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Freedom from Want

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31: 387:, this painting was not difficult to execute. Rockwell's wife Mary is in this painting, and the family cook, Mrs. Thaddeus Wheaton, is serving the turkey, which the Rockwell family ate that day. The nine adults and two children depicted were photographed in Rockwell's studio and painted into the scene later. The models are (clockwise from Wheaton) Lester Brush, Florence Lindsey, Rockwell's mother Nancy, Jim Martin, Mr. Wheaton, Mary Rockwell, Charles Lindsey, and the Hoisington children. Jim Martin appears in all four paintings in the series. Shirley Hoisington, the girl at the end of the table, was six at the time. 418: 479:
says the painting not only displays overabundance of food, but also of "family, conviviality, and security", and opines that "overabundance rather than mere sufficiency is the true answer to want." He parallels the emotional nourishment provided by the image to that of the food nourishment that it depicts, remarking that the picture is noticeably inviting. However, by depicting the table with nothing but empty plates and white dishes on white linen, Rockwell may have been invoking the
636: 618:, Bulosan's essay spoke up for those who struggled to survive in the capitalist democracy and was regarded as "haunting and sharp" against the backdrop of Rockwell's feast of plenty. It proposed that while citizens had obligations to the state, the state had an obligation to provide a basic level of subsistence. Unlike Roosevelt, Bulosan presented the case that the 188:. Although the image was popular at the time in the United States and remains so, it caused resentment in Europe where the masses were enduring wartime hardship. Artistically, the work is highly regarded as an example of mastery of the challenges of white-on-white painting and as one of Rockwell's most famous works. 612:'s "from each according to his abilities, to each according to his needs". In the final paragraph of the essay, the phrase "The America we hope to see is not merely a physical but also a spiritual and intellectual world" describes an egalitarian America. In a voice likened to Steinbeck's in works such as 398:, the magazine made sets of reproductions available to the public and received 25,000 orders. Additionally the OWI, which six months earlier had declined to employ Rockwell to promote the Four Freedoms, requested 2.5 million sets of posters featuring the Four Freedoms for its war-bond drive in early 1943. 1782:
Two defining events of the 1930s, the Great Depression and the rise of Fascism in Europe, prompted many American artists to turn away from abstraction and to adopt realistic styles of painting. For Regionalists (see *American Scene), this meant the promotion of an idealized, often chauvinistic vision
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says that by depicting this freedom as a celebration in the private family home rather than a worker with a job or a government protecting the hungry and homeless, Rockwell suggests that ensuring this freedom was not as much a government responsibility as something born from participation in the mass
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did not match Bulosan's text. In mid-November, Hibbs wrote Rockwell pleading that he not scrap his third work to start over. Hibbs alleviated Rockwell's thematic concern; he explained that the illustrations only needed to address the same topic rather than be in unison. Hibbs pressured Rockwell into
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raged. Rockwell noted that this painting was not popular in Europe: "The Europeans sort of resented it because it wasn't freedom from want, it was overabundance, the table was so loaded down with food." Outside the United States, this overabundance was the common perception. However, Richard Halpern
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to a family of several generations, in Rockwell's idealistic presentation of family values. The patriarch looks on with fondness and approval from the head of the table, which is the central element of the painting. Its creased tablecloth shows that this is a special occasion for "sharing what we
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Jim Martin, positioned in the lower right, gives a coy and perhaps mischievous glance back at the viewer. He is a microcosm of the entire scene in which no one appears to be giving thanks in a traditional manner of a Thanksgiving dinner. Solomon finds it a departure from previous depictions of
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dish. The servings are less prominent than the presentation of white linen, white plates and water-filled glasses. The people in the painting are not yet eating, and the painting contrasts the empty plates and vacant space in their midst with images of overabundance.
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hardships abroad, and it thrust him into prominence. As he neared his thirtieth birthday, the Philippine immigrant and labor organizer Bulosan was experiencing a life that was not consistent with the theme Rockwell depicted in his version of
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completing his work by warning him that the magazine was on the verge of being compelled by the government to place restrictions on four-color printing, so Rockwell had better get the work published before relegation to halftone printing.
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on January 6, 1941. In the early 1940s, Roosevelt's Four Freedoms themes were still vague and abstract to many, but the government used them to help boost patriotism. The Four Freedoms' theme was eventually incorporated into the
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Thanksgiving in that the participants do not lower their heads or raise their hands in the traditional poses of prayer. She sees it as an example of treating American traditions in both sanctified and casual ways. Theologian
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During the Cold War, Rockwell's images of domestic America—solid, dependable, prosperous and, above all, free—gave a whole generation of Americans an immensely appealing and persuasive view of their traditional
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editor Ben Hibbs recognized the potential of the set and encouraged Rockwell to produce them right away. By early fall, the authors for the Four Freedoms had submitted their essays. Rockwell was concerned that
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The third is freedom from want—which, translated into world terms, means economic understandings which will secure to every nation a healthy peacetime life for its inhabitants—everywhere in the world.
1546:"Thanksgiving: A look back at Norman Rockwell's iconic illustration 'Freedom From Want': Deborah Solomon's book 'American Mirror' gives a new perspective to one of Rockwell's most famous paintings" 490:, the painting represents the theme of family continuity, virtue, homeliness, and abundance without extravagance in a Puritan tone, as confirmed by the modest beverage choice of water. Historian 153:, who were photographed individually and painted into the scene. The work depicts a group of people gathered around a dinner table for a holiday meal. Having been partially created on 4153: 1545: 471:. Rockwell's work sometimes displays an idealized vision of America's rural and agricultural past. Rockwell summed up his own idealism: "I paint life as I would like it to be." 444:' Christmas". Embodying nostalgia for an enduring American theme of holiday celebration, the painting is not exclusively associated with Thanksgiving, and is sometimes known as 741: 648: 608:
as positive liberties by suggesting that Americans be "given equal opportunity to serve themselves and each other according to their needs and abilities", an echo of
350:(OWI). He was rebuffed by an official who said, "The last war, you illustrators did the posters. This war, we're going to use fine arts men, real artists." However, 498:
One of the notable and artistically challenging elements of the image is Rockwell's use of white-on-white: white plates sitting on a white tablecloth. Art critic
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Despite Rockwell's general optimism, he had misgivings about having depicted such a large turkey when much of Europe was "starving, overrun displaced" as
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than the other three freedoms (speech, fear, and religion); this freedom added economic liberty as a societal aspiration. In his essay, Bulosan treats
317:. There is a covered silver serving dish that would traditionally hold potatoes, according to Richard Halpern, but Bennett describes this as a covered 157:
to depict the celebration, it has become an iconic representation for Americans of the Thanksgiving holiday and family holiday gatherings in general.
432:, it is the one most often seen in art books with critical review and commentary. Although all were intended to promote patriotism in a time of war, 455:, Rockwell's images affirmed traditional American values, depicting Americans as prosperous and free. Rockwell's work came to be categorized within 3902: 2540: 665:, written during the prime of Rockwell's career when he was regarded as America's most popular illustrator. This image's iconic status has led to 3013: 872: 3867: 2405: 974: 2598:"JSA Issue 54 Cover by Pacheco and Merino - Virtue, Vice and Pumpkin Pie, in Malvin V's DC Universe Original Art Pages Comic Art Gallery Room" 3604: 752:
The cover to DC Comics JSA Issue 54 was also an homage to this image with various superheroes such as Superman, Power Girl, and Wonder Woman.
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editors tracked down the impoverished immigrant to request an essay contribution. Bulosan rose to prominence during World War II when the
3956: 3555: 968: 371:, he used his living room for the setting and relied on neighbors for advice, critical commentary, and their service as his models. For 934: 2512: 2046: 3883: 3525: 3229: 2743: 1295: 1134: 1096: 448:. The abundance and unity it shows were the idyllic hope of a post-war world, and the image has been reproduced in various formats. 2231: 1879: 1838: 3742: 3033: 2143: 508: 2818: 578:. To many Americans, Bulosan's essay marked his introduction, and his name was thereafter well recognized. The essay was lost by 347: 3073: 575: 313:
have with those we love", according to Lennie Bennett. The table has a bowl of fruit, celery, pickles, and what appears to be
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The painting has had a wide array of adaptations, parodies, and other uses, such as for the cover for the 1946 book
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magazine #39 (May 1958) presented a magazine satire called "The Saturday Evening Pest", which featured a parody of
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57. Lloyd, C., Levitan, S., & Ko , E. (2012, May 16). Tableau Vivant. Modern Family . Season 3 Episode 23.
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entertaining their cartoon family with a festive turkey. Several political cartoons have invoked this image.
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sees gratitude as implicit in the painting, while Kenneth Bendiner writes that Rockwell was mindful of the
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family gathers at the Thanksgiving table, the scene is transformed into a replica of the famous painting.
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Our cook cooked it, I painted it and we ate it. That was one of the few times I've ever eaten the model.
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had not already granted freedom from want as it did not guarantee Americans the essentials of life.
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Rockwell bequeathed this painting to a custodianship that became the Norman Rockwell Museum in
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Realism for the Masses: Aesthetics, Popular Front Pluralism, and U.S. Culture, 1935–1947
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The painting was created in November 1942 and published in the March 6, 1943, issue of
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The essay is considered one of the author's most notable works and is compared to
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shows the film's characters seated at a Thanksgiving table, echoing the painting.
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re-created Rockwell's all-white Americans with an ethnically diverse family, as
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describes this as "one of the most ambitious plays of white-against-white since
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The Galaxy Is Rated G: Essays on Children's Science Fiction Film and Television
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116.2 cm Ă— 90 cm (45.75 in Ă— 35.5 in)
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The Borderlands of Culture: Américo Paredes and the Transnational Imaginary
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on the cover. In the parody, the family's circumstances are far from ideal.
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is considered one of Rockwell's finest works. Of the four paintings in the
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became a symbol of "family togetherness, peace, and plenty", according to
297:, measuring 45.75 by 35.5 inches (116.2 cm Ă— 90.2 cm). The 149:. All of the people in the picture were friends and family of Rockwell in 4042: 3632: 3583: 3379: 3316: 3284: 746: 696:(1994), in which the turkey platter brims over with health care supplies. 583: 521: 364: 2379: 177:
hardships abroad, Bulosan's essay spoke on behalf of those enduring the
3214: 2850: 2842: 2572: 2513:"Tony Bennett featuring the Count Basie Big Band: A Swingin' Christmas" 1069:"'Freedom From Want' and Norman Rockwell are about more than nostalgia" 791: 757: 597: 417: 379:
1942. He said that he painted the turkey on that day and that, unlike
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accompanied by essays from noted writers on four consecutive weeks:
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Five Faces of Exile: The Nation and Filipino American Intellectuals
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series. Bulosan's essay spoke on behalf of those enduring domestic
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Albisa, Catherine; Martha F. Davis; Cynthia Soohoo, eds. (2007).
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Liberty and Freedom: A Visual History of America's Founding Ideas
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replaced the painting's characters with characters from the film.
480: 1370:"Norman Rockwell in the 1940s: A View of the American Homefront" 862: 375:, Rockwell photographed his cook as she presented the turkey on 3331: 3051: 2344:
Regionalists on the Left: Radical Voices from the American West
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The painting shows an aproned matriarch presenting a roasted
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hardships domestically, and it thrust him into prominence.
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The Power of Culture: Critical Essays in American History
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A Swingin' Christmas (Featuring The Count Basie Big Band)
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A Swingin' Christmas (Featuring The Count Basie Big Band)
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is the third in a series of four oil paintings entitled
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Works originally published in The Saturday Evening Post
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Food in Painting: From the Renaissance to the Present
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Bringing Human Rights Home: Portraits of the movement
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American Mirror: The Life and Art of Norman Rockwell
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American Visions: The Epic History of Art in America
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American Mirror: The Life and Art of Norman Rockwell
1132: 2641: 2340: 1399:Hennessey, Maureen Hart & Anne Knutson (1999). 881:. U.S. News & World Report, L.P. Archived from 1966: 1766:Dempsey, Amy (2002). "1918–1945: American Scene". 1737:Dempsey, Amy (2002). "1918–1945: American Scene". 1333: 1094: 596:had previously been less entwined in the standard 234:Franklin D. Roosevelt's State of the Union Address 2380:"MAD Magazine #39 • USA • 1st Edition - New York" 1927:Norman Rockwell: Pictures for the American People 1405:Norman Rockwell: Pictures for the American People 661:The painting was used as the 1946 book cover for 4125: 2648:Neighbors, R.C.; Rankin, Sandy (July 27, 2011). 1920: 1213: 710:The painting was reenacted in the May 16, 2012, 625: 2647: 1921:Hennessey, Maureen Hart; Knutson, Anne (1999). 1539: 1537: 1439: 1331: 1256: 1066: 524:and that the painting's perspective echoes its 1543: 1007:"And that's the way it was: February 20, 1943" 363:In 1942, Rockwell decided to use neighbors as 342:In mid-June Rockwell sketched in charcoal the 3605:Lady Gaga and the Muppets Holiday Spectacular 3067: 2737: 1332:Claridge, Laura (2001). "21: The Big Ideas". 1062: 1060: 1058: 1056: 1054: 3015:Norman Rockwell's World... An American Dream 2457: 2299: 2098: 2074:God and Grace of Body: Sacrament in Ordinary 1628: 1534: 970:The Kravchenko Case: One Man's War on Stalin 451:According to author Amy Dempsey, during the 1657: 1217:Norman Rockwell: The Underside of Innocence 1179:Norman Rockwell: The Underside of Innocence 936:2048: Humanity's Agreement to Live Together 249:, and it became part of the charter of the 3074: 3060: 2744: 2730: 2268:Murray, Stuart & James McCabe (1993). 1600:Murray, Stuart & James McCabe (1993). 1051: 966: 932: 904:Murray, Stuart & James McCabe (1993). 718:" episode of the comedy television series 29: 3230:National Thanksgiving Turkey Presentation 2064: 1916: 1914: 1912: 1832: 1830: 1828: 1171: 1169: 1167: 1004: 301:describes it as a story illustration for 3556:Bugs and Daffy's Carnival of the Animals 3034:List of Boy Scout calendar illustrations 2104: 2077:. Oxford University Press. p. 183. 1709:Daniels, Robert L. (December 16, 2008). 1658:Rosenkrantz, Linda (November 13, 2006). 798: 755:A promotional poster for the 2018 film, 745:. The parody includes all 13 members of 699:Among the better known reproductions is 634: 416: 2819:Little Girl Observing Lovers on a Train 2403: 2336: 2334: 2295: 2293: 2225: 2223: 2221: 2219: 2178: 2176: 2137: 2135: 2044: 2003: 1999: 1997: 1995: 1993: 1873: 1871: 1765: 1736: 1708: 1693: 1653: 1651: 1631:"Norman Rockwell and the Four Freedoms" 1496: 1492: 1490: 1252: 1250: 1248: 1175: 4126: 2538: 2432:"Mirror, Mirror; Rockwell, Irony-Free" 1961: 1909: 1825: 1794: 1689: 1687: 1392: 1286: 1284: 1282: 1164: 3055: 2725: 2539:Loudon, Christopher (December 2008). 2510: 2429: 2261: 2070: 1770:. Harry N. Abrams, Inc. p. 165. 1741:. Harry N. Abrams, Inc. p. 165. 1593: 1565: 1067:Bennett, Lennie (November 17, 2012). 727:Another imitation of the work is the 483:origins of the Thanksgiving holiday. 2541:"Tony Bennett: That Holiday Feeling" 2487:"Tony Bennett: A Swingin' Christmas" 2460:"Norman Rockwell revival at Crocker" 2430:Green, Penelope (October 28, 2001). 2331: 2290: 2216: 2173: 2132: 1990: 1868: 1788: 1648: 1544:Heitman, Danny (November 27, 2013). 1487: 1325: 1245: 3480:Over the River and Through the Wood 2751: 2623:"Deadpool 2 new promotional poster" 2573:"GCD :: Issue :: JSA #54" 1684: 1279: 897: 421:Norman Rockwell early in his career 13: 3640:Slapsgiving 2: Revenge of the Slap 3549:Bozo, Gar and Ray: WGN TV Classics 3220:National Thanksgiving Proclamation 2185:"Fighting for the American Family" 1955: 771:A snapshot at the end of the 2002 14: 4185: 3753:Lighting of the Macy's Great Tree 2704: 2511:Edgar, Sean (December 16, 2008). 2458:Winn, Steven (November 4, 2012). 2071:Brown, David (February 3, 2011). 2045:Solomon, Deborah (October 2013). 1797:"The Depression and World War II" 1440:Henningsen, Vic (April 1, 2013). 574:, a United States territory, was 253:. The series of paintings ran in 173:series. Despite many who endured 4092:Pumpkin chucking / Pumpkin shoot 3743:Thanksgiving television specials 3542:The Berenstain Bears Meet Bigpaw 3508:We Plough the Fields and Scatter 3081: 2835:Working on the Statue of Liberty 2682:. August 9, 2017. Archived from 2142:Espiritu, Augusto Fauni (2005). 1668:. The Repository. Archived from 1660:"A Norman Rockwell Thanksgiving" 16:1943 painting by Norman Rockwell 3952:Boston English vs. Boston Latin 2668: 2615: 2590: 2565: 2532: 2504: 2479: 2451: 2423: 2397: 2372: 2308:University Press of Mississippi 2270:Norman Rockwell's Four Freedoms 2111:. Reaktion Books. p. 191. 2038: 1965:(1997). "The Empire of Signs". 1759: 1730: 1702: 1622: 1602:Norman Rockwell's Four Freedoms 1459: 1442:"Henningsen: The Four Freedoms" 1433: 1362: 1207: 1126: 1005:Ngo, Sang (February 20, 2013). 906:Norman Rockwell's Four Freedoms 805: 572:Commonwealth of the Philippines 545:was published with an essay by 346:and sought commission from the 3696:A Winnie the Pooh Thanksgiving 3563:Bugs Bunny's Thanksgiving Diet 3445:Come, Ye Thankful People, Come 2404:McGowan, Bob (July 26, 2017). 2230:SaldĂ­var, RamĂłn David (2006). 1629:Heydt, Bruce (February 2006). 1467:"Honoring the American Spirit" 1088: 1026: 998: 960: 939:. ReadHowYouWant. p. 12. 926: 834: 630: 288: 283:U.S. Government War Bond Drive 165:with a corresponding essay by 1: 2183:Westbrook, Robert B. (1993). 1929:. Harry N. Abrams, Inc. with 1837:Borgwardt, Elizabeth (2007). 1407:. Harry N. Abrams, Inc. with 1133:Fichner-Rathus, Lois (2012). 828: 626:References in popular culture 325: 211:introducing the theme of the 191: 125:. The works were inspired by 4149:Thanksgiving (United States) 4144:Paintings by Norman Rockwell 4051:Berwick Run for the Diamonds 4023:Rady Children's Invitational 3785:Native American Heritage Day 3728:Christmas and holiday season 3570:A Charlie Brown Thanksgiving 2923:The Problem We All Live With 2349:University of Oklahoma Press 2341:Steiner, Michael C. (2013). 1973:. Alfred A. Knopf. pp.  1696:Norman Rockwell, Illustrator 878:U.S. News & World Report 663:Norman Rockwell, Illustrator 412: 186:Norman Rockwell, Illustrator 7: 4008:Continental Tire Main Event 3452:For the Beauty of the Earth 2768:Children Dancing at a Party 2238:Duke University Press Books 2193:University of Chicago Press 1783:of America's agrarian past. 1694:Guptill, Arthur L. (1972). 1222:University of Chicago Press 1184:University of Chicago Press 1095:Sickels, Robert C. (2004). 242:77th United States Congress 10: 4190: 4159:World War II and the media 3612:The Mouse on the Mayflower 3598:Intergalactic Thanksgiving 2105:Bendiner, Kenneth (2004). 1103:Greenwood Publishing Group 1012:Columbia Journalism Review 842:"Message To Congress 1941" 582:, and Bulosan, who had no 535: 446:I'll Be Home for Christmas 209:State of the Union address 134:State of the Union Address 107:I'll Be Home for Christmas 83:Stockbridge, Massachusetts 4079: 4041: 3970: 3932: 3925: 3895: 3813: 3780:National Day of Listening 3720: 3709: 3647:Star Wars Holiday Special 3524: 3466:Let All Things Now Living 3413: 3404: 3272: 3133: 3100: 3089: 3040:The Saturday Evening Post 3000: 2984: 2968: 2949: 2827:We, Too, Have a Job to Do 2759: 2654:. McFarland. p. 25. 2410:The Saturday Evening Post 2150:Stanford University Press 2018:Farrar, Straus and Giroux 2004:Solomon, Deborah (2013). 1573:"I Like To Please People" 1551:Christian Science Monitor 1514:Farrar, Straus and Giroux 1214:Halpern, Richard (2006). 1176:Halpern, Richard (2006). 440:, who compares it to "a ' 396:The Saturday Evening Post 348:Office of War Information 303:The Saturday Evening Post 256:The Saturday Evening Post 146:The Saturday Evening Post 73: 65: 55: 47: 37: 28: 23: 4164:Food and drink paintings 3998:ESPN Events Invitational 3957:Missouri Turkey Day Game 3947:CFL Thanksgiving Classic 3903:National Day of Mourning 3689:A Very Gaga Thanksgiving 3668:The Thanksgiving Special 3473:Now Thank We All Our God 1845:Harvard University Press 1840:A New Deal For The World 1805:HarperCollins Publishers 1801:American Art and Artists 1711:"Review: 'Tony Bennett'" 1259:Norman Rockwell's People 1257:Meyer, Susan E. (1981). 531: 509:Symphony in White, No. 1 232:. They were inspired by 101:The Thanksgiving Picture 4102:Turkey Night Grand Prix 3942:NFL on Thanksgiving Day 3790:Small Business Saturday 3619:Oprah's Favorite Things 3591:Garfield's Thanksgiving 3438:Bringing In the Sheaves 3160:Plymouth, Massachusetts 2465:San Francisco Chronicle 2010:(May 1942 to May 1943)" 1795:Wright, Tricia (2007). 1506:(May 1942 to May 1943)" 1336:Norman Rockwell: A Life 1302:Oxford University Press 765: 526:rendition by Tintoretto 469:American scene painting 293:The illustration is an 127:United States President 4066:Feaster Five Road Race 4013:Las Vegas Invitational 3626:Saints & Strangers 2992:Norman Rockwell Museum 2717:Norman Rockwell Museum 1935:Norman Rockwell Museum 1474:Norman Rockwell Museum 1413:Norman Rockwell Museum 1374:Norman Rockwell Museum 1292:Fischer, David Hackett 1038:Norman Rockwell Museum 657: 557:hardships rather than 422: 334: 299:Norman Rockwell Museum 295:oil painting on canvas 200: 110:, is the third of the 78:Norman Rockwell Museum 4174:Paintings about death 3983:Acrisure Invitational 3876:Celebrate the Season 3763:National Adoption Day 3758:World's Largest Disco 3535:Bart vs. Thanksgiving 3494:The Thanksgiving Song 2931:Murder in Mississippi 2300:Vials, Chris (2009). 1768:Art in the Modern Era 1739:Art in the Modern Era 799:Explanatory footnotes 638: 420: 352:Saturday Evening Post 330: 196: 130:Franklin D. Roosevelt 4071:Manchester Road Race 3868:6abc-Dunkin' Donuts 3852:Hollywood Christmas 3846:(Kitchener-Waterloo) 3738:Thanksgiving in film 3661:Thanksgiving Orphans 3577:A Doonesbury Special 3367:Green bean casserole 2907:Triple Self-Portrait 2602:www.comicartfans.com 2051:Smithsonian Magazine 1886:Praeger Perspectives 1446:Vermont Public Radio 600:philosophies of the 4056:Buffalo Turkey Trot 3884:America's Hometown 3280:Thanksgiving dinner 3110:Samuel de Champlain 2553:on October 21, 2015 1923:"The Four Freedoms" 1401:"The Four Freedoms" 967:Kern, Gary (2007). 933:Boyd, Kirk (2012). 818:The Grapes of Wrath 615:The Grapes of Wrath 367:for the series. In 240:, delivered to the 121:by American artist 4061:Dallas Turkey Trot 4003:Fort Myers Tip-Off 3988:Ball Dawgs Classic 3962:Turkey Day Classic 3908:Unthanksgiving Day 3773:Cyber Black Friday 3501:We Gather Together 3424:Alice's Restaurant 3245:Blackout Wednesday 3240:Sarah Josepha Hale 3028:James K. Van Brunt 3017:(1972 documentary) 2939:Russian Schoolroom 2915:Growth of a Leader 2875:Breaking Home Ties 2797:Freedom of Worship 2686:on August 19, 2018 2629:. October 10, 2017 2437:The New York Times 1931:High Museum of Art 1409:High Museum of Art 1224:. pp. 72–73. 658: 606:negative liberties 495:consumer economy. 423: 385:Freedom of Worship 268:Freedom of Worship 151:Arlington, Vermont 4121: 4120: 4117: 4116: 4087:National Dog Show 4018:Maui Invitational 3993:Battle 4 Atlantis 3921: 3920: 3733:Harvest festivals 3705: 3704: 3400: 3399: 3256:Freedom from Want 3049: 3048: 2867:Walking to Church 2811:Freedom from Fear 2804:Freedom from Want 2790:Freedom of Speech 2712:Freedom From Want 2661:978-0-7864-8801-8 2358:978-0-8061-4340-8 2317:978-1-60473-123-1 2118:978-1-86189-213-3 2084:978-0-19-959996-7 2031:978-0-374-11309-4 1895:978-0-275-98821-0 1854:978-0-674-28192-9 1818:978-0-06-089124-4 1672:on April 22, 2008 1665:Canton Repository 1527:978-0-374-11309-4 1150:978-1-111-83695-5 1139:(10th ed.). 1136:Understanding Art 984:978-1-929631-73-5 946:978-1-4596-2515-0 885:on April 12, 2008 784:In the 2009 film 778:Lilo & Stitch 688:New York painter 683:Freedom from Want 654:Freedom from Want 594:Freedom from Want 576:occupied by Japan 564:Freedom from Want 543:Freedom from Want 438:Linda Rosenkrantz 434:Freedom from Want 426:Freedom from Want 381:Freedom of Speech 373:Freedom from Want 369:Freedom from Want 357:Freedom from Want 278:Freedom from Fear 273:Freedom from Want 262:Freedom of Speech 220:Freedom from Want 163:Freedom from Want 95:Freedom from Want 91: 90: 24:Freedom from Want 4181: 3978:Acrisure Classic 3930: 3929: 3887: 3879: 3871: 3863: 3855: 3847: 3839: 3826: 3748:Winter festivals 3718: 3717: 3431:Bless This House 3411: 3410: 3312:Butternut squash 3263:Mourt's Relation 3190:Native Americans 3170:William Bradford 3115:Martin Frobisher 3098: 3097: 3076: 3069: 3062: 3053: 3052: 3022:William Obanhein 2958:Southern Justice 2883:Marriage License 2746: 2739: 2732: 2723: 2722: 2696: 2695: 2693: 2691: 2672: 2666: 2665: 2645: 2639: 2638: 2636: 2634: 2619: 2613: 2612: 2610: 2608: 2594: 2588: 2587: 2585: 2583: 2569: 2563: 2562: 2560: 2558: 2549:. 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June 21, 1943 1571: 1570: 1566: 1556: 1554: 1542: 1535: 1528: 1495: 1488: 1478: 1476: 1469: 1465: 1464: 1460: 1450: 1448: 1438: 1434: 1427: 1397: 1393: 1383: 1381: 1368: 1367: 1363: 1356: 1330: 1326: 1316: 1314: 1312: 1304:. p. 556. 1289: 1280: 1273: 1265:. p. 133. 1263:Harry N. Abrams 1255: 1246: 1236: 1234: 1232: 1212: 1208: 1198: 1196: 1194: 1174: 1165: 1155: 1153: 1151: 1143:. p. 559. 1131: 1127: 1117: 1115: 1113: 1105:. p. 225. 1093: 1089: 1079: 1077: 1074:Tampa Bay Times 1065: 1052: 1042: 1040: 1032: 1031: 1027: 1017: 1015: 1003: 999: 989: 987: 985: 977:. p. 287. 965: 961: 951: 949: 947: 931: 927: 920: 902: 898: 888: 886: 871: 870: 863: 853: 851: 844: 840: 839: 835: 831: 826: 825: 810: 806: 801: 768: 737:Christmas album 644:Christmas album 633: 628: 549:as part of the 540: 534: 500:Deborah Solomon 415: 340: 336: 328: 315:cranberry sauce 291: 275:(March 6), and 271:(February 27), 265:(February 20), 230:Norman Rockwell 217: 202: 194: 169:as part of the 123:Norman Rockwell 86: 81: 42:Norman Rockwell 17: 12: 11: 5: 4187: 4177: 4176: 4171: 4166: 4161: 4156: 4151: 4146: 4141: 4136: 4134:1943 paintings 4119: 4118: 4115: 4114: 4112: 4111: 4104: 4099: 4097:Turkey bowling 4094: 4089: 4083: 4081: 4077: 4076: 4074: 4073: 4068: 4063: 4058: 4053: 4047: 4045: 4039: 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p. 50. 2131: 2117: 2097: 2083: 2063: 2037: 2030: 2006:"Fifteen: The 1989: 1982: 1963:Hughes, Robert 1954: 1947: 1908: 1894: 1888:. p. 33. 1867: 1853: 1824: 1817: 1787: 1776: 1758: 1747: 1729: 1701: 1683: 1647: 1621: 1614: 1608:. p. 50. 1606:Gramercy Books 1592: 1564: 1533: 1526: 1502:"Fifteen: The 1486: 1458: 1432: 1425: 1391: 1361: 1354: 1324: 1310: 1278: 1271: 1244: 1230: 1206: 1192: 1186:. p. 72. 1163: 1149: 1125: 1111: 1087: 1050: 1025: 997: 983: 959: 945: 925: 918: 910:Gramercy Books 896: 861: 849:Marist College 832: 830: 827: 824: 823: 813:John Steinbeck 803: 802: 800: 797: 796: 795: 787:The Blind Side 782: 775:animated film 767: 764: 763: 762: 753: 750: 725: 716:Tableau Vivant 708: 697: 686: 674: 632: 629: 627: 624: 559:sociopolitical 547:Carlos Bulosan 538:Carlos Bulosan 533: 530: 492:Lizabeth Cohen 486:To art critic 414: 411: 394:series ran in 329: 327: 324: 290: 287: 251:United Nations 195: 193: 190: 175:sociopolitical 167:Carlos Bulosan 89: 88: 75: 71: 70: 67: 63: 62: 57: 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Index

A large family gathered at a table for a holiday meal as the turkey arrives at the table.
Norman Rockwell
Oil on canvas
Norman Rockwell Museum
Stockbridge, Massachusetts
Four Freedoms series
oil paintings
Norman Rockwell
United States President
Franklin D. Roosevelt
State of the Union Address
Four Freedoms
The Saturday Evening Post
Arlington, Vermont
Thanksgiving Day
Carlos Bulosan
sociopolitical
socioeconomic
Roosevelt
State of the Union address
Four Freedoms
Four Freedoms
Norman Rockwell
Franklin D. Roosevelt's State of the Union Address
Four Freedoms
77th United States Congress
Atlantic Charter
United Nations
The Saturday Evening Post
Freedom of Speech

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