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that group, so who would dare to cover it? Most of the songs on the album were originally performed by artists that were influences on our own work, sometimes musically, sometimes just with their approach to pop. Snakefinger, for instance, was a weirdo-guitar god, so in that sense, we weren't hugely influenced by him musically, but his style and his association with the Ralph
Records empire made him a hero to us. Devo, Fad Gadget, and Heaven 17 were huge heroes of ours. The other songs were mostly spur of the moment decisions, based on hazy and sometimes terrifying memories from our teen years and childhoods."
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swing of the machine. Gadget then thought it would be good to ask
Neubauten if they would add some of their percussion noise to the mix; however, Frank thought there was enough going on in the track and their contribution was used on the b-side "Spoil The Child" and on the 12" mix of the song. Neubauten's percussion was overdubbed over the already recorded backing tracks. The percussion tracks proved difficult to mix at the final stage, but Gadget was pleased with the final result. The track "Collapsing New People" was released as a single by Mute Records.
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recording practices refreshing, having other people collaborating in the writing and recording process. Some of these collaborators included the viola player, Joni
Sackett, and keyboard player, David Simmonds. The recordings included many acoustic instruments, which veered away from the electronic instruments which had been used on previous recording sessions. Fad Gadget had used synthesisers when they were not fashionable to use – he had now moved away from electronic instrumentation when it was the current trend with other recording artists.
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of all their singles from 1978 to 1984 and that was really inspiring. It has to do with the scope of music produced over that time and how certain people used electronics, be it Robert Rental or Thomas Leer or Fad Gadget, all of whom we're big fans of. There's an excerpt from an album that Boyd Rice did with Frank Tovey, who is Fad Gadget, called Easy
Listening for the Hard of Hearing, I think it's track 2, but it's really beautiful, and they made it in the studio without any instruments apparently, just made it on the spot."
389:, were recording for Some Bizzare Records at Hansa and had been the support act for Fad Gadget at a gig at "The Loft" venue in Berlin. Frank liked their use of industrial equipment and found objects, something he had encouraged Nick Cash (his drummer and percussionist since his first album) to do. Fad Gadget heard a large printing press nearby which had a distinctive rhythm and got Gareth Jones, the co-producer/engineer, to record it. The recording was looped and became the basis for "Collapsing New People." (
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working at various jobs and around the mid seventies managed to set up his own home studio. At the time he was living in London, in a small house. The only space where he could set up his studio was in a cupboard. The initial equipment he used consisted mainly of his
Grundig tape recorder. At this time he was using no musical instrument at all. The first keyboard instrument he owned was a
301:, swinging his microphone like a whip, leaping backwards into the audience, dancing across bar tables while kicking over people's drinks, climbing up speakers, hanging from ceiling fixtures, pulling out his body hair and playing instruments with his head, often ending up in personal injury. Gadget was particularly infamous for spreading
228:. At school, Francis tried to learn many different musical instruments. He realised he did not have the co-ordination to be able to play any of them really well. Tovey drifted away from the idea of playing music, and began getting involved in other art forms instead. He later studied visual arts and mime at
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translated means, "collapsing new buildings.") The sample was used firstly on two tracks on Fad Gadget's "Collapsing New People" 12" released
November 1983. All these recordings were engineered by Gareth Jones and the sample used was stored on his Akai sampler with Cash drumming along and keeping the
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Hemphill: "One thing that inspired us to use more electronic instruments was we played a Mute
Records festival. We've always been aware of the history of Mute, but I think we really sort of wanted to be more a part of that. Mute put out a compilation called Mute Audio Documents and it's a collection
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Minipops drum machine from a home organ shop. He eventually decided to purchase a Korg synthesiser. He thought that due to his lack of musical ability he would be able to create some impressive sounds. After the purchase of this equipment he began writing music seriously; it was at this time he sent
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So where has this style come from? It seems to have been influenced by many things, though two stand out. Firstly, the influence of guitarist and chief songwriter Andy MacFarlane: "He's been going back to listen to old records as he doesn't like a lot of new music. He's always listened to the bands
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Gadget felt it was important that he made all the decisions about recording the album himself. Gadget also felt the ideas and concepts behind his live performances were just as important. His live appearances progressed to dressing in theatrical costumes, reflecting back to his days studying visual
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Johan Van Roy: "I actually grew up with the new and cold wave movement in the early 1980s, with bands like The Cure, Joy
Division and Sisters of Mercy. Until one day I discovered bands like Depeche Mode, Front 242, Fad Gadget and Klinik. It is obvious that all these bands in some way influenced me
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Paul Robb: "'Orders of
Magnitude' grew organically over the year that we worked on it. One thing we wanted to make sure of was that none of the tracks were obvious choices. Even "Don't You Want Me" by the Human League we even thought might be a surprise, because it's the song most associated with
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While Fad Gadget's contemporaries included the likes of
Cabaret Voltaire, the Human League, Wire, the Normal, and Soft Cell, Tovey and company's records never quite achieved the underground notoriety or the chart success enjoyed by his peers. Regardless of the level of recognition, Tovey's unique
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tape recorder. He disconnected the erase head from the playback head and installed a simple switch between the two. This gave him control over what sounds could be erased or kept. He spent a lot of time building up sound collages using this method. After finishing full-time education Tovey began
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in Berlin. He had wanted a break from the way he had been recording in London. The acoustic spaces in the German studio had excited Gadget. He was also excited about the recording equipment that was installed at Hansa at that time, including the computer controlled mixing desk. He found the new
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release at RMS Studio in London. At the time RMS was an eight track studio. Gadget had no real experience of recording within a studio environment, so he left most of the decision making to Daniel Miller. Most of the recorded instruments on "Back to Nature" belonged to Tovey, although he used
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440:, on their European tour. He was working on a new album at the time of his death. Fad Gadget suffered from heart problems since childhood, and died of a heart attack on 3 April 2002 at the age of 45. In 2006, with the Pyros and family, he has two movies dedicated to him,
216:. His bleak, sarcastic and darkly humorous lyrics were filled with biting social commentary toward subjects such as machinery, industrialisation, consumerism, human sexuality, mass media, religion, domestic violence and dehumanization, often sung in a deadpan voice.
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It wasn't enough to be a good musician, you had to have a good look too! It was around that point that I was discovering early Human League, bands like Cabaret Voltaire, I was already a massive fan of Fad Gadget, who, for me, was the king of electro – the unsung
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was a turning point in Gadget's recording career. It would be the first time he used a band of musicians to record an album; before he had recorded most of the musical parts himself. It would also see a major change in the recording location from London to
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When I first started playing synthesizers it would have been people like the Human League; Orchestral Manoeuvres in the Dark, their very first album; I was a big fan of Daniel Miller's work, as the Silicon Teens and as the Normal; and also of Fad
285:". The recording included Gadget's wife, Barbara, singing a vocal part near the end of the recording; the vocal part is then mixed with a synthesiser part into the outro of the song. Fad Gadget then went on to record an album for Mute Records.
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Interviewer: "Each of you brings a unique approach to sound design and composition within the EBM/industrial scene. Who are your biggest influences, musical or otherwise?" cEvin key: "Kraftwerk, Y.M.O., Human League, Fad Gadget, and Joy
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232:. He felt the need to give his mime act some sort of musical accompaniment so he went back to the idea of recording music. The initial musical pieces were formed of sound manipulation using tape recorders.
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that have influenced his writing on this album but I think these bands have came to the forefront, Siouxsie And The Banshees, Can, PiL, Fad Gadget, Cabaret Voltaire, Wire, Bauhaus, Magazine, D.A.F. etc."
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403:, Gadget began recording under his real name – Frank Tovey. He carried on moving toward acoustic instruments and in 1984 had decided he might want to record on his own again. He recorded several
428:". He then tried his hand at writing similar material, recorded two more albums with a backing band named The Pyros. After touring in 1993, Gadget withdrew from the music business.
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showed a progressive change in Gadget's music; due both to the technological advances and his own growing knowledge of recording techniques. It was during the recording of
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and my music; undoubtedly, even the cold atmosphere of new wave bands like The Cure or Joy Division had an impact on me, not only as a human being but also on my music."
1290:"The Darker Side of Music - Ramona Depares interviews Johan Van Roy, frontman for EBM outfit Suicide Commando, ahead of the band's performance in Malta"
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contribution to electronic music is undeniable, and so is his influence upon it. As the years go on, the recognition continues to gather steam.
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In 1989, he changed musical tactics in his criticism of industrialisation, recording a mostly acoustic album of protest and labour songs
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823:"PUBLISHED IN SIDE-LINE MAGAZINE Review of "Fad Gadget by Frank Tovey- A Retrospective In Sound And Vision (2dvd/dcd Mute)""
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In his later years, Gadget began to perform at festivals and also supported his former colleagues and Mute label-mates,
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Dave Gahan: " definitely affected Depeche Mode in a big way and I'm sure you know hundreds of other bands.
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As Fad Gadget, his music was characterised by the use of synthesizers in conjunction with sounds of
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arts, and he quickly became known for his confrontational stage antics. Some of these included
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1059:"Culture Club's Boy George: The Original Gender-fluid Pop Icon Versus The Modern World"
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269:. He was the first artist to sign to Mute. "Back to Nature" was recorded as the second
1321:"From Jimi Hendrix to Frank Zappa: John Frusciante's 40 favourite albums of all time"
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As a child, Frank Tovey lived in Bow. His father, Frank Tovey, Sr. was a porter in
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in London. He decided to record the album without Daniel Miller's assistance.
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Despite a lack of commercial success, Fad Gadget is regarded as a pioneer in
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Punk Diary: The Ultimate Trainspotter's Guide to Underground Rock, 1970–1982
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on his naked body onstage, an image of which is depicted on the cover of
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of more experimental work under the name Frank Tovey, beginning with
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of electro-pop". In 1981 Gadget released another one-off single on
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1197:"Liars Break Down the Electronic Influences That Shaped 'WIXIW'"
867:"Synthpop Pioneer Fad Gadget's Music Is Finally Back in Release"
182:(8 September 1956 – 3 April 2002), known also by his stage name
1110:"Information Society: '90's Industrial Rock Has Not Aged Well'"
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681:"INSIGHT: Terry Murphy « Home / A Depeche Mode website"
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Keyboard Presents the Evolution of Electronic Dance Music
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was ranked #76 in Treblezine's list of "The Top 100 Best
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magazine described him as "...the bumbling but talented
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equipment belonging to Miller as well; this included an
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1028:"Synth Britannia (Part Two: Construction Time Again)".
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Goldstein, Dan (April 1984). "Fad Gadget Interview".
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Frank Tovey signed as Fad Gadget to Daniel Miller's
1170:"Cult music heroes: artists on their unsung idols"
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193:musician and vocalist. He was a proponent of both
715:Electronics & Music Maker magazine (E&MM)
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1077:Corinne Jones; Boy George (26 January 2014).
921:"Frank Tovey, 46, Industrial-Music Innovator"
737:"Frank Tovey, 46, Industrial-Music Innovator"
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253:, who had just released his first single as
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1261:The FADER; Mark Ronson (1 November 2021).
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977:"(Documentary) Fad Gadget by Frank Tovey"
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410:Easy Listening for the Hard of Hearing
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987:from the original on 22 December 2021
1595:British synth-pop new wave musicians
865:John Bergstrom (11 September 2019).
299:covering himself in tar and feathers
1085:. Guardian News & Media Limited
1079:"Boy George: Soundtrack of My Life"
791:Zevolli, Giuseppe (17 March 2014).
249:a demo tape of "Back to Nature" to
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1600:Alumni of Leeds Beckett University
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1288:Ramona Depares (29 October 2017).
1034:. 16 October 2009. 4 minutes in.
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1625:20th-century British male singers
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1319:Far Out Staff (4 December 2020).
1226:Danny Wright (10 February 2012).
1176:. Guardian News and Media Limited
1346:Treble staff (22 October 2018).
1040:British Broadcasting Corporation
660:Worried Men in Second-Hand Suits
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770:. Backbeat Books. p. 343.
735:Strauss, Neil (15 April 2002).
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1348:"The Top 100 Post-Punk Albums"
919:Neil Strauss (15 April 2002).
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424:including such standards as "
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892:Daphne Carr (2 March 2012).
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385:the German industrial band,
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1195:Mike Rubin (15 June 2012).
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1003:"Fad Gadget by Frank Tovey"
844:"FAD GADGET BY FRANK TOVEY"
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1590:English new wave musicians
646:Tyranny and the Hired Hand
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446:Grand Union: A Documentary
422:Tyranny and the Hired Hand
397:After recording the album
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1540:Singles (as Fad Gadget)
873:. PopMatters Media, Inc
413:, a collaboration with
261:Signing to Mute Records
1610:Minimal wave musicians
1521:The Fad Gadget Singles
1479:The Best of Fad Gadget
1139:Ernie Rideout (2011).
572:Fad Gadget discography
543:" on their 2024 album
535:Industrial metal band
526:) listed Fad Gadget's
391:EinstĂĽrzende Neubauten
387:EinstĂĽrzende Neubauten
307:The Best of Fad Gadget
54:Background information
524:Red Hot Chili Peppers
1615:Mute Records artists
1605:Musicians from Leeds
1394:4 April 2007 at the
1116:. Alternative Nation
633:Snakes & Ladders
452:Legacy and influence
1447:Fireside Favourites
1377:Frank Tovey Feature
846:. 11 September 2006
584:Fireside Favourites
490:Information Society
287:Fireside Favourites
1513:Snakes and Ladders
1327:. Far Out Magazine
1114:Alternative Nation
1009:. Mute Films. 2006
793:"Drowned In Sound"
546:Hopiumforthemasses
417:recorded in 1981.
180:Francis John Tovey
64:Francis John Tovey
48:Fad Gadget in 2001
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803:on 10 August 2016
777:978-0-87930-848-3
368:The recording of
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1548:Ricky's Hand
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947:"Fad Gadget"
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498:Skinny Puppy
486:Culture Club
474:Vince Clarke
470:Depeche Mode
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426:Sixteen Tons
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283:Ricky's Hand
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271:Mute Records
267:Mute Records
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149:Past members
123:Years active
91:(2002-04-03)
89:3 April 2002
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1575:2002 deaths
1570:1956 births
1529:Grand Union
1455:Incontinent
1358:21 December
1331:21 December
1300:21 December
1273:10 February
1089:21 December
1069:21 December
957:21 December
930:21 December
904:21 December
877:21 December
653:Grand Union
592:Incontinent
566:Discography
432:Final years
342:Incontinent
220:Early years
188:avant-garde
18:Frank Tovey
1564:Categories
1432:Fad Gadget
1156:Division."
1013:1 December
991:1 December
871:PopMatters
552:His album
510:DJ Premier
482:Boy George
255:The Normal
197:and early
191:electronic
184:Fad Gadget
104:Industrial
75:1956-09-08
60:Birth name
36:Fad Gadget
1505:Boyd Rice
1031:Britannia
667:Footnotes
626:Boyd Rice
562:Albums".
560:Post-Punk
494:cEvin Key
458:synth-pop
415:Boyd Rice
327:Recording
167:fadgadget
129:2001–2002
127:1979–1993
116:post-punk
1392:Archived
1242:22 March
1207:22 March
1180:22 March
1120:22 March
1036:BBC Four
985:Archived
951:Allmusic
898:Politico
640:Civilian
628:) (1984)
537:Ministry
522:(of the
276:ARP 2600
195:new wave
112:synthpop
108:new wave
1501:(1984)
1325:Far Out
1232:The 405
1045:Gadget.
981:YouTube
478:Erasure
462:electro
237:Grundig
162:Website
1532:(1991)
1524:(1986)
1516:(1986)
1503:(with
1482:(2001)
1474:(1984)
1466:(1982)
1458:(1981)
1450:(1980)
1352:Treble
1203:. SPIN
1147:
850:13 May
828:13 May
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746:15 May
662:(1992)
656:(1991)
648:(1989)
642:(1988)
636:(1986)
624:(with
611:(1984)
603:(1982)
595:(1981)
587:(1980)
512:, and
317:Dr Who
312:Sounds
242:Crumar
214:razors
210:drills
134:Labels
100:Genres
95:London
1267:Fader
1096:hero.
1065:. NME
807:3 May
502:Liars
1360:2020
1333:2020
1302:2020
1275:2022
1244:2022
1209:2022
1201:SPIN
1182:2022
1145:ISBN
1122:2022
1091:2020
1071:2020
1015:2020
1007:IMDB
993:2020
959:2020
932:2020
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879:2020
852:2018
830:2018
809:2016
772:ISBN
748:2008
496:(of
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