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Extra (acting)

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228:, and the various commercial trade and production bodies. These state that once a performer says 13 or more words in any scene, they must become a contracted actor in that production. Minimum pay rates are defined by UK Government minimum wage regulations, and both BECTU and Equity have agreed rates with each body. However, even on non-union productions an extra's pay is an agreed day-rate for ten hours of production time. Actors who are recognisable or 'featured' in a commercial under agreement with BECTU/Equity are paid on-going royalties. Hence on many advertisements, which are often shown multiple times and distributed internationally, while the extra is paid a contracted day-rate, the largest payment is from ongoing royalties. Due to the resultant complex calculations from multiple international showings, performers under a are often bought-out of their advertisement royalties with a one-off payment called a 'buyout'. Notable British extras of the modern era include 123:, bike riding, skiing or dancing. A background actor is often expected to bring his or her own wardrobe to the set, although there are also "fittings" for a specific scene or period. A casting director may favor the one who already has the required costume or prop, such as a police uniform, or a musical instrument. On other occasions, where a costume has already been prepared (for example, to fit another actor who is now unavailable), a background actor may be selected as a "costume double" simply because they are the right size to fit it. On smaller productions or student films, background actors may be hired 155: 79: 130:
The length of a background actor's employment on a production largely depends on the needs of the director and the scenes being filmed. Some background actors are needed on the set only for a day or two and are paid on a daily basis, while others may remain with the film for an extended period. For
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experience, as any type of unrealistic portrayal must include some form of imagination and acting. Punctuality, reliability and the ability to take direction also figure prominently for these cast members. Background actors are generally selected on short notice, after all other preparations for the
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lists all accredited agencies and productions. Some agencies charge a registration fee, and some (mostly commercial background casting) will take between 10% and 15% commission from any booked work. Artists may be required to provide a basic one-page A4 sized CV/resume, that states basic personal
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On a film or TV set, background actors are usually referred to as "supporting artists", "junior artists", "atmosphere", "background talent", "background performers", "background artists", "background cast members", "talent", "background friends", or simply "background", while the term "extra" is
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producers are allowed to hire non-union background actors after a certain number of SAG performers have been cast; non-union background actors are usually paid the minimum wage. On productions outside of union jurisdiction, payment for background actors is at the discretion of the producers, and
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When hiring background actors, casting directors generally seek those with a specific "look", such as "high school students" or "affluent senior citizens", consistent with the context of the film. Casting directors may also look for background actors with a special skill for the scene, such as
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often employ background actors in large numbers: some films have featured hundreds or even thousands of paid background actors as cast members (hence the term "cast of thousands"). Likewise,
50:, stage, musical, opera, or ballet production who appears in a nonspeaking or nonsinging (silent) capacity, usually in the background (for example, in an audience or busy street scene). 472:(2005–07) follows the exploits of two professional background actors, Andy and Maggie. They spend most of their time on set looking for a speaking role and a boyfriend, respectively. 221: 272:-scale rates to "copy and credit" (i.e., no pay). Those producers who do not pay their actors may be in violation of state and federal laws about minimum wage for a job. 432: 264: 257: 686: 279:. The Screen Extras Guild was dissolved in 1992 (legally dissolved in 1994) and its portrayal was transferred back to SAG as "West Coast extras". 331: 165: 761: 94:
Casting criteria for background actors depend on the production. It is not entirely true that background cast members require little or no
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as "figurants", commenting that the need to include them is a concession to reality, even while their complete silence is unrealistic.
640: 107: 826: 1049: 399:(also 1923) depicts a young woman's career trajectory from extra to leading lady, though her progress is more haphazard. 141:, a group of 150 "core background actors" was hired to play the ship's passengers, and employed throughout the filming. 70:". A more archaic theatre term is "sword carriers". In opera and ballet, they are called either "extras" or "supers". 66:
rarely used and is often considered derogatory. In a stage production, background actors are commonly referred to as "
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as a bit player for various acting roles enabled her to send her daughter to college. The movie is a
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From 1946 until 1992, background actors (in film and television) were largely represented by the
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Several casting agencies specialize only in background work, while in the UK the directory
115:), and includes two 8Ă—10-inch photographs on the rear: one head shot; one full body shot. 8: 1420: 1410: 1276: 253: 177: 137: 83: 67: 173: 1590: 1492: 1487: 1216: 1206: 1145: 1035: 880: 468: 291: 1651: 1626: 1442: 1254: 1236: 1211: 906: 831: 636: 548: 515: 377: 363: 1585: 1524: 1288: 1281: 1231: 1122: 1102: 804: 573: 558: 315: 307: 1811: 1686: 1671: 1482: 1378: 1373: 1318: 1112: 630: 568: 563: 437: 414:(1938) depict the working lives of Hollywood extras during the Great Depression. 346: 295: 47: 244:, most major film and television productions fall under the jurisdiction of the 1737: 1724: 1580: 1544: 1388: 1341: 1323: 1303: 1183: 511: 395: 385: 214: 1800: 1704: 1621: 1595: 1534: 1351: 1308: 1150: 1140: 1130: 1107: 1097: 451: 349:
tackled the subject of film extra work in three of his early short comedies:
327: 283: 241: 229: 132: 120: 510:) (2013) centers around the life of a divorcee named Loida Malabanan, whose 1694: 1666: 1661: 1641: 1631: 1611: 1454: 1383: 1135: 1092: 1020: 519: 497: 490: 476: 424: 411: 335: 323: 319: 303: 299: 287: 112: 1742: 1616: 1497: 1405: 1346: 1333: 1313: 1298: 1027: 989: 827:"Extras are the center of attention in crackdown on casting company fees" 656: 486: 419: 357: 311: 269: 249: 218: 62:
can involve many background actors appearing in spectacular productions.
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The Truth About Being an Extra: How to Become a Good Background Actor
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and becomes a background actor in her attempt to achieve stardom.
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Broadcasting Entertainment Cinematograph and Theatre Union (BECTU)
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is a background actor whose facial similarity to an underworld
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details and dimensions, any significant skills (e.g.
330:. Notable American extras of the modern era include 258:
American Federation of Television and Radio Artists
1374:Cinematographer / director of photography 1798: 144: 389:(1923) portrays a small-town girl who comes to 856:. University of Texas, Austin. 4 November 2012 1723: 1043: 926: 868: 162:The examples and perspective in this section 854:"Infinite Jest: Giving a Voice to Figurants" 518:on the exploitation and mistreatment of the 894: 1332: 1057: 1050: 1036: 732: 730: 600:"Background Actors, Extras or Atmosphere?" 380:depicts the tribulations of a male extra. 180:, or create a new section, as appropriate. 1245: 946: 920: 681: 679: 677: 196:Learn how and when to remove this message 628: 248:union; previously, before SAG-AFTRA was 77: 877:"Toronto Film Review: 'The Bit Player'" 874: 824: 755: 727: 624: 622: 620: 14: 1799: 927:Jimenez-David, Rina (19 August 2013). 900: 875:Kuipers, Richard (11 September 2013). 674: 535:(2015) is about extras working at the 341: 1169: 1074: 1031: 687:"Make money being a film or TV extra" 27:Nonspeaking or nonsinging acting role 929:"'Ekstra': The country in miniature" 617: 604:tophollywoodactingcoach 3-2-1 Acting 148: 982: 24: 1170: 1075: 25: 1833: 1008: 825:Verrier, Richard (10 June 2011). 208: 779:"Screen Actors Guild Fast Facts" 597: 406:by Stella G.S. Perry (1929) and 235: 153: 976: 846: 818: 985:"Film Review: 'I Am Somebody'" 903:"EKSTRA: An Excellent Paradox" 797: 771: 705: 689:. Money Magpie. Archived from 649: 635:. Background Actors Seminars. 591: 466:The British television sitcom 13: 1: 901:Hawson, Fred (29 July 2013). 584: 526:industry in the Philippines. 145:Salary and working conditions 983:Lee, Maggie (17 June 2015). 7: 542: 529:The Chinese-Hong Kong film 459:refers to silent extras in 176:, discuss the issue on the 99:shoot have been finalized. 10: 1838: 1748:Computer-generated imagery 1553:Special effects supervisor 1401:Digital imaging technician 423:depicts a would-be actor ( 282:Notable extras during the 73: 1765: 1685: 1604: 1566: 1558:Visual effects supervisor 1543: 1453: 1364: 1267: 1182: 1178: 1165: 1083: 1070: 933:Philippine Daily Inquirer 408:I Should Have Stayed Home 82:Background actors in the 1478:Utility sound technician 1778:Unit still photographer 1463:Director of audiography 1192:Unit production manager 629:Jo Kelly (March 2006). 427:) working as an extra. 127:with little formality. 1822:Television terminology 1817:Filmmaking occupations 1468:Production sound mixer 1197:Production coordinator 766:Guinness World Records 537:Hengdian World Studios 493:lands him in trouble. 430:The quasi-documentary 106:published annually by 91: 1738:Visual effects editor 1733:VFX creative director 1202:Production accountant 713:"Background Artistes" 524:television production 81: 1657:Intimacy coordinator 1227:Production assistant 715:. BECTU. 1 July 2011 657:"How to be an Extra" 457:David Foster Wallace 433:Hollywood Extra Girl 373:Merton of the Movies 263:SAG-AFTRA signatory 174:improve this section 164:may not represent a 1421:Lighting technician 1277:Production designer 342:Cultural references 277:Screen Extras Guild 254:Screen Actors Guild 240:Since 2012, in the 84:Krak des Chevaliers 1715:Technical director 1488:Re-recording mixer 1217:Script coordinator 1207:Assistant director 1146:Executive producer 964:. 11 December 2014 785:. 11 December 2018 292:Ellinor Vanderveer 92: 1807:Stage terminology 1794: 1793: 1790: 1789: 1786: 1785: 1761: 1760: 1652:Acting instructor 1627:Movement director 1416:Best boy electric 1360: 1359: 1263: 1262: 1255:Storyboard artist 1212:Script supervisor 1161: 1160: 832:Los Angeles Times 642:978-0-9771878-0-5 549:Background dancer 516:social commentary 417:The feature film 378:Harry Leon Wilson 364:Behind the Screen 206: 205: 198: 16:(Redirected from 1829: 1721: 1720: 1525:Music supervisor 1330: 1329: 1289:Costume designer 1243: 1242: 1232:Location manager 1222:Casting director 1180: 1179: 1167: 1166: 1103:Supporting actor 1072: 1071: 1052: 1045: 1038: 1029: 1028: 1018:", Sam Delaney, 1002: 1001: 999: 997: 980: 974: 973: 971: 969: 950: 944: 943: 941: 939: 924: 918: 917: 915: 913: 898: 892: 891: 889: 887: 872: 866: 865: 863: 861: 850: 844: 843: 841: 839: 822: 816: 815: 813: 811: 801: 795: 794: 792: 790: 775: 769: 759: 753: 752: 750: 748: 734: 725: 724: 722: 720: 709: 703: 702: 700: 698: 683: 672: 671: 669: 667: 653: 647: 646: 626: 615: 614: 612: 610: 595: 574:Supporting actor 559:Cameo appearance 383:The silent film 316:Philo McCullough 308:Maurice Costello 201: 194: 190: 187: 181: 157: 156: 149: 32:background actor 21: 1837: 1836: 1832: 1831: 1830: 1828: 1827: 1826: 1797: 1796: 1795: 1782: 1757: 1719: 1687:Post-production 1681: 1672:Stunt performer 1600: 1562: 1545:Special effects 1539: 1483:Dialogue editor 1449: 1379:Camera operator 1356: 1328: 1319:Property 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Index

Film extra
performer
film
television show
War films
epic films
grand opera
supernumeraries

Krak des Chevaliers
Syria
acting
Spotlight
stage combat
rollerblading
James Cameron
Titanic
worldwide view
improve this section
talk page
Learn how and when to remove this message
United Kingdom
trade unions
Broadcasting Entertainment Cinematograph and Theatre Union (BECTU)
Equity
Jill Goldston
US
SAG-AFTRA
AFL–CIO
Screen Actors Guild

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