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Fredrica Löf

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209:, and she was famed for "her well-sounding vocal organ as well as for her beautious Grecian-shaped face and her well-shaped figure, by which she, alongside much natural warmth in her play, enruptured her audience without effort" Her way of acting was described as "noble", with a sense of feeling and soul suitable for "tenderness, nobility and fierté"; her voice was described as clear and soft. She received much praise for her costume, a recommendation which is seen in contemporary sources; during this period, an actor was expected to design and finance their costumes themselves. She was also widely recommended by various critics for her elegance and good sense of costume. 31: 182:
did. It was common for French actors of this period to adopt a stage name. This was not as common in Sweden, but Fredrica Löf, who was educated in the French Theatre, adopted the French version of her first name as a stage name and changed her surname to her father's original name, and called herself
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and the formal directory of the Royal Opera from 1788 until 1803, supervised by an official appointed by the Royal Opera. This made the actors staff of the royal court and obligated to perform for the royal court when summoned. In contrast to the staff of the Royal Opera and the French Theatre, the
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On 30 June 1791, she played the role of Amalia in "Den okände eller världsförakt och ånger" ("The stranger or Worldcontempt and anxiety") by August von Kotzebue, which was a great success for her. She was said to have performed the part with "a sensitivity beyond limits" which made "everyone cry",
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Fredrica Löf was made premier actress in 1788 and celebrated her greatest successes during the regency years of 1792–1796. She was a high-ranked member of the theatre and called: "actress at the r. theatre of the first class". She was given an allowance of $ 600 from the Royal Opera in addition to
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Fredrica Löf and her sisters was early on, under the name the "Löven girls", known to be a part of the "more refined Stockholm demimonde" or high class prostitutes. Her sisters Charlotta and Lovisa both married Baron Axel Adam Hierta, and Lovisa later married Baron Victor von Stedingk. Fredrica
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took care of the "demonic" female parts such as witches and murderers, Fredrika Löf played the romantic parts of mistress and heroine, parts for which she was recommended for at least until 1801. She retired from stage after the 1808–09 season.
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In 1787, she was given a position at the Swedish language theatre of Adolf Fredrik Ristell in Bollhuset, and when it was transformed to the Royal Dramatic Theatre the following year, she became a member of its pioneer generation of actors.
332:. Fredrica Löf had a reputation of being a courtesan, but she did not like to be compared to actresses with a reputation for being courtesans. There was an incident when she found her reserved box at the Opera occupied by the actor 216:
Fredrica Löf was also an elective member of the actors board of directors. The Royal Dramatic Theatre was ruled by votings in board meetings every 14th day, managed by a board of eight elective actors under the authority of the
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Nordensvan, Georg, Svensk teater och svenska skådespelare från Gustav III till våra dagar. Förra delen, 1772–1842, Bonnier, Stockholm, 1917(Swedish theatre and Swedish actors from Gustav III to our days. First book 1772–1842)
229:, in his capacity of a member of the Royal Swedish Academy of Art, who supervised the theatre, wrote to the monarch in 1788 and asked if someone else could perform the part of Siri Brahe, and recommended the actress Gertrud 233:
instead of Fredrika Löf. Officially because of health reasons, but the fact was that Fredrika Löf "Could not read texts, but had to learn her parts by having others read them to her", and added that the writer
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At the time of her death, Fredrica Löf lived at the farm of her brother-in-law, Sörby, in Torsåker in Södermanland. According to Sergel, she was insane at the time of her death. According to her colleague
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has been pointed out as the father of her daughter, but it has never been confirmed that Fredrica Löf and Fredrick Adolf had a relationship, only that the prince and her sister Euphrosyne had one.
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Her date of birth is usually given as 4 December, but as she was baptized 7 October, she is believed to have been born in October shortly before her baptism. She was the godchild of the nobles
470:Österberg, Carin, Lewenhaupt, Inga & Wahlberg, Anna Greta, Svenska kvinnor: föregångare nyskapare, Signum, Lund, 1990(Swedish women; Predecessors, pioneers) Signum, Lund 1990. 368: 483:
Forser, Tomas & Heed, Sven Åke (red.), Ny svensk teaterhistoria. 1, Teater före 1800, Gidlund, Hedemora, 2007 (New Swedish theatre-history. Theatre before 1800)(
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Fredrica Löf never married, but she had three children, two daughters and a son. Her daughter, Jeanette Fredrique Fredrisen (1779–1854) married the opera singer
183:"Fredrique Löwen". Commonly however, she was still referred to as Fredrica Löf, and this is also the most common name by which she is referred to in literature. 159:
Löf had her first child, out of wedlock, in 1779, and the year after she is registered as living alone in her own residence with her daughter Johanna Fredrika.
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Anders Andersson (1767–1818) and the superintendent Jonas Peter Rundlöf (1787–1861). She also had a son, Johan Davidson, who became a sailor in 1802.
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Fredrica Löf made her debut at the Royal Dramatich Theatre of Stockholm the 6 May 1788 as Siri Brahe in "Siri Brahe and Johan Gyllenstierna" by king
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Forsstrand, Carl, Sophie Hagman och hennes samtida: några anteckningar från det gustavianska Stockholm , Wahlström & Widstrand, Stockholm, 1911
120: 119:, Sweden. She was the daughter of Johan Gottfrid Löf and Catharina Charlotta Stålhammar (or Stålhand). Her father was employed as a 832: 489:
Flodmark, Johan, Stenborgska skådebanorna: bidrag till Stockholms teaterhistoria, Norstedt, Stockholm, 1893 (The Stenborg stages)
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Kjellberg, Bertil, Beijer, Agne & Andersson, Ingvar (red.), Gustavianskt: , Wahlström & Widstrand, Stockholm, 1945
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and "Drottning Christina" (1790) by Gustav III, as Mrs Ferval in "Den förtroliga aftonmåltiden" and as Susanna in "
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was likely also a mentor of hers. She probably performed in smaller parts, like other Swedish students, such as
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Church Vital Records: (Mariefred-Kärnbo AI:8b (1817–1827) Bild 168 / sid 16) "Inspectoren Jonas Petter Rundlöv"
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Fredrica Löf could not read text, and was forced to learn her part by having others reading her the scripts.
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actors at the Royal Dramatic Theatre was not paid by the royal court but by shares in the theatre.
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Henrikson, Alf, Fram till Nybroplan: om Kungliga Dramatiska teatern, Wiken, Höganäs, 1988
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Fredrica Löf was much talked about for her private life. Among her lovers was the
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and her colleagues. She had her own carriage to take her to and from the theatre.
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even the actresses from the French Theatre, who did not understand the language.
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she "died of some sort of disorder in the brain in about the age of fifty."
523: 378:, many of them made by Sergel, usually during her last years at the stage. 348: 286: 75:
Fredrique Löwen, Jeanette Fredrique Löf, Fredrique Löven, Fredrika Löven,
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had to spend three hours with her to teach her the part because of this.
150:. The family was poor, and Fredrica had seven sisters and one brother. 622: 344: 124: 162:
Likely from about 1780, Fredrica Löf was educated as a student in the
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Fredrica Löf resided in a residence with expensive furniture at
99:; Stockholm, October 1760 – 17 July 1813), was a Swedish stage 64: 49: 93: 730: 135:. Originally named Löwe, he changed his surname to Löf. 516:Örnberg: Svenska ättartavlor (English:Swedish lineages) 510:
Svenskt Biografiskt Lexikon, 1926–1936 års utgåva, SBN.
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Among her parts were the title role in "Semiramis" by
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at the royal court, and had earlier been a footman of
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Svenskt biografiskt lexikon 336:, who had such a reputation. 308:Gustav Adolfs torg, Stockholm 140:Hedvig Catharina De la Gardie 397:"J Fredrica (Fredrique) Löf" 328:and the poet and journalist 219:Royal Swedish Academy of Art 176:Anne Marie Milan Desguillons 7: 611:Brothel owners & madams 199:. Her debut was a success. 16:Swedish actress (1760–1813) 10: 874: 792:Murder of Catrine da Costa 828:Swedish theatre directors 784: 744: 718: 702: 641: 610: 603: 587: 71: 56: 37: 28: 21: 595:London and Stadt Hamburg 381: 241: 63:Torsåker, Södermanland, 848:Swedish stage actresses 110: 581:Prostitution in Sweden 369:Johan Fredrik Wikström 256:The Marriage of Figaro 236:Carl Gustav af Leopold 227:Gustav Mauritz Armfelt 144:Hans Henrik von Liewen 105:Royal Dramatic Theatre 60:17 July 1813 (aged 52) 813:Swedish women singers 330:Johan Henric Kellgren 154:Early life and career 858:Gustavian era people 689:Charlotte Slottsberg 341:Carl Magnus Craelius 314:, Tobias Sergel and 312:Carl Michael Bellman 231:Elisabeth Forsselius 197:Gustav III of Sweden 97:Johanna Fredrika Löf 42:Johanna Fredrika Löf 694:Henriette Widerberg 326:Johan Tobias Sergel 264:August von Kotzebue 203:Marianne Ehrenström 170:in Stockholm under 853:Swedish courtesans 762:Danguolė Rasalaitė 659:Charlotte Eckerman 207:Marguerite Georges 205:compared her with 148:Hans Fredrik Ramel 133:Lovisa Meijerfeldt 800: 799: 780: 779: 628:Sara Simonsdotter 83: 82: 865: 767:Yvonne Svanström 752:Susanne Dodillet 736:Elizabeth Stride 726:Catrine da Costa 608: 607: 574: 567: 560: 551: 550: 528: 519: 513: 507: 501: 492: 486: 480: 473: 467: 445: 442: 409: 408: 406: 404: 395:Tom J A Olsson. 392: 88:, also known as 72:Other names 33: 19: 18: 873: 872: 868: 867: 866: 864: 863: 862: 803: 802: 801: 796: 776: 740: 714: 698: 669:Emilie Högquist 637: 633:Lovisa von Plat 599: 583: 578: 535: 533:Further reading 526: 517: 511: 505: 499: 490: 484: 478: 471: 465: 454: 449: 448: 443: 412: 402: 400: 393: 389: 384: 316:Louis Masreliez 304: 291:Sofia Frodelius 244: 189: 180:Lars Hjortsberg 156: 113: 90:Fredrique Löwen 67: 61: 52: 46: 44: 43: 24: 17: 12: 11: 5: 871: 861: 860: 855: 850: 845: 840: 835: 830: 825: 820: 815: 798: 797: 795: 794: 788: 786: 782: 781: 778: 777: 775: 774: 772:Kajsa Wahlberg 769: 764: 759: 757:Gunilla Ekberg 754: 748: 746: 742: 741: 739: 738: 733: 728: 722: 720: 716: 715: 713: 712: 710:Göran Lindberg 706: 704: 700: 699: 697: 696: 691: 686: 681: 679:Euphrosyne Löf 676: 671: 666: 664:Julie Eckerman 661: 656: 654:Laura Bergnéhr 651: 645: 643: 639: 638: 636: 635: 630: 625: 620: 618:Anna Carlström 614: 612: 605: 601: 600: 598: 597: 591: 589: 585: 584: 577: 576: 569: 562: 554: 548: 547: 534: 531: 530: 529: 520: 514: 508: 502: 493: 487: 481: 474: 468: 453: 450: 447: 446: 410: 386: 385: 383: 380: 376:Nationalmuseum 357:Euphrosyne Löf 303: 300: 243: 240: 188: 185: 164:French Theatre 155: 152: 112: 109: 81: 80: 73: 69: 68: 62: 58: 54: 53: 47: 41: 39: 35: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 870: 859: 856: 854: 851: 849: 846: 844: 841: 839: 836: 834: 831: 829: 826: 824: 821: 819: 816: 814: 811: 810: 808: 793: 790: 789: 787: 783: 773: 770: 768: 765: 763: 760: 758: 755: 753: 750: 749: 747: 743: 737: 734: 732: 729: 727: 724: 723: 721: 717: 711: 708: 707: 705: 701: 695: 692: 690: 687: 685: 682: 680: 677: 675: 672: 670: 667: 665: 662: 660: 657: 655: 652: 650: 647: 646: 644: 640: 634: 631: 629: 626: 624: 621: 619: 616: 615: 613: 609: 606: 602: 596: 593: 592: 590: 586: 582: 575: 570: 568: 563: 561: 556: 555: 552: 546: 545: 540: 537: 536: 525: 521: 515: 509: 503: 497: 494: 488: 482: 475: 469: 464: 463:91-7024-445-6 460: 456: 455: 441: 439: 437: 435: 433: 431: 429: 427: 425: 423: 421: 419: 417: 415: 398: 391: 387: 379: 377: 372: 370: 364: 362: 361:Sophie Hagman 358: 354: 350: 346: 342: 337: 335: 331: 327: 324: 319: 317: 313: 309: 299: 296: 292: 288: 283: 279: 277: 273: 269: 265: 261: 257: 253: 249: 239: 237: 232: 228: 223: 220: 214: 210: 208: 204: 200: 198: 193: 184: 181: 177: 173: 169: 165: 160: 151: 149: 145: 141: 136: 134: 130: 129:taffeltäckare 126: 122: 118: 108: 106: 102: 98: 95: 91: 87: 78: 74: 70: 66: 59: 55: 51: 40: 36: 32: 27: 20: 684:Fredrica Löf 683: 542: 539:Fredrica Löf 527:(in Swedish) 524:sv:Kalkudden 518:(in Swedish) 512:(in Swedish) 506:(in Swedish) 500:(in Swedish) 491:(in Swedish) 485:(in Swedish) 479:(in Swedish) 472:(in Swedish) 466:(in Swedish) 401:. Retrieved 390: 373: 365: 338: 320: 305: 302:Private life 287:Maria Franck 284: 280: 260:Beaumarchais 245: 224: 215: 211: 201: 194: 190: 161: 157: 137: 117:Södermanland 114: 96: 89: 86:Fredrica Löf 85: 84: 45:October 1760 23:Fredrica Löf 823:1813 deaths 818:1760 births 719:Prostitutes 334:Louise Götz 295:Ebba Morman 48:Stockholm, 807:Categories 674:Malla Höök 649:Inga Åberg 642:Courtesans 623:Doris Hopp 498:(Swedish) 452:References 345:Jenny Lind 363:in 1795. 168:Bollhuset 785:Violence 588:Brothels 323:Sculptor 272:Voltaire 248:Voltaire 125:munskänk 101:actress 77:Mamsell 604:People 461:  403:May 1, 285:While 276:Favart 268:Racine 252:Racine 121:löpare 65:Sweden 50:Sweden 745:Other 731:Geske 703:Pimps 382:Notes 349:major 258:" by 242:Roles 79:Löven 459:ISBN 405:2019 289:and 274:and 146:and 127:and 111:Life 57:Died 38:Born 541:at 166:at 94:née 809:: 413:^ 278:. 270:, 266:, 174:. 142:, 123:, 573:e 566:t 559:v 407:. 92:(

Index


Sweden
Sweden
Mamsell
née
actress
Royal Dramatic Theatre
Södermanland
löpare
munskänk
taffeltäckare
Lovisa Meijerfeldt
Hedvig Catharina De la Gardie
Hans Henrik von Liewen
Hans Fredrik Ramel
French Theatre
Bollhuset
Jacques Marie Boutet de Monvel
Anne Marie Milan Desguillons
Lars Hjortsberg
Gustav III of Sweden
Marianne Ehrenström
Marguerite Georges
Royal Swedish Academy of Art
Gustav Mauritz Armfelt
Elisabeth Forsselius
Carl Gustav af Leopold
Voltaire
Racine
The Marriage of Figaro

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