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An Essay on Criticism

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were among other critics: Rymer, who had the strongest critique said, "till of late years England was as free from critics as it is from wolves...they who are least acquainted with the game are aptest to bark at everything that comes in their way."; Swift's statement concentrated on critics who were
659: 64:(1688–1744), published in 1711. It is the source of the famous quotations "To err is human; to forgive, divine", "A little learning is a dang'rous thing" (frequently misquoted as "A little knowledge is a dang'rous thing"), and "Fools rush in where angels fear to tread". 262:. This is a testament to his belief that the "Imitation of the ancients" is the ultimate standard for taste. Pope also says, "True Ease in Writing comes from Art, not Chance,/ As those move easiest who have learn'd to dance" (362–363), meaning poets are made, not born. 88:
of satire, it is a verse essay primarily concerned with how writers and critics behave in the new literary commerce of Pope's contemporary age. The poem covers a range of good criticism and advice, and represents many of the chief literary ideals of Pope's age.
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The phrase "fools rush in where angels fear to tread" from Part III (line 625) has become part of the popular lexicon, and has been used for and in various works.
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The verse "essay" was not an uncommon form in eighteenth-century poetry, deriving ultimately from classical forebears including Horace's
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in 1707. It was first published in May 1711. Many of the poem's ideas had existed in prose form since at least 1706. Composed in
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damned "as barbarous as a judge who should take up a resolution to hang all men that came before him upon trial."
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Pope contends in the poem's opening couplets that bad criticism does greater harm than bad writing:
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Pope delineates common faults of poets, e.g., settling for easy and clichéd rhymes:
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is one of the first major poems written by the English writer
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Throughout the poem, Pope refers to ancient writers such as
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also gives this famous line (towards the end of Part II):
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The first fragmentary drafts of the work were written in
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The Cambridge Introduction to Eighteenth-Century Poetry
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New York: Oxford University Press. pp. 311–312. 509: 950: 129:But, of the two, less dang'rous is th' Offence, 745:Peri Bathous, Or the Art of Sinking in Poetry 686: 504: 191:And ten low Words oft creep in one dull Line, 592: 269:concludes with a reference to Pope himself. 227:The Reader's threaten'd (not in vain) with 223:Crystal Streams with pleasing Murmurs creep 151:Ten Censure wrong for one who Writes amiss; 826:Elegy to the Memory of an Unfortunate Lady 693: 679: 568:The restoration and the eighteenth century 309:This is in reference to the spring in the 117:'Tis hard to say, if greater Want of Skill 625:Eighteenth-Century Poetry Archive (ECPA) 46: 18:Fools rush in where angels fear to tread 92: 14: 951: 363:was famously and fiercely attacked by 674: 562: 355: 911:Who breaks a butterfly upon a wheel? 530: 80:(pairs of adjacent rhyming lines of 24: 700: 25: 980: 612: 265:As is usual in Pope's poems, the 727: 654: 475: 193:While they ring round the same 904:Memoirs of Martinus Scriblerus 597:. Cambridge University Press. 466: 457: 448: 439: 430: 421: 412: 403: 394: 67: 27:English poem by Alexander Pope 13: 1: 642:(much punctuation is missing) 498: 291:Drink deep, or taste not the 313:in Macedonia, sacred to the 7: 840:'s Latin translation; 1728) 664:public domain audiobook at 537:The Poems of Alexander Pope 280:includes a famous couplet: 10: 985: 717:Three Hours After Marriage 534:(1963). Butt, John (ed.). 211:the cooling Western Breeze 36:Where Angels Fear to Tread 29: 925: 878: 754: 736: 725: 708: 516:. Yale University Press. 650:, by Walter Jackson Bate 387: 217:whispers thro' the Trees 964:Works by Alexander Pope 868:Epistle to Dr Arbuthnot 321:is a dangerous thing". 646:A Study Guide for the 512:Alexander Pope: A Life 350: 307: 240: 184: 52: 778:An Essay on Criticism 661:An Essay on Criticism 634:An Essay on Criticism 620:An Essay on Criticism 593:Sitter, John (2011). 361:An Essay on Criticism 330: 289:is a dangerous thing; 282: 278:An Essay on Criticism 215:In the next Line, it 188: 145:, but Numbers err in 114: 84:) and written in the 57:An Essay on Criticism 50: 794:The Rape of the Lock 209:Where-e'er you find 135:, than mis-lead our 93:Structure and themes 418:Sitter 2011, p. 34. 171:makes many more in 848:(1728–29, 1742–43) 810:The Temple of Fame 409:Mack 1985, p. 177. 400:Mack 1985, p. 168. 356:Critical reception 53: 946: 945: 818:Eloisa to Abelard 639:Project Gutenberg 604:978-0-521-84824-4 484:The Bishop's Wife 481:In the 1947 film 472:Pope 1963, p. 163 463:Pope 1963, p. 160 454:Pope 1963, p. 151 445:Pope 1963, p. 155 436:Pope 1963, p. 154 427:Pope 1963, p. 144 311:Pierian Mountains 82:iambic pentameter 40:A Little Learning 16:(Redirected from 976: 731: 695: 688: 681: 672: 671: 658: 657: 641: 608: 589: 559: 527: 515: 492: 479: 473: 470: 464: 461: 455: 452: 446: 443: 437: 434: 428: 425: 419: 416: 410: 407: 401: 398: 348: 305: 238: 182: 21: 984: 983: 979: 978: 977: 975: 974: 973: 949: 948: 947: 942: 921: 898:Scriblerus Club 874: 853:An Essay on Man 763:Ode on Solitude 750: 732: 723: 704: 699: 655: 631: 615: 605: 578: 548: 532:Pope, Alexander 524: 501: 496: 495: 480: 476: 471: 467: 462: 458: 453: 449: 444: 440: 435: 431: 426: 422: 417: 413: 408: 404: 399: 395: 390: 358: 349: 346: 343: 306: 303: 300: 290: 287:little Learning 239: 236: 233: 226: 220: 214: 208: 205:expected Rhymes 198: 195:unvary'd Chimes 192: 183: 180: 177: 162: 152: 150: 140: 130: 128: 118: 106:De rerum natura 103:and Lucretius' 95: 78:heroic couplets 70: 43: 28: 23: 22: 15: 12: 11: 5: 982: 972: 971: 966: 961: 944: 943: 941: 940: 935: 929: 927: 923: 922: 920: 919: 917:Heroic couplet 914: 907: 900: 895: 894: 893: 882: 880: 876: 875: 873: 872: 864: 856: 849: 841: 838:Samuel Johnson 829: 822: 814: 806: 802:Windsor-Forest 798: 790: 782: 774: 766: 758: 756: 752: 751: 749: 748: 740: 738: 734: 733: 726: 724: 722: 721: 712: 710: 706: 705: 702:Alexander Pope 698: 697: 690: 683: 675: 669: 668: 652: 643: 628: 627: 614: 613:External links 611: 610: 609: 603: 590: 576: 566:, ed. (1973). 560: 546: 528: 522: 500: 497: 494: 493: 474: 465: 456: 447: 438: 429: 420: 411: 402: 392: 391: 389: 386: 381:Jonathan Swift 357: 354: 344: 337:; to Forgive, 331: 301: 283: 234: 189: 178: 115: 94: 91: 69: 66: 62:Alexander Pope 26: 9: 6: 4: 3: 2: 981: 970: 967: 965: 962: 960: 959:British poems 957: 956: 954: 939: 936: 934: 933:Martha Blount 931: 930: 928: 924: 918: 915: 912: 908: 906: 905: 901: 899: 896: 892: 889: 888: 887: 884: 883: 881: 877: 870: 869: 865: 862: 861: 857: 854: 850: 847: 846: 842: 839: 835: 834: 830: 827: 823: 820: 819: 815: 812: 811: 807: 804: 803: 799: 796: 795: 791: 788: 787: 783: 780: 779: 775: 772: 771: 767: 764: 760: 759: 757: 753: 746: 742: 741: 739: 735: 730: 719: 718: 714: 713: 711: 707: 703: 696: 691: 689: 684: 682: 677: 676: 673: 667: 663: 662: 653: 651: 649: 644: 640: 636: 635: 630: 629: 626: 622: 621: 617: 616: 606: 600: 596: 591: 587: 583: 579: 577:0-19-501614-9 573: 569: 565: 564:Price, Martin 561: 557: 553: 549: 543: 539: 538: 533: 529: 525: 523:0-300-03391-5 519: 514: 513: 507: 506:Mack, Maynard 503: 502: 490: 486: 485: 478: 469: 460: 451: 442: 433: 424: 415: 406: 397: 393: 385: 382: 378: 374: 372: 371: 366: 362: 353: 342: 340: 336: 329: 327: 322: 320: 316: 312: 304:lines 215–216 299: 297: 295: 288: 281: 279: 274: 272: 271:William Walsh 268: 263: 261: 257: 253: 249: 245: 237:lines 347–353 232: 230: 224: 218: 212: 206: 202: 196: 187: 176: 174: 170: 166: 161:alone expose, 160: 156: 148: 144: 138: 134: 126: 122: 113: 110: 108: 107: 102: 101: 90: 87: 86:Horatian mode 83: 79: 75: 65: 63: 59: 58: 49: 45: 41: 37: 33: 32:Fools Rush In 19: 902: 866: 860:Moral Essays 858: 843: 831: 816: 808: 800: 792: 784: 777: 776: 768: 715: 660: 647: 632: 619: 594: 567: 536: 511: 482: 477: 468: 459: 450: 441: 432: 423: 414: 405: 396: 377:Thomas Rymer 375: 368: 360: 359: 351: 338: 334: 332: 325: 323: 318: 308: 293: 286: 284: 277: 275: 266: 264: 241: 228: 222: 216: 210: 204: 200: 194: 190: 185: 172: 168: 164: 158: 154: 146: 142: 141:Some few in 136: 132: 131:To tire our 124: 120: 116: 111: 104: 98: 96: 71: 56: 55: 54: 51:Frontispiece 44: 938:John Caryll 845:The Dunciad 370:The Dunciad 365:John Dennis 276:Part II of 157:might once 100:Ars Poetica 68:Composition 969:1711 poems 953:Categories 547:0300003404 499:References 333:To Err is 199:With sure 119:Appear in 886:Popeswood 863:(1731–35) 770:Pastorals 556:855720858 491:pattern). 319:knowledge 252:Aristotle 203:of still 181:lines 1–8 891:Binfield 855:" (1734) 828:" (1717) 765:" (1700) 747:" (1727) 666:LibriVox 508:(1985). 489:metrical 347:line 525 345:—  302:—  260:Longinus 235:—  179:—  133:Patience 74:Abberley 879:Related 833:Messiah 786:Messiah 623:at the 586:2341106 294:Pierian 201:Returns 159:himself 125:Judging 121:Writing 926:People 871:(1735) 821:(1717) 813:(1715) 805:(1713) 797:(1712) 789:(1712) 781:(1711) 773:(1709) 755:Poetry 737:Essays 720:(1717) 601:  584:  574:  554:  544:  520:  339:Divine 296:Spring 256:Horace 244:Virgil 123:or in 38:, and 709:Plays 648:Essay 388:Notes 335:Human 326:Essay 315:Muses 267:Essay 248:Homer 229:Sleep 173:Prose 169:Verse 137:Sense 599:ISBN 582:OCLC 572:ISBN 552:OCLC 542:ISBN 518:ISBN 379:and 324:The 258:and 163:Now 155:Fool 147:this 143:that 127:ill; 637:at 221:If 167:in 165:One 955:: 580:. 550:. 373:. 341:. 298:: 285:A 254:, 250:, 246:, 231:. 175:. 153:A 109:. 34:, 913:" 909:" 851:" 836:( 824:" 761:" 743:" 694:e 687:t 680:v 607:. 588:. 558:. 526:. 225:, 219:; 213:, 207:. 197:, 149:, 139:: 42:. 20:)

Index

Fools rush in where angels fear to tread
Fools Rush In
Where Angels Fear to Tread
A Little Learning

Alexander Pope
Abberley
heroic couplets
iambic pentameter
Horatian mode
Ars Poetica
De rerum natura
Virgil
Homer
Aristotle
Horace
Longinus
William Walsh
Pierian Spring
Pierian Mountains
Muses
John Dennis
The Dunciad
Thomas Rymer
Jonathan Swift
The Bishop's Wife
metrical
Mack, Maynard
Alexander Pope: A Life
ISBN

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