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681:, which called it "a remarkable work: stuffed with complex, introspective music but leavened with arrangements and production straight off the top shelf ... the record is full of glittering, warm sounds that have not aged a jot in the interim", and concluded that Drake "rarely excelled himself more than on this first album". It was voted number 55 in
570:
awarded the album 9/10 and stated that it "remains a masterpiece of
English melancholy; a moving work that first revealed Drake's remarkable talent to communicate his fears of passing light and life, with simple beauty; his skill to charge listeners with emotions equal to his own". Including it in a
311:
was more positive, describing the record as an "excellent LP of own songs", and observing, "His voice is slow, reflective and warm, and although the verse structure tends to melodic monotony, there is no mistaking the quality and the promise of 'River Man', 'The
Thoughts of Mary Jane', 'Man in a
293:
also described the album as "interesting" and said, "His guitar work is soft, gentle and tuneful; his voice highly attractive, husky and bluesyβbut his songs uncertain and indirect." It concluded, "It's more a restful album than a stimulating one." In
October 1969 Gordon Coxhill of the
31:
300:
expressed his disappointment with the record, saying, "I'm sorry I can't be more enthusiastic because he obviously has a not inconsiderable amount of talent, but there is not nearly enough variety on this debut LP to make it entertaining. His voice reminds me very much of
236:
described Drake playing on a stool in the centre of the studio while surrounded by a semi-circle of instruments. The studio's environment was also an important factor as it had multiple levels to it which enabled the creation of interesting sounds and atmospheres.
286:
discussed the origins of the album's title and added simply, "It sounds poetic and so does composer, singer and guitarist Nick Drake. His debut album for Island is interesting." Rating the album three out of four stars,
609:' and 'Time of No Reply' been used instead of 'Thoughts of Mary Jane' and 'Man in a Shed' ... This aside, the album remains singular β cool and shady amid the celebratory sunshine of the late Sixties."
646:", noting that "his maudlin songs are brought vividly to life with orchestration from Fairport Convention, Pentangle and arranger Robert Kirby". A list of the "200 Greatest Albums of All Time" in
562:
Until the 1990s Drake's albums had been critically and popularly underappreciated. By the 1990s, though, Drake and his work had begun to attract more attention. A 1989 retrospective assessment of
592:
that "the record's abiding impression" was of "a hesitant, slightly troubled soul peering at the straight world and wondering what will become of both him and the people he beholds". In
575:
in 1999 called it "the pinnacle of a melancholy canon of work so distinctive that admirers can only speculate miserably on what might have been". A 2007 review by Chris Jones for the
2104:
633:
579:
said, "it's hard not to be still floored by the beauty of first album" and lauded its "unique vision" mixing elements of
English folk music and jazz.
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The release of the remastered version in 2000 resulted in further positive retrospective reviews from music magazines.
1849:
1445:
376:
305:, but his songs lack Sarstedt's penetration and arresting quality." A review the same month by Maurice Rosenbaum in
1712:
2185:
2033:
1869:
1589:
1101:
486:
260:, a friend of Drake's from Cambridge University, arranged the stringed instruments for several tracks while
224:
recalled that " would track live, singing and playing along with the string section" without the use of any
272:
cigarette papers packet, which used to contain a printed note near the end saying "Only five leaves left".
1164:
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221:
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has regularly appeared on lists of the best albums of all time. The album was ranked number 283 on
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1998:
606:
257:
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2090:
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1484:
1415:
888:
1831:
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at number 29. The record was also included in a list of "Debut Albums That
Changed Music" in
1991:
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583:
414:
8:
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1807:
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307:
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Reviews of the album in the months following its release were mixed. The brief review in
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2019:
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with Nick Drake biographers Trevor Dann, Patrick
Humphries and Peter Hogan on
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95:
1416:"Five Leaves Left β Nick Drake: Songs, Reviews, Credits, Awards: AllMusic"
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2012:
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78:
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called it " of the most beautiful and melancholy albums ever recorded".
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30:
1866:"British album certifications β Nick Drake β Five Leaves Left"
240:
Among his various backing musicians, Drake was accompanied by
1906:
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201:. Recorded between 1968 and 1969, it was released in 1969 by
38:
571:
1999 list of twelve of "the best folk albums of all time",
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1065:
1052:
675:
was placed at number 78. It is also included in the book
638:
576:
426:
296:
1397:
Rosenbaum, Maurice (13 October 1969). "Recent
Records".
1272:
1270:
671:
article titled "100 Records That
Changed the World"
268:". The title of the album is a reference to the old
2105:The Endless Coloured Ways: The Songs of Nick Drake
1701:. No. 937. 11 December 2003. pp. 83β178.
1194:"Pink Moon β Nick Drake | Songs, Reviews, Credits"
1267:
1091:
2167:
216:was recorded between May 1968 and April 1969 at
1616:
1614:
642:ranked it at number 258 on their 2013 list of "
1509:
1507:
1922:
1579:
1380:Coxhill, Gordon (4 October 1969). "LP Page".
653:A list of "The 100 Greatest Debut Albums" in
1830:
1611:
530:
492:
454:
382:
344:
1557:
1555:
1504:
1296:
1294:
1292:
1117:Sales figures based on certification alone.
1929:
1915:
29:
1620:
1522:
1396:
1137:
1135:
644:NME's The 500 Greatest Albums of All Time
1803:1001 Albums You Must Hear Before You Die
1552:
1289:
678:1001 Albums You Must Hear Before You Die
650:in 2016 placed the album at number 183.
1695:"The 500 Greatest Albums of All Time".
1663:. No. 152. March 2001. p. 88.
1514:Brown, Len (11 March 1989). "Deja Vu".
1379:
1276:
1165:"20 Best Folk Music Albums of All Time"
2168:
1824:
1799:
1783:"100 Records That Changed the World".
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1528:
1439:
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848:
1910:
1713:"The 500 Greatest Albums of All Time"
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815:
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719:
325:
312:Shed' and other items on this disc".
275:
193:is the debut studio album by English
1641:"The Best Folk Albums of All Time".
1247:"Nick Drake Five Leaves Left Review"
698:All tracks are written by Nick Drake
605:would have been stronger still had '
1738:"200 Greatest Albums of All Time".
1413:
1407:
1191:
967:uncredited β oboe, bass oboe,
634:The 500 Greatest Albums of All Time
18:1969 studio album by Nick Drake
13:
1647:. November 1999. pp. 162β163.
1565:(August 2000). "Delicate Flower".
1529:Greene, Jayson (22 January 2014).
1217:
1147:Nick Drake: Remembered for a While
1008:
632:magazine's original 2003 list of "
14:
2207:
1887:
1624:(August 2000). "Behind the sun".
1590:The New Rolling Stone Album Guide
1446:The Encyclopedia of Popular Music
1076:
532:
494:
456:
384:
377:The Encyclopedia of Popular Music
346:
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2149:
1569:. No. 167. pp. 112β13.
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2191:Albums arranged by Robert Kirby
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1325:"Five Leaves Left β Nick Drake"
1220:"Review: Nick Drake β Tuck Box"
1936:
1742:. No. 225. February 2016.
1339:
1317:
1277:Touzeau, Jeff (3 March 2008).
1239:
1211:
1185:
1157:
788:
707:
1:
1870:British Phonographic Industry
1768:"100 Greatest Debut Albums".
1753:"100 Greatest Debut Albums".
1369:. 23 August 1969. p. 15.
1125:
487:The Rolling Stone Album Guide
220:in London, England. Engineer
1800:Dimery, Robert, ed. (2016).
1757:. No. 111. August 2006.
862:
665:magazine in 2017. In a 2007
618:
208:
7:
2196:Albums produced by Joe Boyd
1772:. No. 370. April 2017.
1535:: Album Reviews: Pitchfork"
1352:. 26 July 1969. p. 18.
819:"The Thoughts of Mary Jane"
10:
2212:
1789:. No. 163. June 2007.
1630:. No. 39. p. 92.
1479:. 12 May 2000. p. 24.
871:β vocals; acoustic guitar
264:arranged the strings for "
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1976:
1944:
1151:Little, Brown and Company
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961:β drums, vibraphone
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1901:The Marketplace of Ideas
1837:All Time Top 1000 Albums
1449:(5th concise ed.).
687:All Time Top 1000 Albums
607:I Was Made to Love Magic
1999:Heaven in a Wild Flower
1894:A radio special about
946:Clare Lowther β cello
2186:Island Records albums
1403:. London. p. 14.
1301:Jones, Chris (2007).
940:β string arrangement
918:β string arrangement
601:said, "A fine debut,
62:May 1968 β April 1969
1595:Simon & Schuster
1476:Entertainment Weekly
883:Additional musicians
689:3rd Edition (2000).
415:Entertainment Weekly
316:Professional ratings
1808:Cassell Illustrated
1400:The Daily Telegraph
1366:Disc and Music Echo
1283:Electronic Musician
1225:American Songwriter
1082:
952:Lyn Dobson β flute
784:
703:
317:
308:The Daily Telegraph
290:Disc and Music Echo
246:Fairport Convention
2020:Made to Love Magic
1977:Compilation albums
1081:
900:β electric guitar
782:
723:"Time Has Told Me"
701:
315:
276:Critical reception
2181:1969 debut albums
2176:Nick Drake albums
2163:
2162:
1817:978-1-84403-890-9
1719:. 26 October 2013
1676:Missing or empty
1660:Alternative Press
1604:978-0-74320-169-8
1492:Missing or empty
1460:978-0-85712-595-8
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983:Simon Heyworth β
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2115:Related articles
2006:Time of No Reply
1953:Five Leaves Left
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566:by Len Brown in
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228:. For the song "
218:Sound Techniques
214:Five Leaves Left
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1597:. p. 257.
1587:, eds. (2004).
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1363:"The New LPs".
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1327:. nickdrake.com
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1009:Release history
925:Rocky Dzidzornu
911:(1β3, 6, 8, 10)
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830:"Man in a Shed"
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1844:. p. 60.
1834:, ed. (2000).
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907:Danny Thompson
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250:Danny Thompson
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1518:. p. 34.
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771:"Day Is Done"
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760:"Way to Blue"
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749:"Three Hours"
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1873:. Retrieved
1860:
1842:Virgin Books
1835:
1832:Colin Larkin
1826:
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1721:. Retrieved
1716:
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1678:|title=
1658:
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1563:Harris, John
1542:. Retrieved
1532:
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1494:|title=
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1423:. Retrieved
1409:
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1349:Melody Maker
1347:
1341:
1329:. Retrieved
1319:
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1257:. Retrieved
1250:
1241:
1229:. Retrieved
1223:
1213:
1201:. Retrieved
1187:
1175:. Retrieved
1168:
1159:
1146:
1115:
1066:26 June 2000
1002:Keith Morris
995:John Wood β
969:English horn
942:(4, 5, 7, 9)
938:Robert Kirby
841:"Fruit Tree"
697:
683:Colin Larkin
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283:Melody Maker
281:
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258:Robert Kirby
239:
232:", producer
213:
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189:
188:
187:
172:
164:
163:
96:chamber folk
39:Studio album
15:
2137:Molly Drake
2122:Discography
2034:Family Tree
2013:Way to Blue
1346:"Reviews".
1036:3 July 1969
997:engineering
989:Joe Boyd β
959:Tristan Fry
889:Paul Harris
808:Cello Song"
584:John Harris
226:overdubbing
54:3 July 1969
2170:Categories
2027:A Treasury
1992:Fruit Tree
1985:Nick Drake
1938:Nick Drake
1723:5 February
1544:27 January
1425:27 January
1279:"Lost Boy"
1231:4 December
1203:10 October
1126:References
1053:March 1987
1047:ILPS 9105
1028:Catalogue
991:production
873:(1β3, 5β9)
869:Nick Drake
199:Nick Drake
152:chronology
150:Nick Drake
44:Nick Drake
2073:River Man
1967:Pink Moon
1539:Pitchfork
1331:2 October
1307:: Review"
1259:28 August
1177:20 August
1060:CID 9195
985:mastering
978:Technical
931:; shaker
863:Personnel
736:River Man
619:Accolades
586:wrote in
438:Pitchfork
266:River Man
254:Pentangle
230:River Man
222:John Wood
209:Recording
197:musician
101:folk rock
2155:Category
2041:Tuck Box
1533:Tuck Box
1420:AllMusic
1198:AllMusic
1145:(2014).
1110:100,000
891:β piano
875:; piano
340:AllMusic
234:Joe Boyd
143:Joe Boyd
138:Producer
91:folk-pop
73:, London
59:Recorded
51:Released
41: by
2051:Singles
1875:28 July
1095:/sales
1086:Region
1070:IMCD 8
178:(1971)
169:(1969)
1848:
1814:
1601:
1457:
1255:. 2007
1040:Island
1025:Format
1016:Region
929:(3, 6)
893:(1, 8)
796:Length
783:Side B
715:Length
702:Side A
442:9.5/10
334:Rating
331:Source
131:Island
109:Length
67:Studio
2127:Songs
2066:Magic
1755:Uncut
1740:Uncut
1627:Uncut
1107:Gold
1022:Label
806:'
793:Title
712:Title
655:Uncut
648:Uncut
595:Uncut
525:Uncut
270:Rizla
244:from
126:Label
79:Genre
1877:2024
1846:ISBN
1812:ISBN
1786:Mojo
1725:2018
1682:help
1599:ISBN
1546:2014
1498:help
1455:ISBN
1427:2014
1333:2010
1261:2024
1233:2022
1205:2020
1179:2016
1019:Date
963:(10)
877:(10)
855:4:03
844:4:50
833:3:55
822:3:22
811:4:49
774:2:29
763:3:11
752:6:16
741:4:21
726:4:27
668:Mojo
432:9/10
248:and
195:folk
86:Folk
1717:NME
1516:NME
1383:NME
1311:BBC
1252:BBC
1170:NME
1102:BPI
972:(9)
954:(7)
948:(6)
933:(6)
920:(2)
902:(1)
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789:No.
708:No.
685:'s
639:NME
636:".
577:BBC
568:NME
427:NME
297:NME
252:of
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