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Freak Out!

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claimed information concerning police arrests. It states: "Also shows where the heat has been busting frequently, with tips on safety in police terror situations". Those interested in the map were instructed to send $ 1.00 (US$ 9 in 2023 dollars) to MGM Records c/o 1540 Broadway NY. NY. address. The map was only available for a limited time, since the blurb was not included on later pressings and the space was left blank. It was eventually reprinted and included with
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Giants' repertoire originally consisted of R&B covers. After Zappa joined the band he encouraged them to play his own original material and try to get a record contract. While most of the band members liked the idea, then-leader and saxophone player Davy Coronado felt that performing original material would cost them bookings, and quit the band. Zappa took over leadership of the band, who officially changed their name to the Mothers on May 10, 1965.
780:... at the time, it was, you know, if you were a good musician, you were a motherfucker, and Mothers was short for collection of motherfuckers. And actually, it was kind of presumptuous to name the band that, because we weren't that good musicians, we were ... But by bar-band standards in the area, we were light-years ahead of our competition, but in terms of real musicianship, I just suppose we were right down there in the swamp. 1025: 913: 1020: 1015: 1010: 1005: 987: 982: 977: 972: 967: 908: 903: 898: 893: 875: 870: 865: 860: 855: 763:
recording of Zappa shouting the word "fuck" after accidentally smashing his finger, occurring at 11 minutes and 36 seconds into "The Return of the Son of Monster Magnet". From the 1995 CD reissue of the album onwards, the formerly three-part "Help, I'm a Rock" was reindexed as two separate tracks, with only the first two parts ("Okay To Tap Dance" and "In Memoriam,
2914: 550:" When Tom Wilson heard the latter, he realized that the Mothers were not merely a blues band. Zappa remembered "I could see through the window that he was scrambling toward the phone to call his boss—probably saying: 'Well, uh, not exactly a 'white blues band', but ... sort of.'" In a 1968 article written for 278: 454:
In the early 1960s, Zappa met Ray Collins. Collins supported himself by working as a carpenter, and on weekends sang with a group called the Soul Giants. In April 1965, Collins got into a fight with their guitar player, who quit, leaving the band in need of a substitute, and Zappa filled in. The Soul
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on June 27, 1966. The band's name was changed to the Mothers of Invention, a name Zappa chose in favor of MGM's original suggested name, "The Mothers Auxiliary". The album's back cover included a "letter" from Zappa-created fictional character Suzy Creamcheese (who also appears on the album itself),
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These Mothers is crazy. You can tell by their clothes. One guy wears beads and they all smell bad. We were gonna get them for a dance after the basketball game but my best pal warned me you can never tell how many will show up ... sometimes the guy in the fur coat doesn't show up and sometimes
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An early version of the album was done in April, with a different track order from the final sequence completed two months later: for instance, "Wowie Zowie" (which would eventually begin side two of the finalized sequence instead, and was described by Zappa as "harmless", "cheerful" and apparently
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chart, and was not a critical success when it was first released in the United States. Many listeners were convinced that the album was drug-inspired, and interpreted the album's title as slang for a bad LSD trip. The album made the Mothers of Invention immediate underground darlings with a strong
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Because the text was printed in a typeface resembling typewriter lettering, some people thought that Suzy Creamcheese was real, and many listeners expected to see her in concert performances. Because of this, it was decided that "it would be best to bring along a Suzy Creamcheese replica who would
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album, there's a little something in there for everybody. At least one piece of material is slanted for every type of social orientation within our consumer group, which happens to be six to eighty. Because we got people that like what we do, from kids six years old screaming on us to play "Wowie
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and third verse that would eventually be edited out of the song as it appeared on the finalized sequence, while the third section of "Help, I'm a Rock", called "It Can't Happen Here", contained two additional lines consisting of the word "psychedelic" during the self-pleasure sequence and of the
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Early pressings of the album in the United States included a blurb for a "Freak Out Hot Spots!" map. Inside the gatefold jacket the small ad was aimed at people coming to visit Los Angeles and it listed several famous restaurants and clubs including Canter's and The Whisky a Go Go. The ad also
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I guess you might call it surrealistic paintings set to music. Not content to record just two sides of musical gibberish, the MOI devote four full sides to their type of "artistry". If anyone owns this album, perhaps he can tell me what in hell is going on ... The Mothers of Invention, a
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The label eventually requested that the two lines in question be removed from the "It Can't Happen Here" section of "Help, I'm a Rock", both of which had been interpreted by MGM executives to be drug references. However, the label either had no objections to, or else did not notice, a sped-up
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was in fact an unfinished piece; the percussion track was intended to serve as the foundation for an even more complex piece, but MGM refused to approve the studio time needed to record the intended overdubs that would have completed the composition, and so it was released (to Zappa's great
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he does show up only he brings a big bunch of crazy people with him and they dance all over the place. None of the kids at my school like these Mothers ... specially since my teacher told us what the words to their songs meant. Sincerely forever, Suzy Creamcheese, Salt Lake City, Utah.
705:. "I've tried to imagine what must have been thinking", Zappa recounted, "sitting in that control room, listening to all that weird shit coming out of the speakers, and being responsible for telling the engineer, Ami Hadani (who was not on acid), what to do." By the time 43: 731:
that took place the previous year) was included on side one rather than side three, and "Who Are the Brain Police?" (acknowledged by Zappa himself as one of the scariest songs on the album) took up the middle of side two rather than the middle of side one, with only
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Tom Wilson became more enthusiastic as the sessions continued. In the middle of the week of recording, Zappa told him, "I would like to rent $ 500 worth of percussion equipment for a session that starts at midnight on Friday and I want to bring all the freaks from
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On the 1995 and 2012 CD releases, "Help, I'm a Rock" is credited as two tracks: "Help, I'm a Rock" (4:43) and "It Can't Happen Here" (3:57). On the Side 3 label of original vinyl copies, "Trouble Every Day" is listed as "Trouble Comin' Every Day".
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words "...since you first took the shots" immediately following the "we've been very interested in your development" line. Tapes of the early sequence were eventually leaked to European collectors and bootlegged on vinyl as
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magazine, Zappa wrote that when Wilson heard these songs, "he was so impressed he got on the phone and called New York, and as a result I got a more or less unlimited budget to do this monstrosity."
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demonstrate once and for all the veracity of such a beast." Because the original voice of Suzy Creamcheese, Jeannie Vassoir, was unavailable, Pamela Zarubica took over the part.
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dissatisfaction) in this unfinished form. In addition to the Mothers, some tracks featured a "Mothers' Auxiliary" that consisted of additional session players, including noted "
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magazine, Zappa wrote that "Wilson was sticking his neck out. He laid his job on the line by producing the album. MGM felt that they had spent too much money on the album."
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covers, but after Zappa joined the band, he encouraged them to play his own original material, and their name was changed to the Mothers. The musical content of
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into the studio to do something special." Wilson agreed. The material was worked into "Cream Cheese", a "ballet in two tableaux" that was eventually retitled "
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sessions. These recordings, said to have been made around 1965, were not officially released until 2004, when they appeared on the posthumous Zappa album
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How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda
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just one week earlier, as well as the first double debut album by a rock artist. In the UK, the album was originally released as an edited single disc.
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MGM also told Zappa that the band would have to change their name, claiming that no DJ would play a record on the air by a group called "the Mothers".
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were prematurely deleted in an attempt to keep the struggling company financially solvent. Zappa had already moved on to his own companies
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How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States
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was edited and shaped into an album, Wilson had spent $ 25–35,000 of MGM's money (equivalent to $ 330,000 in 2023). In
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The album developed a major cult following in the United States by the time MGM/Verve had been merged into a division of
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in 2010, with long-time Zappa associate Scott Parker later describing the early sequence's track order as having more
629:", in its opening measures, and contains a guitar solo between the first and second verses that itself briefly quotes 4320: 3953: 3872: 3272: 3258: 3153: 3107: 2785: 2057: 1939: 1132: 820:, a four-disc audio documentary on the making of the album, released posthumously by the Zappa Family Trust in 2006. 4158: 3946: 3197: 626: 607:. An early version of the song "Any Way the Wind Blows", recorded in 1963, appears on another posthumous release, 4186: 3900: 3858: 4428: 4403: 4200: 3932: 3802: 3490: 3483: 3476: 3332: 3182: 2841: 2772: 996: 884: 577:
Zowie". Like I meet executives doing this and that, and they say, "My kid's got the record, and 'Wowie Zowie'
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division in early 1966. He had heard of their growing reputation but had seen them perform only one song, "
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was initially more successful in Europe and quickly influenced many English rock musicians. According to
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The group moved to Los Angeles in the summer of 1965 after Zappa got them a management contract with
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band. The album features Zappa on vocals and guitar, along with lead vocalist/tambourine player
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magazine's "50 Albums That Built Prog Rock". It was voted number 315 in the third edition of
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If you were to graphically analyze the different types of directions of all the songs in the
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album), Zappa is heard complaining that the version of "Monster Magnet" released on
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Necessity Is ...: The Early Years of Frank Zappa and the Mothers of Invention
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in 2003, and 246 in a 2012 revised list. It was also featured in the 2006 book
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The first two songs recorded for the album were "Any Way the Wind Blows" and "
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Zappa later found out that when the material was recorded, Wilson had taken
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Zappa, Frank. Interview. KBEY-FM, Kansas City, Missouri. October 22, 1971.
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This article is about the Mothers of Invention album. For other uses, see
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talented but warped quintet, have fathered an album poetically entitled
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Frank Zappa FAQ: All That's Left to Know About the Father of Invention
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Zappa, Frank. Interview. Mixed Media, Detroit, MI November 13, 1967.
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staff producer Tom Wilson offered the band a record deal with the
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Frank Zappa Plays the Music of Frank Zappa: A Memorial Tribute
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Revolution in the Head: The Beatles' Records and the Sixties
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Strictly Genteel: A "Classical" Introduction to Frank Zappa
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Meat Light: The Uncle Meat Project/Object Audio Documentary
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The Age of Rock: Sounds of the American Cultural Revolution
462:. They gained steady work at clubs along the Sunset Strip. 1190:
except "Go Cry on Somebody Else's Shoulder", by Zappa and
23:"Wowie Zowie" redirects here. For the Pavement album, see 4215:
Over-Nite Sensation 50th Anniversary Super Deluxe Edition
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Musical director, orchestrator, and arranger: Frank Zappa
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Assistants: Eugene Dinovi, Neil Levang, Vito, Ken Watson
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in 1972. At that time many MGM/Verve releases including
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Zappa criticized the Beatles, as he felt they were "
2045: 1923: 518:"The Return of the Son of Monster Magnet" (sample) 1921: 1058:, Zappa quotes a negative review of the album by 30:1966 studio album by the Mothers of Invention 4385: 3007: 2770:. In Brackett, Nathan; Hoard, Christian (eds.). 2661: 2535: 2450: 2448: 406:-influenced rock to orchestral arrangements and 4399:Albums produced by Tom Wilson (record producer) 3982:AAAFNRAA: Baby Snakes – The Compleat Soundtrack 3505:Ship Arriving Too Late to Save a Drowning Witch 3491:Return of the Son of Shut Up 'n Play Yer Guitar 2598: 2200: 2198: 1704:Engineers: Ami Hadani, Tom Wilson, Val Valentin 3198: 3095: 2445: 2364: 2268: 2266: 2264: 334:of Los Angeles. It was the second rock music 4300:Strictly Commercial: The Best of Frank Zappa 2869: 2867: 2301: 2299: 2297: 2295: 2293: 2291: 2195: 2130: 1959: 1957: 1955: 1953: 1951: 1606:John Rotella â€“ clarinet, bass saxophone 1493:II. Nullis Pretii (No Commercial Potential)" 1002: 964: 890: 852: 390:The band's original repertoire consisted of 3568:Frank Zappa Meets the Mothers of Prevention 3533:Boulez Conducts Zappa: The Perfect Stranger 2424: 2397: 2141: 2128: 2126: 2124: 2122: 2120: 2118: 2116: 2114: 2112: 2110: 2097: 2095: 678:, and jazz-soul pianists Eugene DiNovi and 318:. Often cited as one of rock music's first 4152:Zappa - Original Motion Picture Soundtrack 3684:You Can't Do That on Stage Anymore, Vol. 6 3677:You Can't Do That on Stage Anymore, Vol. 5 3670:You Can't Do That on Stage Anymore, Vol. 4 3656:The Best Band You Never Heard in Your Life 3638:You Can't Do That on Stage Anymore, Vol. 3 3624:You Can't Do That on Stage Anymore, Vol. 2 3617:You Can't Do That on Stage Anymore, Vol. 1 3205: 3191: 3003:(Media notes). Frank Zappa. Zappa Records. 2952:(Media notes). Frank Zappa. Zappa Records. 2939: 2897: 2700:MusicHound Rock: The Essential Album Guide 2693: 2578: 2576: 2261: 2150:"What Did You Do In The Revolution, Dada?" 1922:Zappa, Frank; Occhiogrosso, Peter (1989). 282:Featuring a "letter" from Suzy Creamcheese 276: 41: 4256:The Guitar World According to Frank Zappa 2962: 2864: 2762: 2288: 2037: 1948: 1867: 1777:. U of Nebraska Press. pp. 38, 219. 4057:ZAPPAtite: Frank Zappa's Tastiest Tracks 3099:1001 Albums You Must Hear Before You Die 2514: 2225: 2205: 2107: 2092: 2073: 2071: 2069: 1837: 1364:"You're Probably Wondering Why I'm Here" 1158:1001 Albums You Must Hear Before You Die 426:In 1999, the album was honored with the 423:release of the album following in 1987. 4228:Apostrophe (') 50th Anniversary Edition 2912: 2756: 2573: 2560: 2370: 2337: 2335: 2333: 2248:"Consumer Price Index (estimate) 1800–" 2033:. Interviewed by Nigel Leigh. UMRK, LA. 1966:"The Incredible History Of The Mothers" 1917: 1915: 1485:The Return of the Son of Monster Magnet 647:The Return of the Son of Monster Magnet 4386: 3134: 3128: 2996: 2945: 2915:"Popular Record: Pass Aspirin, Please" 2836: 2544:""Pretty Pat" (Interview excerpted on 2477: 2305: 2147: 1913: 1911: 1909: 1907: 1905: 1903: 1901: 1899: 1897: 1895: 1863: 1861: 1479: 1418: 1403: 1360: 1349: 255:"Motherly Love / I Ain't Got No Heart" 4106:Orchestral Favorites 40th Anniversary 3186: 3032: 2541: 2371:Shelton, Robert (December 25, 1966). 2341: 2246:Federal Reserve Bank of Minneapolis. 2183:(Radio appearance). Detroit, MI: WDET 2066: 2043: 2028: 2024: 2022: 2020: 2018: 1988: 1963: 1930:. New York: Poseidon Press. pp.  1816: 1502: 1487:(Unfinished Ballet in Two Tableaux) 1447: 1371: 1338: 1327: 1316: 1284: 1273: 1262: 1251: 1236: 1225: 1214: 1125:Sgt. Pepper's Lonely Hearts Club Band 1116:Sgt. Pepper's Lonely Hearts Club Band 1109:, the album was a major influence on 833: 4414:Grammy Hall of Fame Award recipients 3484:Shut Up 'n Play Yer Guitar Some More 2807: 2585: 2330: 1982: 1770: 1255:"Go Cry on Somebody Else's Shoulder" 4166:200 Motels 50th Anniversary Edition 2623: 1892: 1886:University of North Texas Libraries 1858: 1490:I. Ritual Dance of the Child-Killer 13: 4099:Zappa in New York 40th Anniversary 3859:The MOFO Project/Object (Fazedooh) 3596:London Symphony Orchestra, Vol. II 3273:Cruising with Ruben & the Jets 2906: 2015: 1774:The Words and Music of Frank Zappa 1701:Engineering director: Val Valentin 537:Problems playing these files? See 488: 14: 4445: 3996:A Token of His Extreme Soundtrack 3526:London Symphony Orchestra, Vol. I 3165: 3071:"500 Greatest Albums of All Time" 3040:"500 Greatest Albums of All Time" 2773:The New Rolling Stone Album Guide 2735: 2462:. The Zappa Patio. Archived from 2177:Frank Zappa (November 13, 1967). 1684: â€“ voice of Suzy Creamcheese 1145:in 1999, ranked at number 243 on 1004: 966: 892: 854: 3947:Feeding the Monkies at Ma Maison 2629: 2276:. United Mutations. October 2010 1180: 1161:. The album was named as one of 1023: 1018: 1013: 1008: 1003: 985: 980: 975: 970: 965: 911: 906: 901: 896: 891: 873: 868: 863: 858: 853: 522: 504: 314:, released on June 27, 1966, by 4424:The Mothers of Invention albums 3933:"Congress Shall Make No Law..." 3125:magazine, July 2010, Issue 146. 3116: 3089: 3063: 2990: 2956: 2830: 2801: 2721: 2687: 2655: 2508: 2418: 2391: 2347:"An Interview with Frank Zappa" 2170: 1639:George Price â€“ French horn 1636:Arthur Maebe â€“ French horn 1153:500 Greatest Albums of All Time 1054:counter-cultural following. In 500:"Hungry Freaks, Daddy" (sample) 438:500 Greatest Albums of All Time 3901:The Lumpy Money Project/Object 3452:Joe's Garage Acts II & III 3259:We're Only in It for the Money 2608:MoFo: The Making of Freak Out! 2081:. Information Is Not Knowledge 1995:. SAF Publishing. p. 23. 1847:. Information Is Not Knowledge 1791: 1764: 1467: 1391: 1304: 1202: 682:, with vocal contributions by 398:ranges from rhythm and blues, 220:"How Could I Be Such a Fool? / 1: 4159:Zappa '88: The Last U.S. Show 2843:Encyclopedia of Popular Music 2542:Zappa, Frank (May 30, 2004). 2180:How We Made It Sound That Way 1758: 997:The Rolling Stone Album Guide 885:Encyclopedia of Popular Music 727:" (which was inspired by the 627:(I Can't Get No) Satisfaction 449: 3778:Everything Is Healing Nicely 3017:. Grammy.com. Archived from 3015:"GRAMMY Hall Of Fame Awards" 2913:Johnson, Pete (1966-07-10). 2521:. Rowman & Littlefield. 2431:Information Is Not Knowledge 2404:Information Is Not Knowledge 2306:Parker, Scott (March 2011). 2240:American Antiquarian Society 2220:American Antiquarian Society 1751: 1519: 1277:"How Could I Be Such a Fool" 1097:, which were distributed by 823: 481: 7: 4201:Zappa '80: Mudd Club/Munich 4187:Zappa '75: Zagreb/Ljubljana 3575:Does Humor Belong in Music? 3347:Just Another Band from L.A. 3096:Robert Dimery, ed. (2006). 2029:Zappa, Frank (March 1993). 1771:Lowe, Kelly Fisher (2007). 1648:David Wells â€“ trombone 1645:Virgil Evans â€“ trumpet 1633:Edwin V. Beach â€“ cello 1627:Emmet Sargeant â€“ cello 1624:Paul Bergstrom â€“ cello 1597:Eugene Di Novi â€“ piano 1426:(Suite in Three Movements) 1331:"You Didn't Try to Call Me" 558:is an early example of the 258:Released: 1968 (Japan only) 10: 4450: 3477:Shut Up 'n Play Yer Guitar 2148:Dallas, Karl (June 1975). 1964:Zappa, Frank (June 1968). 1438:III. It Can't Happen Here" 1186:All tracks are written by 790: 585:The album was recorded at 351:The album was produced by 326:'s perception of American 22: 18:Freak out (disambiguation) 15: 4341: 4284: 4240: 4129: 4050:Frank Zappa for President 3917: 3787: 3727: 3718: 3647: 3461: 3333:Fillmore East – June 1971 3303: 3236: 3227: 2813:"Grade List: frank zappa" 2373:"Son of Suzy Creamcheese" 2138:Liner notes. V/V6-5005-2. 2104:. Liner notes. RCD 40573. 1926:The Real Frank Zappa Book 1717: 1713:Hair stylist: Ray Collins 1630:Joseph Saxon â€“ cello 1474: 1471: 1466: 1398: 1395: 1390: 1311: 1308: 1303: 1242:Who Are the Brain Police? 1209: 1206: 1201: 1143:Grammy Hall of Fame Award 1056:The Real Frank Zappa Book 841: 838: 565:The Real Frank Zappa Book 548:Who Are the Brain Police? 428:Grammy Hall of Fame Award 338:ever released, following 291: 287: 275: 271: 266: 244:Who Are the Brain Police? 214: 203: 199: 169: 157: 145: 133: 117: 99: 88: 80: 65: 52: 40: 35: 4249:Lumpy Gravy (Primordial) 3764:Have I Offended Someone? 3603:The Old Masters, Box III 3218:the Mothers of Invention 3141:All Time Top 1000 Albums 2875:"Chart & Awards for 2776:(4th ed.). London: 2703:(1st ed.). London: 2570:Back cover. V/V6-5005-2. 2425:GarcĂ­a Albertos, Román. 2398:GarcĂ­a Albertos, Román. 2044:Eisen, Jonathan (1969). 1710:Cover design: Jack Anesh 1642:Roy Caton â€“ trumpet 1612: â€“ 12-string guitar 1525:The Mothers of Invention 1342:"Any Way the Wind Blows" 1174:All Time Top 1000 Albums 1133:only in it for the money 753:The Alternate Freak Out! 725:Trouble Comin' Every Day 621:that musically quotes a 419:box set, with the first 312:the Mothers of Invention 239:Trouble Comin' Every Day 163:the Mothers of Invention 59:the Mothers of Invention 4293:The **** of the Mothers 4043:The Crux of the Biscuit 3852:The MOFO Project/Object 3582:The Old Masters, Box II 3319:Weasels Ripped My Flesh 2949:The MOFO Project/Object 2752:(August 1995): 150–151. 2593:The MOFO Project/Object 2515:Corcelli, John (2016). 1615:Kurt Reher â€“ cello 1151:magazine's list of the 1047:reached No. 130 on the 817:The MOFO Project/Object 736:" (a song dedicated to 670:and Mac Rebennack (aka 581:s their favorite song." 474:", which concerned the 443:The MOFO Project/Object 69:June 27, 1966 4023:200 Motels: The Suites 3736:Civilization Phaze III 3663:Make a Jazz Noise Here 3561:The Old Masters, Box I 2997:Fricke, David (2008). 2946:Fricke, David (2006). 2493:. 1988. Archived from 1585:The Mothers' Auxiliary 1229:"I Ain't Got No Heart" 1218:"Hungry Freaks, Daddy" 1079: 807: 788: 635:Have Love, Will Travel 619:American school system 583: 493: 228:It Can't Happen Here)" 4120:The Hot Rats Sessions 4092:The Roxy Performances 3961:Understanding America 3873:The Dub Room Special! 3691:Playground Psychotics 3631:Broadway the Hard Way 3470:Tinsel Town Rebellion 2817:Tom Hull - on the web 1989:James, Billy (2002). 1141:was honored with the 1070: 802: 778: 570: 492: 436:ranked it among the " 4429:Verve Records albums 4404:1960s concept albums 4328:Son of Cheep Thrills 4036:Road Tapes, Venue #3 3989:Road Tapes, Venue #2 3968:Road Tapes, Venue #1 3438:Orchestral Favorites 3382:Roxy & Elsewhere 3312:Burnt Weeny Sandwich 3052:on November 12, 2004 2974:Chicago Review Press 2667:The Great Rock Bible 2052:. Random House Inc. 1824:"Elliot Ingber info" 1698:Producer: Tom Wilson 1429:I. Okay to Tap Dance 1099:Warner Bros. Records 923:The Great Rock Bible 829:Professional ratings 746:section between the 4276:Beat the Boots! III 4222:Whisky a Go Go 1968 4029:Roxy the Soundtrack 3698:Ahead of Their Time 3512:The Man from Utopia 3498:You Are What You Is 3368:Over-Nite Sensation 2927:on November 5, 2012 2318:on December 1, 2017 1799:"Freak Out! (1966)" 1463: 1387: 1353:"I'm Not Satisfied" 1300: 1198: 830: 416:Old Masters Box One 371:, drummer/vocalist 4419:MGM Records albums 4409:Frank Zappa albums 4270:Beat the Boots! II 3838:Imaginary Diseases 3445:Joe's Garage Act I 3228:Official releases 2400:"Help, I'm A Rock" 2378:The New York Times 1826:. United Mutations 1690:Production credits 1652:Motorhead Sherwood 1594: â€“ percussion 1461: 1385: 1298: 1196: 828: 694:and future Mother 494: 375:and guitar player 4394:1966 debut albums 4379: 4378: 4375: 4374: 4337: 4336: 4236: 4235: 4208:Funky Nothingness 3940:Hammersmith Odeon 3926:Greasy Love Songs 3743:The Lost Episodes 3721:official releases 3714: 3713: 3410:Zappa in New York 3389:One Size Fits All 3221:album discography 2983:978-1-55652-733-3 2920:Los Angeles Times 2714:978-0-7876-1037-1 2705:Visible Ink Press 2680:978-1-9127-3328-6 2612:. The Zappa Patio 2528:978-1-61713-674-0 2345:(April 5, 1994). 2102:The Lost Episodes 2002:978-0-946719-51-8 1784:978-0-8032-6005-4 1756: 1755: 1512: 1511: 1457: 1456: 1432:II. In Memoriam, 1409:Trouble Every Day 1381: 1380: 1294: 1293: 1129:Freak Out!  1065:Los Angeles Times 1042: 1041: 610:The Lost Episodes 527: 509: 472:Trouble Every Day 381:Captain Beefheart 295: 294: 195: 194: 109:Experimental rock 4441: 4339: 4338: 4282: 4281: 4173:The Mothers 1971 4138:The Mothers 1970 4003:Joe's Camouflage 3725: 3724: 3705:The Yellow Shark 3326:Chunga's Revenge 3234: 3233: 3207: 3200: 3193: 3184: 3183: 3176:, full album at 3160: 3159: 3144:(3rd ed.). 3132: 3126: 3120: 3114: 3113: 3093: 3087: 3086: 3084: 3082: 3067: 3061: 3060: 3058: 3057: 3048:. Archived from 3036: 3030: 3029: 3027: 3026: 3011: 3005: 3004: 2994: 2988: 2987: 2976:. p. 214n. 2972:(3rd ed.). 2960: 2954: 2953: 2943: 2937: 2936: 2934: 2932: 2923:. Archived from 2910: 2904: 2901: 2895: 2894: 2892: 2891: 2871: 2862: 2861: 2846:(5th ed.). 2834: 2828: 2827: 2825: 2823: 2805: 2799: 2798: 2796: 2794: 2760: 2754: 2753: 2739: 2733: 2732: 2725: 2719: 2718: 2691: 2685: 2684: 2671:Red Planet Books 2669:(1st ed.). 2663:Martin C. Strong 2659: 2653: 2652: 2650: 2648: 2627: 2621: 2620: 2618: 2617: 2606:"Vinyl Vs. CDs: 2602: 2596: 2589: 2583: 2580: 2571: 2564: 2558: 2557: 2555: 2554: 2539: 2533: 2532: 2512: 2506: 2505: 2503: 2502: 2481: 2475: 2474: 2472: 2471: 2456:"Vinyl Vs. CDs: 2452: 2443: 2442: 2440: 2438: 2422: 2416: 2415: 2413: 2411: 2395: 2389: 2388: 2386: 2385: 2368: 2362: 2361: 2359: 2357: 2339: 2328: 2327: 2325: 2323: 2314:. Archived from 2303: 2286: 2285: 2283: 2281: 2270: 2259: 2258: 2256: 2254: 2243: 2237: 2223: 2217: 2202: 2193: 2192: 2190: 2188: 2174: 2168: 2167: 2165: 2163: 2145: 2139: 2132: 2105: 2099: 2090: 2089: 2087: 2086: 2075: 2064: 2063: 2051: 2041: 2035: 2034: 2026: 2013: 2012: 2010: 2009: 1986: 1980: 1979: 1977: 1976: 1961: 1946: 1945: 1929: 1919: 1890: 1889: 1877: 1865: 1856: 1855: 1853: 1852: 1841: 1835: 1834: 1832: 1831: 1820: 1814: 1813: 1811: 1810: 1801:. Archived from 1795: 1789: 1788: 1768: 1727: 1726: 1670:Paul Butterfield 1544:Jimmy Carl Black 1505: 1469: 1464: 1460: 1450: 1424:Help, I'm a Rock 1393: 1388: 1384: 1374: 1306: 1301: 1297: 1287: 1204: 1199: 1195: 1127:as the Beatles' 1095:Straight Records 1028: 1027: 1026: 1022: 1021: 1017: 1016: 1012: 1011: 1007: 1006: 990: 989: 988: 984: 983: 979: 978: 974: 973: 969: 968: 916: 915: 914: 910: 909: 905: 904: 900: 899: 895: 894: 878: 877: 876: 872: 871: 867: 866: 862: 861: 857: 856: 831: 827: 786: 743:musique concrète 734:Help, I'm a Rock 684:Paul Butterfield 643:Sunset Boulevard 580: 529: 528: 511: 510: 491: 392:rhythm and blues 373:Jimmy Carl Black 367:player/vocalist 345:Blonde on Blonde 330:and the nascent 306:by the American 280: 259: 256: 250: 247: 232: 229: 226:(Third Movement: 223:Help, I'm a Rock 171: 170: 129: 128: 124: 84:March 9–12, 1966 76: 74: 45: 33: 32: 4449: 4448: 4444: 4443: 4442: 4440: 4439: 4438: 4384: 4383: 4380: 4371: 4343:Birthday Bundle 4333: 4280: 4263:Beat the Boots! 4232: 4125: 3913: 3783: 3720: 3710: 3643: 3547:Francesco Zappa 3457: 3361:The Grand Wazoo 3299: 3252:Absolutely Free 3229: 3223: 3211: 3168: 3163: 3156: 3148:. p. 129. 3133: 3129: 3121: 3117: 3110: 3094: 3090: 3080: 3078: 3069: 3068: 3064: 3055: 3053: 3038: 3037: 3033: 3024: 3022: 3013: 3012: 3008: 2995: 2991: 2984: 2961: 2957: 2944: 2940: 2930: 2928: 2911: 2907: 2902: 2898: 2889: 2887: 2873: 2872: 2865: 2858: 2835: 2831: 2821: 2819: 2806: 2802: 2792: 2790: 2788: 2761: 2757: 2741: 2740: 2736: 2727: 2726: 2722: 2715: 2692: 2688: 2681: 2660: 2656: 2646: 2644: 2628: 2624: 2615: 2613: 2604: 2603: 2599: 2590: 2586: 2581: 2574: 2565: 2561: 2552: 2550: 2540: 2536: 2529: 2513: 2509: 2500: 2498: 2483: 2482: 2478: 2469: 2467: 2454: 2453: 2446: 2436: 2434: 2423: 2419: 2409: 2407: 2396: 2392: 2383: 2381: 2369: 2365: 2355: 2353: 2340: 2331: 2321: 2319: 2304: 2289: 2279: 2277: 2272: 2271: 2262: 2252: 2250: 2235: 2227:McCusker, J. J. 2215: 2207:McCusker, J. J. 2203: 2196: 2186: 2184: 2176: 2175: 2171: 2161: 2159: 2146: 2142: 2133: 2108: 2100: 2093: 2084: 2082: 2077: 2076: 2067: 2060: 2042: 2038: 2027: 2016: 2007: 2005: 2003: 1987: 1983: 1974: 1972: 1962: 1949: 1942: 1920: 1893: 1875: 1869:Gilliland, John 1866: 1859: 1850: 1848: 1843: 1842: 1838: 1829: 1827: 1822: 1821: 1817: 1808: 1806: 1797: 1796: 1792: 1785: 1769: 1765: 1761: 1720: 1687: 1682:Jeannie Vassoir 1522: 1513: 1503: 1458: 1448: 1382: 1372: 1295: 1285: 1266:"Motherly Love" 1183: 1091:Bizarre Records 1024: 1019: 1014: 1009: 986: 981: 976: 971: 935:MusicHound Rock 912: 907: 902: 897: 874: 869: 864: 859: 826: 795:Verve released 793: 787: 784: 692:Jeannie Vassoir 578: 544: 543: 535: 533: 532: 531: 530: 523: 520: 514: 513: 512: 505: 502: 495: 489: 484: 452: 430:, and in 2003, 402:, and standard 283: 262: 257: 254: 253: 248: 242: 236: 235: 230: 227: 225: 221: 219: 218: 190: 187:Absolutely Free 181: 126: 122: 121: 113: 72: 70: 61: 48: 31: 28: 21: 12: 11: 5: 4447: 4437: 4436: 4431: 4426: 4421: 4416: 4411: 4406: 4401: 4396: 4377: 4376: 4373: 4372: 4370: 4369: 4364: 4359: 4354: 4348: 4346: 4335: 4334: 4332: 4331: 4324: 4317: 4310: 4303: 4296: 4288: 4286: 4279: 4278: 4273: 4266: 4259: 4252: 4244: 4242: 4238: 4237: 4234: 4233: 4231: 4230: 4225: 4218: 4211: 4204: 4197: 4190: 4183: 4176: 4169: 4162: 4155: 4148: 4141: 4133: 4131: 4127: 4126: 4124: 4123: 4116: 4109: 4102: 4095: 4088: 4081: 4074: 4067: 4060: 4053: 4046: 4039: 4032: 4025: 4020: 4013: 4006: 3999: 3992: 3985: 3978: 3971: 3964: 3957: 3950: 3943: 3936: 3929: 3921: 3919: 3915: 3914: 3912: 3911: 3904: 3897: 3890: 3883: 3876: 3869: 3862: 3855: 3848: 3841: 3834: 3827: 3820: 3817:QuAUDIOPHILIAc 3813: 3806: 3799: 3791: 3789: 3785: 3784: 3782: 3781: 3774: 3767: 3760: 3753: 3746: 3739: 3731: 3729: 3722: 3716: 3715: 3712: 3711: 3709: 3708: 3701: 3694: 3687: 3680: 3673: 3666: 3659: 3651: 3649: 3645: 3644: 3642: 3641: 3634: 3627: 3620: 3613: 3606: 3599: 3592: 3589:Jazz from Hell 3585: 3578: 3571: 3564: 3557: 3550: 3543: 3536: 3529: 3522: 3515: 3508: 3501: 3494: 3487: 3480: 3473: 3465: 3463: 3459: 3458: 3456: 3455: 3448: 3441: 3434: 3431:Sheik Yerbouti 3427: 3420: 3413: 3406: 3399: 3392: 3385: 3378: 3375:Apostrophe (') 3371: 3364: 3357: 3350: 3343: 3336: 3329: 3322: 3315: 3307: 3305: 3301: 3300: 3298: 3297: 3290: 3283: 3276: 3269: 3262: 3255: 3248: 3240: 3238: 3231: 3225: 3224: 3210: 3209: 3202: 3195: 3187: 3181: 3180: 3167: 3166:External links 3164: 3162: 3161: 3154: 3127: 3115: 3108: 3088: 3062: 3031: 3006: 2989: 2982: 2964:MacDonald, Ian 2955: 2938: 2905: 2896: 2863: 2857:978-0857125958 2856: 2829: 2800: 2786: 2778:Fireside Books 2764:Sheffield, Rob 2755: 2734: 2720: 2713: 2697:, ed. (1996). 2686: 2679: 2654: 2622: 2597: 2591:Zappa, Frank. 2584: 2572: 2566:Zappa, Frank. 2559: 2534: 2527: 2507: 2476: 2444: 2417: 2390: 2363: 2329: 2312:Podcast Garden 2287: 2260: 2244:1800–present: 2194: 2169: 2140: 2134:Zappa, Frank. 2106: 2091: 2065: 2058: 2036: 2014: 2001: 1981: 1947: 1940: 1891: 1881:Pop Chronicles 1857: 1836: 1815: 1790: 1783: 1762: 1760: 1757: 1754: 1753: 1750: 1742: 1738: 1737: 1734: 1731: 1725: 1724: 1719: 1716: 1715: 1714: 1711: 1708: 1705: 1702: 1699: 1696: 1686: 1685: 1679: 1673: 1672: â€“ vocals 1667: 1661: 1655: 1654: â€“ noises 1649: 1646: 1643: 1640: 1637: 1634: 1631: 1628: 1625: 1622: 1619:Raymond Kelley 1616: 1613: 1607: 1604: 1603: â€“ guitar 1598: 1595: 1588: 1582: 1581: 1575: 1561: 1555: 1541: 1521: 1518: 1510: 1509: 1506: 1500: 1499: 1496: 1495: 1494: 1491: 1481: 1477: 1476: 1473: 1470: 1459: 1455: 1454: 1451: 1445: 1444: 1441: 1440: 1439: 1436: 1430: 1420: 1416: 1415: 1412: 1405: 1401: 1400: 1397: 1394: 1383: 1379: 1378: 1375: 1369: 1368: 1365: 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1874: 1870: 1864: 1862: 1846: 1840: 1825: 1819: 1805:on 2015-10-09 1804: 1800: 1794: 1786: 1780: 1776: 1775: 1767: 1763: 1749: 1747: 1743: 1740: 1739: 1735: 1732: 1729: 1728: 1722: 1721: 1712: 1709: 1706: 1703: 1700: 1697: 1694: 1693: 1692: 1691: 1683: 1680: 1678: â€“ piano 1677: 1674: 1671: 1668: 1666: â€“ piano 1665: 1664:Mac Rebennack 1662: 1659: 1656: 1653: 1650: 1647: 1644: 1641: 1638: 1635: 1632: 1629: 1626: 1623: 1621: â€“ cello 1620: 1617: 1614: 1611: 1608: 1605: 1602: 1599: 1596: 1593: 1590: 1589: 1587: 1586: 1579: 1578:Elliot Ingber 1576: 1574:, boy soprano 1573: 1569: 1565: 1562: 1559: 1556: 1553: 1549: 1545: 1542: 1540: 1537:, conductor, 1536: 1532: 1529: 1528: 1527: 1526: 1517: 1507: 1504:Total length: 1501: 1497: 1492: 1489: 1488: 1486: 1482: 1478: 1465: 1452: 1449:Total length: 1446: 1442: 1437: 1435: 1434:Edgard Varèse 1431: 1428: 1427: 1425: 1421: 1417: 1413: 1410: 1406: 1402: 1389: 1376: 1373:Total length: 1370: 1366: 1363: 1359: 1355: 1352: 1348: 1344: 1341: 1337: 1333: 1330: 1326: 1322: 1320:"Wowie Zowie" 1319: 1315: 1302: 1289: 1286:Total length: 1283: 1279: 1276: 1272: 1268: 1265: 1261: 1257: 1254: 1250: 1246: 1243: 1239: 1235: 1231: 1228: 1224: 1220: 1217: 1213: 1200: 1194: 1193: 1189: 1181:Track listing 1178: 1176: 1175: 1170: 1166: 1165: 1160: 1159: 1154: 1150: 1149: 1148:Rolling Stone 1144: 1140: 1136: 1134: 1130: 1126: 1122: 1118: 1117: 1112: 1108: 1104: 1100: 1096: 1092: 1088: 1084: 1078: 1076: 1069: 1068:, who wrote: 1067: 1066: 1061: 1057: 1052: 1051: 1046: 1037: 1035: 1032: 1031: 1001: 999: 998: 994: 993: 963: 961: 960: 956: 955: 951: 949: 948: 944: 943: 939: 937: 936: 932: 931: 927: 925: 924: 920: 919: 889: 887: 886: 882: 881: 851: 849: 846: 845: 837: 834:Review scores 832: 821: 819: 818: 811: 806: 801: 798: 781: 777: 774: 772: 771: 766: 765:Edgard Varèse 760: 758: 754: 749: 745: 744: 739: 738:Elvis Presley 735: 730: 726: 722: 716: 714: 713: 708: 704: 699: 697: 693: 689: 685: 681: 677: 674:), guitarist 673: 669: 665: 661: 660:Wrecking Crew 656: 652: 648: 644: 638: 636: 632: 631:Richard Berry 628: 624: 620: 616: 612: 611: 606: 605: 604:Joe's Corsage 600: 596: 592: 588: 582: 575: 569: 567: 566: 561: 560:concept album 557: 553: 549: 542: 540: 519: 501: 479: 477: 473: 469: 468:Verve Records 465: 461: 456: 447: 445: 444: 439: 435: 434: 433:Rolling Stone 429: 424: 422: 418: 417: 412: 409: 405: 401: 397: 393: 388: 386: 382: 378: 377:Elliot Ingber 374: 370: 366: 362: 358: 354: 349: 347: 346: 341: 337: 333: 329: 325: 321: 317: 316:Verve Records 313: 309: 305: 302:is the debut 301: 300: 290: 286: 279: 274: 270: 265: 252: 245: 240: 234: 224: 217: 216: 213: 210: 206: 202: 198: 189: 188: 184: 180: 179: 175: 173: 172: 168: 164: 160: 156: 153: 150: 148: 144: 141: 138: 136: 132: 120: 116: 110: 107: 106: 104: 102: 98: 94: 91: 87: 83: 79: 68: 64: 60: 55: 51: 47:reissue cover 44: 39: 34: 26: 19: 4381: 4342: 4326: 4319: 4312: 4305: 4298: 4291: 4285:Compilations 4275: 4268: 4261: 4254: 4247: 4227: 4220: 4213: 4206: 4199: 4192: 4185: 4178: 4171: 4164: 4157: 4150: 4145:Halloween 81 4143: 4136: 4118: 4113:Halloween 73 4111: 4104: 4097: 4090: 4085:Halloween 77 4083: 4076: 4069: 4062: 4055: 4048: 4041: 4034: 4027: 4022: 4015: 4008: 4001: 3994: 3987: 3980: 3973: 3966: 3959: 3952: 3945: 3938: 3931: 3924: 3906: 3899: 3894:Joe's Menage 3892: 3885: 3878: 3871: 3864: 3857: 3850: 3843: 3836: 3829: 3824:Joe's Domage 3822: 3815: 3808: 3801: 3794: 3776: 3771:Mystery Disc 3769: 3762: 3755: 3748: 3741: 3734: 3703: 3696: 3689: 3682: 3675: 3668: 3661: 3654: 3636: 3629: 3622: 3615: 3608: 3601: 3594: 3587: 3580: 3573: 3566: 3559: 3552: 3545: 3538: 3531: 3524: 3517: 3510: 3503: 3496: 3489: 3482: 3475: 3468: 3450: 3443: 3436: 3429: 3422: 3415: 3408: 3403:Zoot Allures 3401: 3394: 3387: 3380: 3373: 3366: 3359: 3352: 3345: 3338: 3331: 3324: 3317: 3310: 3292: 3285: 3278: 3271: 3264: 3257: 3250: 3244: 3243: 3172: 3146:Virgin Books 3140: 3130: 3123:Classic Rock 3122: 3118: 3102:. Universe. 3098: 3091: 3079:. Retrieved 3074: 3065: 3054:. Retrieved 3050:the original 3043: 3034: 3023:. Retrieved 3019:the original 3009: 2999: 2992: 2967: 2958: 2948: 2941: 2929:. Retrieved 2925:the original 2918: 2908: 2899: 2888:. Retrieved 2882: 2876: 2842: 2832: 2820:. Retrieved 2816: 2803: 2791:. Retrieved 2771: 2758: 2747: 2743: 2737: 2723: 2698: 2689: 2666: 2657: 2645:. Retrieved 2639: 2633: 2625: 2614:. Retrieved 2607: 2600: 2592: 2587: 2567: 2562: 2551:. Retrieved 2548:, VR 20041)" 2545: 2537: 2517: 2510: 2499:. Retrieved 2495:the original 2488: 2479: 2468:. Retrieved 2464:the original 2457: 2437:November 30, 2435:. Retrieved 2430: 2420: 2410:November 30, 2408:. Retrieved 2403: 2393: 2382:. Retrieved 2376: 2366: 2356:November 30, 2354:. Retrieved 2343:Zappa, Frank 2322:November 30, 2320:. Retrieved 2316:the original 2311: 2280:November 30, 2278:. Retrieved 2253:February 29, 2251:. Retrieved 2231: 2211: 2187:November 30, 2185:. Retrieved 2179: 2172: 2160:. Retrieved 2153: 2143: 2135: 2101: 2083:. Retrieved 2047: 2039: 2030: 2006:. Retrieved 1991: 1984: 1973:. Retrieved 1969: 1925: 1879: 1849:. Retrieved 1839: 1828:. Retrieved 1818: 1807:. Retrieved 1803:the original 1793: 1773: 1766: 1745: 1689: 1688: 1584: 1583: 1524: 1523: 1514: 1185: 1172: 1169:Colin Larkin 1164:Classic Rock 1162: 1156: 1146: 1138: 1137: 1128: 1124: 1114: 1107:David Fricke 1102: 1086: 1080: 1074: 1071: 1063: 1060:Pete Johnson 1055: 1048: 1044: 1043: 995: 957: 945: 933: 921: 883: 815: 812: 808: 803: 800:which read: 796: 794: 779: 775: 768: 761: 752: 741: 717: 710: 706: 700: 696:Jim Sherwood 654: 650: 639: 614: 608: 602: 598: 584: 573: 571: 563: 555: 551: 545: 536: 457: 453: 441: 440:". In 2006, 431: 425: 414: 395: 389: 350: 343: 336:double album 304:studio album 298: 297: 296: 208: 185: 177: 176: 54:Studio album 4434:Freak scene 4078:Little Dots 4071:Chicago '78 3519:Baby Snakes 3354:Waka/Jawaka 3280:Mothermania 3266:Lumpy Gravy 3230:(1966–1993) 3214:Frank Zappa 3000:Lumpy Money 2931:20 November 2822:October 24, 2793:October 24, 2595:. 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Globalia 2384:2007-02-09 2158:. Avo Raup 2136:Freak Out! 2085:2007-02-08 2008:2010-05-28 1975:2007-02-09 1851:2007-02-22 1830:2007-02-22 1809:2015-11-13 1759:References 1676:Les McCann 1658:Kim Fowley 1610:Carol Kaye 1592:Gene Estes 1548:percussion 1386:Side three 1139:Freak Out! 1103:Freak Out! 1087:Freak Out! 1045:Freak Out! 797:Freak Out! 757:conceptual 707:Freak Out! 688:Kim Fowley 680:Les McCann 668:Carol Kaye 664:Gene Estes 662:" members 655:Freak Out! 615:Freak Out! 599:Freak Out! 595:California 574:Freak Out! 556:Freak Out! 539:media help 460:Herb Cohen 450:Background 396:Freak Out! 385:Magic Band 379:(later of 353:Tom Wilson 299:Freak Out! 267:Back cover 178:Freak Out! 165:chronology 152:Tom Wilson 73:1966-06-27 36:Freak Out! 4314:Cucamonga 3803:Halloween 2742:"Review: 2632:"Review: 1746:Billboard 1736:Position 1572:guitarrĂłn 1520:Personnel 1462:Side four 1123:regarded 1075:Freak Out 1050:Billboard 824:Reception 719:liked by 591:Hollywood 482:Recording 340:Bob Dylan 3294:Hot Rats 3138:(2006). 2966:(2007). 2884:AllMusic 2840:(2007). 2809:Tom Hull 2766:(2004). 2665:(2024). 2641:AllMusic 2229:(1992). 2209:(1997). 2162:June 29, 1871:(1969). 1566: â€“ 1554:, vocals 1546: â€“ 1533: â€“ 1299:Side two 1197:Side one 1177:(2000). 1083:PolyGram 1034:Tom Hull 947:OndaRock 848:AllMusic 783:—  672:Dr. John 147:Producer 81:Recorded 66:Released 56: by 3866:Buffalo 3178:YouTube 2647:13 June 1876:(audio) 1062:of the 791:Release 625:song, " 400:doo-wop 205:Singles 191:(1967) 182:(1966) 71: ( 4345:series 3750:Läther 3610:Guitar 3152:  3106:  3077:. 2012 2980:  2854:  2784:  2711:  2677:  2525:  2056:  1999:  1938:  1781:  1733:Chart 1718:Charts 1570:& 1539:vocals 1535:guitar 1475:Length 1399:Length 1312:Length 1210:Length 928:8.5/10 842:Rating 839:Source 748:bridge 118:Length 89:Studio 4130:2020s 3918:2010s 3880:Wazoo 3796:FZ:OZ 3788:2000s 3728:1990s 3648:1990s 3462:1980s 3304:1970s 3237:1960s 2236:(PDF) 2216:(PDF) 1932:65–80 1741:1967 1730:Year 1723:Album 1552:drums 1498:12:22 1472:Title 1453:14:30 1396:Title 1377:15:33 1309:Title 1290:18:20 1207:Title 940:4.5/5 579:' 404:blues 357:blues 310:band 207:from 140:Verve 135:Label 101:Genre 4367:2011 4362:2010 4357:2008 4352:2006 3216:and 3150:ISBN 3104:ISBN 3083:2019 2978:ISBN 2933:2009 2852:ISBN 2824:2020 2795:2020 2782:ISBN 2709:ISBN 2675:ISBN 2649:2009 2523:ISBN 2439:2017 2412:2017 2358:2017 2351:WRVR 2324:2017 2282:2017 2255:2024 2189:2017 2164:2019 2054:ISBN 1997:ISBN 1936:ISBN 1779:ISBN 1752:130 1568:bass 1443:8:37 1414:5:53 1367:3:41 1356:2:41 1345:2:55 1334:3:21 1323:2:55 1280:2:16 1269:2:50 1258:3:43 1247:3:25 1232:2:34 1221:3:32 1093:and 952:9/10 651:MOFO 365:bass 308:rock 161:and 2746:". 1748:200 1480:14. 1468:No. 1419:13. 1404:12. 1392:No. 1361:11. 1350:10. 1305:No. 1203:No. 1171:'s 1135:". 703:LSD 637:". 589:in 464:MGM 383:'s 342:'s 93:TTG 4390:: 3073:. 3042:. 2917:. 2881:. 2866:^ 2850:. 2815:. 2811:. 2780:. 2707:. 2673:. 2638:. 2575:^ 2487:. 2447:^ 2429:. 2402:. 2375:. 2332:^ 2310:. 2290:^ 2263:^ 2238:. 2218:. 2197:^ 2152:. 2109:^ 2094:^ 2068:^ 2017:^ 1968:. 1950:^ 1934:. 1894:^ 1884:. 1878:. 1860:^ 1550:, 1339:9. 1328:8. 1317:7. 1274:6. 1263:5. 1252:4. 1237:3. 1226:2. 1215:1. 1119:. 1113:' 1101:. 690:, 686:, 666:, 593:, 421:CD 363:, 127:55 123:60 3206:e 3199:t 3192:v 3158:. 3112:. 3085:. 3059:. 3028:. 2986:. 2935:. 2893:. 2879:" 2860:. 2826:. 2797:. 2749:Q 2731:. 2717:. 2683:. 2651:. 2636:" 2619:. 2610:" 2556:. 2531:. 2504:. 2473:. 2460:" 2441:. 2414:. 2387:. 2360:. 2326:. 2284:. 2257:. 2242:. 2222:. 2191:. 2166:. 2088:. 2062:. 2011:. 1978:. 1944:. 1888:. 1854:. 1833:. 1812:. 1787:. 1483:" 1422:" 1411:" 1407:" 1244:" 1240:" 1038:B 959:Q 732:" 541:. 246:" 241:/ 237:" 125:: 75:) 27:. 20:.

Index

Freak out (disambiguation)
Wowee Zowee

Studio album
the Mothers of Invention
TTG
Genre
Experimental rock
Label
Verve
Producer
Tom Wilson
Frank Zappa
the Mothers of Invention
Absolutely Free
Singles
Help, I'm a Rock
Trouble Comin' Every Day
Who Are the Brain Police?

studio album
rock
the Mothers of Invention
Verve Records
concept albums
Frank Zappa
pop culture
freak scene
double album
Bob Dylan

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