935:
971:
959:
947:
37:
869:
743:
471:
50:
1960:
1948:
1936:
578:
centered around the same key center. Dominant 7th chords are generally used throughout a blues progression. The addition of dominant 7th chords as well as the inclusion of other types of 7th chords (i.e. minor and diminished 7ths) are often used just before a change, and more changes can be added. A more complicated example might look like this, where "7" indicates a seventh chord:
577:
Seventh chords are a type of chord that includes the 7th scale degree (that is, the 7th note of the scale). There are different types of 7th chords such as major 7ths, dominant 7ths, minor 7ths, half diminished 7ths, and fully diminished 7ths. These chords are similar with slight changes, but are all
989:
As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then
972:
960:
948:
936:
489:
68:
887:
761:
488:
67:
929:
888:
762:
487:
66:
179:" (R & B). As the music became more popular, more people wanted to perform it. General patterns that existed in the blues were formalized, one of these being the 12-bar blues.
155:
The blues originated from a combination of work songs, spirituals, and early southern country music. The music was passed down through oral tradition. It was first written down by
2186:
412:
In the original form, the dominant chord continued through the tenth bar; later on, the V–IV–I–I "shuffle blues" pattern became standard in the third set of four bars:
885:
759:
490:
69:
917:
codified this blues form to help musicians communicate chord changes." Many variations are possible. The length of sections may be varied to create
886:
760:
187:
The basic progression for a 12-bar blues may be represented in several ways. It is shown in its simplest form, without the common "quick change",
2487:
1998:
480:
59:
2192:
990:
something new is played. This pattern is frequently used in the blues and in musical genres that have their roots in the blues.
2375:
1468:
1385:
1337:
1282:
1136:
2031:
1501:
803:
may be major (V) or minor (v). Major and minor can also be mixed together, a signature characteristic of the music of
2644:
2182:
1909:
1517:
1491:
1445:
1419:
1359:
1305:
517:
The common quick-change, quick to four, or quick four variation uses the subdominant or IV chord in the second bar.
1991:
1429:
878:
752:
1551:
641:
2571:
2477:
2639:
2624:
1984:
1193:, pp. 180, 80: "Brown alternates between an Fmin7 and a B7. Minor to major, just like the man says."
2586:
2344:
2091:
2649:
2442:
2368:
2096:
1589:
1609:
804:
27:
2591:
2292:
2202:
2101:
1919:
1914:
1904:
1650:
1400:
1297:
2297:
2277:
2172:
2046:
928:
333:
2391:
2167:
1599:
1437:
1409:
2654:
2634:
2407:
2361:
2333:
2327:
2313:
2232:
2111:
2086:
1964:
1773:
1727:
1635:
20:
1056:
8:
2629:
2272:
2257:
2222:
2152:
2054:
1805:
1655:
1544:
1240:
2581:
2536:
2482:
2467:
2447:
2267:
2247:
2227:
2157:
2136:
2059:
2036:
1788:
1700:
792:
645:
188:
36:
2287:
2262:
2177:
2131:
2007:
1710:
1645:
1513:
1487:
1464:
1441:
1415:
1381:
1377:
1369:
1355:
1333:
1301:
1278:
1004:
922:
160:
100:
2457:
2252:
2078:
1841:
1752:
275:
176:
136:
124:
2603:
2546:
2116:
2026:
1742:
1705:
1594:
1509:
1113:, p. 37: cited in Baker 2004: "This alteration is now considered standard."
999:
918:
2353:
2561:
2551:
2494:
2462:
2412:
2282:
2021:
1952:
1800:
1732:
1685:
1537:
800:
637:
140:
116:
1292:
Covach, John (2005). "Form in Rock Music: A Primer". In Stein, Deborah (ed.).
2618:
2529:
1888:
1866:
1778:
1768:
1747:
1722:
1690:
1673:
1483:
788:
669:
653:
649:
259:
128:
120:
104:
2509:
2504:
2422:
2387:
2237:
2125:
2041:
1940:
1873:
1815:
1678:
1640:
1619:
1604:
1579:
1009:
661:
168:
41:
40:
Typical boogie woogie bassline on twelve-bar blues progression in C, chord
2576:
2519:
2499:
2427:
2417:
2323:
1856:
1851:
1795:
1783:
1737:
1715:
1695:
1584:
1325:
1274:
914:
267:
164:
156:
132:
2566:
2556:
2541:
2524:
2472:
2402:
2242:
1883:
1878:
1861:
1846:
900:
774:
502:
81:
2452:
2432:
2197:
1976:
1574:
172:
2514:
2318:
1820:
796:
665:
2162:
2437:
1825:
1460:
1061:
196:
163:
composer and band leader. Its popularity led to the creation of "
932:
Standard twelve-bar blues progressions variations, in key of C.
191:, or seventh chords. For variations, see the following section.
1315:
di Perna, Alan (1991). "Jazzin' the Blues with
Charles Brown".
254:
Functional notation – chords are represented by
112:
1810:
1560:
678:
657:
175:. The style of music heard on race records was later called "
108:
2384:
1184:
144:
1077:
1529:
1208:
1174:
1172:
1104:
1159:
1157:
1094:
1092:
127:. In its basic form, it is predominantly based on the
1196:
1169:
1116:
1039:
1037:
1480:
Voice
Leading for Guitar: Moving Through the Changes
1154:
1220:
1089:
1022:
1395:Kernfeld, Barry, ed. (2007). "Blues progression".
1034:
2383:
2616:
787:There are also minor twelve-bar blues, such as
1269:Benward, Bruce; Saker, Marilyn Nadine (2003).
2369:
1992:
1545:
1500:
1268:
1214:
1083:
660:tunes. Peter Spitzer describes it as "a bop
16:Prominent chord progression in popular music
1323:
1110:
167:" and the popularity of blues singers like
2376:
2362:
1999:
1985:
1552:
1538:
139:chords of a key. Mastery of the blues and
1428:
1407:
1394:
1314:
1294:Engaging Music: Essays in Music Analysis
1190:
1122:
1098:
927:
35:
1454:
1368:
1352:Jazz Styles: Jazz Classics Compact Disc
1349:
1238:
1226:
1202:
1178:
1163:
1043:
2617:
2006:
1477:
1291:
1028:
143:are "critical elements for building a
111:progression has a distinctive form in
2357:
1980:
1533:
1271:Music: In Theory and Practice, Vol. I
1241:"12-Bar Blues Form: A Complete Guide"
182:
908:
481:Twelve bar boogie-woogie blues in C
60:Twelve bar boogie-woogie blues in C
26:. For the Patrick Neate novel, see
13:
867:
741:
469:
48:
14:
2666:
1239:Farrant, Dan (9 September 2020).
1134:
572:
19:For the Scott Weiland album, see
1959:
1958:
1947:
1946:
1934:
1397:The New Grove Dictionary of Jazz
1344:Cited in Baker, Robert M. (2005)
899:Problems playing this file? See
883:
773:Problems playing this file? See
757:
510:
501:Problems playing this file? See
485:
407:
80:Problems playing this file? See
64:
1232:
984:
636:This progression is similar to
99:) is one of the most prominent
1128:
1049:
782:
631:
1:
2478:Electroacoustic improvisation
1015:
402:
150:
1506:Origins of the Popular Style
1374:Beginning Delta Blues Guitar
7:
993:
980:as boogie woogie basslines.
10:
2671:
2345:List of chord progressions
1262:
799:". The chord on the fifth
18:
2398:
2342:
2306:
2215:
2145:
2077:
2068:
2014:
1928:
1897:
1834:
1761:
1664:
1628:
1567:
1559:
1524:Cited in Middleton (1990)
1411:The Total Blues Guitarist
1408:McCumber, Dennis (2006).
1350:Gridley, Mark C. (2000).
856:
853:
850:
842:
837:
834:
831:
828:
823:
820:
817:
814:
730:
727:
724:
721:
716:
713:
705:
702:
697:
694:
691:
688:
622:
619:
616:
613:
608:
605:
602:
599:
594:
591:
588:
585:
563:
560:
557:
554:
549:
546:
543:
540:
535:
532:
527:
524:
458:
455:
450:
447:
442:
439:
436:
433:
428:
425:
422:
419:
393:
390:
387:
384:
379:
376:
373:
370:
365:
362:
359:
356:
323:
320:
317:
314:
309:
306:
303:
300:
295:
292:
289:
286:
244:
241:
238:
235:
230:
227:
224:
221:
216:
213:
210:
207:
2645:American styles of music
1910:Blues musicians by genre
1610:Traditional blues verses
1317:Musician, issues 147–152
1215:Benward & Saker 2003
1084:Benward & Saker 2003
2203:Tadd Dameron turnaround
1455:Spitzer, Peter (2001).
1401:Oxford University Press
1298:Oxford University Press
1111:Gerow & Tanner 1984
879:Minor blues progression
753:Bebop blues progression
2298:Montgomery-Ward bridge
2278:Royal road progression
2173:Montgomery-Ward bridge
1434:Studying Popular Music
981:
872:
746:
474:
344:the sub-dominant, and
340:represents the tonic,
334:Roman numeral notation
195:Chord notation in the
88:
53:
2243:Borrowed (contrafact)
1600:Musical improvisation
1478:Thomas, John (2002).
1438:Open University Press
1414:. Alfred Publishing.
1141:Milnepublishingonline
931:
871:
745:
668:this chord from the
473:
52:
39:
2408:Backdoor progression
2334:Irregular resolution
2112:Backdoor progression
1502:van der Merwe, Peter
1457:Jazz Theory Handbook
1332:. William C. Brown.
1245:Hellomusictheory.com
1057:"What Is the Blues?"
1656:American folk music
2640:Blues music genres
2625:Chord progressions
2537:Jazz improvisation
2483:Free improvisation
2468:Constant structure
2448:Chord-scale system
2268:Passamezzo moderno
2228:Andalusian cadence
2158:Andalusian cadence
2137:Passamezzo moderno
2037:Constant structure
2008:Chord progressions
1430:Middleton, Richard
1370:Jackson, Fruteland
982:
873:
747:
656:", and many other
475:
336: –
101:chord progressions
89:
54:
2612:
2611:
2443:Call and response
2351:
2350:
2328:Pachelbel's Canon
2263:Passamezzo antico
2211:
2210:
2178:Passamezzo antico
2132:Sixteen-bar blues
2097:V–IV–I turnaround
2092:ii–V–I turnaround
1974:
1973:
1590:Call and response
1470:978-0-7866-5328-7
1387:978-0-7390-3006-6
1378:Alfred Publishing
1339:978-0-07-294262-0
1319:. Amordian Press.
1284:978-0-07-294262-0
1005:Sixteen-bar blues
923:sixteen-bar blues
889:
861:
860:
763:
735:
734:
627:
626:
568:
567:
491:
463:
462:
398:
397:
328:
327:
249:
248:
183:Basic progression
70:
2662:
2650:Jazz terminology
2599:Twelve-bar blues
2458:Coltrane changes
2378:
2371:
2364:
2355:
2354:
2283:"Rhythm" changes
2253:Coltrane changes
2153:'50s progression
2122:Twelve-bar blues
2106:
2105:
2075:
2074:
2050:
2001:
1994:
1987:
1978:
1977:
1962:
1961:
1950:
1949:
1941:Blues portal
1939:
1938:
1937:
1842:Rhythm and blues
1615:Twelve-bar blues
1554:
1547:
1540:
1531:
1530:
1526:
1497:
1474:
1451:
1425:
1404:
1391:
1365:
1346:
1324:Gerow, Maurice;
1320:
1311:
1288:
1273:(7th ed.).
1256:
1255:
1253:
1251:
1236:
1230:
1224:
1218:
1212:
1206:
1200:
1194:
1188:
1182:
1176:
1167:
1161:
1152:
1151:
1149:
1147:
1137:"Seventh Chords"
1132:
1126:
1120:
1114:
1108:
1102:
1096:
1087:
1081:
1075:
1074:
1072:
1070:
1053:
1047:
1041:
1032:
1026:
979:
978:
977:
975:
967:
966:
965:
963:
955:
954:
953:
951:
943:
942:
941:
939:
909:Other variations
891:
890:
870:
847:
846:
812:
811:
765:
764:
744:
710:
709:
686:
685:
677:
676:
583:
582:
522:
521:
493:
492:
472:
417:
416:
354:
353:
284:
283:
258:to indicate the
205:
204:
177:rhythm and blues
161:African American
93:twelve-bar blues
72:
71:
51:
29:Twelve Bar Blues
2670:
2669:
2665:
2664:
2663:
2661:
2660:
2659:
2615:
2614:
2613:
2608:
2604:Upper structure
2547:Melodic pattern
2394:
2382:
2352:
2347:
2338:
2314:Aeolian harmony
2302:
2207:
2141:
2117:Eight-bar blues
2103:
2102:
2070:
2064:
2049:(Roman-numeral)
2048:
2010:
2005:
1975:
1970:
1935:
1933:
1924:
1920:Blues festivals
1915:Blues standards
1905:Blues musicians
1893:
1830:
1757:
1666:
1660:
1624:
1595:Eight-bar blues
1563:
1558:
1520:
1510:Clarendon Press
1494:
1471:
1448:
1422:
1399:. Vol. 2.
1388:
1362:
1340:
1330:A Study of Jazz
1308:
1285:
1265:
1260:
1259:
1249:
1247:
1237:
1233:
1225:
1221:
1213:
1209:
1201:
1197:
1189:
1185:
1177:
1170:
1162:
1155:
1145:
1143:
1133:
1129:
1121:
1117:
1109:
1105:
1097:
1090:
1082:
1078:
1068:
1066:
1055:
1054:
1050:
1042:
1035:
1027:
1023:
1018:
1000:Eight-bar blues
996:
987:
973:
970:
969:
961:
958:
957:
949:
946:
945:
937:
934:
933:
919:eight-bar blues
911:
906:
905:
897:
895:
894:
893:
892:
884:
881:
874:
868:
844:
843:
785:
780:
779:
771:
769:
768:
767:
766:
758:
755:
748:
742:
707:
706:
674:
673:
646:Billie's Bounce
634:
575:
513:
508:
507:
499:
497:
496:
495:
494:
486:
483:
476:
470:
410:
405:
185:
153:
123:structure, and
87:
86:
78:
76:
75:
74:
73:
65:
62:
55:
49:
34:
17:
12:
11:
5:
2668:
2658:
2657:
2652:
2647:
2642:
2637:
2632:
2627:
2610:
2609:
2607:
2606:
2601:
2596:
2595:
2594:
2589:
2579:
2574:
2569:
2564:
2562:Rhythm changes
2559:
2554:
2549:
2544:
2539:
2534:
2533:
2532:
2522:
2517:
2512:
2507:
2502:
2497:
2492:
2491:
2490:
2480:
2475:
2470:
2465:
2460:
2455:
2450:
2445:
2440:
2435:
2430:
2425:
2420:
2415:
2413:Bar-line shift
2410:
2405:
2399:
2396:
2395:
2381:
2380:
2373:
2366:
2358:
2349:
2348:
2343:
2340:
2339:
2337:
2336:
2331:
2321:
2316:
2310:
2308:
2304:
2303:
2301:
2300:
2295:
2290:
2285:
2280:
2275:
2270:
2265:
2260:
2255:
2250:
2245:
2240:
2238:"Bird" changes
2235:
2230:
2225:
2219:
2217:
2213:
2212:
2209:
2208:
2206:
2205:
2200:
2195:
2190:
2180:
2175:
2170:
2165:
2160:
2155:
2149:
2147:
2143:
2142:
2140:
2139:
2134:
2129:
2126:"Bird" changes
2119:
2114:
2109:
2099:
2094:
2089:
2083:
2081:
2072:
2066:
2065:
2063:
2062:
2057:
2052:
2044:
2039:
2034:
2029:
2024:
2018:
2016:
2012:
2011:
2004:
2003:
1996:
1989:
1981:
1972:
1971:
1969:
1968:
1956:
1944:
1929:
1926:
1925:
1923:
1922:
1917:
1912:
1907:
1901:
1899:
1895:
1894:
1892:
1891:
1886:
1881:
1876:
1871:
1870:
1869:
1864:
1859:
1854:
1844:
1838:
1836:
1832:
1831:
1829:
1828:
1823:
1818:
1813:
1808:
1803:
1798:
1793:
1792:
1791:
1786:
1776:
1774:Classic female
1771:
1765:
1763:
1759:
1758:
1756:
1755:
1750:
1748:United Kingdom
1745:
1740:
1735:
1730:
1725:
1720:
1719:
1718:
1713:
1703:
1698:
1693:
1688:
1683:
1682:
1681:
1670:
1668:
1662:
1661:
1659:
1658:
1653:
1648:
1643:
1638:
1632:
1630:
1626:
1625:
1623:
1622:
1617:
1612:
1607:
1602:
1597:
1592:
1587:
1582:
1577:
1571:
1569:
1565:
1564:
1557:
1556:
1549:
1542:
1534:
1528:
1527:
1518:
1498:
1492:
1475:
1469:
1452:
1446:
1426:
1420:
1405:
1392:
1386:
1366:
1360:
1354:. Sony Music.
1347:
1338:
1321:
1312:
1306:
1289:
1283:
1264:
1261:
1258:
1257:
1231:
1219:
1207:
1195:
1183:
1168:
1153:
1135:Mount, Andre.
1127:
1115:
1103:
1088:
1086:, p. 186.
1076:
1048:
1033:
1020:
1019:
1017:
1014:
1013:
1012:
1007:
1002:
995:
992:
986:
983:
910:
907:
896:
882:
877:
876:
875:
866:
865:
864:
863:
862:
859:
858:
855:
852:
849:
840:
839:
836:
833:
830:
826:
825:
822:
819:
816:
784:
781:
770:
756:
751:
750:
749:
740:
739:
738:
737:
736:
733:
732:
729:
726:
723:
719:
718:
715:
712:
704:
700:
699:
696:
693:
690:
642:Now's the Time
638:Charlie Parker
633:
630:
629:
628:
625:
624:
621:
618:
615:
611:
610:
607:
604:
601:
597:
596:
593:
590:
587:
574:
573:Seventh chords
571:
570:
569:
566:
565:
562:
559:
556:
552:
551:
548:
545:
542:
538:
537:
534:
531:
526:
512:
509:
498:
484:
479:
478:
477:
468:
467:
466:
465:
464:
461:
460:
457:
454:
449:
445:
444:
441:
438:
435:
431:
430:
427:
424:
421:
409:
406:
404:
401:
400:
399:
396:
395:
392:
389:
386:
382:
381:
378:
375:
372:
368:
367:
364:
361:
358:
350:
349:
330:
329:
326:
325:
322:
319:
316:
312:
311:
308:
305:
302:
298:
297:
294:
291:
288:
280:
279:
251:
250:
247:
246:
243:
240:
237:
233:
232:
229:
226:
223:
219:
218:
215:
212:
209:
201:
200:
184:
181:
152:
149:
141:rhythm changes
77:
63:
58:
57:
56:
47:
46:
45:
15:
9:
6:
4:
3:
2:
2667:
2656:
2653:
2651:
2648:
2646:
2643:
2641:
2638:
2636:
2633:
2631:
2628:
2626:
2623:
2622:
2620:
2605:
2602:
2600:
2597:
2593:
2590:
2588:
2585:
2584:
2583:
2580:
2578:
2575:
2573:
2570:
2568:
2565:
2563:
2560:
2558:
2555:
2553:
2550:
2548:
2545:
2543:
2540:
2538:
2535:
2531:
2528:
2527:
2526:
2523:
2521:
2518:
2516:
2513:
2511:
2508:
2506:
2503:
2501:
2498:
2496:
2493:
2489:
2486:
2485:
2484:
2481:
2479:
2476:
2474:
2471:
2469:
2466:
2464:
2461:
2459:
2456:
2454:
2451:
2449:
2446:
2444:
2441:
2439:
2436:
2434:
2431:
2429:
2426:
2424:
2421:
2419:
2416:
2414:
2411:
2409:
2406:
2404:
2401:
2400:
2397:
2393:
2392:improvisation
2389:
2386:
2379:
2374:
2372:
2367:
2365:
2360:
2359:
2356:
2346:
2341:
2335:
2332:
2329:
2325:
2322:
2320:
2317:
2315:
2312:
2311:
2309:
2305:
2299:
2296:
2294:
2291:
2289:
2286:
2284:
2281:
2279:
2276:
2274:
2271:
2269:
2266:
2264:
2261:
2259:
2256:
2254:
2251:
2249:
2246:
2244:
2241:
2239:
2236:
2234:
2231:
2229:
2226:
2224:
2221:
2220:
2218:
2214:
2204:
2201:
2199:
2196:
2194:
2191:
2188:
2184:
2181:
2179:
2176:
2174:
2171:
2169:
2166:
2164:
2161:
2159:
2156:
2154:
2151:
2150:
2148:
2144:
2138:
2135:
2133:
2130:
2127:
2123:
2120:
2118:
2115:
2113:
2110:
2108:
2107:VII–V cadence
2100:
2098:
2095:
2093:
2090:
2088:
2085:
2084:
2082:
2080:
2076:
2073:
2067:
2061:
2058:
2056:
2055:Rewrite rules
2053:
2051:
2045:
2043:
2040:
2038:
2035:
2033:
2030:
2028:
2025:
2023:
2020:
2019:
2017:
2013:
2009:
2002:
1997:
1995:
1990:
1988:
1983:
1982:
1979:
1967:
1966:
1957:
1955:
1954:
1945:
1943:
1942:
1931:
1930:
1927:
1921:
1918:
1916:
1913:
1911:
1908:
1906:
1903:
1902:
1900:
1896:
1890:
1889:Southern rock
1887:
1885:
1882:
1880:
1877:
1875:
1872:
1868:
1867:Southern rock
1865:
1863:
1860:
1858:
1855:
1853:
1850:
1849:
1848:
1845:
1843:
1840:
1839:
1837:
1835:Fusion genres
1833:
1827:
1824:
1822:
1819:
1817:
1814:
1812:
1809:
1807:
1806:Fife and drum
1804:
1802:
1799:
1797:
1794:
1790:
1787:
1785:
1782:
1781:
1780:
1777:
1775:
1772:
1770:
1769:Boogie-woogie
1767:
1766:
1764:
1760:
1754:
1751:
1749:
1746:
1744:
1741:
1739:
1736:
1734:
1731:
1729:
1726:
1724:
1721:
1717:
1714:
1712:
1709:
1708:
1707:
1704:
1702:
1699:
1697:
1694:
1692:
1689:
1687:
1684:
1680:
1677:
1676:
1675:
1672:
1671:
1669:
1663:
1657:
1654:
1652:
1649:
1647:
1644:
1642:
1641:Field hollers
1639:
1637:
1634:
1633:
1631:
1627:
1621:
1618:
1616:
1613:
1611:
1608:
1606:
1603:
1601:
1598:
1596:
1593:
1591:
1588:
1586:
1583:
1581:
1578:
1576:
1573:
1572:
1570:
1566:
1562:
1555:
1550:
1548:
1543:
1541:
1536:
1535:
1532:
1525:
1521:
1519:0-19-316121-4
1515:
1511:
1507:
1503:
1499:
1495:
1493:0-634-01655-5
1489:
1485:
1484:Berklee Press
1481:
1476:
1472:
1466:
1462:
1458:
1453:
1449:
1447:0-335-15275-9
1443:
1439:
1435:
1431:
1427:
1423:
1421:9780739038499
1417:
1413:
1412:
1406:
1402:
1398:
1393:
1389:
1383:
1379:
1375:
1371:
1367:
1363:
1361:0-13-012693-4
1357:
1353:
1348:
1345:
1341:
1335:
1331:
1327:
1322:
1318:
1313:
1309:
1307:0-19-517010-5
1303:
1299:
1295:
1290:
1286:
1280:
1276:
1272:
1267:
1266:
1246:
1242:
1235:
1228:
1223:
1216:
1211:
1205:, p. 18.
1204:
1199:
1192:
1191:di Perna 1991
1187:
1181:, p. 63.
1180:
1175:
1173:
1166:, p. 62.
1165:
1160:
1158:
1142:
1138:
1131:
1125:, p. 25.
1124:
1123:McCumber 2006
1119:
1112:
1107:
1100:
1099:Kernfeld 2007
1095:
1093:
1085:
1080:
1064:
1063:
1058:
1052:
1045:
1040:
1038:
1031:, p. 85.
1030:
1025:
1021:
1011:
1008:
1006:
1003:
1001:
998:
997:
991:
976:
964:
952:
940:
930:
926:
924:
920:
916:
904:
902:
880:
841:
827:
813:
810:
809:
808:
806:
805:Charles Brown
802:
798:
794:
790:
789:John Coltrane
778:
776:
754:
720:
701:
687:
684:
683:
682:
680:
671:
667:
663:
659:
655:
654:Tenor Madness
651:
650:Sonny Rollins
647:
643:
639:
612:
598:
584:
581:
580:
579:
553:
539:
530:
523:
520:
519:
518:
515:
511:Quick to four
506:
504:
482:
453:
446:
432:
418:
415:
414:
413:
408:Shuffle blues
383:
369:
355:
352:
351:
348:the dominant:
347:
343:
339:
335:
332:
331:
313:
299:
285:
282:
281:
277:
273:
269:
265:
261:
257:
253:
252:
234:
220:
206:
203:
202:
198:
194:
193:
192:
190:
180:
178:
174:
170:
166:
162:
158:
148:
147:repertoire".
146:
142:
138:
134:
130:
126:
122:
118:
114:
110:
106:
105:popular music
102:
98:
97:blues changes
94:
85:
83:
61:
43:
38:
32:
30:
25:
23:
2598:
2592:Tadd Dameron
2423:Bird changes
2293:Tadd-Dameron
2121:
2042:Double tonic
1963:
1951:
1932:
1789:Hill country
1701:Hill country
1679:Desert blues
1620:Walking bass
1614:
1580:Blues ballad
1568:Musical form
1523:
1505:
1479:
1456:
1433:
1410:
1396:
1373:
1351:
1343:
1329:
1326:Tanner, Paul
1316:
1293:
1270:
1248:. Retrieved
1244:
1234:
1227:Spitzer 2001
1222:
1210:
1203:Jackson 2002
1198:
1186:
1179:Spitzer 2001
1164:Spitzer 2001
1146:November 29,
1144:. Retrieved
1140:
1130:
1118:
1106:
1079:
1067:. Retrieved
1060:
1051:
1044:Gridley 2000
1024:
1010:Bird changes
988:
985:Melodic line
912:
898:
801:scale degree
786:
772:
635:
576:
528:
516:
514:
500:
451:
411:
345:
341:
337:
271:
263:
255:
186:
169:Bessie Smith
165:race records
154:
96:
92:
90:
79:
28:
22:12 Bar Blues
21:
2655:12 (number)
2635:Jazz genres
2577:Syncopation
2520:Jam session
2500:Harmolodics
2428:Block chord
2418:Bebop scale
2324:Ground bass
2193:IV–V–iii–vi
2015:Terminology
1965:Blues songs
1857:Boogie rock
1852:Biker metal
1728:New Zealand
1711:New Orleans
1585:Blues scale
1275:McGraw-Hill
1250:October 12,
1069:October 12,
1029:Thomas 2002
915:W. C. Handy
783:Minor blues
632:Bebop blues
268:subdominant
189:turnarounds
157:W. C. Handy
2630:Song forms
2619:Categories
2582:Turnaround
2557:Polyrhythm
2542:Lead sheet
2525:Jazz chord
2473:Contrafact
2403:Avoid note
2060:Turnaround
1847:Blues rock
1753:West Coast
1651:Work songs
1646:Spirituals
1016:References
901:media help
775:media help
672:up to the
666:arpeggiate
664:cliche to
503:media help
403:Variations
151:Background
82:media help
2453:Chordioid
2433:Blue note
2198:Romanesca
2183:I–V–vi–IV
2168:vi–ii–V–I
2071:of chords
2069:By number
2047:Notation
1762:Subgenres
1706:Louisiana
1575:Blue note
662:soloist's
173:Ma Rainey
2515:Jam band
2319:Chaconne
2233:Backdoor
2104:♭
2087:I–IV–V–I
1953:Category
1821:Jug band
1801:Electric
1733:Piedmont
1665:Regional
1605:Shuffles
1504:(1989).
1432:(1990).
1372:(2002).
1328:(1984).
994:See also
845:♭
797:Mr. P.C.
708:♯
675:♭
276:dominant
274:for the
266:for the
197:key of C
125:duration
2552:Outside
2530:So What
2505:Harmony
2463:Comping
2438:Cadenza
2307:Related
2273:Ragtime
2258:Omnibus
2216:By name
2124: (
2032:Changes
2027:Cadence
1826:Skiffle
1779:Country
1723:Memphis
1691:Chicago
1636:Origins
1629:Origins
1461:Mel Bay
1263:Sources
1062:Pbs.org
795:" and "
793:Equinox
728:I V/ii
44:in red
31:(novel)
24:(album)
2587:ii-V-I
2495:Groove
2388:theory
2248:Circle
2022:Bridge
1874:Gospel
1816:Holler
1743:Turkey
1686:Canada
1674:Africa
1667:styles
1516:
1490:
1467:
1444:
1418:
1384:
1358:
1336:
1304:
1281:
1065:. 2003
968:, and
938:Play A
270:, and
135:, and
117:phrase
113:lyrics
107:. The
2572:Swing
2567:Scale
2288:Stomp
2163:Folía
2079:Three
1898:Lists
1811:Hokum
1796:Dirty
1784:Delta
1738:Texas
1716:Swamp
1696:Delta
1561:Blues
944:, B,
731:ii V
717:V/ii
260:tonic
159:, an
121:chord
109:blues
42:roots
2510:Head
2488:List
2390:and
2385:Jazz
2187:list
2146:Four
1884:Soul
1879:Jump
1862:Punk
1514:ISBN
1488:ISBN
1465:ISBN
1442:ISBN
1416:ISBN
1382:ISBN
1356:ISBN
1334:ISBN
1302:ISBN
1279:ISBN
1252:2021
1148:2021
1071:2021
791:'s "
698:V I
652:'s "
644:", "
640:'s "
171:and
145:jazz
95:(or
91:The
2223:50s
921:or
848:VI
832:iv
829:iv
722:ii
711:IV
703:IV
692:IV
681:."
658:bop
648:",
617:IV
603:IV
600:IV
589:IV
544:IV
541:IV
437:IV
434:IV
374:IV
371:IV
103:in
2621::
1522:.
1512:.
1508:.
1486:.
1482:.
1463:.
1459:.
1440:.
1436:.
1380:.
1376:.
1342:.
1300:.
1296:.
1277:.
1243:.
1171:^
1156:^
1139:.
1091:^
1059:.
1036:^
956:,
925:.
857:i
854:i
851:V
838:i
835:i
824:i
821:i
818:i
815:i
807:.
725:V
714:I
695:I
689:I
623:V
620:I
614:V
609:I
606:I
595:I
592:I
586:I
564:I
561:I
558:V
555:V
550:I
547:I
536:I
533:I
529:IV
525:I
459:I
456:I
452:IV
448:V
443:I
440:I
429:I
426:I
423:I
420:I
394:I
391:I
388:V
385:V
380:I
377:I
366:I
363:I
360:I
357:I
342:IV
324:T
321:T
318:D
315:D
310:T
307:T
304:S
301:S
296:T
293:T
290:T
287:T
262:,
245:C
242:C
239:G
236:G
231:C
228:C
225:F
222:F
217:C
214:C
211:C
208:C
133:IV
131:,
119:,
115:,
2377:e
2370:t
2363:v
2330:)
2326:(
2189:)
2185:(
2128:)
2000:e
1993:t
1986:v
1553:e
1546:t
1539:v
1496:.
1473:.
1450:.
1424:.
1403:.
1390:.
1364:.
1310:.
1287:.
1254:.
1229:.
1217:.
1150:.
1101:.
1073:.
1046:.
974:E
962:D
950:C
913:"
903:.
777:.
679:9
670:3
505:.
346:V
338:I
278::
272:D
264:S
256:T
199::
137:V
129:I
84:.
33:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
