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She was responsible for the female students, and her husband for the male students. They are known as the mentors of many later famous
Swedish stage artists in Swedish theater history, and thus contributed greatly in shaping the contemporary Swedish acting method in a French pattern. Among her more
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Anne Marie Milan
Desguillons became a highly valued member of the French theater and was favored by the king. To her appearance, she was described as heavily overweight and not regarded to be beautiful, but she was much praised for her artistic talent and enjoyed great respect particularly within
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engaged a French theatre company to perform, and the
Desguillons couple were made joint directors responsible of the company during its stay in Sweden. They kept this role until the French company left in 1806.
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221:. They pupils where enrolled at the age of nine or ten and performed as child actors in minor plays as well as in special pupil's plays staged by the school.
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202:. The academy had been founded in 1787, but the Desguillons couple was responsible for giving it a proper organisation, which was kept by their successor
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After the assassination of Gustav III in 1792, the French theater was dissolved. Desguillons retired from the stage but chose to remain in Sweden.
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296:Österberg, Carin, Lewenhaupt, Inga & Wahlberg, Anna Greta, Svenska kvinnor: föregångare nyskapare, Signum, Lund, 1990 1990 (Swedish)
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The two
Desguillons were also instructors at the school. They instructed the students in drama, while the music lessons was given by
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Kjellberg, Bertil, Beijer, Agne & Andersson, Ingvar (red.), Gustavianskt: , Wahlström & Widstrand, Stockholm, 1945
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In 1793, Anne Marie Milan
Desguillons and her spouse Joseph Sauze Desguillons where appointed joint principals of the
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in winters, though the audience normally consisted exclusively of the upper class society, who could speak French.
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In 1789, she married her colleague Joseph Sauze
Desguillons, and thus required the name Desguillons.
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for the
Swedish royal court: from the season of 1783-84, they also performed for the public at
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In 1781, she arrived in Sweden as a member of the newly created French theater troupe of
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roles, and was normally given main parts in the French tragedies. Among her parts was
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79:(8 May 1753–28 July 1829) was a French stage actress. She was active in the
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241:. Anne Marie Milan Desguillons retired as a principal in 1798.
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83:in Sweden in 1781-92, and principal of the
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123:to perform for the Swedish royal court.
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130:performed at the court theatres in
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211:Johann Christian Friedrich Hæffner
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200:Royal Dramatic Training Academy
158:the court. She was foremost a
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117:Jacques Marie Boutet de Monvel
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331:18th-century French actresses
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162:, performed in tragedies and
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57:Drottningholm, Sweden
45:Aignay-le-Duc, France
346:Gustavian era people
215:Julie Alix de la Fay
121:Gustav III of Sweden
225:known students was
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219:Jean-Rémy Marcadet
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204:Sofia Lovisa Gråå
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310:Categories
270:References
165:mére noble
42:8 May 1753
174:Semiramis
152:Stockholm
148:Bollhuset
107:1774–75.
91:1793-98.
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101:Le Havre
178:Athalie
170:Merope
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77:Milan
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51:Died
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