:
4265:Drowned in Sound
4255:
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4246:
4244:
4235:. Punknews.org.
4228:
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4219:
4217:
4195:
4189:
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4167:
4161:
4160:
4158:
4156:
4147:. Punknews.org.
4140:
4134:
4133:
4131:
4129:
4120:. Archived from
4109:
4103:
4102:
4100:
4098:
4089:. Archived from
4078:
4065:
4064:
4062:
4060:
4038:
4032:
4031:
4029:
4027:
4011:
4002:
4001:
3999:
3997:
3988:. Sputnikmusic.
3981:
3970:
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3949:
3940:
3939:
3937:
3935:
3926:. Punknews.org.
3919:
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3885:
3879:
3878:
3876:
3874:
3858:
3852:
3851:
3844:
3821:
3820:
3818:
3816:
3811:on July 17, 2009
3807:. Archived from
3794:
3777:
3776:
3774:
3772:
3756:
3750:
3749:
3747:
3745:
3736:. Sputnikmusic.
3729:
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3713:
3693:
3676:
3675:
3673:
3671:
3662:. Archived from
3649:
3643:
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3640:
3638:
3616:
3610:
3609:
3607:
3605:
3594:"See You, Jimmy"
3590:
3584:
3583:
3581:
3579:
3570:. Archived from
3557:
3551:
3550:
3548:
3546:
3524:
3515:
3514:
3512:
3510:
3493:"Futures Review"
3488:
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3472:
3450:
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3441:
3439:
3413:
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3388:. Sputnikmusic.
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3209:
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3182:
3167:
3166:
3164:
3162:
3153:. Archived from
3142:
3127:
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3115:
3090:
3089:
3087:
3085:
3069:
3060:
3059:
3057:
3055:
3033:
3024:
3023:
3021:
3019:
3010:. Archived from
3000:
2994:
2993:
2991:
2989:
2980:. Archived from
2967:
2958:
2957:
2955:
2953:
2944:. Archived from
2931:
2922:
2921:
2919:
2917:
2908:. Archived from
2897:
2891:
2890:
2888:
2886:
2881:on March 7, 2011
2870:
2864:
2863:
2861:
2859:
2850:. Archived from
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2798:
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2619:
2604:
2589:
2588:
2586:
2584:
2568:
2562:
2561:
2559:
2557:
2548:. Archived from
2536:
2530:
2529:
2527:
2525:
2511:
2505:
2504:
2502:
2500:
2491:. Archived from
2480:
2469:
2468:
2466:
2464:
2445:
2412:
2381:United Kingdom (
2349:
2342:
2210:
2203:
2195:
2073:
2054:
1893:"Polaris" (Demo)
1795:"Futures" (Demo)
1616:
1611:
1607:
1465:
1460:
1459:
1423:
1361:Chase This Light
1330:
1325:Drowned in Sound
1256:
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1196:
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1129:Drowned in Sound
1110:
1109:
1108:
1104:
1103:
1099:
1098:
1094:
1093:
1089:
1088:
1043:Aggregate scores
1040:
1036:
878:
577:alternative rock
543:Oceanway Studios
518:in Los Angeles.
362:in August 2004.
267:
264:
258:
255:
245:
242:
181:
180:
143:
142:
138:
103:Alternative rock
54:October 19, 2004
33:
21:
20:
6254:
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6249:
6248:
6247:
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6243:
6209:
6208:
6207:
6202:
6186:
6168:
6093:A Praise Chorus
6045:
6027:
6009:
5997:Integrity Blues
5948:Static Prevails
5941:Jimmy Eat World
5928:
5893:
5891:Jimmy Eat World
5888:
5826:
5821:
5812:
5810:
5743:
5741:
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5561:
5559:
5558:on July 6, 2022
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4862:on May 23, 2005
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3894:Capitol Records
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3592:
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3575:
3574:on May 21, 2022
3567:Dallas Observer
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3258:"Studio update"
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2649:
2647:
2634:"Darker World!"
2632:
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2606:
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2592:
2582:
2580:
2579:on May 15, 2018
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2427:
2396:United States (
2359:Certified units
2341:
2265:Scottish Albums
2252:German Albums (
2236:Canadian Albums
2217:
2202:
2192:
2187:
2078:Jimmy Eat World
2067:
2062:
2052:
1605:
1450:Jimmy Eat World
1446:
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1349:
1328:
1252:
1247:
1242:
1237:
1192:
1187:
1182:
1177:
1106:
1101:
1096:
1091:
1035:
1030:
935:
913:Static Prevails
904:iTunes Sessions
885:Teenage Fanclub
876:
863:On October 11,
857:Better Off Dead
831:
701:Static Prevails
689:Static Prevails
661:
569:
564:
532:Tucson, Arizona
491:
456:Static Prevails
415:
287:Jimmy Eat World
270:
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44:Jimmy Eat World
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5:
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6176:
6174:
6170:
6169:
6167:
6166:
6163:Something Loud
6159:
6152:
6145:
6138:
6131:
6128:My Best Theory
6124:
6117:
6110:
6103:
6096:
6089:
6082:
6079:Last Christmas
6075:
6068:
6065:Bleed American
6061:
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5962:Bleed American
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5824:External links
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3896:. B0023654-01.
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3367:Teitelman 2004
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3091:
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3008:Smash Magazine
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2339:Certifications
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2106:David Campbell
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1014:Mates of State
960:Daily Download
934:
931:
830:
827:
823:Bleed American
810:Disintegration
797:Bleed American
754:David Campbell
734:scratch vocals
725:counter-melody
660:
657:
653:George W. Bush
633:Jets to Brazil
625:Bleed American
601:Bleed American
568:
565:
563:
560:
552:Avatar Studios
539:Tempe, Arizona
528:Bleed American
508:The Distillers
496:Bleed American
490:
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467:Bleed American
420:Bleed American
414:
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319:Jets to Brazil
296:Bleed American
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145:
144:
133:
129:
128:
126:
125:
120:
115:
110:
105:
99:
97:
91:
90:
89:
88:
82:
79:
76:
68:
64:
63:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
6251:
6240:
6237:
6235:
6232:
6230:
6227:
6225:
6222:
6220:
6217:
6216:
6214:
6199:
6196:
6195:
6193:
6189:
6182:
6178:
6177:
6175:
6171:
6164:
6160:
6157:
6153:
6150:
6146:
6143:
6139:
6136:
6132:
6129:
6125:
6122:
6118:
6115:
6111:
6108:
6104:
6101:
6097:
6094:
6090:
6087:
6083:
6080:
6076:
6073:
6069:
6066:
6062:
6059:
6055:
6054:
6052:
6048:
6042:
6041:
6037:
6036:
6034:
6030:
6024:
6023:
6019:
6018:
6016:
6012:
6006:
6005:
6001:
5999:
5998:
5994:
5992:
5991:
5987:
5985:
5984:
5980:
5978:
5977:
5973:
5971:
5970:
5966:
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5959:
5957:
5956:
5952:
5950:
5949:
5945:
5943:
5942:
5938:
5937:
5935:
5933:Studio albums
5931:
5924:
5923:
5920:
5917:
5915:
5912:
5910:
5907:
5905:
5904:
5900:
5899:
5896:
5892:
5885:
5880:
5878:
5873:
5871:
5866:
5865:
5862:
5856:
5855:
5850:
5847:
5845:
5844:
5839:
5836:
5833:
5832:
5828:
5827:
5813:September 23,
5808:
5804:
5800:
5796:
5792:
5787:
5783:
5779:
5775:
5774:
5768:
5764:
5760:
5756:
5751:
5744:September 28,
5739:
5735:
5734:
5728:
5716:
5712:
5708:
5703:
5702:
5700:
5699:
5681:
5677:
5671:
5664:
5663:
5658:
5656:
5649:
5642:
5638:
5633:
5626:
5622:
5617:
5610:
5606:
5601:
5593:
5587:
5579:
5573:
5557:
5553:
5552:
5547:
5541:
5525:
5521:
5517:
5510:
5494:
5490:
5486:
5479:
5463:
5459:
5458:
5453:
5447:
5441:, p. D12
5440:
5435:
5419:
5415:
5409:
5393:
5389:
5385:
5379:
5363:
5359:
5355:
5349:
5333:
5329:
5325:
5319:
5303:
5299:
5295:
5289:
5287:
5285:
5269:
5265:
5259:
5257:
5241:
5237:
5231:
5229:
5221:
5216:
5214:
5206:
5203:(in German).
5202:
5197:
5195:
5187:
5182:
5180:
5172:
5171:
5166:
5161:
5159:
5142:
5138:
5132:
5116:
5112:
5108:
5101:
5085:
5081:
5074:
5059:
5058:
5053:
5047:
5031:
5027:
5026:
5021:
5015:
5013:
4996:
4992:
4988:
4981:
4979:
4962:
4958:
4954:
4952:
4944:
4942:
4925:
4921:
4917:
4910:
4894:
4890:
4889:
4884:
4877:
4861:
4857:
4851:
4835:
4831:
4824:
4808:
4804:
4800:
4794:
4778:
4774:
4768:
4766:
4764:
4747:
4743:
4737:
4721:
4717:
4711:
4695:
4691:
4685:
4669:
4665:
4659:
4657:
4640:
4636:
4632:
4625:
4609:
4605:
4598:
4582:
4578:
4577:
4572:
4565:
4549:
4545:
4541:
4534:
4518:
4514:
4513:
4508:
4501:
4485:
4481:
4480:
4475:
4468:
4466:
4449:
4445:
4441:
4434:
4426:
4420:
4412:
4406:
4390:
4386:
4382:
4376:
4374:
4365:
4359:
4351:
4347:
4343:
4337:
4329:
4323:
4315:
4309:
4301:
4297:
4296:Western Tread
4293:
4287:
4271:
4267:
4266:
4261:
4254:
4238:
4234:
4227:
4211:
4207:
4206:
4201:
4194:
4186:
4180:
4172:
4166:
4150:
4146:
4139:
4123:
4119:
4115:
4108:
4092:
4088:
4087:Rolling Stone
4084:
4077:
4075:
4073:
4071:
4054:
4050:
4049:
4048:The A.V. Club
4044:
4037:
4021:
4017:
4010:
4008:
3991:
3987:
3980:
3978:
3976:
3959:
3955:
3948:
3946:
3929:
3925:
3918:
3916:
3914:
3912:
3910:
3908:
3906:
3904:
3895:
3891:
3884:
3868:
3864:
3857:
3849:
3843:
3841:
3839:
3837:
3835:
3833:
3831:
3829:
3827:
3810:
3806:
3805:
3800:
3793:
3791:
3789:
3787:
3785:
3783:
3771:September 20,
3766:
3762:
3755:
3739:
3735:
3728:
3726:
3724:
3707:
3703:
3699:
3692:
3690:
3688:
3686:
3684:
3682:
3665:
3661:
3660:
3655:
3648:
3632:
3628:
3627:
3622:
3615:
3599:
3595:
3589:
3573:
3569:
3568:
3563:
3556:
3540:
3536:
3535:
3530:
3523:
3521:
3504:
3500:
3499:
3494:
3487:
3485:
3483:
3466:
3462:
3461:
3456:
3449:
3433:
3429:
3428:
3423:
3421:
3412:
3410:
3408:
3391:
3387:
3380:
3378:
3376:
3368:
3363:
3361:
3359:
3342:
3338:
3337:
3332:
3325:
3309:
3305:
3299:
3297:
3289:
3284:
3282:
3280:
3263:
3259:
3253:
3244:
3228:
3224:
3217:
3215:
3198:
3194:
3193:
3188:
3181:
3179:
3177:
3175:
3173:
3156:
3152:
3148:
3141:
3139:
3137:
3135:
3133:
3124:
3120:
3114:
3112:
3110:
3108:
3106:
3104:
3102:
3100:
3098:
3096:
3079:
3075:
3068:
3066:
3049:
3045:
3044:
3039:
3032:
3030:
3013:
3009:
3005:
2999:
2983:
2979:
2978:
2973:
2966:
2964:
2947:
2943:
2942:
2937:
2930:
2928:
2916:September 24,
2911:
2907:
2903:
2896:
2880:
2876:
2869:
2853:
2849:
2848:
2847:Rolling Stone
2843:
2836:
2820:
2816:
2812:
2806:
2790:
2786:
2779:
2763:
2759:
2758:
2753:
2746:
2744:
2727:
2724:. p. 6.
2723:
2722:
2717:
2710:
2708:
2691:
2687:
2680:
2678:
2676:
2674:
2672:
2670:
2668:
2666:
2664:
2662:
2645:
2641:
2640:
2635:
2629:
2613:
2609:
2603:
2601:
2599:
2597:
2595:
2578:
2574:
2567:
2551:
2547:
2546:
2541:
2535:
2520:
2516:
2510:
2494:
2490:
2486:
2479:
2477:
2475:
2458:
2454:
2450:
2444:
2440:
2437:
2436:
2422:
2415:
2409:
2405:
2402:
2399:
2394:
2390:
2387:
2384:
2379:
2375:
2372:
2369:
2364:
2360:
2355:Certification
2350:
2347:
2336:
2327:
2325:
2319:
2312:
2308:
2304:
2297:
2293:
2289:
2282:
2277:
2270:
2266:
2262:
2255:
2250:
2243:
2242:
2237:
2233:
2226:
2221:
2215:
2212:
2211:
2208:
2197:
2196:
2182:
2176:
2173:
2170:
2167:
2164:
2161:
2158:
2155:
2152:
2149:
2146:
2143:
2140:
2137:
2134:
2131:
2128:
2125:
2124:
2123:
2122:
2118:
2113:
2110:
2107:
2104:
2103:
2102:
2101:
2094:
2091:
2088:
2085:
2082:
2081:
2080:
2079:
2075:
2074:
2070:
2056:
2053:Total length:
2050:
2046:
2044:
2043:Neil Halstead
2041:
2038:
2034:
2030:
2027:
2024:
2020:
2016:
2013:
2010:
2006:
2002:
1999:
1996:
1992:
1988:
1986:
1983:
1980:
1976:
1972:
1968:
1965:
1962:
1958:
1954:
1951:
1948:
1944:
1940:
1937:
1934:
1930:
1926:
1923:
1920:
1916:
1912:
1909:
1906:
1902:
1898:
1895:
1892:
1888:
1884:
1881:
1878:
1874:
1870:
1867:
1865:"Pain" (Demo)
1864:
1860:
1856:
1853:
1850:
1846:
1842:
1839:
1837:"Kill" (Demo)
1836:
1832:
1828:
1825:
1823:"Work" (Demo)
1822:
1818:
1814:
1811:
1808:
1804:
1800:
1797:
1794:
1790:
1786:
1783:
1780:
1776:
1772:
1769:
1767:"Night Drive"
1766:
1762:
1758:
1755:
1752:
1748:
1744:
1741:
1738:
1734:
1730:
1727:
1725:"Drugs or Me"
1724:
1720:
1716:
1713:
1710:
1706:
1702:
1698:
1695:
1692:
1688:
1684:
1681:
1678:
1674:
1670:
1667:
1664:
1660:
1656:
1652:
1649:
1646:
1642:
1638:
1635:
1632:
1628:
1612:
1599:
1596:
1592:
1588:
1586:"Night Drive"
1585:
1581:
1577:
1574:
1570:
1566:
1563:
1559:
1555:
1553:"Drugs or Me"
1552:
1548:
1544:
1541:
1537:
1533:
1529:
1526:
1522:
1518:
1515:
1511:
1507:
1504:
1500:
1496:
1492:
1489:
1485:
1481:
1478:
1474:
1461:
1457:
1455:
1451:
1444:Track listing
1441:
1439:
1435:
1431:
1430:Alex Gaskarth
1427:
1426:Mayday Parade
1420:
1419:
1414:
1413:
1408:
1407:
1402:
1401:Rolling Stone
1398:
1397:
1392:
1390:
1386:
1382:
1377:
1375:
1371:
1367:
1363:
1362:
1357:
1353:
1344:
1342:
1341:
1335:
1327:
1326:
1321:
1317:
1316:
1315:Rolling Stone
1311:
1310:
1304:
1302:
1301:
1296:
1295:
1290:
1289:
1282:
1280:
1279:average score
1276:
1272:
1263:
1260:
1259:
1229:
1227:
1226:
1225:Rolling Stone
1222:
1221:
1217:
1215:
1212:
1211:
1207:
1205:
1204:
1200:
1199:
1169:
1167:
1166:
1162:
1161:
1157:
1155:
1154:
1150:
1149:
1145:
1143:
1142:
1138:
1137:
1133:
1131:
1130:
1126:
1125:
1121:
1119:
1118:
1114:
1113:
1083:
1081:
1078:
1077:
1069:
1066:Review scores
1064:
1060:
1058:
1055:
1054:
1046:
1041:
1025:
1023:
1019:
1015:
1011:
1007:
1003:
1002:
996:
994:
990:
986:
982:
978:
974:
973:
968:
967:
962:
961:
956:
952:
948:
939:
930:
928:
924:
923:
918:
914:
910:
905:
901:
897:
893:
888:
886:
882:
874:
870:
866:
861:
859:
858:
853:
849:
844:
840:
836:
826:
824:
820:
816:
812:
811:
806:
802:
798:
794:
790:
786:
782:
778:
774:
769:
767:
763:
759:
755:
751:
747:
743:
738:
735:
731:
726:
722:
718:
714:
709:
707:
706:Color Me Badd
702:
698:
694:
690:
686:
682:
678:
674:
670:
666:
656:
654:
650:
646:
642:
638:
634:
630:
626:
622:
617:
614:
611:, with which
610:
606:
602:
598:
594:
590:
586:
582:
578:
574:
559:
557:
553:
548:
544:
540:
535:
533:
529:
525:
519:
517:
516:Cello Studios
513:
509:
505:
501:
497:
486:
484:
480:
476:
470:
468:
464:
463:
458:
457:
452:
451:Mark Trombino
448:
444:
440:
438:
433:
429:
426:
422:
421:
410:
408:
404:
401:
400:
395:
394:
389:
388:
387:Rolling Stone
383:
382:
377:
373:
369:
365:
361:
357:
353:
349:
347:
342:
341:music critics
338:
334:
332:
328:
324:
320:
316:
315:
310:
306:
302:
301:Mark Trombino
298:
297:
292:
288:
284:
283:
273:
260:
253:
247:
240:
234:
233:
230:
227:
223:
219:
215:
206:
205:
201:
197:
196:
192:
188:
187:
183:
182:
178:
174:
170:
167:
164:
162:
158:
155:
152:
150:
146:
134:
130:
124:
121:
119:
116:
114:
111:
109:
106:
104:
101:
100:
98:
96:
92:
86:
83:
80:
77:
74:
71:
70:
69:
65:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
6038:
6020:
6002:
5995:
5988:
5981:
5974:
5968:
5967:
5960:
5953:
5946:
5939:
5925:Mitch Porter
5918:
5913:
5908:
5901:
5852:
5841:
5830:
5811:. Retrieved
5794:
5772:
5754:
5742:. Retrieved
5732:
5719:. Retrieved
5710:
5697:
5696:
5683:. Retrieved
5670:
5661:
5654:
5648:
5632:
5616:
5600:
5586:
5572:
5560:. Retrieved
5556:the original
5549:
5540:
5528:. Retrieved
5524:the original
5519:
5509:
5497:. Retrieved
5493:the original
5478:
5466:. Retrieved
5462:the original
5455:
5446:
5439:Griffin 2004
5434:
5422:. Retrieved
5418:the original
5408:
5396:. Retrieved
5387:
5378:
5366:. Retrieved
5357:
5348:
5336:. Retrieved
5327:
5318:
5306:. Retrieved
5297:
5271:. Retrieved
5243:. Retrieved
5240:Music Canada
5169:
5145:. Retrieved
5141:the original
5131:
5119:. Retrieved
5110:
5100:
5088:. Retrieved
5084:the original
5073:
5061:. Retrieved
5055:
5046:
5034:. Retrieved
5030:the original
5023:
4999:. Retrieved
4990:
4965:. Retrieved
4950:
4928:. Retrieved
4924:the original
4920:FasterLouder
4919:
4909:
4897:. Retrieved
4886:
4876:
4864:. Retrieved
4860:the original
4850:
4838:. Retrieved
4834:the original
4823:
4811:. Retrieved
4802:
4793:
4781:. Retrieved
4777:the original
4750:. Retrieved
4746:the original
4736:
4724:. Retrieved
4720:the original
4710:
4698:. Retrieved
4694:the original
4684:
4672:. Retrieved
4668:the original
4643:. Retrieved
4634:
4624:
4612:. Retrieved
4608:the original
4597:
4587:December 15,
4585:. Retrieved
4574:
4564:
4552:. Retrieved
4543:
4533:
4521:. Retrieved
4517:the original
4512:FasterLouder
4510:
4500:
4488:. Retrieved
4477:
4452:. Retrieved
4443:
4433:
4424:
4419:
4410:
4405:
4393:. Retrieved
4389:the original
4363:
4358:
4341:
4336:
4327:
4322:
4313:
4308:
4291:
4286:
4274:. Retrieved
4263:
4253:
4241:. Retrieved
4226:
4214:. Retrieved
4203:
4193:
4184:
4179:
4170:
4165:
4153:. Retrieved
4138:
4126:. Retrieved
4122:the original
4117:
4107:
4095:. Retrieved
4091:the original
4086:
4057:. Retrieved
4046:
4036:
4024:. Retrieved
4020:the original
3994:. Retrieved
3962:. Retrieved
3958:the original
3932:. Retrieved
3889:
3883:
3871:. Retrieved
3867:the original
3856:
3847:
3813:. Retrieved
3809:the original
3802:
3769:. Retrieved
3765:the original
3754:
3742:. Retrieved
3710:. Retrieved
3701:
3668:. Retrieved
3664:the original
3659:Metal Hammer
3657:
3647:
3635:. Retrieved
3624:
3614:
3602:. Retrieved
3598:the original
3588:
3576:. Retrieved
3572:the original
3565:
3555:
3543:. Retrieved
3532:
3507:. Retrieved
3496:
3469:. Retrieved
3458:
3448:
3436:. Retrieved
3427:The Guardian
3425:
3419:
3394:. Retrieved
3369:, p. 46
3345:. Retrieved
3334:
3324:
3312:. Retrieved
3308:the original
3266:. Retrieved
3252:
3243:
3231:. Retrieved
3227:the original
3201:. Retrieved
3190:
3159:. Retrieved
3155:the original
3118:
3082:. Retrieved
3078:the original
3052:. Retrieved
3041:
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2988:December 18,
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2906:AbsolutePunk
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2757:AbsolutePunk
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2648:. Retrieved
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2368:Music Canada
2345:
2323:
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4807:Archived
4639:Archived
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3503:Archived
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3432:Archived
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3262:Archived
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2732:July 28,
2726:Archived
2644:Archived
2556:June 25,
2524:June 25,
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2406:500,000
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4866:May 13,
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4726:May 13,
4700:May 13,
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3670:May 13,
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