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figure. This may have been the first overt expression of systemic, African-based cross-rhythm used by a
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m, F, E, A, Cm. In jazz jam sessions and for educational purposes, players often choose D D
8:
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342:. In the key of C minor, a normal turnaround would be Dm, G, Cm. But Shorter doubles the
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The ground of four main beats is maintained throughout the piece. The bass switches to
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in 1966. The first commercial release of the song was a different recording on the
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Carlos
Santana and Wayne Shorter – Live at the Montreux Jazz Festival 1988
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336:
35:
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The Clave Matrix; Afro-Cuban Rhythm: Its
Principles and African Origins
313:(not bass notes), where one ordinarily taps their foot to "keep time."
310:
195:
335:, but this is masked not only by its triple time signature but by its
923:
108:, the band playfully explores the correlation between African-based
329:
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forms of the bass line. The slashed noteheads indicate the main
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group. During Davis’s first trumpet solo, Williams shifts to a
44:
recorded later in 1966, but released earlier. It has become a
94:, it is not a jazz waltz because the feel alternates between
362:
Cm as turnaround, which also fits with the original melody.
440:
401:
The Studio
Recordings of the Miles Davis Quintet, 1965-68
499:
328:
Harmonically, "Footprints" takes the form of a 12-bar
500:
Cheyne, Peter; Hamilton, Andy; Paddison, Max (2019).
437:"Stories of Standards: "Footprints" by Wayne Shorter"
503:
The
Philosophy of Rhythm: Aesthetics, Music, Poetics
374:included the composition in his 2004 studio album
1090:
157:freely moves from swing, to the three-over-two
639:
465:The Jazz Standards: A Guide to the Repertoire
646:
632:
223:and is the duple-pulse correlative of the
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571:
461:
13:
1063:Art Blakey and the Jazz Messengers
541:(Miles Davis). Columbia CD (1967).
14:
1110:
1020:Live at the Detroit Jazz Festival
653:
578:. Thomson/Schirmer. p. 280.
365:
28:and first recorded for his album
279:The following example shows the
398:Waters, Keith (11 March 2011).
575:Jazz Composition and Arranging
565:
544:
531:
493:
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429:
391:
1:
617:. Retrieved January 24, 2017.
384:
550:Peñalosa, David (2010: 43).
7:
346:of the turnaround, and the
261:while Carter continues the
10:
1115:
323:
64:Although often written in
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1030:
977:
934:
883:
736:
674:Introducing Wayne Shorter
661:
554:. Redway, CA: Bembe Inc.
51:
1004:Beyond the Sound Barrier
24:composed by saxophonist
508:Oxford University Press
470:Oxford University Press
406:Oxford University Press
61:
837:The Manhattan Project
60:Wayne Shorter in 2006
59:
1068:Miles Davis Quintet
572:Boras, Tom (2005).
462:Gioia, Ted (2021).
240:straight ahead jazz
213:figure is known as
842:Michel Petrucciani
797:The All Seeing Eye
443:. 13 February 2019
62:
1099:1966 compositions
1086:
1085:
916:Phantom Navigator
901:Milton Nascimento
605:Jurek, Thom.
585:978-0-534-25261-8
517:978-0-19-934777-3
479:978-0-19-008717-3
415:978-0-19-983016-9
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996:Footprints Live!
821:Moto Grosso Feio
679:Blues a la Carte
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694:Wayning Moments
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607:Kenny Barron –
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510:. p. 107.
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344:harmonic rhythm
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366:Notable covers
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100:compound meter
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1012:Without a Net
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899:(1974, feat.
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896:Native Dancer
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865:Without a Net
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846:Gil Goldstein
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805:Schizophrenia
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765:Speak No Evil
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749:Night Dreamer
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728:
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715:Bobby Timmons
712:
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655:Wayne Shorter
649:
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587:
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560:1-886502-80-3
557:
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547:
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537:"Footprints"
534:
519:
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408:. p. 7.
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177:
176:correlative.
170:
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155:Tony Williams
147:
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73:
58:
49:
47:
46:jazz standard
43:
42:
37:
33:
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27:
26:Wayne Shorter
23:
22:jazz standard
19:
1038:
1031:Compositions
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1002:
994:
986:
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958:(1997, with
953:
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840:(1989, with
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789:Adam's Apple
787:
779:
771:
763:
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747:
723:Albert Heath
719:Bob Cranshaw
705:(1960, with
700:
692:
684:
678:
672:
608:
601:
591:17 September
589:. Retrieved
574:
567:
551:
546:
539:Miles Smiles
538:
533:
523:17 September
521:. Retrieved
502:
495:
485:17 September
483:. Retrieved
464:
457:
447:17 September
445:. Retrieved
431:
421:17 September
419:. Retrieved
400:
393:
375:
372:Kenny Barron
327:
301:
286:
278:
268:
259:ride pattern
249:
230:
215:
205:
186:
178:
168:
161:—and to its
159:cross rhythm
145:
130:
115:
105:Miles Smiles
103:
96:simple meter
86:
71:
63:
41:Miles Smiles
39:
31:Adam's Apple
29:
17:
15:
1058:Discography
858:Lenny White
727:Louis Hayes
677:(1959, aka
348:progression
337:avant garde
276:bass line.
36:Miles Davis
1039:Footprints
850:Pete Levin
813:Super Nova
711:Lee Morgan
385:References
340:turnaround
196:Ron Carter
153:. Drummer
18:Footprints
1007:(2002–04)
947:High Life
924:Joy Ryder
773:Et Cetera
738:Blue Note
194:at 2:20.
1093:Category
1051:articles
1041:" (1966)
908:Atlantis
885:Columbia
615:AllMusic
611:: Review
359:♭
353:♯
350:reads: F
216:tresillo
1049:Related
967:Alegría
663:Vee-Jay
330:C minor
324:Harmony
20:" is a
1023:(2022)
1015:(2010)
999:(2001)
991:(1988)
980:albums
970:(2003)
950:(1995)
939:albums
927:(1988)
919:(1986)
911:(1985)
888:albums
876:(2018)
873:Emanon
868:(2013)
856:&
832:(1970)
824:(1970)
816:(1969)
808:(1967)
800:(1966)
792:(1966)
784:(1965)
776:(1965)
768:(1964)
760:(1964)
752:(1964)
741:albums
725:&
697:(1961)
689:(1960)
666:albums
609:Images
582:
558:
514:
476:
412:
377:Images
138:) and
52:Rhythm
38:album
936:Verve
333:blues
311:beats
257:jazz
102:. On
1078:VSOP
978:Live
757:JuJu
593:2024
580:ISBN
556:ISBN
525:2024
512:ISBN
487:2024
474:ISBN
449:2024
441:KUVO
423:2024
410:ISBN
294:and
123:(or
98:and
955:1+1
613:at
219:in
198:’s
79:or
1095::
852:,
848:,
844:,
721:,
717:,
713:,
709:,
506:.
468:.
439:.
404:.
48:.
1037:"
962:)
903:)
860:)
729:)
681:)
647:e
640:t
633:v
595:.
562:.
527:.
489:.
451:.
425:.
380:.
302:4
287:8
269:8
250:4
231:8
206:4
187:4
169:4
146:4
131:8
116:8
87:8
72:4
16:"
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