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205:"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
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writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . some trade presses that publish educational and scholarly film books also take the position
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because it was published in the United States between 1929 and 1963, and although there may or may not have been a copyright notice, the
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that permission is not necessary for reproducing frame enlargements and publicity photographs."
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http://27.media.tumblr.com/tumblr_lhrwoq29Ol1qzm4v7o1_500.jpg
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201:(1989) p. 87, writes:
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1423:22:32, 22 March 2017
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1282:02:32, 23 March 2017
1042:Premis Oscar de 1951
697:06:29, 23 March 2017
667:06:32, 23 March 2017
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