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Franz Ignaz Beck

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312: 266:. Galuppi, whose name as a composer has faded over the centuries, was between 1750 and 1765 the most performed opera composer in Europe. In Mannheim he was especially well known. Several of his operas (16 all together) were staged at Mannheim in the middle of the 18th century. Thus, Galuppi would have known Mannheim and the fact that Mannheim had the leading orchestra in Europe. This helps to explain why Beck after his dramatic flight had probably little difficulty to establish himself in Venice and become Galuppi's pupil. 283: 401:, Michael Schneider, CPO|Symphonies op. 3, No. 3-5. The Seasons, Frankfurt, Michael Schneider, CPO), it seems that some symphonies do have four movements as well as a minuet; as for the symphonies of Stamitz, some do not have a minuet and have only three movements. The symphonies Op. 1 are scored for string orchestra; in Op. 2, No. 1 (Callen 7) in addition to the strings two French horns are demanded; op. 3 and 4 are scored for oboes and horns in addition to the string quintet. 185: 1373: 1383: 347:. Nevertheless, in 1791 he got into trouble with the new authorities when through caustic remarks he openly ridiculed some overzealous partisans of the new spirit. He seems to have been a self-assured, proud and stubborn man. When he was subsequently put before a revolutionary trial in his nightshirt, he answered questions concerning his attitude towards the revolution with the exclamation: "What could I do against the revolution!?" 40: 250:
From this it is sometimes inferred that the story of Beck fighting a duel was probably a hoax. If Beck, so the reasoning goes, had in all truth been forced to flee from the Mannheim court because he had killed someone in a duel, then he would not have possessed the audacity to openly advertise the
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In 1761 Beck moved from Marseilles to Bordeaux where he became director of concerts and was appointed musical director with the dramatic company of the Marechal Duc de Richelieu, which in 1780 moved into the newly built Grand Théùtre. He also was active as organist and teacher. Among his more
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at the theatre orchestra. The exact date of his arrival in France is uncertain, but the performance of one of his symphonies in Paris in 1757 is documented. When Beck's Parisian publisher Venier announced the publication of Beck's Op. 3 in November 1762, he introduced Beck with these words:
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with one Anna Oniga, his future wife and mother of his seven children. It seems that Beck's career as a composer started largely during his years in Italy; this may also explain why in many traits he shows himself to be quite his own man and rather independent of the typical Mannheim style.
199:, Beck began his violin studies with his father, Johann Aloys Beck (died 1742), an oboist and rector of the Choir School at the Palatinate Court in Mannheim. He also learned double bass and organ, among other instruments, and eventually came under the tutelage of 327:
By the time he was settled in Bordeaux Beck's best times as a composer were all but over. Much of what he wrote there seems to have been either lost or destroyed by Beck himself. His greatest success came in 1783 when he travelled to
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SEI SINFONIE / A PIÙ STROMENTI / Composte / Dal Sigr. FRANCESCO BECK / Virtuoso di Camera di Sua / A. S. L’ELECTOR PALATINO, / & Actualmente Primo Violino / d’ell Concerto di Marsilia. /OPERA TERZA. /...Chez Mr.
303:. Between 1757 and 1762, all of his 24 symphonies were published in rapid succession by Parisian firms. At least seven performances of Beck's symphonies are known to have been given in Marseilles in 1760–61. 170:
and put an increasing emphasis on thematic development. His taut, dramatic style is also remarkable for its employment of bold harmonic progressions, flexible rhythms and highly independent part writing.
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In 1806 he sent the score of his Stabat Mater with a personal dedication to Napoleon – whether out of genuine admiration or in an attempt to ingratiate himself with the great Corsican is hard to decide.
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Translation: "Six symphonies for several instruments, composition by Sir Francesco Beck, chamber virtuoso of his highness the Elector Palatine and presently concert master of the concert of Marseille."
557:"This favourable judgment on Beck's symphonies is by musicologist Barry S. Brook. The quote is from the online version of the booklet of the NAXOS recording of Beck Six Symphonies Op. 1" 251:
fact that he used to be a chamber virtuoso with exactly the same court. However, seen from another angle this might corroborate the truth of Blanchard's story. If Beck had indeed
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See Entry “Franz Ignaz Beck” in (Badley 2005), (Blume 1949–1987), (Slonimsky 1958). Particularly helpful is the lengthy essay on Beck by Robert Sondheimer in: (Blume 1949–1987).
1422: 234:-like cloak and dagger story. The only source for this tale is Beck's pupil Henri Blanchard who published this account in a biography of his former teacher in the 218:, undertook responsibility for his education. As a youth Beck was very much in favour with the Mannheim court and named chamber virtuoso of the Prince elector. 159: 359:. Whereas in the year 1791 he was still able to pay his mother in law a pension of 400 Livres, a few years later he was barely able to support his family. 898: 255:
killed the other man and he knew by then that everything had been a vicious prank and his opponent alive, then the story might be true after all.
230:(allegedly because of jealousy), an act that forced him to leave Germany. It is hard to ascertain whether this is really what happened or just a 324:. On 24 October 1774 he was appointed organist at St Seurin, Bordeaux, where his improvisatory powers won him admiration from the congregation. 394:, as third movement already ubiquitous in Johann Stamitz’ symphonies, is omitted by Beck. According to records cited in the references below ( 691: 556: 1447: 1417: 810: 772: 512: 522: 517: 395: 1452: 891: 238:(1845). According to Blanchard, Beck's opponent had only feigned his death, but Beck was not to learn this for several years. 1432: 211: 1442: 1376: 884: 750: 736: 241:
When Beck's six symphonies, Op. 3, were published in Paris several years later in 1762 the edition bore this title:
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All information concerning the orchestral scoring and the Callen numbers was obtained from Artaria Editions.
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As did many other composers, Beck wrote patriotic and revolutionary music during the Revolution, including a
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Beck had six daughters, two of whom died early. His only son was commander of a French corvette during the
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His time in Mannheim came to an abrupt end when he - seemingly fatally - wounded an opponent in a
1363: 1074: 945: 1386: 1356: 1313: 688: 560: 20: 1276: 1209: 1079: 1009: 930: 527: 507: 398: 167: 1412: 1407: 1323: 935: 762: 662: 581: 337: 158:. His fame rests on his 24 symphonies that are among the most original and striking of the 8: 1333: 1235: 1084: 1049: 999: 982: 967: 845: 835: 1139: 1124: 1089: 1134: 1114: 311: 263: 508:
Six Symphonies, Op. 1. New Zealand Chamber Orchestra, Donald Armstrong, Naxos 8.554071
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Symphonies op. 3, Nr. 1, 2, 6. La Stagione, Frankfurt am Main, Michael Schneider, CPO
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UngekĂŒrzte elektronische Ausgabe der ersten Auflage. Kassel: BĂ€renreiter, 1949–1987.
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who spent the greater part of his life in France, where he became director of the
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Symphonies op. 4, Nr. 1-3. La Stagione, Frankfurt am Main, Michael Schneider, CPO
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Symphonies op. 3, Nr. 3-5. La Stagione, Frankfurt am Main, Michael Schneider, CPO
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Whatever the circumstances of his departure, from Mannheim Beck made his way to
154:, Beck is an important representative of the second generation of the so-called 1240: 1214: 1184: 1154: 1119: 1034: 992: 950: 860: 321: 295: 208: 200: 151: 778: 1401: 1328: 1189: 1099: 1069: 855: 720: 143: 282: 1256: 1149: 1144: 987: 940: 850: 641: 333: 1194: 1159: 1039: 1014: 705:
Die Musik in Geschichte und Gegenwart. Allgemeine EnzyklopÀdie der Musik.
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Symphonies. Northern Chamber Orchestra, Nicholas Ward, Naxos 8.553790
785:, Sinfonietta Riga Chamber Orchestra, Domas Juskys, conductor (2019) 729:
Deutsche Biographische EnzyklopÀde (German Biographic Encyclopaedia)
162:. He was one of the first composers to introduce the regular use of 876: 474:
18 Sonatas (or PĂšces) for Harpsichord or Pianoforte Op. 5 (c. 1773)
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Beck's 24 symphonies are in three movements and follow the Italian
196: 135: 81: 63: 788: 39: 231: 203:, the director of instrumental music and leader of the brilliant 262:, where he appeared as a violinist and studied composition with 391: 270: 259: 131: 329: 731:. Bd. (Vol.) 5. K-G. 10 Bde. (Vols.) Munich: KG Saur, 1999. 765:– providing orchestra scores with Callen catalogue numbers. 227: 221: 320:
prominent pupils were Pierre Gaveaux, Henri Blanchard and
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At present first violinist of the Concert of Marseilles.
373:, and was held captive by the English for a long time. 743:
Mannheim und Italien. Zur Vorgeschichte der Mannheimer
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Six Symphonies Op. 4 (Callen 19–24; publ. Paris 1766)
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Six Symphonies Op. 3 (Callen 13–18; publ. Paris 1762)
687:(CD-Booklet). Naxos Rights International Ltd., 2005. 680:(CD-Booklet). Naxos Rights International Ltd., 2005. 408:
Six Symphonies Op. 2 (Callen 7–12; publ. Paris 1760)
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Six Symphonies Op. 1 (Callen 1–6; publ. Paris 1758)
350: 130:(20 February 1734 – 31 December 1809) was a German 301:Actualmente Primo Violino del Concerto di Marsilia 355:Beck's fortunes declined in the aftermath of the 1423:Expatriates from the Holy Roman Empire in France 1399: 717:5th Completely Revised Edition. New York, 1958. 497:, 2 Menuets, Allegro moderato in g minor, etc. 390:with the customary tempi: fast-slow-fast. The 179: 892: 804: 715:Baker's Biographical Dictionary of Musicians. 207:. Beck's talents were quickly recognized and 19:Not to be confused with the German composer 277: 899: 885: 811: 797: 501: 290:After his sojourn in Italy, Beck moved to 38: 773:International Music Score Library Project 269:After three years in Venice he eloped to 685:Franz Ignaz Beck - Six Symphonies, Op. 1 678:Franz Ignaz Beck - Six Symphonies, Op. 1 310: 281: 222:Violinist in Venice and Naples 1755–1757 183: 534: 468: 332:to direct the first performance of his 315:Grand ThĂ©Ăątre de Bordeaux (Modern view) 1400: 530:(2 symphonies by Gossec and 3 by Beck) 150:. Possibly the most talented pupil of 880: 792: 906: 818: 307:Kapellmeister in Bordeaux 1761–1791 13: 1448:19th-century German male musicians 462:L'Isle dĂ©serte (1779, unperformed) 236:Revue et Gazette musicale de Paris 14: 1464: 1418:German Classical-period composers 756: 1381: 1372: 1371: 612:Die Mannheimer Operntextsammlung 351:Last years in Bordeaux 1791–1809 917:List of Classical-era composers 769:Free scores by Franz Ignaz Beck 656: 647: 366:He died in Bordeaux at age 75. 635: 626: 617: 614:, pp. 66–77 in: (WĂŒrtz, 1984). 604: 595: 586: 575: 549: 540: 1: 1453:18th-century German composers 381: 7: 1433:German male opera composers 741:WĂŒrtz, Roland, Hrsg. (ed.) 451:(Bordeaux, August 24, 1767) 180:Youth in Mannheim 1734–1754 10: 1469: 670: 396:Symphonies op. 3, Nr. 3-5. 18: 1351: 1306: 1285: 1249: 1228: 923: 914: 826: 442: 148:Grand ThĂ©Ăątre de Bordeaux 120:Grand ThĂ©Ăątre de Bordeaux 115: 89: 70: 49: 37: 30: 1443:Pupils of Johann Stamitz 420:Symphonies Op. 13 (1762) 417:Symphonies Op. 10 (1760) 376: 278:Fame in France 1757–1760 205:Mannheim court orchestra 44:Franz Ignaz Beck c. 1795 1438:Musicians from Mannheim 745:. Mainz: Schott, 1984. 644:would be a good example 502:Discography (selection) 174: 1428:German opera composers 1314:Common practice period 694:17 August 2009 at the 582:See: Artaria Editions. 345:Hymne ĂĄ l'Être SuprĂȘme 316: 287: 192: 21:Franz Ignaz von Beecke 1277:Turkish music (style) 931:First Viennese School 457:(Paris, July 2, 1789) 399:La Stagione Frankfurt 314: 285: 187: 1324:Age of Enlightenment 535:Notes and references 469:Piano or harpsichord 160:pre-Classical period 1236:Classical orchestra 846:Franz Xaver Richter 836:Christian Cannabich 449:La belle jardiniĂšre 435:Stabat Mater (1782) 286:Marseille (c. 1700) 711:Slonimsky, Nicolas 610:Wilhelm Herrmann: 438:Orchestra quartets 317: 294:, where he became 288: 264:Baldassare Galuppi 193: 1395: 1394: 874: 873: 653:(Blume 1949–1987) 563:on 17 August 2009 357:French Revolution 125: 124: 1460: 1385: 1375: 1374: 908:Classical period 901: 894: 887: 878: 877: 831:Franz Ignaz Beck 813: 806: 799: 790: 789: 783:La mort d'OrphĂ©e 763:Artaria Editions 701:Blume, Friedrich 665: 660: 654: 651: 645: 639: 633: 630: 624: 621: 615: 608: 602: 599: 593: 590: 584: 579: 573: 572: 570: 568: 559:. Archived from 553: 547: 544: 477:Various pieces: 425:La mort d'OrphĂ©e 212:Charles Theodore 164:wind instruments 128:Franz Ignaz Beck 77: 74:31 December 1809 60:20 February 1734 59: 57: 42: 32:Franz Ignaz Beck 28: 27: 1468: 1467: 1463: 1462: 1461: 1459: 1458: 1457: 1398: 1397: 1396: 1391: 1368: 1360: 1347: 1302: 1298:Galant Schemata 1281: 1272:Sensitive style 1245: 1229:Instrumentation 1224: 958:Mannheim school 919: 910: 905: 875: 870: 822: 820:Mannheim school 817: 759: 725:Rudolf Vierhaus 696:Wayback Machine 683:Badley, Allan. 676:Badley, Allan. 673: 668: 661: 657: 652: 648: 640: 636: 631: 627: 622: 618: 609: 605: 600: 596: 591: 587: 580: 576: 566: 564: 555: 554: 550: 545: 541: 537: 504: 471: 445: 384: 379: 371:Napoleonic wars 353: 309: 280: 224: 189:Mannheim Palace 182: 177: 156:Mannheim school 111: 108:Music pedagogue 105:Theater manager 85: 79: 75: 66: 61: 55: 53: 45: 33: 24: 17: 16:German musician 12: 11: 5: 1466: 1456: 1455: 1450: 1445: 1440: 1435: 1430: 1425: 1420: 1415: 1410: 1393: 1392: 1390: 1389: 1379: 1364:Romantic music 1361: 1353: 1352: 1349: 1348: 1346: 1345: 1344: 1343: 1342: 1341: 1336: 1331: 1316: 1310: 1308: 1304: 1303: 1301: 1300: 1295: 1293:Notes inĂ©gales 1289: 1287: 1283: 1282: 1280: 1279: 1274: 1269: 1264: 1259: 1253: 1251: 1247: 1246: 1244: 1243: 1241:String quartet 1238: 1232: 1230: 1226: 1225: 1223: 1222: 1217: 1212: 1207: 1202: 1197: 1192: 1187: 1182: 1177: 1172: 1167: 1162: 1157: 1152: 1147: 1142: 1137: 1132: 1127: 1122: 1117: 1112: 1110:MartĂ­n y Soler 1107: 1102: 1097: 1092: 1087: 1082: 1077: 1072: 1067: 1062: 1057: 1052: 1047: 1042: 1037: 1032: 1027: 1022: 1017: 1012: 1007: 1002: 997: 996: 995: 990: 985: 980: 975: 970: 965: 955: 954: 953: 948: 943: 938: 927: 925: 921: 920: 915: 912: 911: 904: 903: 896: 889: 881: 872: 871: 869: 868: 863: 861:Johann Stamitz 858: 853: 848: 843: 838: 833: 827: 824: 823: 816: 815: 808: 801: 793: 787: 786: 776: 766: 758: 757:External links 755: 754: 753: 739: 718: 708: 698: 689:Online version 681: 672: 669: 667: 666: 655: 646: 634: 625: 616: 603: 594: 585: 574: 548: 538: 536: 533: 532: 531: 525: 520: 515: 510: 503: 500: 499: 498: 475: 470: 467: 466: 465: 458: 452: 444: 441: 440: 439: 436: 433: 427: 421: 418: 415: 412: 409: 406: 383: 380: 378: 375: 352: 349: 322:Nicolas Bochsa 308: 305: 296:concert master 279: 276: 248: 247: 223: 220: 201:Johann Stamitz 181: 178: 176: 173: 168:slow movements 152:Johann Stamitz 123: 122: 117: 113: 112: 110: 109: 106: 103: 100: 97: 93: 91: 87: 86: 80: 78:(aged 75) 72: 68: 67: 62: 51: 47: 46: 43: 35: 34: 31: 15: 9: 6: 4: 3: 2: 1465: 1454: 1451: 1449: 1446: 1444: 1441: 1439: 1436: 1434: 1431: 1429: 1426: 1424: 1421: 1419: 1416: 1414: 1411: 1409: 1406: 1405: 1403: 1388: 1384: 1380: 1378: 1370: 1369: 1366: 1365: 1359: 1358: 1357:Baroque music 1350: 1340: 1337: 1335: 1332: 1330: 1327: 1326: 1325: 1322: 1321: 1320: 1317: 1315: 1312: 1311: 1309: 1305: 1299: 1296: 1294: 1291: 1290: 1288: 1284: 1278: 1275: 1273: 1270: 1268: 1265: 1263: 1260: 1258: 1255: 1254: 1252: 1248: 1242: 1239: 1237: 1234: 1233: 1231: 1227: 1221: 1218: 1216: 1213: 1211: 1208: 1206: 1203: 1201: 1198: 1196: 1193: 1191: 1188: 1186: 1183: 1181: 1178: 1176: 1175:Saint-Georges 1173: 1171: 1168: 1166: 1163: 1161: 1158: 1156: 1153: 1151: 1148: 1146: 1143: 1141: 1138: 1136: 1133: 1131: 1128: 1126: 1123: 1121: 1118: 1116: 1113: 1111: 1108: 1106: 1103: 1101: 1098: 1096: 1093: 1091: 1088: 1086: 1083: 1081: 1078: 1076: 1073: 1071: 1068: 1066: 1063: 1061: 1058: 1056: 1053: 1051: 1048: 1046: 1043: 1041: 1038: 1036: 1033: 1031: 1028: 1026: 1023: 1021: 1018: 1016: 1013: 1011: 1008: 1006: 1005:C. 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Bach 1003: 1001: 998: 994: 991: 989: 986: 984: 981: 979: 976: 974: 971: 969: 966: 964: 961: 960: 959: 956: 952: 949: 947: 944: 942: 939: 937: 934: 933: 932: 929: 928: 926: 922: 918: 913: 909: 902: 897: 895: 890: 888: 883: 882: 879: 867: 864: 862: 859: 857: 856:Anton Stamitz 854: 852: 849: 847: 844: 842: 839: 837: 834: 832: 829: 828: 825: 821: 814: 809: 807: 802: 800: 795: 794: 791: 784: 780: 777: 774: 770: 767: 764: 761: 760: 752: 751:3-7957-1326-9 748: 744: 740: 738: 737:3-598-23186-5 734: 730: 726: 722: 721:Walther Killy 719: 716: 712: 709: 706: 702: 699: 697: 693: 690: 686: 682: 679: 675: 674: 664: 659: 650: 643: 638: 629: 623:(Badley 2005) 620: 613: 607: 601:(Badley 2005) 598: 589: 583: 578: 562: 558: 552: 543: 539: 529: 526: 524: 521: 519: 516: 514: 511: 509: 506: 505: 496: 492: 488: 484: 480: 476: 473: 472: 464: 463: 459: 456: 453: 450: 447: 446: 437: 434: 432: 431:L'Ăźle dĂ©serte 428: 426: 422: 419: 416: 413: 410: 407: 404: 403: 402: 400: 397: 393: 389: 374: 372: 367: 364: 360: 358: 348: 346: 341: 339: 335: 331: 325: 323: 313: 304: 302: 297: 293: 284: 275: 272: 267: 265: 261: 256: 254: 244: 243: 242: 239: 237: 233: 229: 219: 217: 213: 210: 206: 202: 198: 190: 186: 172: 169: 165: 161: 157: 153: 149: 145: 144:music teacher 141: 137: 133: 129: 121: 118: 116:Organizations 114: 107: 104: 101: 98: 95: 94: 92: 88: 83: 73: 69: 65: 52: 48: 41: 36: 29: 26: 22: 1362: 1355: 1257:Galant music 962: 851:Carl Stamitz 841:Ignaz FrĂ€nzl 830: 782: 742: 728: 714: 704: 684: 677: 658: 649: 642:Ignaz Pleyel 637: 628: 619: 611: 606: 597: 588: 577: 565:. Retrieved 561:the original 551: 542: 494: 490: 486: 482: 478: 460: 454: 448: 430: 424: 387: 385: 368: 365: 361: 354: 344: 342: 334:Stabat Mater 326: 318: 300: 289: 268: 257: 252: 249: 240: 235: 225: 194: 127: 126: 76:(1809-12-31) 25: 23:(1733–1803). 1413:1809 deaths 1408:1734 births 1075:Hoffmeister 1045:Dittersdorf 90:Occupations 1402:Categories 1319:Classicism 1307:Background 1286:Techniques 1262:Intermezzo 1220:Zingarelli 1125:Mysliveček 1020:Boccherini 1010:J. C. Bach 993:J. Stamitz 988:C. Stamitz 866:Anton Fils 781:Ouverture 491:La RĂ©solue 487:La Jeliote 483:L'Hypolite 479:L'ÉveillĂ©e 429:Ouverture 423:Ouverture 382:Orchestral 338:Versailles 292:Marseilles 246:Venier...’ 216:Palatinate 56:1734-02-20 1334:Economics 1267:Pastorale 1215:Wranitzky 1135:Paisiello 1120:L. Mozart 1025:Cherubini 968:Cannabich 936:Beethoven 924:Composers 495:La Sophie 191:(c. 1725) 140:conductor 132:violinist 102:Conductor 96:Violinist 1377:Category 1354: â† 1170:Sacchini 1140:Piccinni 1095:Kreutzer 1090:KoĆŸeluch 1070:M. Haydn 1065:Gyrowetz 1035:Clementi 1030:Cimarosa 1015:G. Benda 951:Schubert 703:, Hrsg. 692:Archived 567:20 March 388:sinfonia 197:Mannheim 195:Born in 136:composer 99:Composer 84:, France 82:Bordeaux 64:Mannheim 1367:→  1339:Physics 1200:Traetta 1180:Salieri 1165:Rosetti 1100:Krommer 983:Richter 779:YouTube 775:(IMSLP) 771:at the 727:(eds.) 671:Sources 455:Pandora 232:Berlioz 214:of the 209:Elector 1387:Portal 1250:Genres 1210:Wanhal 1205:Viotti 1150:Reicha 1145:Pleyel 1130:Neruda 1105:Kuhlau 1080:Hummel 1060:Gossec 1050:Dussek 1040:Czerny 978:FrĂ€nzl 946:Mozart 749:  735:  713:, ed. 443:Operas 392:Minuet 271:Naples 260:Venice 1195:Spohr 1190:Soler 1185:Sarti 1115:MĂ©hul 1085:Kraus 1055:Gluck 941:Haydn 377:Works 330:Paris 1160:Rode 1155:Ries 1000:Abel 973:Fils 963:Beck 747:ISBN 733:ISBN 569:2010 228:duel 175:Life 142:and 71:Died 50:Born 1329:Art 336:in 253:not 166:in 1404:: 723:, 493:, 489:, 485:, 481:, 340:. 138:, 134:, 900:e 893:t 886:v 812:e 805:t 798:v 571:. 58:) 54:(

Index

Franz Ignaz von Beecke

Mannheim
Bordeaux
Grand Théùtre de Bordeaux
violinist
composer
conductor
music teacher
Grand Théùtre de Bordeaux
Johann Stamitz
Mannheim school
pre-Classical period
wind instruments
slow movements

Mannheim Palace
Mannheim
Johann Stamitz
Mannheim court orchestra
Elector
Charles Theodore
Palatinate
duel
Berlioz
Venice
Baldassare Galuppi
Naples

Marseilles

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