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each picture of each mosaic. I disliked in particular how in the new museum led-spotlights were often used (a nasty development in many museums, not just in Turkey). I suppose they are efficient, but they give notable highlight spots that sometimes cannot be corrected for. I found they also vary in light temperature. Another annoyance is that in the new museum many mosaics are laid on a floor or a slightly raised platform, without offering a point of view from which to take a picture that, after maybe some perspective correction, looked natural. So in some cases I had to guess the amount of foreshortening that I had to correct.
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A Roman mosaic from Zeugma, Commagene (now in the Zeugma Mosaic Museum) depicting
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