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building houses
Williams' easel, brushes, the leather-bound diaries he kept from 1963 until his death, clipping books, a range of works and includes a gallery for hanging and photographing the artist's works. Works that are donated to public galleries and museums are prepared there. In 2009, Lyn Williams completed her ongoing gift to the National Gallery of Victoria (NGV) of the prints of Fred Williams.
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I-IV series from 1971, Williams painted from the top of a cliff overlooking the beach during a seaside holiday. Each sheet is broken horizontally into four separate strips representing a different time of day and corresponding shift in the colour and tone of the scene as
Williams recorded the effects
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Williams' estate is managed by his widow, Lyn
Williams. Lyn bought a former factory in inner-Melbourne in 1989 and has managed the artist's estate from there since she sorted through his studio at their former home in Hawthorn. All of the artist's known works have been catalogued on a database. The
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pictures show the point where the sea joins the land depicted as if looking down from above in the form of four strips. Williams recorded the event in his diary from 27–28 March 1974, "I do 'strip' paintings of the beach using sand glued on – but the wind has worn me to a 'frazzle' … My final half
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tradition, the
Antipodeans lauded a spontaneous, improvised approach to painting and saw the function of art as vested in its expressive potential. They had little time for - and, in fact, denounced - the 'new' art emerging from Europe, the influences which were increasingly informing Williams'
33:
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While learning etching and printing in London, he produced vivid caricatured sketches of contemporary London life. It was during this period that he established his method of reworking the same motif a number of times in a number of mediums and very often over a number of years.
390:. A section of the bridge collapsed on 15 October 1970, while it was still under construction, killing thirty-five workers. Williams had planned to paint the length of the river, but his widow, Lyn said he "lost heart in the project" after the accident. In his
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In 1969, Williams started using a horizontal strip format in his landscape paintings in order to present different aspects of one scene on the same sheet. In 1970, Williams produced a group of four large strip format gouache-on-paper paintings called the
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Fred brought us a new vision of
Australia’s landscape at least as valid and impressive as any of the two or three major illuminations which went before it. He changed the way we see our country: an achievement which will live long after all of us are
460:, a four panel painting that he regarded as a single work. The successive canvases of the polyptych depict the changes in light on the waterfall and the surrounding landscape. Williams painted the last of his major landscapes, the four panel
297:. This was grounded in establishing a pictorial equivalent to the overwhelmingly vast, primarily flat landscape, in which the traditional European relationship of foreground to background breaks down, necessitating a complete re-imagining of
211:, a suburb of Melbourne, Victoria, Australia, the son of an electrical engineer and a Richmond housewife. Williams left school at 14 and was apprenticed to a firm of Melbourne shopfitters and box makers. From 1943 to 1947, he studied at the
345:
Travelling Art
Scholarship, the richest and most prestigious art prize at the time with an award of £1000 plus £300 travel expenses aimed at giving the winner overseas experience. Five paintings were required for his entry and he selected
366:(1960). He won in 1963 and it proved to be a turning point in his career which, according to fellow artist Jan Senbergs, brought Williams wide acclaim, especially from many influential curators and critics. Sydney art dealer
238:
bedsit and subsidised his art practice by working part-time at Savage’s picture framers. Williams returned to
Melbourne in 1956, when his family was able to send him a cheap ticket aboard a ship bringing visitors to the
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line, or where clumps of trees huddle closer together towards the horizon, suggesting recession. Where no horizon is visible, the landscape runs fully parallel to the picture plane, as in the major
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In May 1976, while
Williams and his wife Lyn were visiting Paris and Bologna, many of Williams's paintings and all gouaches stored at the Barrett Malt Factory in Richmond were damaged by a fire.
215:, Melbourne, at first part-time and then full-time from 1945 at the age of 18. The Gallery School was traditional and academic, with a long and prestigious history. He also began lessons under
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468:. He described the studio painting as "a major effort on my part" and it is regarded as one of the most important works of his career. Williams said that his "enthusiasm was fired" by
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After mainly working with figures in early paintings and etchings, he began painting landscapes after returning to
Melbourne in 1957, which remained the major theme in his art.
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418:. Poor weather prevented Williams and his friends from leaving the island when they had intended. When the weather broke Williams painted a number of gouaches, including
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In
November 1981, Williams was diagnosed with inoperable lung cancer. He died less than six months later in Hawthorn on 22 April 1982, aged 55. Fellow artist and friend
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potential of the Australian bush in its inherent plasticity. His interest in finding an aesthetic 'language' with which to express the very un-European Australian
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the following year, who had his own art school in Melbourne. This continued until 1950. Bell was a conservative modern artist but a very influential teacher.
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took Williams on as one of his key artists which enabled Williams to discontinue his part-time work with a Melbourne picture-framer and paint full-time.
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in Australia in April 2006, which at the time was the second highest price for any work sold at an Australian auction. In September 2007, auction house
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As an artist concerned with form over subjectivity, Williams' approach struck a jarring note against the unity of many of his close associates such as
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series of the mid-1960s. Here, calligraphic knots of pigment indicate the presence of single trees against the earth, as if seen from the air (
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of light on the landscape. By 1971 he had developed the technique extensively, moving from a vertical format to a horizontal format.
281:, the authors of the famous ‘Antipodean’ manifesto of 1959. Williams' work was excluded from their major exhibition. As heirs to the
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Zdanowicz, Irena (2005). "Painting from the Inside Out: Fred Williams' Travels and His Relationship to the European Tradition".
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543:(1965) selling for $ 1,860,000. The most expensive work sold at an Australian auction in 2009 was Williams' 1965
187:. He had more than seventy solo exhibitions during his career in Australian galleries, as well as the exhibition
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In the last years of his career, Williams produced more landscape series with strong themes, his last being the
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outside Melbourne, a location that would have a decisive impact on his work. In 1964 they travelled through
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183:. He was one of Australia’s most important artists, and one of the twentieth century's major
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Fred Williams: An Australian Vision. Etchings, Drawings and Gouaches in the British Museum
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1070:"Art bulletin of Victoria". 27–29. Council of the National Gallery of Victoria. 1986: 24.
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In 1976, Williams flew over the Northern Territory at night on his way to an art fair in
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464:(oil on canvas, each 183.0 cm x 152.5 cm), in his studio in 1979 based on the
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582:. They had three daughters: Isobel, Louise and Kate. In 1963, the couple moved to
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Between 1952 and 1956, Williams studied part-time at the Chelsea School of Art,
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1215:"Helena Rubinstein Travelling Art Scholarship : Australian Gallery File"
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Fred Williams in Queensland: Exhibition review by Grafico Topico's Sue Smith
250:, London, and 'Australian Painting: Colonial, Impressionism, Modern' at the
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Travelling Art Scholarship in 1963. In 1976 he was named an Officer of the
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He had work included in the 'Recent Australian Painting' exhibition at the
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series (1979–81), which remained intact as it was acquired by Con-Zinc
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558:(1981) were included in Quintessence Editions Ltd.'s 2007 edition of
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Fred Williams, The Later Landscapes, 1975 - 1981, LA Louver gallery
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175:(23 January 1927 – 22 April 1982) was an Australian
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From Music Hall to Landscape. Fred Williams: Drawings and Prints
961:"Conservation Department. Paper conservation. Cafes and Beaches"
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Williams' first Australian landscape series was based on the
1410:"Fred Williams retrospective to unveil works for first time"
531:(1965) sold for $ 1,987,700 in one of the final auctions of
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In February 1979, Williams visited the Lal Lal Falls on the
777:"Fred Williams: Water. 12 December 2004 - 27 February 2005"
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Williams met Lyn Watson in January 1960 while painting at
562:. Williams' work is also represented in William Splatt's
505:(OBE), and awarded a Doctorate of Law (Honoris Causa) by
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space. In this, Williams looked to the approach taken by
1554:. Australian National Gallery-Oxford University Press.
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I and II which employ the horizontal strip format. The
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Australian Officers of the Order of the British Empire
1353:, Deutscher and Hackett. Retrieved on 18 January 2011.
845:"Landscape with a steep road, from the album Volume 3"
1686:- Major retrospective, National Gallery of Australia
1440:. National Gallery of Victoria. 2009. Archived from
872:"Landscape with a building, from the album Volume 3"
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He did this by tilting the landscape up against the
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Imagined country: environment, culture, and society
1297:, andrewmcilroy.com. Retrieved on 15 January 2011.
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564:100 Masterpieces of Australian Landscape Painting
334:Williams' landscapes recorded the passage of the
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1606:Fred Williams: The Later Landscapes, 1975 - 1981
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161:Officer of the Order of the British Empire (OBE)
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963:. National Gallery of Australia. Archived from
670:"Prints and printmaking Australia Asia Pacific"
341:In 1960, Williams was invited to enter for the
1770:National Gallery of Victoria Art School alumni
1735:Alumni of the Central School of Art and Design
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230:) and in 1954 he did an etching course at the
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779:. McClelland Gallery and Sculpture Park. 2004
289:On his return to Australia, Williams saw the
207:Fred Williams was born on 23 January 1927 in
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1552:A singular vision: The art of Fred Williams
1309:, abc.net.au. Retrieved on 15 January 2011.
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516:for landscape painting twice; in 1966 with
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1623:Zdanowicz, Irena; Coppel, Stephen (2004).
1320:Sold: a picture of pockets and percentages
1318:Coslovich, Gaberiella (12 December 2009).
1307:Williams painting sells for record $ 1.86m
747:. Australian Art Collector. Archived from
560:1001 Paintings You Must See Before You Die
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189:Fred Williams - Landscapes of a Continent
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1164:. fredwilliams.me.com.au. Archived from
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614:gave the eulogy at his funeral. He said
598:Scholarship. In 1969, Williams moved to
539:broke their sales record with Williams'
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1755:Deaths from cancer in Victoria (state)
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1269:. Art Gallery of New South Wales. 1976
1243:. Art Gallery of New South Wales. 1966
1126:. Art Gallery of New South Wales. 2000
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697:. Rex Irwin Art Dealer. Archived from
1576:Brack, John; Mollison, James (1968).
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1435:"NGV Foundation - Annual Report 2009"
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398:In March 1974, Williams travelled to
1745:20th-century Australian male artists
1725:Deaths from lung cancer in Australia
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742:"Fred Williams: A Life in Landscape"
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1049:"Beachscape, Erith Island I (1974)"
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672:. The National Gallery of Australia
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427:doz. strip paintings are my best."
392:Beachscape with bathers Queenscliff
13:
1585:Capon, Edmund; Ryan, Anne (2001).
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1012:Sinclair, Jenny (9 October 2010).
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1715:Alumni of Chelsea College of Arts
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1344:FRED WILLIAMS: Evening Sky, Upwey
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740:White, Judith (April–June 1999).
547:, which sold for $ 1.15 million.
232:Central School of Arts and Crafts
228:Chelsea College of Art and Design
127:Central School of Arts and Crafts
16:Australian painter and printmaker
1780:20th-century Australian painters
1516:. National Gallery Of Victoria.
1195:. Art Gallery of New South Wales
1105:. National Gallery of Australia.
1103:"Bushfire in Northern Territory"
905:. Art Gallery of New South Wales
878:. Art Gallery of New South Wales
851:. Art Gallery of New South Wales
602:, an inner suburb of Melbourne.
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1467:"The Holmes à Court Collection"
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1333:. Retrieved on 18 January 2011.
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1217:. National Library of Australia
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1051:. National Gallery of Australia
986:Hill, Peter (8 February 2005).
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552:Dry Creek Bed, Werribee Gorge I
41:(oil on canvas, 1981) from the
1720:People from Richmond, Victoria
1667:Art Gallery of New South Wales
1408:Gill, Raymond (1 April 2011).
863:
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452:to the west of Melbourne near
443:Bushfire in Northern Territory
338:from its source to its mouth.
1:
1514:Fred Williams: Pilbara Series
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378:showing the half-constructed
1187:von Guérard, Eugene (1862).
870:Williams, Fred (1959–1960).
550:Two of Williams' paintings,
7:
1658:Fred Williams Image Gallery
1646:(8). Melbourne Art Network.
1604:McCaughey, Patrick (2005).
1531:McCaughey, Patrick (2008).
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503:Order of the British Empire
352:Landscape with a building I
348:Landscape with a steep road
10:
1801:
1785:Australian modern painters
1162:"Waterfall Polyptych 1979"
541:Landscape with Water Ponds
37:Fred Williams in front of
1189:"Waterfall, Strath Creek"
645:Holmes à Court Collection
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168:Frederick Ronald Williams
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59:Frederick Ronald Williams
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1760:Australian male painters
1750:20th-century printmakers
1627:. British Museum Press.
1550:Mollison, James (1989).
1293:17 February 2011 at the
988:"When oil and water mix"
933:. Newcastle City Council
929:Rumley, Katrina (2005).
650:
424:Beachscape, Erith Island
420:Beachscape, Erith Island
203:Early life and education
153:Pilbara series (1979–81)
1578:Fred Williams: Etchings
1533:Fred Williams 1927-1982
1368:10 January 2014 at the
1325:5 November 2012 at the
1193:AGNSW collection record
903:AGNSW collection record
897:Williams, Fred (1961).
876:AGNSW collection record
849:AGNSW collection record
843:Williams, Fred (1959).
475:Waterfall, Strath Creek
376:West Gate Bridge series
257:
213:National Gallery School
117:National Gallery School
1765:Artists from Melbourne
1730:Australian printmakers
1589:. Art Gallery of NSW.
1512:Grant, Kirsty (2006).
1471:Holmes à Court Gallery
1083:Cite journal requires
806:. Routledge. pp.
627:
1644:Melbourne Art Journal
1580:. Rudy Komon Gallery.
1124:"Waterfall polyptych"
695:"Fred WILLIAMS - bio"
616:
414:, and fellow painter
303:Australian Aboriginal
122:Chelsea School of Art
1349:5 March 2011 at the
1014:"Sorrowful crossing"
798:Short, John (1991).
497:Williams received a
408:Stephen Murray-Smith
406:with the historians
193:Museum of Modern Art
1740:Wynne Prize winners
1363:1001 Before You Die
1047:Gray, Anne (2002).
959:Kemp, Fiona; Wise.
931:"Hillside Number 1"
899:"Sherbrooke Forest"
462:Waterfall polyptych
364:The St George River
248:Whitechapel Gallery
1389:Mollison (p. 237.)
1267:AGNSW prize record
1241:AGNSW prize record
1151:Mollison (p. 224.)
545:Evening Sky, Upwey
470:Eugene von Guérard
241:Melbourne Olympics
95:Hawthorn, Victoria
73:Richmond, Victoria
1710:Landscape artists
1683:Infinite Horizons
1634:978-0-7141-2639-5
1615:978-0-9765585-1-4
1596:978-0-7347-6317-4
1561:978-0-19-554911-9
1542:978-1-74196-087-7
1535:. Murdoch Books.
1523:978-0-7241-0217-4
1380:Mollison (p. 61.)
967:on 5 January 2011
833:Mollison (p. 48.)
817:978-0-415-05830-8
639:Major collections
596:Helena Rubenstein
537:Deutscher-Menzies
520:and in 1976 with
512:Williams won the
507:Monash University
499:Helena Rubinstein
466:Lal Lal polyptych
458:Lal Lal polyptych
360:Sherbrooke Forest
343:Helena Rubenstein
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1473:. Archived from
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630:Williams' estate
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606:Death and legacy
588:Dandenong Ranges
456:and painted the
380:West Gate Bridge
279:Charles Blackman
236:South Kensington
234:. He lived in a
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1370:Wayback Machine
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1351:Wayback Machine
1342:Thomas, David.
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529:Upwey Landscape
518:Upwey Landscape
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450:Moorabool River
356:The forest pond
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1608:. LA Louver.
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87:22 April 1982
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25:Fred Williams
22:
19:
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1586:
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1532:
1513:
1479:. Retrieved
1475:the original
1461:
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1442:the original
1429:
1417:. Retrieved
1413:
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1283:
1271:. Retrieved
1266:
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1245:. Retrieved
1240:
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1219:. Retrieved
1209:
1197:. Retrieved
1192:
1182:
1170:. Retrieved
1166:the original
1156:
1128:. Retrieved
1097:
1076:cite journal
1065:
1053:. Retrieved
1021:. Retrieved
1017:
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995:. Retrieved
991:
981:
969:. Retrieved
965:the original
935:. Retrieved
907:. Retrieved
902:
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880:. Retrieved
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865:
853:. Retrieved
848:
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781:. Retrieved
756:. Retrieved
749:the original
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699:the original
674:. Retrieved
633:
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400:Erith Island
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329:Nattai River
326:
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252:Tate Gallery
245:
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185:landscapists
167:
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149:Notable work
89:(1982-04-22)
47:Rennie Ellis
42:
38:
18:
1705:1982 deaths
1700:1927 births
1451:23 December
1221:20 December
1130:20 December
1055:18 December
1023:23 December
997:23 December
971:18 December
937:20 December
783:23 December
758:18 December
676:18 December
580:South Yarra
554:(1977) and
514:Wynne Prize
478:from 1862.
404:Bass Strait
384:Yarra River
362:(1960) and
336:Yarra River
331:(1957–58).
275:Arthur Boyd
217:George Bell
142:Printmaking
119:, Melbourne
103:Nationality
97:, Australia
1694:Categories
1506:References
1481:13 January
624:John Brack
612:John Brack
576:Sherbrooke
533:Christie's
412:Ian Turner
368:Rudy Komon
305:artists.
271:John Brack
181:printmaker
107:Australian
65:1927-01-23
45:(photo by
509:in 1980.
388:Melbourne
382:over the
318:You Yangs
295:landscape
291:aesthetic
199:in 1977.
113:Education
77:Australia
1494:See also
1419:28 April
1366:Archived
1347:Archived
1323:Archived
1291:Archived
1172:26 April
705:27 April
622:—
600:Hawthorn
454:Ballarat
350:(1957),
209:Richmond
197:New York
138:Painting
129:, London
124:, London
1665:at the
1331:The Age
1018:The Age
992:The Age
808:214–215
586:in the
483:Pilbara
435:Bologna
322:example
314:horizon
191:at the
177:painter
49:, 1981)
1631:
1612:
1593:
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1273:11 May
1247:11 May
1199:11 May
909:11 May
882:11 May
855:11 May
814:
592:Europe
493:Awards
224:London
158:Awards
1445:(PDF)
1438:(PDF)
752:(PDF)
745:(PDF)
651:Notes
619:gone.
594:on a
584:Upwey
439:Italy
226:(now
1629:ISBN
1610:ISBN
1591:ISBN
1556:ISBN
1537:ISBN
1518:ISBN
1483:2011
1453:2010
1421:2011
1275:2016
1249:2016
1223:2010
1201:2016
1174:2011
1132:2010
1089:help
1057:2010
1025:2010
999:2010
973:2010
939:2010
911:2016
884:2016
857:2016
812:ISBN
785:2010
760:2010
707:2011
678:2010
410:and
277:and
258:Work
179:and
84:Died
55:Born
472:'s
402:in
386:in
324:).
195:in
172:OBE
1696::
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67:)
63:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
