174:
calls the "male weepies." The man's film abstracts the times before settling down, when men were battling nature or the enemy. Marriage becomes the killjoy. "All the excitement of life occurs outside of marriage. At a soap opera level, which
Haskell considers the lowest level, a woman's film "fills
147:, it typifies the first feminist expeditions into film history and criticism, adopting the "image of woman" approach. Haskell compared the portrayal of women on-screen to real life women off-screen to determine if the representation of women in Hollywood cinema was accurate.
165:
discusses the genre of the "woman's film". As
Haskell points out, woman's film could be a compensation for "all the dominated universes from which she has been excluded: the gangster film, the Western, the war film, the
245:
Haskell contends, "The domestic and the romantic are entwined, one redeeming the other, in the theme of self-sacrifice, which is the mainstay and oceanic force, high tide and low ebb, of the woman's film".
24:
175:
a masturbatory need, it is soft-core emotional porn for the frustrated housewife." These "weepies" are focused on "self-pity and tears, to accept, rather than reject".
140:
170:, the rodeo film, the adventure film." A woman's film is also more self-pitying in comparison to the male adventure film which
350:
106:
412:
342:
59:
422:
417:
427:
336:
129:(born 1939). It was one of the first books to chronicle women's images in film. Along with
304:
Commonly the male is only curable by "her." The man is a clergyman or confirmed bachelor.
8:
55:
23:
346:
197:
101:
315:
The heroine must do battle with the woman whose (husband, fiance, lover) she loves.
184:
Three types of women characters appear in the woman's film, according to
Haskell:
171:
156:
130:
406:
135:
126:
37:
201:
123:
93:
89:
120:
338:
In the
Company of Women: Contemporary Female Friendship Films
17:
From
Reverence to Rape: The Treatment of Women in the Movies
367:
From
Reverence to Rape: The Treatment of Women in the Movies
116:
From
Reverence to Rape: The Treatment of Women in the Movies
119:
is a 1974 book (revised and reissued in 1987 and 2016) by
219:
These women are common, passive, and often a victim.
277:In the 1930s and 1940s most films end tragically.
404:
256:A woman must sacrifice herself for her children.
150:
28:The University of Chicago Press revised edition
265:Her lover for marriage or for his own welfare.
222:They are precursors to soap opera characters.
207:These women portray strong, powerful figures.
287:Women holds a secret. An illness or disease.
178:
334:
145:Women and Their Sexuality in the New Film
161:One particularly influential chapter in
405:
240:
290:Martyrdom is proportionate to guilt.
259:Her children for their own welfare.
13:
229:Ordinary who becomes extraordinary
196:For example, characters played by
14:
439:
234:The victims who rise, or endure.
22:
378:Haskell 1987, pp. 160–62.
390:
381:
372:
359:
328:
1:
343:University of Minnesota Press
321:
7:
60:University of Chicago Press
10:
444:
154:
335:Hollinger, Karen (1998).
100:
84:
76:
66:
51:
43:
33:
21:
365:Haskell, Molly (1987),
262:Marriage for her lover.
179:Woman's film characters
413:1974 non-fiction books
163:From Reverence to Rape
396:Haskell 1987, p. 170.
387:Haskell 1987, p. 157.
301:Normally two suitors.
271:Love for her career.
268:Her career for love.
241:Woman's film themes
72:1974 (revised 1987)
56:New English Library
18:
369:(2nd ed.), p. 155.
151:"The Woman's Film"
16:
198:Katharine Hepburn
112:
111:
77:Publication place
435:
423:Books about rape
418:Books about film
397:
394:
388:
385:
379:
376:
370:
363:
357:
356:
332:
68:Publication date
26:
19:
15:
443:
442:
438:
437:
436:
434:
433:
432:
403:
402:
401:
400:
395:
391:
386:
382:
377:
373:
364:
360:
353:
341:. Minneapolis:
333:
329:
324:
243:
181:
172:Raymond Durgnat
159:
153:
85:Media type
69:
29:
12:
11:
5:
441:
431:
430:
425:
420:
415:
399:
398:
389:
380:
371:
358:
352:978-0816631773
351:
345:. p. 28.
326:
325:
323:
320:
319:
318:
317:
316:
307:
306:
305:
302:
293:
292:
291:
288:
275:
274:
273:
272:
269:
266:
263:
260:
257:
242:
239:
238:
237:
236:
235:
225:
224:
223:
220:
210:
209:
208:
205:
186:
185:
180:
177:
155:Main article:
152:
149:
131:Marjorie Rosen
110:
109:
104:
98:
97:
86:
82:
81:
78:
74:
73:
70:
67:
64:
63:
53:
49:
48:
45:
41:
40:
35:
31:
30:
27:
9:
6:
4:
3:
2:
440:
429:
428:Women in film
426:
424:
421:
419:
416:
414:
411:
410:
408:
393:
384:
375:
368:
362:
354:
348:
344:
340:
339:
331:
327:
314:
313:
311:
308:
303:
300:
299:
297:
294:
289:
286:
285:
283:
280:
279:
278:
270:
267:
264:
261:
258:
255:
254:
252:
249:
248:
247:
233:
232:
230:
226:
221:
218:
217:
215:
211:
206:
203:
199:
195:
194:
192:
191:Extraordinary
188:
187:
183:
182:
176:
173:
169:
164:
158:
148:
146:
142:
138:
137:
136:Popcorn Venus
132:
128:
127:Molly Haskell
125:
122:
118:
117:
108:
107:0-226-31885-0
105:
103:
99:
95:
91:
87:
83:
80:United States
79:
75:
71:
65:
61:
57:
54:
50:
46:
42:
39:
38:Molly Haskell
36:
32:
25:
20:
392:
383:
374:
366:
361:
337:
330:
309:
295:
281:
276:
250:
244:
228:
213:
190:
167:
162:
160:
157:Woman's film
144:
134:
115:
114:
113:
58:(Reprint by
310:Competition
202:Bette Davis
141:Joan Mellen
124:film critic
407:Categories
322:References
282:Affliction
251:Sacrifice
90:paperback
52:Publisher
214:Ordinary
168:policier
121:feminist
94:hardback
44:Language
231:woman.
88:Print (
47:English
349:
296:Choice
216:woman
193:woman
34:Author
347:ISBN
227:The
212:The
200:and
189:The
139:and
102:ISBN
143:'s
133:'s
409::
312::
298::
284::
253::
92:,
355:.
204:.
96:)
62:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)