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291:, writing longer songs. Flynn, who had stopped managing the Speakeasy and other bands to concentrate on Yes, was paying the weekly rent on the farm from his own personal funds. He came out one weekend to pay one more week's rent on the farm and tell the band, whom he had already begun to suspect were looking to replace him, that he could no longer continue managing them.
397:; this instrumental was the only Yes piece crediting him alone as its composer. In 2009, asked whether he was able at that time to compose, Bruford said "I wasn't that pig-ignorant; I knew a few chords and could write Fmi7 on a piece of paper. I can't remember a time when I didn't know what a 12-bar blues was or a 2-5-1
718:, who had taken over from Bruford and remained Yes's drummer until his death in 2022, was unable to adapt a groove of his own. During rehearsals, "you might have heard us struggling with this oddball musical animal that had never been played on stage by us or, presumably, anyone else. That was forty-two years of
254:, released in 1969 and 1970 respectively, and the concert tours that accompanied them. While Flynn believed that his management had benefited the band, their albums, while critically praised, were not very successful commercially in their native UK and had barely registered in the larger US market. After
229:
s predecessor. The band were bitter that he had, as a condition of his departure, negotiated a deal that gave him five per cent of the band's earnings in perpetuity. Flynn said he never got any of the money he should have received from that deal, even as Yes became extremely successful in the wake of
664:
Many years later, Flynn recalled the title of the track, and the entire story behind it, bitterly. "The problem was," he told Welch, "I never got paid. Even when the band went to
America and enjoyed big record sales, nothing ever came back to yours truly!" despite his having invested nearly all his
334:
suggested that the songs be a mix of longer group compositions and shorter pieces by the individual members that showcased their individual talents. "We were well short of a full album of material we could all agree on," Bruford recalled later. He lamented that his suggestion was not quite taken as
589:
At 35 seconds in length, it seems simply inconsequential, whereas its "idea" is interesting and possibly significant. Had the piece been developed at greater length, "Five per Cent for
Nothing" could have done for rock-based percussion what "The Fish" did for bass guitar. In particular, what seems
367:
contributed "The Fish (Schindleria praematurus)" and "We Have Heaven" respectively, short pieces in which they performed multiple parts. Howe's "Mood for A Day" was a solo acoustic piece on a classical guitar, and
Wakeman's "Cans and Brahms" was a short adaptation of part of the third movement of
668:
Flynn thus brought suit against the band and its new management. "I'd given up everything to manage Yes and because I didn't have enough to spend on them, I was pilloried. I had thrown my life away but obviously it wasn't enough for the gentlemen of that august orchestra!" he told Welch. Late in
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Welch's comment about
Bruford signaling his interest in a different musical direction than that the band was beginning to take is echoed in Stuart Chambers's commentary on "Five per Cent for Nothing". He also considers the piece "aptly titled, since it provided the least amount of hype on an
574:'", as indeed he would be a few years later. Will Romano sees its shortness as Bruford's "cheeky comment on the royalties he'd receive for the song". Society of Rock describes it as "something that could only come from a genius like Bill Bruford. It's wild and chaotic but in a good way."
387:
Bruford recalled later that while he had not joined Yes intending to share in the songwriting, Anderson regularly cajoled him to do so. "He'd say 'It's not enough just being the drummer'. He was right because writing was the thing and of course, that's where the money lay, eventually."
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revenues, as he had started their publishing company and owned it, as well as 5 per cent of all the band's future grosses. The latter provision led to considerable resentment from the band members when they learned of it, as they did not think Flynn had done enough even when he
665:
available personal savings in the band during its early career. He never received any notifications of board meetings of the band's publishing company despite retaining his 30 per cent stake in it and serving as a director, nor any of the five per cent share of the total.
404:
Bruford had originally titled the piece "Suddenly It's
Wednesday". But Anderson and Squire were still bitter about Flynn, whose two years managing the band Bruford later recalled as time in which Yes "managed only to tread water, run red lights and lose money at gigs in
339:
I suggested we all individually became 'composer-in-residence' for a day; that is, take the instrumentation, resources and talents of the group's members and use them as you like without further input or discussion from others. This was immediately misconstrued by
606:, who made those a staple of his band's live performances. Martin also sees "Five Per Cent" as foreshadowing the directions Bruford took not only with King Crimson but in his own solo work. "The piece adds to the album, just not a whole lot," he concludes.
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Later reviewers take divergent views, many taking into account the piece's brevity. Yes biographer Chris Welch describes the piece as "33 seconds of
Brufordian angst which seems to say 'I don't like the music business that much, and I'd rather be with
401:." To him, the experience proved the point of his original proposal for the solo-composed pieces. "I had no assistance and obviously could have used some! If nothing else, the exercise proved we were better as a band than as a bunch of solo artists."
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1973, at his solicitor's advice, he settled for $ 150,000, much less than he believes he was owed but more than enough to pay the £6,000 in legal bills he owed. After that, he left the music industry and management entirely to run pubs outside
566:, briefly discussed it along with the four other band member solo compositions. "The musicianship is actually so innovative," he wrote of all of them, "that each of the above-described tracks is enjoyable and awesome at the same time."
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that cost us more to do than we were paid", receiving a share of the band's earnings from then on as well 30 per cent of their publishing revenues. So
Bruford's piece was retitled "Five per Cent for Nothing", as a protest.
205:
says it was the most challenging Yes song to perform from this album. Critics have seen it as anticipating the musical directions
Bruford would take after he left Yes a year later, in his work with
391:
A quarter-century later, Bruford described "Five per Cent for
Nothing" as "completely naive—but we've all got to start somewhere." Bruford left the band shortly after recording their next album,
725:
Howe said the secret to playing it successfully was to finish together. During rehearsals he kept close track of the beat count and would cue the rest of the band to it by dropping his guitar's
598:
Martin finds it ironic that
Bruford largely eschewed playing solos, either in concert or on record, during his career, since he believes Bruford could have played more interesting solos than
764:. His remix lasts four minutes and 40 seconds, seven times the length of the original track, with excerpts over a different drum track complemented by electronic sounds and vocal effects.
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360:, was enthusiastic about the idea, pointing out that Yes had gained many new fans through its recent success and this would allow them to get to know the band better.
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release, it is the last track on Side 1). With a running time of 35 seconds ("a tad brief", as Bruford puts it), it is the shortest track Yes has ever recorded.
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placed "Five Per Cent for Nothing" at number 140, remarking: "Squonk, plonk, boink, dink. Bill Bruford clearly wasn't putting much thought into this hilarious
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722:
being played on stage." He believes the reason for that is that it only made sense to do so if the band was playing the entire album from which it came.
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sees the track as deceptively minimal, one that might have had a greater impact on rock drumming in the 1970s had it been taken more seriously.
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important about "Five Per Cent" is the way that Bruford puts the drums and percussion up front, without playing anything that sounds like a
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s Owen Adams included the track in a 2007 list of musical "gems" that are less than a minute long, calling it the "pure essence of prog."
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hip hop group sampled "Five per Cent for Nothing" for "Troopin' on the Down Low", an unreleased track recorded during their sessions for
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in London, offered to manage them after seeing them perform. They accepted and Flynn guided their career through their first two albums,
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190:. One of five tracks on the album that were meant to showcase individual members’ talents, it was composed by the band's drummer,
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either. In 2014, after the band had gone through numerous personnel changes, it performed the piece live when, as part of its
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194:. At 35 seconds in length, it is the shortest song Yes has ever recorded and their only song credited solely to Bruford.
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with various keyboards taking the parts of instrument groups within the orchestra. Bruford offered a short piece, 16
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his departure. Several years later Flynn sued, eventually settling for a far smaller sum than he had asked for.
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2103:
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1154:
Yes: An Endless Dream of '70s, '80s and '90s Rock Music; an Unauthorized Interpretative History in Three Phases
685:, and as Bruford left the band before it toured in support of its next album, it was not part of setlists for
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2011:
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brought the band the success they had sought, and they soon returned to the studio to record a fourth album,
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say, "taken directly from the percussion line", i.e. triggered by beats on individual drums in the kit.
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and as a solo performer. Bruford himself sees it primarily as a "naïve" first attempt at songwriting.
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348:, both of whom did solo pieces, and Chris did a bass feature, all of which rather defeated the object.
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doodle, so let's follow suit in this blurb." Frank Valish, reviewing the "Super Deluxe Edition" of
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chose "Five per Cent for Nothing" as one of the less well-known Yes tracks he remixed in modern
729:. Even with that, it took considerable practice for all four musicians to end on the same beat.
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otherwise innovative recording." It "did not mesh" with the other solo pieces on the album.
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854:", John Fogerty solo song retitled to avoid defamation suit by former manager it attacked.
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The song was renamed from Bruford's original title, "Suddenly It's Wednesday", to spite
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electric guitar and bass, while Wakeman plays a similarly staccato organ part of
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repeated twice, in which the guitar, bass and keyboard parts are, as the album's
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714:. Of all the songs on the tour, he found it the most challenging to play.
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he had intended—a way to resolve ongoing conflicts amongst the members.
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Mountains Come Out of The Sky: The Illustrated History of Prog Rock
519:
that slowly descend until they start being held and resolve to an E
504:
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On "Five per Cent for Nothing", Bruford plays an intricate line on
710:"It's a decidedly tricky piece", Howe recalls in his 2020 memoir,
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of approximately 116 beats per minute. Howe and Squire play short
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Jungle Brothers (Crazy Wisdom Masters) - Troopin' On The Down Low
461:
629:, describes the track as "38 seconds of jittery rhythmic jive."
1281:"Yes 1971 Fragile Ampex Atlantic First Issue C12 Cassette Tape"
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258:, the band began to consider replacing him; original guitarist
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1094:(Interview). Interviewed by David Etheridge. Archived from
306:, Lane's company, that gave him 30 per cent of the band's
1255:"Five per Cent for Nothing – By Yes — Digital Guitar Tab"
1223:
The Autobiography: Yes, King Crimson, Earthworks and more
197:
The band did not play it live until 2014, when it played
643:, writes that the instrumental finds Bruford "inventing
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major 7th after 12 bars. The 16 bars are then repeated.
2869:
Yes Featuring Jon Anderson, Trevor Rabin, Rick Wakeman
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1414:
Music of Yes: Structure and Vision in Progressive Rock
1161:, Canada: General Store Publishing House. p. 27.
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because he was the only member who supported Flynn.
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681:Yes did not perform "Five per Cent for Nothing" on
277:to write and rehearse songs for their third album,
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330:. During discussions about the new album, drummer
1694:Five per Cent for Nothing (Remix) (2003 Remaster)
847:", Queen song attacking the band's former manager
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2083:Something's Coming: The BBC Recordings 1969–1970
1401:
1334:
903:
901:
899:
897:
1001:
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683:its concert tour following the album's release
556:say little about "Five per Cent for Nothing".
262:says he was eased out of the band in favor of
2227:The Ultimate Yes: 35th Anniversary Collection
1731:
1611:"Average setlist for tour: Close to the Edge"
1565:
1522:"Why short sharp shocks can be just as sweet"
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238:Early in Yes's career, Roy Flynn, manager of
356:, who had replaced another original member,
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2174:The Royal Affair Tour: Live from Las Vegas
1738:
1724:
1575:Yes: Perpetual change: Thirty years of Yes
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1043:
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2139:Like It Is: Yes at the Bristol Hippodrome
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609:In their 2024 ranking of all Yes tracks,
1444:"All 207 Yes Songs Ranked Worst to Best"
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532:on its original vinyl release, between "
201:in full. Despite its brevity, guitarist
2160:Topographic Drama – Live Across America
2153:Like It Is: Yes at the Mesa Arts Center
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910:"Yes, 'Five per Cent for Nothing' from
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315:managed the band to deserve that much.
14:
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2090:House of Yes: Live from House of Blues
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1057:. Sidgwick & Jackson. p. 62.
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528:It was the opening track on Side 2 of
298:had indeed found Flynn's replacement,
2308:Progeny: Seven Shows from Seventy-Two
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1309:
1191:
1088:"Drummer Bill Bruford: One of a Kind"
1022:
2146:Progeny: Highlights from Seventy-Two
1470:"Yes Fragile (Super Deluxe Edition)"
1441:
1194:Yesstories: "Yes" in Their Own Words
1026:Close to the Edge – The Story of Yes
948:
908:Frazier, Preston (9 February 2016).
176:" is an instrumental by the English
1261:. Topographic Tunes. 2 October 2007
845:Death on Two Legs (Dedicated to...)
269:The band rented a farm outside the
24:
982:"Memories of the swinging sixties"
750:Ten years later, Steve Howe's son
25:
3007:
2712:Yesspeak Live: The Director's Cut
1494:Lester, Paul (27 November 2015).
1287:. 9 February 2022. Archived from
2698:Yes Acoustic: Guaranteed No Hiss
2213:Highlights: The Very Best of Yes
1549:. 21 August 2007. Archived from
1520:Adams, Owen (13 February 2007).
1384:"Album Review: "Fragile" by Yes"
890:– via World Radio History.
808:
452:
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2132:In the Present – Live from Lyon
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581:In a 2015 appreciation of Yes,
1442:Reed, Ryan (31 January 2024).
772:From the album's liner notes:
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318:
13:
1:
2981:Songs written by Bill Bruford
2917:Anderson Bruford Wakeman Howe
2849:Anderson Bruford Wakeman Howe
1907:Tales from Topographic Oceans
1674:. Retrieved 21 February 2022.
1468:Valish, Frank (9 July 2024).
1226:. Jawbone Press. p. 53.
980:Little, Reg (11 March 2010).
858:
233:
1055:Yes: An Authorized Biography
882:. 23 October 1971. p. 2
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659:
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7:
2301:The Studio Albums 1969–1987
1547:"Fragile Tour – Tour Dates"
801:
33:"Five Per Cent for Nothing"
10:
3012:
2670:Yes: Live – 1975 at Q.P.R.
2241:Yes, Friends and Relatives
1578:. London: Plexus. p.
834:List of rock instrumentals
283:, aware that their label,
62:12 November 1971
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2519:Five Per Cent for Nothing
2505:I've Seen All Good People
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2315:The Steven Wilson Remixes
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1668:Five Per Cent for Nothing
1572:Watkinson, David (2000).
1151:Chambers, Stuart (2002).
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507:ascending and descending
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421:Five per Cent for Nothing
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174:Five Per Cent for Nothing
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18:Five Per Cent For Nothing
552:Contemporary reviews of
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27:1971 instrumental by Yes
2526:Long Distance Runaround
2389:Owner of a Lonely Heart
1745:
1648:. Event occurs at 0:45
1315:"Review: Yes – Fragile"
538:Long Distance Runaround
2930:Symphonic Music of Yes
2753:Close to the Edge Tour
2273:In a Word: Yes (1969–)
918:Something Else Reviews
596:
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184:from their 1971 album
2794:Mabel Greer's Toyshop
2554:The Gates of Delirium
2512:South Side of the Sky
2111:Live at Montreux 2003
1448:Ultimate Classic Rock
1341:Romano, Will (2010).
1196:. St Martin's Press.
1023:Welch, Chris (2008).
744:J Beez wit the Remedy
612:Ultimate Classic Rock
587:
534:South Side of the Sky
337:
2705:Classic Artists: Yes
2677:Live in Philadelphia
2533:Heart of the Sunrise
2491:Yours Is No Disgrace
2410:Love Will Find a Way
2375:Don't Kill the Whale
1691:(21 November 2014).
1053:Hedges, Dan (1982).
511:three-note lines on
2991:1970s instrumentals
2719:The Lost Broadcasts
2663:Greatest Video Hits
2076:9012Live: The Solos
1977:Keys to Ascension 2
1421:. pp. 103–04.
1291:on 16 February 2022
1192:Morse, Tim (1996).
1092:Performing Musician
914:(1971): YESterdays"
839:List of diss tracks
707:in their entirety.
2976:Rock instrumentals
2743:The Yes Album Tour
2603:Shoot High Aim Low
2184:Compilation albums
2118:Songs from Tsongas
2104:Greatest Hits Live
2012:Heaven & Earth
1697:(Internet video).
1666:Johnson, Zac.
1644:(Internet video).
1320:The San Diego Door
696:Heaven & Earth
563:The San Diego Door
363:Squire and singer
240:The Speakeasy Club
2996:Jazz fusion songs
2958:
2957:
2684:Keys to Ascension
2624:Mirror to the Sky
2540:Close to the Edge
2466:Lightning Strikes
2368:Wonderous Stories
2026:Mirror to the Sky
1970:Keys to Ascension
1921:Going for the One
1900:Close to the Edge
1638:(23 March 2012).
1388:SocietyOfRock.com
1036:978-1-84772-132-7
1029:. Omnibus Press.
956:. Omnibus Press.
954:All My Yesterdays
816:Rock music portal
785:– electric guitar
712:All My Yesterdays
705:Close to the Edge
467:
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460:for the piece on
394:Close to the Edge
170:
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16:(Redirected from
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2971:Yes (band) songs
2899:Related articles
2824:Jon and Vangelis
2726:Rock of the '70s
2561:Run with the Fox
2498:Starship Trooper
2280:The Word Is Live
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289:progressive rock
285:Atlantic Records
228:
178:progressive rock
161:
147:
137:Atlantic Records
126:
125:
121:
102:Progressive rock
88:Advision Studios
69:
67:
30:
29:
21:
3011:
3010:
3006:
3005:
3004:
3002:
3001:
3000:
2961:
2960:
2959:
2954:
2950:Yes bubble logo
2894:
2873:
2777:
2731:
2629:
2547:Siberian Khatru
2478:
2431:Saving My Heart
2320:
2287:Essentially Yes
2253:
2179:
2049:
2031:
1879:Time and a Word
1859:
1749:
1744:
1714:
1713:
1703:
1701:
1683:
1682:
1678:
1665:
1661:
1651:
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1636:Jungle Brothers
1634:
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1502:
1492:
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1478:
1476:
1474:Under the Radar
1466:
1462:
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1436:
1429:
1406:
1402:
1392:
1390:
1382:
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1367:
1365:
1363:
1355:. p. 175.
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1173:
1171:
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1142:
1132:
1130:
1129:. 1971. K 50009
1125:(Liner notes).
1119:
1118:
1111:
1101:
1099:
1098:on 15 July 2011
1081:
1072:
1065:
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1044:
1037:
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971:
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885:
883:
875:
871:
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866:
861:
829:Yes discography
814:
809:
807:
804:
770:
739:Jungle Brothers
735:
679:
662:
653:
626:Under the Radar
583:Bill Martin Jr.
550:
521:
520:
491:
486:
485:
484:
483:
482:
453:
437:In its entirety
432:
416:
374:Fourth Symphony
321:
256:Time and a Word
251:Time and a Word
236:
226:
157:
143:
123:
119:
118:
65:
63:
49:from the album
28:
23:
22:
15:
12:
11:
5:
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2999:
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2645:
2637:
2635:
2634:Video releases
2631:
2630:
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2578:
2571:
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2508:
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2479:
2477:
2476:
2469:
2462:
2459:Open Your Eyes
2455:
2448:
2441:
2434:
2427:
2420:
2417:Rhythm of Love
2413:
2406:
2399:
2392:
2385:
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2294:High Vibration
2290:
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2170:
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2156:
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2097:Symphonic Live
2093:
2086:
2079:
2072:
2065:
2057:
2055:
2051:
2050:
2048:
2047:
2039:
2037:
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2029:
2022:
2015:
2008:
2001:
1994:
1987:
1984:Open Your Eyes
1980:
1973:
1966:
1959:
1952:
1945:
1938:
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1910:
1903:
1896:
1889:
1882:
1875:
1867:
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1861:
1860:
1858:
1857:
1855:Oliver Wakeman
1852:
1847:
1845:Igor Khoroshev
1842:
1837:
1832:
1827:
1822:
1817:
1812:
1807:
1802:
1797:
1791:
1790:
1783:
1776:
1773:Billy Sherwood
1769:
1762:
1754:
1751:
1750:
1743:
1742:
1735:
1728:
1720:
1712:
1711:
1676:
1659:
1627:
1602:
1588:
1564:
1553:on 9 June 2003
1538:
1512:
1496:"Yes: Fragile"
1486:
1460:
1434:
1427:
1400:
1375:
1361:
1353:Backbeat Books
1333:
1311:Crowe, Cameron
1302:
1272:
1259:Musicnotes.com
1246:
1232:
1209:
1202:
1181:
1167:
1140:
1109:
1070:
1063:
1042:
1035:
1000:
969:
962:
930:
893:
863:
862:
860:
857:
856:
855:
852:Vanz Kant Danz
848:
841:
836:
831:
826:
820:
819:
803:
800:
799:
798:
792:
786:
780:
769:
766:
734:
731:
693:in support of
678:
675:
661:
658:
549:
546:
487:
465:
464:
449:
448:
444:
443:
428:
427:
423:
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412:
320:
317:
235:
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168:
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35:
34:
26:
9:
6:
4:
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2:
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2797:
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2787:
2786:
2784:
2782:Related bands
2780:
2774:
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2646:
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2638:
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2632:
2625:
2621:
2618:
2617:Fly from Here
2614:
2611:
2607:
2604:
2600:
2597:
2596:Big Generator
2593:
2590:
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2414:
2411:
2407:
2404:
2403:It Can Happen
2400:
2397:
2393:
2390:
2386:
2383:
2382:Into the Lens
2379:
2376:
2372:
2369:
2365:
2362:
2358:
2355:
2354:And You and I
2351:
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2034:
2028:
2027:
2023:
2021:
2020:
2016:
2014:
2013:
2009:
2007:
2006:
2005:Fly from Here
2002:
2000:
1999:
1998:Magnification
1995:
1993:
1992:
1988:
1986:
1985:
1981:
1979:
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1971:
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1949:Big Generator
1946:
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1909:
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1902:
1901:
1897:
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1887:
1886:The Yes Album
1883:
1881:
1880:
1876:
1874:
1873:
1869:
1868:
1866:
1864:Studio albums
1862:
1856:
1853:
1851:
1848:
1846:
1843:
1841:
1838:
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1833:
1831:
1830:Patrick Moraz
1828:
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1428:9780812699456
1424:
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1389:
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1362:9781617133763
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1233:9781906002237
1229:
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1218:Bruford, Bill
1213:
1205:
1203:9780312144531
1199:
1195:
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1168:9781894263474
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1086:(June 2009).
1085:
1084:Bruford, Bill
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1064:9780283987519
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824:1971 in music
822:
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817:
806:
796:
793:
791:– bass guitar
790:
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558:Cameron Crowe
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531:
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458:Drum tutorial
450:
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419:
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407:Kidderminster
402:
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395:
389:
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379:
375:
371:
370:that composer
366:
361:
359:
355:
349:
347:
343:
336:
333:
329:
325:
324:The Yes Album
316:
314:
309:
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297:
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280:The Yes Album
276:
272:
267:
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231:
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219:The Yes Album
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145:Songwriter(s)
141:
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61:
57:
54:
53:
47:
44:
40:
36:
31:
19:
2929:
2922:
2915:
2911:Band members
2809:King Crimson
2748:Fragile Tour
2724:
2717:
2710:
2703:
2696:
2689:
2682:
2675:
2668:
2661:
2654:
2647:
2640:
2610:The Solution
2518:
2438:Make It Easy
2313:
2306:
2299:
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2109:
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2095:
2088:
2081:
2074:
2067:
2060:
2042:
2024:
2017:
2010:
2003:
1996:
1989:
1982:
1975:
1968:
1961:
1954:
1947:
1940:
1933:
1926:
1919:
1912:
1905:
1898:
1891:
1884:
1877:
1870:
1850:Benoît David
1840:Trevor Rabin
1820:Rick Wakeman
1810:Bill Bruford
1800:Chris Squire
1795:Jon Anderson
1787:Jay Schellen
1785:
1778:
1771:
1766:Geoff Downes
1764:
1757:
1702:. Retrieved
1693:
1679:
1662:
1650:. Retrieved
1640:
1630:
1620:February 19,
1618:. Retrieved
1614:
1605:
1593:. Retrieved
1574:
1567:
1555:. Retrieved
1551:the original
1541:
1529:. Retrieved
1526:The Guardian
1525:
1515:
1503:. Retrieved
1500:Classic Rock
1499:
1489:
1477:. Retrieved
1473:
1463:
1451:. Retrieved
1447:
1437:
1413:
1409:Martin, Bill
1403:
1391:. Retrieved
1387:
1378:
1366:. Retrieved
1343:
1336:
1324:. Retrieved
1318:
1305:
1293:. Retrieved
1289:the original
1284:
1275:
1263:. Retrieved
1258:
1249:
1237:. Retrieved
1222:
1212:
1193:
1172:. Retrieved
1153:
1131:. Retrieved
1121:
1100:. Retrieved
1096:the original
1091:
1054:
1025:
991:. Retrieved
985:
953:
921:. Retrieved
917:
911:
884:. Retrieved
879:
867:
795:Rick Wakeman
789:Chris Squire
777:Bill Bruford
771:
759:
749:
742:
737:In 1993 the
736:
724:
719:
711:
709:
704:
700:
694:
680:
667:
663:
650:The Guardian
648:
640:Classic Rock
638:
634:
633:, reviewing
624:
620:
610:
608:
600:Led Zeppelin
597:
588:
580:
576:
572:King Crimson
568:
561:
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365:Jon Anderson
362:
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351:
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296:Chris Squire
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207:King Crimson
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192:Bill Bruford
185:
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151:Bill Bruford
50:
39:Instrumental
2906:Discography
2814:The Buggles
2483:Other songs
2445:The Calling
2234:Yes Remixes
2199:Classic Yes
2167:Yes 50 Live
2054:Live albums
2044:From a Page
2036:Mini albums
1835:Trevor Horn
1805:Peter Banks
1780:Jon Davison
1704:21 February
1689:Virgil Howe
1652:21 February
1595:19 February
1557:19 February
1417:. Chicago:
1368:16 February
1326:16 February
1295:16 February
1285:Ecrater.com
1265:13 February
1239:12 February
1174:11 February
1133:11 February
993:17 February
987:Oxford Mail
950:Howe, Steve
761:Yes Remixes
687:those shows
677:Performance
631:Paul Lester
617:jazz-fusion
604:John Bonham
399:progression
382:liner notes
319:Composition
275:Romansleigh
273:village of
260:Peter Banks
165:Eddy Offord
159:Producer(s)
107:jazz fusion
2986:1971 songs
2965:Categories
2945:Roger Dean
2940:Dylan Howe
2935:Jimmy Haun
2890:Brian Lane
2854:Conspiracy
2473:We Can Fly
2424:Lift Me Up
2340:Roundabout
2248:Yessingles
2192:Yesterdays
2125:Union Live
1991:The Ladder
1825:Alan White
1759:Steve Howe
1615:Setlist.fm
1589:0859652971
1419:Open Court
1393:5 February
923:9 February
859:References
783:Steve Howe
758:style for
716:Alan White
540:" (on the
513:overdriven
509:syncopated
441:SoundCloud
308:publishing
300:Brian Lane
271:Devonshire
264:Steve Howe
234:Background
203:Steve Howe
66:1971-11-12
2924:Yesoteric
2885:Roy Flynn
2768:2000s–10s
2763:1980s–90s
2758:1960s–70s
2333:Your Move
2220:Keystudio
2019:The Quest
1815:Tony Kaye
768:Personnel
727:headstock
660:Roy Flynn
645:math rock
592:drum solo
548:Reception
479:bass drum
358:Tony Kaye
214:Roy Flynn
2878:Managers
2691:Yesspeak
2656:Yesyears
2649:9012Live
2642:Yessongs
2582:Our Song
2396:Leave It
2266:Yesyears
2258:Box sets
2206:Yesstory
2069:Yesshows
2062:Yessongs
1672:AllMusic
1531:6 August
1505:6 August
1479:6 August
1453:6 August
1411:(1996).
1220:(2009).
952:(2021).
873:"No Yes"
802:See also
542:cassette
522:♭
505:staccato
294:Bassist
74:Recorded
59:Released
2844:Esquire
2789:The Syn
2589:Hold On
2568:Changes
2347:America
2325:Singles
1928:Tormato
1914:Relayer
1893:Fragile
1699:YouTube
1646:YouTube
1122:Fragile
1102:6 March
912:Fragile
886:24 July
797:– organ
779:– drums
701:Fragile
635:Fragile
621:Fragile
554:Fragile
536:" and "
530:Fragile
462:YouTube
342:Wakeman
328:Fragile
304:Hemdale
224:Fragile
199:Fragile
187:Fragile
64: (
52:Fragile
2834:Cinema
2804:Badger
2575:Cinema
1586:
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960:
880:Sounds
756:techno
752:Virgil
733:Reuses
671:Oxford
475:hi-hat
180:group
115:Length
83:Studio
2859:Circa
2799:Flash
2773:2020s
2736:Tours
2452:Walls
1956:Union
1942:90125
1935:Drama
876:(PDF)
654:'
560:, in
501:tempo
499:at a
471:snare
447:Video
439:, on
426:Audio
414:Piece
227:'
132:Label
95:Genre
2864:Yoso
2829:Asia
2361:Soon
1963:Talk
1706:2022
1654:2022
1622:2022
1597:2022
1584:ISBN
1559:2022
1533:2024
1507:2024
1481:2024
1455:2024
1423:ISBN
1395:2022
1370:2022
1357:ISBN
1328:2022
1297:2022
1267:2022
1241:2022
1228:ISBN
1198:ISBN
1176:2022
1163:ISBN
1135:2022
1104:2022
1059:ISBN
1031:ISBN
995:2022
958:ISBN
925:2022
888:2022
703:and
691:tour
637:for
623:for
497:time
477:and
378:bars
346:Howe
344:and
248:and
77:1971
2839:GTR
2819:XYZ
1872:Yes
1747:Yes
1685:Yes
1670:at
1580:107
720:not
647:."
602:'s
481:in
372:'s
313:had
245:Yes
182:Yes
43:Yes
41:by
2967::
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