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from a foreign country, unloading traded goods, a group of
Capitan's who landed, Jesuit missionaries, Franciscan monks, and Japanese believers welcoming them. .. The karamono shop sells traded goods such as tiger and leopard fur, silk fabrics and ceramics. At the back of the Karamonoya is Nanban-ji Temple, where ceremonies are held in front of the altar with the statue of the Messiah. It is a good representation of the reality of Nanban trade, where trade and missionary work were integrated, with the main focus being intermediary trade. It also features many rare beasts from Nanban, such as elephants, Arabian horses, and greyhound dogs. Relentlessly detailed depictions, lively portraits, and vibrant colors make Kano Naizen a prominent figure in the Nanban folding screens.
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Kano Naizen's "Arrival of the
Southern Barbarians Screen" circa 1600, from the Kobe City Museum Collection. This six-fold byōbu (lacquer and gilded screen) shows foreigners arriving at a shore of Japan during the Nanban trade. The ship depicts a Nanban ship arriving at a Japanese port after a voyage
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Uploaded a work by Kanô Naizen (1570-1616) from https://artsandculture.google.com/asset/namban-screens-right-hand-screen-kan%C3%B4-naizen/CAEfKzD1vqAV8A with UploadWizard
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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Kano Naizen's "Arrival of the
Southern Barbarians Screen" depicts the Nanban trade circa 1600 from the Kobe City Museum Collection.
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If the file has been modified from its original state, some details may not fully reflect the modified file.
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This photographic reproduction is therefore also considered to be in the public domain in the United States.
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This is a faithful photographic reproduction of a two-dimensional,
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Kanō Shigesato; Naizen; Ichiō; Kyūz401o; Kano Naizen; Kanou Naizen
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The official position taken by the
Wikimedia Foundation is that "
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in its country of origin and other countries and areas where the
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namban-screens-right-hand-screen-kan%C3%B4-naizen/CAEfKzD1vqAV8A
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label QS:Lfr,"Débarquement des barbares du sud (Nanban-jin)"
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Arrival of the
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Arrival of the
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Arrival of the Southern Barbarians (Nanban-jin) Screen
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Verborgene christliche Stätten in der Region Nagasaki
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Commons is a freely licensed media file repository.
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date QS:P571,+1600-00-00T00:00:00Z/9,P1480,Q5727902
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942:for details.
937:
933:
928:
881:
871:
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449:
440:
373:
123:You can help
113:
81:
22:File history
1476:Image width
1467:Color space
1298:Kanō Naizen
1255:Kanō Naizen
1025:Kanō Naizen
587:Established
559:Coordinates
535:Native name
434:Description
392:Object type
223:Description
193:Kanō Naizen
149:Kanō Naizen
1265:Nanban art
1241:File usage
1224:(43.13 MB)
1198:Dimensions
1059:Nanban art
992:Nanban art
712:References
590:1982
491:Collection
463:circa 1600
421:Nanban art
242:1616
234:1570
27:File usage
1363:Q21404077
1230:Artanisen
1195:Thumbnail
1192:Date/Time
823:Licensing
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673:5271061-0
660:n85032322
634:158334997
441:English:
319:132593424
306:500332387
89:image/png
1487:4,112 px
1479:9,500 px
1400:4,112 px
1392:9,500 px
1376:Metadata
1260:Nagasaki
969:Japanese
957:Captions
694:WorldCat
623:Q3330666
545:Location
397:painting
280:15935839
37:Metadata
1458:version
1323:神戸市立博物館
1209:current
1204:Comment
1009:depicts
980:depicts
961:English
600:Website
539:神戸市立博物館
269:Q374744
137:Summary
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1450:72 dpi
1442:72 dpi
1397:Height
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471:Medium
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357:Author
333:
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1389:Width
923:false
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680:SUDOC
479:paint
475:paper
416:Genre
367:Title
1461:2.21
1456:Exif
1353:남만무역
1343:南蛮美術
1338:狩野内膳
1328:南蛮貿易
1201:User
938:see
654:LCCN
641:ISNI
628:VIAF
551:Kobe
477:and
460:Date
450:日本語:
300:ULAN
287:ISNI
274:VIAF
17:File
1426:RGB
914:PDM
739::
722::
667:GND
313:GND
1333:取引
931:".
884:.
761:—
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