385:
996:
1013:
978:
33:
862:
524:
330:
513:
601:, described by the National Gallery of Australia as "a masterpiece ... giving us a gentle insight into the people, places and times that make up our history". The painting, an oil on canvas 109 cm (43 in) high and 135 cm (53 in) wide, portrays a woman and a man standing together in a rural setting in late afternoon, surrounded by grass, scattered gum trees, and
447:, for whom she was head of studio. Many of the French art schools had only recently opened their doors to women, and those at Académie Julian experienced poor, overcrowded conditions and contempt from the (mostly male) teachers. Despite this, Fuller's skills developed, and contemporary critics commented favourably on the influence of the French training.
326:. Although the painting is an important work regularly used to illustrate this significant figure in Australia's history, interpretations of Fuller's portrait are mixed: one critic noted the painting's objectivity and avoidance of romanticising Aboriginal people, while another concluded that "Fuller is painting an ideal rather than a person".
419:'s Prime Minister, who commissioned her to paint a landscape showing his home. Two years later, she travelled on to England and France, where she remained for a decade. In the 1890s, Australian artists studying abroad favoured Paris over London, and Fuller was no exception. Other Australians studying in France around that time included
493:, the National Gallery of Australia described the painting as one suggesting a love of reading. In contrast, art historian Catherine Speck regarded the work as "subversive" because of its portrayal of a young woman "gaining knowledge". In November 1902, the Australian Federal International Exhibition was held. It was opened by the
808:), although when this occurred is not clear: McFarlane says she was there with Leadbeater, painting while he was giving lectures. There was at least one subsequent substantial journey, as Fuller arrived again to Sydney, via Perth, from India in 1919. At some point following these travels, Fuller settled permanently in
478:. Not all her time was spent in Europe, however; in 1899 she returned to South Africa to paint Cecil Rhodes. One source suggests that she ultimately prepared five portraits of the founder of Rhodesia. A later newspaper report stated that Fuller also travelled and made sketches in Wales, Ireland, and Italy.
225:
institutionalization in a mental asylum, however, and her death went without notice. After her death, information about her was frequently omitted from reference books about
Australian painters and knowledge of her work became obscure despite her paintings being held in public art collections including the
658:
Hackett, and was destined to hang in his gallery. Miss Fuller painted Lady
Hackett both before and after her marriage, and one particularly happy picture of her is as a young girl gathering wildflowers in the Darlington hills. Her portraits of the first Hackett babies were charming studies of childhood.
886:
described Fuller's contribution as "most
Australian in feeling". Reviewing her work hung in the Royal Academy in 1904, a Perth critic reported: "Of the 16 or 17 Australian artists exhibiting at the Academy, Miss Fuller was the only one who chose a typically Australian scene. Her picture shows a young
581:
in
Western Australia, where she joined her sister, Amy Fuller, who was a singer. Although only in her mid-thirties, Fuller's background made her "one of the most experienced artists in Western Australia at this time". For the next four years, she painted portraits, including one of Western Australian
898:
She had less success with our landscapes than with her figure subjects. That was the result of her passion for toning her pictures for ultimate indoor hanging. Thereby she lost, or illuminated, the hard
Australian, hard light and shade, and startling relative values. Observable too was the influence
795:
Fuller subsequently travelled from London to India in 1914. One newspaper report described her as a "visitor" to Sydney in 1916, although McFarlane says she travelled there with
Leadbeater and remained in the city. During that visit, she held an exhibition of her miniatures, all of them portraits of
916:
academic traditions and
Australian subjects, but also at times, incorporating "radical stylistic innovations" that drew on Indian artistic tradition and theosophy's ideas. Fuller's style and choice of subject were strongly influenced by the theory and practice of the theosophy movement. Compared to
774:
to "find the formal strategies that she needed" to produce the kind of art to which she was committed. While this changed her technique at Adyar, her later works did not continue this radical stylistic departure, instead being produced "to please a market comfortable with conventional portraiture".
568:
The work ... is essentially
Australian in almost every detail. Standing in a sunlit Australian paddock, a lithesome Australian blonde holds her summer hat on against the rude caresses of an Australian breeze—a subject simple but grand in its simplicity ... Next to its suggestion of breezy
675:
philosophy that teaches the unity of existence and emphasises the search for universal wisdom. Described by art historian Jenny McFarlane as "the most important counter-cultural organisation of the late nineteenth and early twentieth centuries", it was influential throughout Fuller's life. Fuller,
790:
I have painted a great many portraits since I have been in
England, and have been, I suppose, fairly successful—though I have done nothing in any way remarkable. The hidden inner life has not yet succeeded in expressing itself on canvas, and I can only write myself as one who aspires to a greater
737:
I went in search not only of beauty, and light, and colour, and the picturesqueness in general, which delight the eye and emotions of all artists—but of something deeper—something less easily expressed. I spent two and a half years in a community that is quite unique—perhaps the most cosmopolitan
340:
In 1886, Dowling returned to his native
England. Giving up her work as a governess, Fuller began to paint full-time, and had opened her own studio before she had turned twenty. Dowling had intended to return to Australia and had left behind an incomplete portrait of the Victorian governor's wife,
924:
In 1914, it was reported that Fuller was represented in four public galleries—three in Australia and one in South Africa—a record for an Australian woman painter at that time. Yet although she experienced considerable success during her early life, Fuller subsequently became almost invisible. No
949:
exhibition and publication. In 2013, Ann Gray described Fuller as "an important Australian woman artist and arguably Western Australia's most significant artist from the Federation period". Works by Fuller are held by the Art Gallery of South Australia, the Art Gallery of Western Australia, the
657:
Dr. (later Sir Winthrop) Hackett was a great patron of Miss Fuller, and he was a constant visitor to her dignified studio, above his office in the old West Australian Chambers. The first portrait I saw Miss Fuller working on was of Mrs. E. Chase ... The portrait was a commission from Dr.
1095:
Gray's 2011 biographical notes on Fuller state that she was in Perth until 1908. Kerr's 1995 biographical profile gives the year 1909. Newspaper reports from the period state that she was farewelled by the members of the Theosophical Society on 30 July 1908 prior to a 4 August departure, but
761:
Fuller faced the challenge of reconciling her academic, European artistic training with the spiritual and philosophical priorities of theosophical thought. Her portrait of Leadbeater, painted in 1910, shows her in that transition. Fuller drew on the work of contemporary Indian artists of the
224:
Highly regarded during her active career as a portrait and landscape painter, by 1914 Fuller was represented in four public galleries—three in Australia and one in South Africa—a record for a woman who was an Australian painter at that time. In 1927 she began almost twenty years of
880:". During the first decade of the twentieth century, reviews drew attention to her distinctively Australian style. When one of Fuller's works was included in an exhibition of colonial artists in London (including paintings from Canada and Australia), the correspondent from the
733:. When it was announced that Besant would undertake a speaking tour of Australia in 1908, she was expected to stay with Fuller while in Perth. Some months later in 1908, Fuller left Western Australia and travelled to India, staying at Adyar. Of her time in India, Fuller wrote:
823:. At the exhibition held to mark the school's establishment, Fuller displayed a portrait of the organisation's founder, Mrs Hedley Parsons. When the society held a show in 1926, a portrait by Fuller was one of those selected for favourable comment, but the general opinion of
297:
and Aboriginal subjects, as well as portraits and miniatures. British-born, he had grown up in Tasmania and made a living there as a portraitist, before returning to his native England at age thirty. For the next two decades, his works were frequently hung at the
648:
Fuller portrayed her sitter sympathetically, capturing the young woman's grace and charm. But she also conveyed the complexity of the young Mrs Hackett's character through her soft, feminine, pale-blue dress counterpoised by the dramatic black hat and direct
644:, Deborah Vernon Hackett was also the subject of a portrait, painted around 1908, again during Fuller's time in Perth. Anne Gray, the head of Australian art at the National Gallery of Australia, observed of Fuller's approach to the newspaperman's wife, that:
361:
was acquired by the Art Gallery of New South Wales in 2015. The gallery's curator of Australian art described the depiction of billboard posters in the painting as giving it a "sense of gritty realism that was arguably unprecedented in Australian art."
893:
says, the atmosphere that bathes the graceful figure of the girl is capitally managed with its note of subtropical heat". One reviewer thought very highly of her portraits, but was less convinced about Fuller's approach to the Australian light,
746:(then in his teens). Leadbetter and others tutored Krishnamurti. Fuller may have taught him photography. She also had a small studio built in the grounds, and painted. Her works from the period include a portrait of Leadbeater and
1105:
Both Kerr's biographical note and Gray's subsequent profile that cites Kerr refer to Fuller visiting "the Theosophists' Calcutta headquarters, Adyar". Fuller certainly visited the Theosophist headquarters; but Adyar is not in
722:. These representations departed from the academic portraiture in which Fuller had trained, as she incorporated practices of intuition and visualisation "inspired by Indian aesthetics as mediated by the Theosophical Society".
738:
settlement in the world—the headquarters of the Theosophical Society ... Well, I painted there, of course, but my art was undergoing a change, and I felt that it could not satisfy me unless it became so much greater.
1059:
Kerr also states that she made the trip "presumably with her married sister Chrissie". This is probably a reference to Florence's sister Louisa Christie Fuller, who had married a South African, Charles Carey Lance, in
696:
was a feminist who joined at the same time, and together they influenced the movement's development in early twentieth century Perth. Fuller was variously secretary, treasurer, and librarian of the local branch of the
341:
Lady Loch. He died, however, not long after arriving in England; Fuller then completed Dowling's commission. Lady Loch became her patron. Other early portraits followed: two pictures of homeless children, entitled
213:, described by the National Gallery of Australia as a "masterpiece" when it acquired the work in 2013. Beginning in 1908, Fuller travelled extensively, living in India and England before ultimately settling in
190:, and then on to Europe. She lived and studied there for the subsequent decade, except for a return to South Africa in 1899 to paint a portrait of Rhodes. Between 1895 and 1904 her works were exhibited at the
631:
newspaper, well known business man and philanthropist, whose gift allowed the construction of the impressive University of Western Australia buildings and St. George's Residential College) and his new wife,
1201:
829:
reviewer was that "the exhibitors have let their style harden into a groove". Fuller continued to be associated with the theosophical community as her health and economic circumstances deteriorated.
750:. McFarlane emphasises the significance of the latter work, pointing out that it is "strikingly modern" in comparison to all of Fuller's other work, and more radical than compositions created by
2014:
742:
Fuller's time at Adyar was eventful. Leadbeater arrived around the same time as Fuller, and soon afterward he "discovered" the person he believed would become a global teacher and orator,
714:
was among the paintings exhibited at the West Australian Art Society's annual exhibition. Around the same period, she painted other portraits of the movement's leading figures, including
917:
her earlier works, portraits painted at Adyar showed a reduced tonal range and a shift from academic portraiture to representation of the 'hidden inner life' of the subject. In
286:
as "the leading female artist in the group of Melbourne painters who broke with the nineteenth-century tradition of studio art by sketching and painting directly from nature".
2351:
2049:
470:
in England, as well as the Victorian Artists Society and the New South Wales Society of Artists, and at the Melbourne studio of Jane Sutherland. There was even a painting,
569:
sunshine and the incidental portrayal of willowy grace the picture is to be admired for its colour scheme ... The details of the picture disclose untiring care.
2317:
819:
In 1920, the Society of Women Painters in New South Wales established a School of Fine and Applied Arts, with Florence Fuller appointed as the inaugural teacher of
504:
in Melbourne, and was dominated by an exhibition of art, both Australian and international. Included in this extensive survey of painting were six works by Fuller.
3098:
3149:
778:
Sources describing Fuller's movements after her time in India sometimes are ambiguous. She arrived in England in June 1911, where she marched with Besant in the
2910:"National Memorial Ordinance 1928 Determination of Nomenclature Australian Capital Territory National Memorials Ordinance 1928 Determination of Nomenclature"
1445:
272:
The family migrated to Australia when Florence was one year old. She worked as a governess while undertaking studies in art, and first took classes at the
1984:
995:
1041:
The only source that identifies the name of John Hobson Fuller's wife is a newspaper notice pertaining to another of their daughters, Lily Vines Fuller.
725:
In 1907, Besant became the president of the Theosophical Society globally, and set to work with a major expansion of the organisation's headquarters at
1408:
2022:
653:
Fuller painted other works for the Hacketts. In a 1937 piece reflecting on early twentieth-century art in Western Australia, a reviewer recalled:
1479:
186:, becoming a professional artist in the late 1880s. In 1892 she left Australia, travelling first to South Africa, where she met and painted for
3339:
3334:
899:
of the English school in her rendering of our foliage; never could she bring herself to see our trees as dim coloured as they usually are.
786:. She continued to paint portraits, but found it difficult to realise the transformation in her art that she had conceptualised in India:
977:
921:, she worked with a colour palette reflecting theosophy's attribution of specific meanings to colours and used little tonal variation.
758:, half a decade later. The painting owes much to theosophy's emphasis on seeing the subject "through a psychic, visionary experience".
497:
1012:
3329:
3324:
1262:
1926:
273:
183:
97:
302:. He returned to Australia in 1885, and Fuller became his pupil. In that year, aged eighteen, Fuller received a commission from
221:
at the School of Fine and Applied Arts, established in 1920 by the New South Wales Society of Women Painters. She died in 1946.
2065:
1143:
3349:
3309:
2526:
2270:
2059:
1514:
1365:
1307:
959:
246:
2322:
Catalogue: 3 & 4 July 2012: Australian & International Art, Decorative Arts, Jewellery & Furniture: Lots 100–199
3354:
2811:
2715:
844:
1096:
travelled first to Melbourne and then back again through Perth in September 1908, before setting out for the subcontinent.
2325:
408:
3109:
3294:
1352:
1294:
282:
3314:
3208:
3156:
1689:
1050:
The shipping record of the migration shows the family arriving in Melbourne in September 1868, with Florence aged 1.
909:
considered Fuller's works to be the finest on show, and that "the occasion provides another triumph for Miss Fuller".
3249:
3056:
3031:
3006:
2957:
2447:
2127:
1792:
1726:
3344:
2483:
905:
587:
230:
261:, South Africa, in 1867, a daughter of Louisa and John Hobson Fuller. She had several siblings, including sisters
3304:
962:, the Art Gallery of New South Wales and the State Library of Victoria. Internationally, her work is held by the
463:
3150:"Perspectives in Time: An exhibition of historic artworks depicting the transition of Perth from colony to city"
1457:
586:, undertaken posthumously from photographs and recollections of those who had known him. It was acquired by the
3081:
1992:
1357:
1299:
591:
486:
242:
226:
3319:
951:
234:
1907:. National Library of Australia. 23 January 1902. p. 1 Supplement: Supplement to The Bendigo Advertiser
912:
Art critic and curator Jenny McFarlane considered Fuller's work to be complex, drawing not only on European
851:
955:
238:
800:, co-founder of the Theosophical Society. She visited Brisbane in 1917. Fuller spent a period painting in
450:
During her time in Europe, Fuller had great success. After a pastel portrait of hers was accepted for the
833:
538:, at the Royal Academy in 1904. Other Australian artists whose works were hung at the same time included
500:, who spoke of its goal to advance "the industrial progress of Australia". The event occupied the entire
1420:
3299:
689:
440:
346:
384:
2867:
2839:
2687:
2148:
1875:
1847:
825:
719:
616:
551:
501:
366:
323:
836:(as it was then known), where she died nearly two decades later, on 17 July 1946. She was buried at
623:
The current owners assert that Professor Ride always understood the figures in the picture were Sir
3242:
Concerning the Spiritual: The influence of the Theosophical Society on Australian Artists 1890–1934
1688:
1695:
887:
girl in thin white, clinging, dress, standing on a bushy piece of country ... As the London
809:
668:
583:
276:
in 1883, then again for a further term of study in 1888. During this period she was a student of
751:
667:
Biographer Joan Kerr speculated that it may have been Jane Sutherland who introduced Fuller to
633:
577:
was on display, Fuller had returned to Australia, not to her previous home in Melbourne but to
467:
1602:
1561:
2092:
1629:
1535:
1347:
1178:
925:
obituaries appeared in the newspapers in 1946. She is not mentioned at all in Janine Burke's
624:
547:
307:
290:
175:
2815:. Perth: National Library of Australia. 28 September 1919. p. 6 Section: Second Section
2318:"115. Florence Ada Fuller 1867 – 1946. Original title, most likely; "A Golden Hour", c.1905"
945:
exhibition in 1992-1993 and also was discussed in detail and illustrated in Janda Gooding's
3289:
3284:
2743:
763:
698:
494:
206:
903:
Reviewing the Western Australian Art Society's exhibition in 1906, the critic for Perth's
8:
2554:
2381:
2233:
2205:
2177:
1957:
1664:
1266:
882:
771:
703:
701:. Fuller had a studio in Perth, first at St Georges Terrace and later in the premises of
560:
416:
404:
262:
60:
2122:. Fitzroy, Vic.: Aus Art Editions in association with The Miegunyah Press. p. 448.
2935:
2783:
2610:
2582:
2291:
1903:
1816:
1289:
1083:
813:
797:
743:
715:
454:
in 1895, two of her paintings were shown there in 1896. That was followed by another,
436:
106:
3245:
3077:
3052:
3027:
3002:
2953:
2443:
2266:
2123:
2055:
2045:
1788:
1722:
1510:
1379:
1371:
1361:
1321:
1313:
1303:
837:
805:
693:
485:, which portrays the figure of a girl sitting reading a book. It was acquired by the
428:
396:
373:
1151:
688:, joined the society in Perth on 29 May 1905, after hearing charismatic theosophist
444:
424:
166:(1867 – 17 July 1946) was a South African-born Australian artist. Originally from
861:
555:
543:
303:
277:
266:
179:
82:
2787:. Perth: National Library of Australia. 2 October 1919. p. 3: Third edition
2586:. Perth: National Library of Australia. 4 August 1908. p. 3: Second edition
2530:. Perth: National Library of Australia. 11 March 1908. p. 4: Third edition
963:
876:, considered Fuller's art to be created in "a free painterly style indebted to
820:
755:
726:
258:
218:
167:
56:
3266:
2909:
2834:
2710:
2143:
2117:
3278:
2948:
Robb, Gwenda; Elaine Smith (1993). "Florence Fuller". In Robert Smith (ed.).
2862:
2806:
2778:
2738:
2682:
2605:
2577:
2549:
2521:
2478:
2376:
2295:. Perth: National Library of Australia. 16 May 1905. p. 2: Third edition
2286:
2228:
2200:
2172:
1952:
1898:
1870:
1811:
1757:
1694:
1659:
1530:
1375:
1317:
985:
877:
767:
685:
677:
459:
451:
420:
329:
319:
299:
195:
191:
2087:
2044:
Speck, Catherine (2008). "Adelaide's Federal Art Exhibitions 1898–1923". In
1842:
1624:
1383:
1325:
1173:
930:
889:
711:
612:
603:
558:. Fuller was the only woman painter to be represented. A critic writing in
539:
412:
187:
3182:
2914:
Commonwealth of Australia Gazette. Periodic (National : 1977 – 2011)
779:
474:, hung in the exhibition for the fiftieth anniversary of the founding of
432:
294:
78:
534:
Further recognition came with the hanging of one of Fuller's paintings,
32:
2096:. Melbourne: National Library of Australia. 1 November 1902. p. 17
1703:
681:
315:
812:
in Sydney's northern suburbs, where she continued to paint, including
676:
one of numerous Australian artists who became theosophists, including
399:"to convalesce", although from what illness or injury, her biographer
3138:. Vol. 1. Sydney: Angus & Robertson Publishers. p. 201.
2642:
Australasians Who Count in London and Who Counts in Western Australia
1258:
1069:
Shipping records indicate that she departed England in November 1898.
913:
672:
400:
171:
101:
2614:. Perth: National Library of Australia. 19 September 1908. p. 5
2510:. Adyar, Madras: The Theosophical Publishing House. pp. 2, 19.
2487:. Perth: National Library of Australia. 13 October 1906. p. 14
2209:. Perth: National Library of Australia. 17 November 1904. p. 8
1144:"Masterpieces for the nation 2013. Florence Fuller's A golden hour"
783:
512:
2508:
Adyar – the International Headquarters of the Theosophical Society
2385:. Perth: National Library of Australia. 23 October 1937. p. 4
2048:; Gillespie, Richard; Jordan, Caroline; Willis, Elizabeth (eds.).
1509:. Carlton, Vic.: Melbourne University Publishing. pp. 46–47.
2558:. Perth: National Library of Australia. 1 August 1908. p. 12
2473:
2471:
2118:
McCulloch, Alan; Susan McCulloch; Emily McCulloch Childs (2006).
1409:"Headstone: A portrait of the Aboriginal leader as a kitsch icon"
1182:. Melbourne: National Library of Australia. 9 May 1876. p. 1
608:
475:
2843:. Sydney: National Library of Australia. 4 July 1920. p. 15
2237:. Perth: National Library of Australia. 26 April 1904. p. 5
2181:. Perth: National Library of Australia. 29 April 1904. p. 5
590:. She also took on students, including French-Australian artist
3213:
2747:. Qld.: National Library of Australia. 13 March 1917. p. 9
730:
523:
214:
2468:
578:
458:, in 1897, in which year she also had a work accepted by the
202:
2938:, National Gallery of Victoria. Retrieved 30 September 2020.
2265:. Canberra, ACT: National Gallery of Australia. p. 35.
1456:. State Library of Victoria: 35. Autumn 2005. Archived from
943:
Completing the picture: women artists and the Heidelberg era
868:(1888), acquired by the National Gallery of Victoria in 2019
403:
does not say. While there, she was a guest of her uncle Sir
3269:
801:
640:
In addition to appearing as the small figure of a woman in
372:
By August 1891 she had a studio in her home in Pine Grove,
2665:
2663:
2648:
3106:
Children's Discovery Sheet – Your Collection 1800 to 1920
1587:
Mimmocchi, Denise. "An alternative vision of Australia".
1504:
2759:
2978:
2966:
2660:
2456:
2442:. Carlton, Victoria: The Miegunyah Press. p. 217.
1735:
1082:
was sold at auction in 2012, it fetched $ 76,000 (plus
312:
Barak–last chief of the Yarra Yarra Tribe of Aborigines
2153:. National Library of Australia. 2 May 1904. p. 6
710:
In 1906 Fuller's portrait of feminist and theosophist
462:
in London. She exhibited in many other locations: the
2952:. Melbourne: Melbourne University Press. p. 95.
2890:
McFarlane, Jenny (2010). "Florence Fuller in Adyar".
2263:
Out of the West: Western Australian Art 1830s – 1930s
2021:. National Gallery of Australia. 2004. Archived from
607:. When the painting was put up for sale in 2012, the
1820:. Perth. 26 September 1904. p. 5: Third edition
2051:
Seize the Day: Exhibitions, Australia and the World
1697:
Dictionary of National Biography, second supplement
1591:(9/15). Art Gallery Society of New South Wales: 18.
832:In 1927, at the age of sixty, she was committed to
209:and painted some of her best-known work, including
3108:. Art Gallery of Western Australia. Archived from
2120:The new McCulloch's Encyclopedia of Australian Art
1787:. London: Secker & Warburg. pp. 316–318.
489:. When hanging the work as part of its exhibition
369:for best portrait by an artist under twenty-five.
174:with her family. There she trained with her uncle
3076:. Perth, W.A.: Art Gallery of Western Australia.
2419:McFarlane, Jenny (2004). "Unauthorised visions".
1265:. Design and Art Australia Online. Archived from
843:Florence Fuller Street in the Canberra suburb of
707:, and the Society used these for their meetings.
611:house catalogue stated that it had been owned by
201:In 1904, Fuller returned to Australia, living in
3276:
2947:
1991:. Art Gallery of South Australia. Archived from
365:Also in 1889, Fuller was awarded a prize by the
322:. Ultimately, that painting was acquired by the
2113:
2111:
1716:
3244:. Melbourne: Australian Scholarly Publishing.
3001:. Collingwood, Vic.: Greenhouse Publications.
1752:
1750:
1005:, c. 1880s–90s, Art Gallery of South Australia
3074:Western Australian art and artists, 1900–1950
3049:Australian Women Artists: First Fleet to 1945
2324:. McKenzies Auctioneers. 2012. Archived from
2088:"Australian Federal International Exhibition"
1978:
1976:
947:Western Australian art and artists, 1900-1950
662:
597:Fuller's paintings from this period included
3209:"Blue Mountains, New South Wales, Australia"
2644:. London: Jas. Truscott and Son. p. 51.
2414:
2412:
2410:
2408:
2406:
2404:
2402:
2400:
2371:
2369:
2312:
2310:
2108:
1721:. Sydney: Macmillan Australia. p. 106.
1702:. London: Smith, Elder & Co – via
1281:
1086:), around three times the pre-sale estimate.
269:, both of whom subsequently became singers.
2352:"Portrait of Deborah Vernon Hackett (1908)"
2256:
2254:
2252:
2054:. Clayton, Vic.: Monash University ePress.
1747:
1446:"Selected Paintings from the Cowen Gallery"
1253:
1251:
1249:
1247:
1245:
1243:
782:protests associated with the coronation of
3090:
3024:A Dictionary of Women Artists of Australia
2883:
2635:
2633:
2631:
2629:
1973:
1566:Art Gallery of New South Wales: Collection
1356:. Canberra: National Centre of Biography,
1298:. Canberra: National Centre of Biography,
1241:
1239:
1237:
1235:
1233:
1231:
1229:
1227:
1225:
1223:
1137:
1135:
1133:
1131:
1129:
1127:
379:
217:. There, she was the inaugural teacher of
3239:
2984:
2972:
2889:
2765:
2669:
2654:
2462:
2418:
2397:
2366:
2307:
1741:
1580:
1339:
1206:Victoria inward passenger lists 1839–1923
349:'s poem on child labour "Weariness") and
314:, a formal oil on canvas portrait of the
3026:. Roseville East, NSW: Craftsman House.
3021:
2950:Concise Dictionary of Australian Artists
2249:
1837:
1835:
1806:
1804:
1654:
1652:
1650:
1648:
1633:. Melbourne. 1 September 1890. p. 1
1605:. Illustrated Sydney News. 1 August 1891
1440:
1438:
1402:
1400:
1022:, 1893, Art Gallery of Western Australia
935:Dictionary of Women Artists in Australia
874:Concise Dictionary of Australian Artists
860:
522:
511:
383:
328:
252:
3201:
3071:
2639:
2626:
2505:
2499:
2437:
2431:
1686:
1556:
1554:
1287:
1220:
1124:
872:Gwenda Robb and Elaine Smith, in their
852:Theosophy and visual arts § Fuller
274:National Gallery of Victoria Art School
184:National Gallery of Victoria Art School
98:National Gallery of Victoria Art School
3277:
3180:
3096:
3046:
2934:Varcoe-Cocks, Michael (1 April 2020).
2349:
2345:
2343:
1982:
1406:
3340:20th-century Australian women artists
3335:19th-century Australian women artists
3155:. City of Perth. 2005. Archived from
3133:
2996:
2941:
2043:
1832:
1801:
1782:
1764:. Adelaide. 17 April 1897. p. 43
1710:
1668:. Perth. 28 February 1914. p. 12
1645:
1586:
1472:
1435:
1397:
289:Fuller's mother's brother-in-law was
37:Pen portrait of Florence Fuller, 1897
2716:The Sydney Stock and Station Journal
2260:
1931:Passenger Lists leaving UK 1890–1960
1879:. Adelaide. 28 April 1897. p. 5
1851:. Adelaide. 2 August 1902. p. 5
1589:Look: Art Gallery of New South Wales
1551:
1539:. Melbourne. 14 July 1886. p. 6
1348:"Dowling, Robert Hawker (1827–1886)"
1345:
1257:
1141:
766:, and the writings of art historian
3051:. Woden, ACT: Irrepressible Press.
2340:
2144:"Australian artists at the Academy"
2019:The Edwardians. Secrets and Desires
1562:""Weary" (1888) by Florence Fuller"
941:. However her work toured with the
856:
409:Parliament of the Cape of Good Hope
13:
2999:Australian Women Artists 1840–1940
1505:State Library of Victoria (2007).
1353:Australian Dictionary of Biography
1295:Australian Dictionary of Biography
927:Australian Women Artists 1840–1940
796:theosophists including Besant and
791:art, but who has not yet achieved.
528:Portrait of Deborah Vernon Hackett
306:, philanthropist and supporter of
283:Australian Dictionary of Biography
146:Portrait of Deborah Vernon Hackett
14:
3366:
3260:
395:In 1892, Fuller travelled to the
3330:20th-century Australian painters
3325:19th-century Australian painters
2640:Matters, Mrs Leonard W. (1913).
2479:"Western Australian Art Society"
1989:Collection: Australian paintings
1961:. Perth. 2 April 1904. p. 7
1717:Eagle, Mary; John Jones (1994).
1568:. Art Gallery of New South Wales
1011:
994:
976:
481:While in Europe, Fuller painted
231:Art Gallery of Western Australia
170:, Fuller migrated as a child to
31:
3174:
3142:
3127:
3065:
3040:
3015:
2990:
2928:
2902:
2855:
2827:
2799:
2771:
2731:
2719:. NSW. 17 March 1916. p. 2
2703:
2675:
2598:
2570:
2542:
2514:
2279:
2221:
2193:
2165:
2136:
2080:
2037:
2007:
1945:
1919:
1891:
1863:
1776:
1680:
1617:
1595:
1523:
1498:
1099:
1089:
1072:
1063:
1053:
464:Royal Institute of Oil Painters
3189:. National Gallery of Victoria
3183:"A French peasant (1894–1899)"
1719:A Story of Australian Painting
1603:"Around the Melbourne studios"
1486:. Tracing Victoria. 8 May 2020
1358:Australian National University
1300:Australian National University
1290:"Sutherland, Jane (1853–1928)"
1194:
1166:
1044:
1035:
988:, 1885, State Library Victoria
964:Newport Museum and Art Gallery
588:gallery whose board he chaired
487:Art Gallery of South Australia
439:, where her teachers included
435:. Fuller studied first at the
243:Art Gallery of New South Wales
227:Art Gallery of South Australia
1:
1263:"Florence Fuller – biography"
1113:
952:National Gallery of Australia
235:National Gallery of Australia
16:Australian artist (1867–1946)
3350:Australian portrait painters
3310:Artists from New South Wales
2287:"The Museum and Art Gallery"
1690:"Fuller, Thomas Ekins"
956:National Gallery of Victoria
308:Victoria's Aboriginal people
257:Florence Fuller was born in
239:National Gallery of Victoria
7:
3355:19th-century women painters
3136:The Story of Australian Art
2916:. 31 August 1988. p. 1
2421:Australian Cultural History
2354:. National Portrait Gallery
1150:(73): 28–29. Archived from
919:Portrait of the Lord Buddha
748:Portrait of the Lord Buddha
205:. She became active in the
152:Portrait of the Lord Buddha
10:
3371:
2871:. 30 April 1926. p. 9
2691:. 22 March 1916. p. 5
2506:Perkins, James S. (1965).
1346:Mead, Isabella J. (1972).
969:
849:
804:(at that time part of the
690:Charles Webster Leadbeater
663:Theosophy and later career
441:William-Adolphe Bouguereau
411:, and through him she met
347:Henry Wadsworth Longfellow
3295:Australian women painters
3240:McFarlane, Jenny (2015).
3181:Fuller, Florence (1972).
3097:Fuller, Florence (1904).
3047:Ambrus, Caroline (1992).
2868:The Sydney Morning Herald
2688:The Sydney Morning Herald
2440:Australian Art: A History
2350:Fuller, Florence (2005).
1983:Fuller, Florence (1900).
1899:"The exhibition pictures"
1531:"The late Robert Dowling"
1507:The Art of the Collection
1288:Lindsay, Frances (1990).
960:National Portrait Gallery
954:, the City of Perth, the
834:Gladesville Mental Asylum
826:The Sydney Morning Herald
720:Helena Petrovna Blavatsky
692:during his lecture tour.
617:Western Australian Museum
615:, former director of the
502:Royal Exhibition Building
367:Victorian Artists Society
324:State Library of Victoria
310:. The commission was for
247:National Portrait Gallery
124:
116:
90:
67:
42:
30:
23:
1985:"Inseparables (c. 1900)"
1783:Greer, Germaine (1979).
1687:Hillier, Alfred (1912).
1028:
939:Australian Women Artists
937:, nor Caroline Ambrus's
847:is named in her honour.
507:
182:and took classes at the
3345:Australian Theosophists
3134:Moore, William (1934).
3072:Gooding, Janda (1987).
2438:Grishin, Sasha (2013).
2201:"Miss Fuller's picture"
1758:"An Australian painter"
1693:. In Sidney Lee (ed.).
584:James George Lee Steere
380:Europe and South Africa
3315:Académie Julian alumni
3305:Artists from Melbourne
3022:Germaine, Max (1991).
2997:Burke, Janine (1980).
2892:Theosophy in Australia
1871:"An Australian artist"
1812:"An Australian Artist"
1407:Hansen, David (2012).
901:
869:
793:
752:Grace Cossington Smith
740:
660:
651:
638:
634:Deborah Vernon Hackett
571:
531:
520:
468:Manchester Art Gallery
392:
337:
2779:"Mainly About People"
2606:"Mainly about people"
2578:"Mainly about people"
2522:"Mainly about people"
896:
864:
788:
735:
655:
646:
625:John Winthrop Hackett
621:
566:
526:
515:
387:
332:
291:Robert Hawker Dowling
280:, referred to in the
253:Early life and career
176:Robert Hawker Dowling
3320:People from Gqeberha
2936:"The paper boy 1888"
2744:The Brisbane Courier
1450:The La Trobe Journal
764:Bengal School of Art
699:Theosophical Society
495:Governor of Victoria
207:Theosophical Society
3162:on 12 November 2013
2683:"A visiting artist"
2555:The West Australian
2382:The West Australian
2377:"Painters of Perth"
2328:on 10 November 2013
2261:Gray, Anne (2011).
2234:The West Australian
2206:The West Australian
2178:The West Australian
2173:"The Royal Academy"
2068:on 16 February 2012
1958:The West Australian
1665:The West Australian
1484:Visit Victoria home
1460:on 12 November 2013
1423:on 12 November 2013
1269:on 12 November 2013
883:Adelaide Advertiser
772:Ananda Coomaraswamy
729:, in what was then
704:The West Australian
629:The West Australian
561:The West Australian
405:Thomas Ekins Fuller
164:Florence Ada Fuller
61:British Cape Colony
3115:on 5 November 2013
3099:"Sand pies (1893)"
2046:Darian-Smith, Kate
1995:on 5 November 2013
1904:Bendigo Advertiser
1154:on 5 November 2013
1142:Gray, Ann (2013).
870:
744:Jiddu Krishnamurti
716:Henry Steel Olcott
671:, a spiritual and
532:
521:
407:, a member of the
393:
355:Gently Reproachful
338:
3300:Heidelberg School
2657:, pp. 43–45.
2272:978-0-642-33422-0
2061:978-0-9804648-1-8
2015:"Fuller, Forence"
1785:The Obstacle Race
1516:978-0-522-85359-9
1367:978-0-522-84459-7
1309:978-0-522-84459-7
838:Rookwood Cemetery
806:Dutch East Indies
694:Bessie Rischbieth
627:, (then owner of
592:Kathleen O'Connor
498:Sir George Clarke
397:Cape of Good Hope
161:
160:
75:(aged 78–79)
3362:
3255:
3227:
3226:
3224:
3222:
3205:
3199:
3198:
3196:
3194:
3178:
3172:
3171:
3169:
3167:
3161:
3154:
3146:
3140:
3139:
3131:
3125:
3124:
3122:
3120:
3114:
3103:
3094:
3088:
3087:
3069:
3063:
3062:
3044:
3038:
3037:
3019:
3013:
3012:
2994:
2988:
2982:
2976:
2970:
2964:
2963:
2945:
2939:
2932:
2926:
2925:
2923:
2921:
2906:
2900:
2899:
2887:
2881:
2880:
2878:
2876:
2863:"Women painters"
2859:
2853:
2852:
2850:
2848:
2840:The Sunday Times
2835:"Women Painters"
2831:
2825:
2824:
2822:
2820:
2803:
2797:
2796:
2794:
2792:
2775:
2769:
2763:
2757:
2756:
2754:
2752:
2735:
2729:
2728:
2726:
2724:
2711:"Women Painters"
2707:
2701:
2700:
2698:
2696:
2679:
2673:
2667:
2658:
2652:
2646:
2645:
2637:
2624:
2623:
2621:
2619:
2602:
2596:
2595:
2593:
2591:
2574:
2568:
2567:
2565:
2563:
2546:
2540:
2539:
2537:
2535:
2518:
2512:
2511:
2503:
2497:
2496:
2494:
2492:
2475:
2466:
2460:
2454:
2453:
2435:
2429:
2428:
2416:
2395:
2394:
2392:
2390:
2373:
2364:
2363:
2361:
2359:
2347:
2338:
2337:
2335:
2333:
2314:
2305:
2304:
2302:
2300:
2283:
2277:
2276:
2258:
2247:
2246:
2244:
2242:
2229:"Summer Breezes"
2225:
2219:
2218:
2216:
2214:
2197:
2191:
2190:
2188:
2186:
2169:
2163:
2162:
2160:
2158:
2149:The Evening News
2140:
2134:
2133:
2115:
2106:
2105:
2103:
2101:
2084:
2078:
2077:
2075:
2073:
2064:. Archived from
2041:
2035:
2034:
2032:
2030:
2025:on 26 April 2012
2011:
2005:
2004:
2002:
2000:
1980:
1971:
1970:
1968:
1966:
1949:
1943:
1942:
1940:
1938:
1923:
1917:
1916:
1914:
1912:
1895:
1889:
1888:
1886:
1884:
1867:
1861:
1860:
1858:
1856:
1839:
1830:
1829:
1827:
1825:
1808:
1799:
1798:
1780:
1774:
1773:
1771:
1769:
1754:
1745:
1739:
1733:
1732:
1714:
1708:
1707:
1701:
1692:
1684:
1678:
1677:
1675:
1673:
1656:
1643:
1642:
1640:
1638:
1625:"Family Notices"
1621:
1615:
1614:
1612:
1610:
1599:
1593:
1592:
1584:
1578:
1577:
1575:
1573:
1558:
1549:
1548:
1546:
1544:
1527:
1521:
1520:
1502:
1496:
1495:
1493:
1491:
1476:
1470:
1469:
1467:
1465:
1442:
1433:
1432:
1430:
1428:
1419:. Archived from
1404:
1395:
1394:
1392:
1390:
1343:
1337:
1336:
1334:
1332:
1285:
1279:
1278:
1276:
1274:
1255:
1218:
1217:
1215:
1213:
1198:
1192:
1191:
1189:
1187:
1174:"Family Notices"
1170:
1164:
1163:
1161:
1159:
1139:
1107:
1103:
1097:
1093:
1087:
1076:
1070:
1067:
1061:
1057:
1051:
1048:
1042:
1039:
1015:
1003:Mother and Child
998:
980:
966:in South Wales.
857:Style and legacy
770:and philosopher
425:Margaret Preston
245:and Australia's
127:
74:
53:
51:
35:
21:
20:
3370:
3369:
3365:
3364:
3363:
3361:
3360:
3359:
3275:
3274:
3267:Florence Fuller
3263:
3258:
3252:
3230:
3220:
3218:
3207:
3206:
3202:
3192:
3190:
3179:
3175:
3165:
3163:
3159:
3152:
3148:
3147:
3143:
3132:
3128:
3118:
3116:
3112:
3101:
3095:
3091:
3084:
3070:
3066:
3059:
3045:
3041:
3034:
3020:
3016:
3009:
2995:
2991:
2983:
2979:
2971:
2967:
2960:
2946:
2942:
2933:
2929:
2919:
2917:
2908:
2907:
2903:
2888:
2884:
2874:
2872:
2861:
2860:
2856:
2846:
2844:
2833:
2832:
2828:
2818:
2816:
2807:"Perth Prattle"
2805:
2804:
2800:
2790:
2788:
2777:
2776:
2772:
2764:
2760:
2750:
2748:
2739:"Woman's world"
2737:
2736:
2732:
2722:
2720:
2709:
2708:
2704:
2694:
2692:
2681:
2680:
2676:
2668:
2661:
2653:
2649:
2638:
2627:
2617:
2615:
2604:
2603:
2599:
2589:
2587:
2576:
2575:
2571:
2561:
2559:
2548:
2547:
2543:
2533:
2531:
2520:
2519:
2515:
2504:
2500:
2490:
2488:
2477:
2476:
2469:
2461:
2457:
2450:
2436:
2432:
2417:
2398:
2388:
2386:
2375:
2374:
2367:
2357:
2355:
2348:
2341:
2331:
2329:
2316:
2315:
2308:
2298:
2296:
2285:
2284:
2280:
2273:
2259:
2250:
2240:
2238:
2227:
2226:
2222:
2212:
2210:
2199:
2198:
2194:
2184:
2182:
2171:
2170:
2166:
2156:
2154:
2142:
2141:
2137:
2130:
2116:
2109:
2099:
2097:
2086:
2085:
2081:
2071:
2069:
2062:
2042:
2038:
2028:
2026:
2013:
2012:
2008:
1998:
1996:
1981:
1974:
1964:
1962:
1951:
1950:
1946:
1936:
1934:
1927:"Transcription"
1925:
1924:
1920:
1910:
1908:
1897:
1896:
1892:
1882:
1880:
1869:
1868:
1864:
1854:
1852:
1841:
1840:
1833:
1823:
1821:
1810:
1809:
1802:
1795:
1781:
1777:
1767:
1765:
1756:
1755:
1748:
1740:
1736:
1729:
1715:
1711:
1685:
1681:
1671:
1669:
1658:
1657:
1646:
1636:
1634:
1623:
1622:
1618:
1608:
1606:
1601:
1600:
1596:
1585:
1581:
1571:
1569:
1560:
1559:
1552:
1542:
1540:
1529:
1528:
1524:
1517:
1503:
1499:
1489:
1487:
1480:"William Barak"
1478:
1477:
1473:
1463:
1461:
1444:
1443:
1436:
1426:
1424:
1413:Griffith Review
1405:
1398:
1388:
1386:
1368:
1344:
1340:
1330:
1328:
1310:
1286:
1282:
1272:
1270:
1256:
1221:
1211:
1209:
1200:
1199:
1195:
1185:
1183:
1172:
1171:
1167:
1157:
1155:
1140:
1125:
1116:
1111:
1110:
1104:
1100:
1094:
1090:
1084:buyer's premium
1077:
1073:
1068:
1064:
1058:
1054:
1049:
1045:
1040:
1036:
1031:
1024:
1023:
1016:
1007:
1006:
999:
990:
989:
981:
972:
859:
854:
665:
556:Arthur Streeton
548:Albert Fullwood
544:E. Phillips Fox
510:
437:Académie Julian
382:
353:, in 1888; and
304:Anne Fraser Bon
293:, a painter of
278:Jane Sutherland
255:
180:Jane Sutherland
157:
125:
112:
107:Académie Julian
86:
83:New South Wales
76:
72:
63:
54:
49:
47:
38:
26:
25:Florence Fuller
17:
12:
11:
5:
3368:
3358:
3357:
3352:
3347:
3342:
3337:
3332:
3327:
3322:
3317:
3312:
3307:
3302:
3297:
3292:
3287:
3273:
3272:
3262:
3261:External links
3259:
3257:
3256:
3250:
3236:
3235:
3234:
3229:
3228:
3200:
3173:
3141:
3126:
3089:
3082:
3064:
3057:
3039:
3032:
3014:
3007:
2989:
2985:McFarlane 2015
2977:
2973:McFarlane 2015
2965:
2958:
2940:
2927:
2901:
2882:
2854:
2826:
2798:
2784:The Daily News
2770:
2768:, p. 101.
2766:McFarlane 2015
2758:
2730:
2702:
2674:
2670:McFarlane 2015
2659:
2655:McFarlane 2015
2647:
2625:
2611:The Daily News
2597:
2583:The Daily News
2569:
2541:
2527:The Daily News
2513:
2498:
2467:
2463:McFarlane 2015
2455:
2448:
2430:
2396:
2365:
2339:
2306:
2292:The Daily News
2278:
2271:
2248:
2220:
2192:
2164:
2135:
2128:
2107:
2079:
2060:
2036:
2006:
1972:
1944:
1918:
1890:
1876:The Advertiser
1862:
1848:The Advertiser
1843:"Colonial art"
1831:
1817:The Daily News
1800:
1793:
1775:
1746:
1742:McFarlane 2015
1734:
1727:
1709:
1679:
1644:
1616:
1594:
1579:
1550:
1522:
1515:
1497:
1471:
1434:
1396:
1366:
1338:
1308:
1280:
1219:
1193:
1165:
1122:
1121:
1120:
1115:
1112:
1109:
1108:
1098:
1088:
1071:
1062:
1052:
1043:
1033:
1032:
1030:
1027:
1026:
1025:
1018:
1017:
1010:
1008:
1001:
1000:
993:
991:
983:
982:
975:
971:
968:
958:, Australia's
858:
855:
756:Roland Wakelin
664:
661:
619:. It reported:
575:Summer Breezes
552:George Lambert
536:Summer Breezes
509:
506:
491:The Edwardians
445:Raphaël Collin
381:
378:
376:in Melbourne.
259:Port Elizabeth
254:
251:
168:Port Elizabeth
159:
158:
156:
155:
149:
143:
137:
130:
128:
122:
121:
118:
117:Known for
114:
113:
111:
110:
104:
94:
92:
88:
87:
77:
69:
65:
64:
57:Port Elizabeth
55:
44:
40:
39:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
3367:
3356:
3353:
3351:
3348:
3346:
3343:
3341:
3338:
3336:
3333:
3331:
3328:
3326:
3323:
3321:
3318:
3316:
3313:
3311:
3308:
3306:
3303:
3301:
3298:
3296:
3293:
3291:
3288:
3286:
3283:
3282:
3280:
3271:
3268:
3265:
3264:
3253:
3251:9781921875151
3247:
3243:
3238:
3237:
3232:
3231:
3216:
3215:
3210:
3204:
3188:
3184:
3177:
3158:
3151:
3145:
3137:
3130:
3111:
3107:
3100:
3093:
3085:
3079:
3075:
3068:
3060:
3058:0-646-09513-7
3054:
3050:
3043:
3035:
3033:976-8097-13-2
3029:
3025:
3018:
3010:
3008:0-909104-30-1
3004:
3000:
2993:
2987:, p. 48.
2986:
2981:
2975:, p. 43.
2974:
2969:
2961:
2959:0-522-84478-2
2955:
2951:
2944:
2937:
2931:
2915:
2911:
2905:
2897:
2893:
2886:
2870:
2869:
2864:
2858:
2842:
2841:
2836:
2830:
2814:
2813:
2808:
2802:
2786:
2785:
2780:
2774:
2767:
2762:
2746:
2745:
2740:
2734:
2718:
2717:
2712:
2706:
2690:
2689:
2684:
2678:
2672:, p. 52.
2671:
2666:
2664:
2656:
2651:
2643:
2636:
2634:
2632:
2630:
2613:
2612:
2607:
2601:
2585:
2584:
2579:
2573:
2557:
2556:
2551:
2545:
2529:
2528:
2523:
2517:
2509:
2502:
2486:
2485:
2480:
2474:
2472:
2465:, p. 36.
2464:
2459:
2451:
2449:9780522856521
2445:
2441:
2434:
2426:
2422:
2415:
2413:
2411:
2409:
2407:
2405:
2403:
2401:
2384:
2383:
2378:
2372:
2370:
2353:
2346:
2344:
2327:
2323:
2319:
2313:
2311:
2294:
2293:
2288:
2282:
2274:
2268:
2264:
2257:
2255:
2253:
2236:
2235:
2230:
2224:
2208:
2207:
2202:
2196:
2180:
2179:
2174:
2168:
2152:
2150:
2145:
2139:
2131:
2129:0-522-85317-X
2125:
2121:
2114:
2112:
2095:
2094:
2089:
2083:
2067:
2063:
2057:
2053:
2052:
2047:
2040:
2024:
2020:
2016:
2010:
1994:
1990:
1986:
1979:
1977:
1960:
1959:
1954:
1948:
1932:
1928:
1922:
1906:
1905:
1900:
1894:
1878:
1877:
1872:
1866:
1850:
1849:
1844:
1838:
1836:
1819:
1818:
1813:
1807:
1805:
1796:
1794:0-436-18799-X
1790:
1786:
1779:
1763:
1762:The Chronicle
1759:
1753:
1751:
1744:, p. 35.
1743:
1738:
1730:
1728:0-7329-0778-0
1724:
1720:
1713:
1705:
1700:
1698:
1691:
1683:
1667:
1666:
1661:
1655:
1653:
1651:
1649:
1632:
1631:
1626:
1620:
1604:
1598:
1590:
1583:
1567:
1563:
1557:
1555:
1538:
1537:
1532:
1526:
1518:
1512:
1508:
1501:
1485:
1481:
1475:
1459:
1455:
1451:
1447:
1441:
1439:
1422:
1418:
1414:
1410:
1403:
1401:
1385:
1381:
1377:
1373:
1369:
1363:
1359:
1355:
1354:
1349:
1342:
1327:
1323:
1319:
1315:
1311:
1305:
1301:
1297:
1296:
1291:
1284:
1268:
1264:
1260:
1254:
1252:
1250:
1248:
1246:
1244:
1242:
1240:
1238:
1236:
1234:
1232:
1230:
1228:
1226:
1224:
1207:
1203:
1197:
1181:
1180:
1175:
1169:
1153:
1149:
1145:
1138:
1136:
1134:
1132:
1130:
1128:
1123:
1118:
1117:
1102:
1092:
1085:
1081:
1080:A Golden Hour
1075:
1066:
1056:
1047:
1038:
1034:
1021:
1014:
1009:
1004:
997:
992:
987:
986:William Barak
979:
974:
973:
967:
965:
961:
957:
953:
948:
944:
940:
936:
932:
928:
922:
920:
915:
910:
908:
907:
900:
895:
892:
891:
885:
884:
879:
878:Impressionism
875:
867:
863:
853:
848:
846:
841:
839:
835:
830:
828:
827:
822:
817:
815:
811:
807:
803:
799:
792:
787:
785:
781:
776:
773:
769:
768:Ernest Havell
765:
759:
757:
753:
749:
745:
739:
734:
732:
728:
723:
721:
717:
713:
708:
706:
705:
700:
695:
691:
687:
686:Ethel Carrick
683:
679:
678:Violet Teague
674:
670:
659:
654:
650:
645:
643:
642:A Golden Hour
637:
635:
630:
626:
620:
618:
614:
610:
606:
605:
600:
599:A Golden Hour
595:
593:
589:
585:
580:
576:
570:
565:
563:
562:
557:
553:
549:
545:
541:
537:
529:
525:
518:
517:A Golden Hour
514:
505:
503:
499:
496:
492:
488:
484:
479:
477:
473:
469:
465:
461:
460:Royal Academy
457:
453:
448:
446:
443:, and later,
442:
438:
434:
430:
426:
422:
421:Agnes Goodsir
418:
414:
410:
406:
402:
398:
390:
386:
377:
375:
370:
368:
363:
360:
356:
352:
348:
345:(inspired by
344:
335:
331:
327:
325:
321:
320:William Barak
317:
313:
309:
305:
301:
300:Royal Academy
296:
292:
287:
285:
284:
279:
275:
270:
268:
264:
260:
250:
248:
244:
240:
236:
232:
228:
222:
220:
216:
212:
211:A Golden Hour
208:
204:
199:
197:
196:Royal Academy
194:and London's
193:
189:
185:
181:
177:
173:
169:
165:
153:
150:
147:
144:
141:
140:A Golden Hour
138:
135:
132:
131:
129:
123:
119:
115:
108:
105:
103:
99:
96:
95:
93:
89:
84:
80:
70:
66:
62:
58:
45:
41:
34:
29:
22:
19:
3241:
3219:. Retrieved
3212:
3203:
3191:. Retrieved
3186:
3176:
3164:. Retrieved
3157:the original
3144:
3135:
3129:
3117:. Retrieved
3110:the original
3105:
3092:
3073:
3067:
3048:
3042:
3023:
3017:
2998:
2992:
2980:
2968:
2949:
2943:
2930:
2918:. Retrieved
2913:
2904:
2895:
2891:
2885:
2873:. Retrieved
2866:
2857:
2845:. Retrieved
2838:
2829:
2817:. Retrieved
2812:Sunday Times
2810:
2801:
2789:. Retrieved
2782:
2773:
2761:
2749:. Retrieved
2742:
2733:
2721:. Retrieved
2714:
2705:
2693:. Retrieved
2686:
2677:
2650:
2641:
2616:. Retrieved
2609:
2600:
2588:. Retrieved
2581:
2572:
2560:. Retrieved
2553:
2544:
2532:. Retrieved
2525:
2516:
2507:
2501:
2489:. Retrieved
2484:Western Mail
2482:
2458:
2439:
2433:
2424:
2420:
2387:. Retrieved
2380:
2356:. Retrieved
2330:. Retrieved
2326:the original
2321:
2297:. Retrieved
2290:
2281:
2262:
2239:. Retrieved
2232:
2223:
2211:. Retrieved
2204:
2195:
2183:. Retrieved
2176:
2167:
2155:. Retrieved
2147:
2138:
2119:
2098:. Retrieved
2091:
2082:
2070:. Retrieved
2066:the original
2050:
2039:
2027:. Retrieved
2023:the original
2018:
2009:
1997:. Retrieved
1993:the original
1988:
1963:. Retrieved
1956:
1947:
1937:25 September
1935:. Retrieved
1933:. FindMyPast
1930:
1921:
1909:. Retrieved
1902:
1893:
1881:. Retrieved
1874:
1865:
1853:. Retrieved
1846:
1822:. Retrieved
1815:
1784:
1778:
1766:. Retrieved
1761:
1737:
1718:
1712:
1696:
1682:
1670:. Retrieved
1663:
1635:. Retrieved
1628:
1619:
1607:. Retrieved
1597:
1588:
1582:
1570:. Retrieved
1565:
1541:. Retrieved
1534:
1525:
1506:
1500:
1488:. Retrieved
1483:
1474:
1462:. Retrieved
1458:the original
1453:
1449:
1425:. Retrieved
1421:the original
1416:
1412:
1387:. Retrieved
1351:
1341:
1329:. Retrieved
1293:
1283:
1271:. Retrieved
1267:the original
1212:25 September
1210:. Retrieved
1208:. FindMyPast
1205:
1196:
1184:. Retrieved
1177:
1168:
1156:. Retrieved
1152:the original
1147:
1101:
1091:
1079:
1074:
1065:
1055:
1046:
1037:
1019:
1002:
984:Portrait of
946:
942:
938:
934:
931:Max Germaine
926:
923:
918:
911:
906:Western Mail
904:
902:
897:
888:
881:
873:
871:
865:
842:
831:
824:
821:life classes
818:
798:Henry Olcott
794:
789:
777:
760:
747:
741:
736:
724:
712:Annie Besant
709:
702:
666:
656:
652:
647:
641:
639:
628:
622:
613:William Ride
604:Xanthorrhoea
602:
598:
596:
574:
573:By the time
572:
567:
559:
540:Rupert Bunny
535:
533:
530:, circa 1908
527:
516:
490:
483:Inseparables
482:
480:
471:
455:
449:
413:Cecil Rhodes
394:
391:, circa 1900
389:Inseparables
388:
371:
364:
358:
357:circa 1889.
354:
350:
342:
339:
333:
311:
288:
281:
271:
256:
223:
219:life drawing
210:
200:
188:Cecil Rhodes
178:and teacher
163:
162:
151:
145:
139:
134:Inseparables
133:
126:Notable work
73:(1946-07-17)
71:17 July 1946
18:
3290:1946 deaths
3285:1867 births
3221:12 November
3166:12 November
2898:(1): 15–18.
2072:14 November
2029:14 November
1543:12 November
1464:12 November
1427:11 November
1389:11 November
780:suffragette
582:politician
456:La Glaneuse
452:Paris Salon
433:Hugh Ramsay
429:James Quinn
295:orientalist
192:Paris Salon
85:, Australia
79:Gladesville
3279:Categories
3193:6 November
3187:Collection
3119:4 November
3083:0730905039
2875:6 November
2847:6 November
2819:6 November
2791:6 November
2751:6 November
2723:6 November
2695:6 November
2618:7 November
2590:7 November
2562:7 November
2550:"Personal"
2534:7 November
2491:6 November
2389:8 November
2358:5 November
2332:8 November
2299:6 November
2241:4 November
2213:8 November
2185:6 November
2157:6 November
2100:5 November
1999:4 November
1965:6 November
1953:"Personal"
1911:5 November
1883:4 November
1855:6 November
1824:5 November
1768:8 November
1704:Wikisource
1672:6 November
1660:"Personal"
1637:8 November
1331:4 November
1273:4 November
1259:Kerr, Joan
1186:8 November
1158:4 November
1114:References
850:See also:
814:miniatures
682:Vida Lahey
316:Wurundjeri
2920:8 January
2093:The Argus
1630:The Argus
1572:30 August
1536:The Argus
1376:1833-7538
1318:1833-7538
1179:The Argus
1148:Artonview
1119:Citations
1106:Calcutta.
1020:Sand Pies
914:modernist
866:Paper Boy
669:Theosophy
564:observed:
472:Landscape
401:Joan Kerr
172:Melbourne
154:(1909–10)
148:(c. 1908)
102:Melbourne
91:Education
2427:: 43–58.
1609:29 April
1384:70677943
1326:70677943
1261:(1995).
894:writing:
890:Observer
784:George V
673:mystical
351:Desolate
318:leader,
267:Christie
120:Painting
3233:Sources
1202:"Image"
970:Gallery
609:auction
476:Bendigo
374:Malvern
109:, Paris
48: (
3248:
3217:. 2013
3214:Art UK
3080:
3055:
3030:
3005:
2956:
2446:
2269:
2126:
2058:
1791:
1725:
1699:
1513:
1490:29 May
1382:
1374:
1364:
1324:
1316:
1306:
845:Conder
810:Mosman
731:Madras
554:, and
519:, 1905
431:, and
417:Colony
415:, the
336:, 1888
241:, the
237:, the
233:, the
229:, the
215:Sydney
142:(1905)
136:(1900)
3160:(PDF)
3153:(PDF)
3113:(PDF)
3102:(PDF)
2151:, NSW
1078:When
1060:1890.
1029:Notes
727:Adyar
649:gaze.
579:Perth
508:Perth
359:Weary
343:Weary
334:Weary
203:Perth
3270:DAAO
3246:ISBN
3223:2013
3195:2013
3168:2013
3121:2013
3078:ISBN
3053:ISBN
3028:ISBN
3003:ISBN
2954:ISBN
2922:2020
2877:2013
2849:2013
2821:2013
2793:2013
2753:2013
2725:2013
2697:2013
2620:2013
2592:2013
2564:2013
2536:2013
2493:2013
2444:ISBN
2391:2013
2360:2013
2334:2013
2301:2013
2267:ISBN
2243:2013
2215:2013
2187:2013
2159:2013
2124:ISBN
2102:2013
2074:2013
2056:ISBN
2031:2013
2001:2013
1967:2013
1939:2014
1913:2013
1885:2013
1857:2013
1826:2013
1789:ISBN
1770:2013
1723:ISBN
1674:2013
1639:2013
1611:2021
1574:2015
1545:2013
1511:ISBN
1492:2022
1466:2013
1429:2013
1391:2013
1380:OCLC
1372:ISSN
1362:ISBN
1333:2013
1322:OCLC
1314:ISSN
1304:ISBN
1275:2013
1214:2014
1188:2013
1160:2013
802:Java
754:and
718:and
684:and
466:and
265:and
68:Died
50:1867
46:1867
43:Born
933:'s
263:Amy
3281::
3211:.
3185:.
3104:.
2912:.
2896:74
2894:.
2865:.
2837:.
2809:.
2781:.
2741:.
2713:.
2685:.
2662:^
2628:^
2608:.
2580:.
2552:.
2524:.
2481:.
2470:^
2425:23
2423:.
2399:^
2379:.
2368:^
2342:^
2320:.
2309:^
2289:.
2251:^
2231:.
2203:.
2175:.
2146:.
2110:^
2090:.
2017:.
1987:.
1975:^
1955:.
1929:.
1901:.
1873:.
1845:.
1834:^
1814:.
1803:^
1760:.
1749:^
1662:.
1647:^
1627:.
1564:.
1553:^
1533:.
1482:.
1454:75
1452:.
1448:.
1437:^
1417:36
1415:.
1411:.
1399:^
1378:.
1370:.
1360:.
1350:.
1320:.
1312:.
1302:.
1292:.
1222:^
1204:.
1176:.
1146:.
1126:^
929:,
840:.
816:.
680:,
636:".
594:.
550:,
546:,
542:,
427:,
423:,
249:.
198:.
100:,
81:,
59:,
3254:.
3225:.
3197:.
3170:.
3123:.
3086:.
3061:.
3036:.
3011:.
2962:.
2924:.
2879:.
2851:.
2823:.
2795:.
2755:.
2727:.
2699:.
2622:.
2594:.
2566:.
2538:.
2495:.
2452:.
2393:.
2362:.
2336:.
2303:.
2275:.
2245:.
2217:.
2189:.
2161:.
2132:.
2104:.
2076:.
2033:.
2003:.
1969:.
1941:.
1915:.
1887:.
1859:.
1828:.
1797:.
1772:.
1731:.
1706:.
1676:.
1641:.
1613:.
1576:.
1547:.
1519:.
1494:.
1468:.
1431:.
1393:.
1335:.
1277:.
1216:.
1190:.
1162:.
52:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
