209:, and she was famed for "her well-sounding vocal organ as well as for her beautious Grecian-shaped face and her well-shaped figure, by which she, alongside much natural warmth in her play, enruptured her audience without effort" Her way of acting was described as "noble", with a sense of feeling and soul suitable for "tenderness, nobility and fierté"; her voice was described as clear and soft. She received much praise for her costume, a recommendation which is seen in contemporary sources; during this period, an actor was expected to design and finance their costumes themselves. She was also widely recommended by various critics for her elegance and good sense of costume.
31:
182:
did. It was common for French actors of this period to adopt a stage name. This was not as common in Sweden, but
Fredrica Löf, who was educated in the French Theatre, adopted the French version of her first name as a stage name and changed her surname to her father's original name, and called herself
221:
and the formal directory of the Royal Opera from 1788 until 1803, supervised by an official appointed by the Royal Opera. This made the actors staff of the royal court and obligated to perform for the royal court when summoned. In contrast to the staff of the Royal Opera and the French
Theatre, the
281:
On 30 June 1791, she played the role of Amalia in "Den okände eller världsförakt och ånger" ("The stranger or
Worldcontempt and anxiety") by August von Kotzebue, which was a great success for her. She was said to have performed the part with "a sensitivity beyond limits" which made "everyone cry",
212:
Fredrica Löf was made premier actress in 1788 and celebrated her greatest successes during the regency years of 1792–1796. She was a high-ranked member of the theatre and called: "actress at the r. theatre of the first class". She was given an allowance of $ 600 from the Royal Opera in addition to
158:
Fredrica Löf and her sisters was early on, under the name the "Löven girls", known to be a part of the "more refined
Stockholm demimonde" or high class prostitutes. Her sisters Charlotta and Lovisa both married Baron Axel Adam Hierta, and Lovisa later married Baron Victor von Stedingk. Fredrica
297:
took care of the "demonic" female parts such as witches and murderers, Fredrika Löf played the romantic parts of mistress and heroine, parts for which she was recommended for at least until 1801. She retired from stage after the 1808–09 season.
191:
In 1787, she was given a position at the
Swedish language theatre of Adolf Fredrik Ristell in Bollhuset, and when it was transformed to the Royal Dramatic Theatre the following year, she became a member of its pioneer generation of actors.
332:. Fredrica Löf had a reputation of being a courtesan, but she did not like to be compared to actresses with a reputation for being courtesans. There was an incident when she found her reserved box at the Opera occupied by the actor
216:
Fredrica Löf was also an elective member of the actors board of directors. The Royal
Dramatic Theatre was ruled by votings in board meetings every 14th day, managed by a board of eight elective actors under the authority of the
476:
Nordensvan, Georg, Svensk teater och svenska skådespelare från Gustav III till våra dagar. Förra delen, 1772–1842, Bonnier, Stockholm, 1917(Swedish theatre and
Swedish actors from Gustav III to our days. First book 1772–1842)
229:, in his capacity of a member of the Royal Swedish Academy of Art, who supervised the theatre, wrote to the monarch in 1788 and asked if someone else could perform the part of Siri Brahe, and recommended the actress Gertrud
233:
instead of
Fredrika Löf. Officially because of health reasons, but the fact was that Fredrika Löf "Could not read texts, but had to learn her parts by having others read them to her", and added that the writer
366:
At the time of her death, Fredrica Löf lived at the farm of her brother-in-law, Sörby, in Torsåker in Södermanland. According to Sergel, she was insane at the time of her death. According to her colleague
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has been pointed out as the father of her daughter, but it has never been confirmed that
Fredrica Löf and Fredrick Adolf had a relationship, only that the prince and her sister Euphrosyne had one.
138:
Her date of birth is usually given as 4 December, but as she was baptized 7 October, she is believed to have been born in
October shortly before her baptism. She was the godchild of the nobles
470:Österberg, Carin, Lewenhaupt, Inga & Wahlberg, Anna Greta, Svenska kvinnor: föregångare nyskapare, Signum, Lund, 1990(Swedish women; Predecessors, pioneers) Signum, Lund 1990.
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Forser, Tomas & Heed, Sven Åke (red.), Ny svensk teaterhistoria. 1, Teater före 1800, Gidlund, Hedemora, 2007 (New Swedish theatre-history. Theatre before 1800)(
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Fredrica Löf never married, but she had three children, two daughters and a son. Her daughter, Jeanette Fredrique Fredrisen (1779–1854) married the opera singer
183:"Fredrique Löwen". Commonly however, she was still referred to as Fredrica Löf, and this is also the most common name by which she is referred to in literature.
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Löf had her first child, out of wedlock, in 1779, and the year after she is registered as living alone in her own residence with her daughter Johanna Fredrika.
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Anders Andersson (1767–1818) and the superintendent Jonas Peter Rundlöf (1787–1861). She also had a son, Johan Davidson, who became a sailor in 1802.
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Fredrica Löf made her debut at the Royal Dramatich Theatre of Stockholm the 6 May 1788 as Siri Brahe in "Siri Brahe and Johan Gyllenstierna" by king
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Forsstrand, Carl, Sophie Hagman och hennes samtida: några anteckningar från det gustavianska Stockholm , Wahlström & Widstrand, Stockholm, 1911
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119:, Sweden. She was the daughter of Johan Gottfrid Löf and Catharina Charlotta Stålhammar (or Stålhand). Her father was employed as a
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Flodmark, Johan, Stenborgska skådebanorna: bidrag till Stockholms teaterhistoria, Norstedt, Stockholm, 1893 (The Stenborg stages)
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Kjellberg, Bertil, Beijer, Agne & Andersson, Ingvar (red.), Gustavianskt: , Wahlström & Widstrand, Stockholm, 1945
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and "Drottning Christina" (1790) by Gustav III, as Mrs Ferval in "Den förtroliga aftonmåltiden" and as Susanna in "
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was likely also a mentor of hers. She probably performed in smaller parts, like other Swedish students, such as
522:
Church Vital Records: (Mariefred-Kärnbo AI:8b (1817–1827) Bild 168 / sid 16) "Inspectoren Jonas Petter Rundlöv"
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Fredrica Löf could not read text, and was forced to learn her part by having others reading her the scripts.
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actors at the Royal Dramatic Theatre was not paid by the royal court but by shares in the theatre.
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250:, where she was admired for her "majestic" interpretation; the title roles in "Athalie" by
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Henrikson, Alf, Fram till Nybroplan: om Kungliga Dramatiska teatern, Wiken, Höganäs, 1988
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Fredrica Löf was much talked about for her private life. Among her lovers was the
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and her colleagues. She had her own carriage to take her to and from the theatre.
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even the actresses from the French Theatre, who did not understand the language.
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she "died of some sort of disorder in the brain in about the age of fifty."
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378:, many of them made by Sergel, usually during her last years at the stage.
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Fredrique Löwen, Jeanette Fredrique Löf, Fredrique Löven, Fredrika Löven,
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had to spend three hours with her to teach her the part because of this.
150:. The family was poor, and Fredrica had seven sisters and one brother.
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Likely from about 1780, Fredrica Löf was educated as a student in the
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103:. She was the first female star at the newly founded national stage
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Fredrica Löf resided in a residence with expensive furniture at
99:; Stockholm, October 1760 – 17 July 1813), was a Swedish stage
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135:. Originally named Löwe, he changed his surname to Löf.
516:Örnberg: Svenska ättartavlor (English:Swedish lineages)
510:
Svenskt Biografiskt Lexikon, 1926–1936 års utgåva, SBN.
186:
347:, and Fredrika Theresia Fredrisen (1780–1864) married
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Among her parts were the title role in "Semiramis" by
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at the royal court, and had earlier been a footman of
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262:(1799). She made many parts in plays by
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115:Fredrica Löf was born at Torsåker in
187:Career at the Royal Dramatic Theatre
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544:Svenskt kvinnobiografiskt lexikon
496:Samlaren / Åttonde årgången. 1887
213:her salary at the Royal Theatre.
353:Prince Frederick Adolf of Sweden
343:, singing master and teacher of
833:Swedish women theatre directors
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843:19th-century Swedish actresses
838:18th-century Swedish actresses
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172:Jacques Marie Boutet de Monvel
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399:. Svenskt biografiskt lexikon
336:, who had such a reputation.
308:Gustav Adolfs torg, Stockholm
140:Hedvig Catharina De la Gardie
397:"J Fredrica (Fredrique) Löf"
328:and the poet and journalist
219:Royal Swedish Academy of Art
176:Anne Marie Milan Desguillons
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611:Brothel owners & madams
199:. Her debut was a success.
16:Swedish actress (1760–1813)
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369:Johan Fredrik Wikström
256:The Marriage of Figaro
236:Carl Gustav af Leopold
227:Gustav Mauritz Armfelt
144:Hans Henrik von Liewen
105:Royal Dramatic Theatre
60:17 July 1813 (aged 52)
813:Swedish women singers
330:Johan Henric Kellgren
154:Early life and career
858:Gustavian era people
689:Charlotte Slottsberg
341:Carl Magnus Craelius
314:, Tobias Sergel and
312:Carl Michael Bellman
231:Elisabeth Forsselius
197:Gustav III of Sweden
97:Johanna Fredrika Löf
42:Johanna Fredrika Löf
694:Henriette Widerberg
326:Johan Tobias Sergel
264:August von Kotzebue
203:Marianne Ehrenström
170:in Stockholm under
853:Swedish courtesans
762:Danguolė Rasalaitė
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207:Marguerite Georges
205:compared her with
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133:Lovisa Meijerfeldt
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401:. Retrieved
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45:October 1760
23:Fredrica Löf
823:1813 deaths
818:1760 births
719:Prostitutes
334:Louise Götz
295:Ebba Morman
48:Stockholm,
807:Categories
674:Malla Höök
649:Inga Åberg
642:Courtesans
623:Doris Hopp
498:(Swedish)
452:References
345:Jenny Lind
363:in 1795.
168:Bollhuset
785:Violence
588:Brothels
323:Sculptor
272:Voltaire
248:Voltaire
125:munskänk
101:actress
77:Mamsell
604:People
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403:May 1,
285:While
276:Favart
268:Racine
252:Racine
121:löpare
65:Sweden
50:Sweden
745:Other
731:Geske
703:Pimps
382:Notes
349:major
258:" by
242:Roles
79:Löven
459:ISBN
405:2019
289:and
274:and
146:and
127:and
111:Life
57:Died
38:Born
541:at
166:at
94:née
809::
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92:(
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