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evident. The natural lighting of the grotto entrance accords with the Daoist notion of mountains and grottoes being immortal palaces and spiritual abodes, which religious thought says are lit by the sun and moon. Four characters for the title are in the upper left, and, although the writer is unknown, they suit well the subject of the painting.
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In the lower right are three figures on a bridge, two of them wearing official caps and having gone to greet a visitor. In the middleground is a lofty palatial complex hidden among the trees in the clouds, which make the blue-and-green peaks stand out clearly with grotto entrances of different sizes
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This work bears neither seal nor signature of the artist, but Wang Duo (1592-1653) in the inscription paper mounted above gives the artist as Dong Yuan of the Five
Dynasties period. Dong, a native of Zhongling in Jiangnan (modern Nanchang in Jiangxi), excelled at "hemp-fiber" texture strokes to
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depict the
Jiangnan landscape, establishing an important tradition in Chinese painting. Although this work reflects his style, it was actually done in the Yuan dynasty (1279-1368).
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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
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This photographic reproduction is therefore also considered to be in the public domain in the United States.
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Art et archéologie : la Chine du néolithique à la fin des Cinq
Dynasties (960 de notre ère)
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faithful reproductions of two-dimensional public domain works of art are public domain
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This is a faithful photographic reproduction of a two-dimensional,
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In other jurisdictions, re-use of this content may be restricted;
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25° 06′ 08.48″ N, 121° 32′ 54.57″ E
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The official position taken by the
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Le bâtiment du paradis des
Immortels dans la montagne
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Commons is a freely licensed media file repository.
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Gebruiker:Heinonlein/artikels/Chinese schilderkunst
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461:fr:Danielle Elisseeff
1527:利用者:D.h/芸術/芸術(美術)の記事
1292:21:24, 20 April 2011
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459:. Biblio:
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216:: 董源
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331:NLA
1532:董源
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1497:董源
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