166:. After the re-release of Ten Ton Pressure with some new songs and remixes the label's release strategy turned more aggressive and sharply focused on growth. In 1994 the label signed a distribution deal with Caroline Records, which covered all releases except Chemlab, who were still governed by their deal with Metal Blade Records. Three new developing artists saw their debut albums released by Fifth Colvmn forming a solid foundation upon which the label could be built. These artists were Haloblack,
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who re-issued a selection of his collaborations with
Eldritch, all released debut records on FCR in 1996. Also new to the FCR fold was Final Cut. At one point Final Cut called Nettwerk Records home and regularly toured with My Life With The Thrill Kill Kult. "Atonement" was released by Final Cut on
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The following year brought explosive growth as the label established itself as the U.S. home for two cutting edge
European Industrial Rock labels; Hard Records and Cyber-tec Records. Cyber-tec Records was exclusive to FCR. Hard Records' agreement with FCR saw the release of two Luc van Acker solo
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1996, saw the label release some very strong follow-up records including the long-awaited "East Side
Militia", Chemlab's follow-up to their debut full-length "Burn Out at the Hydrogen Bar" originally released in 1993. In addition to Chemlab, Acumen released "Territory = Universe" a follow-up to
200:. Through its network of musicians and studio techs throughout Chicago, FCR connected with John Elliott of the band Dessau. Originally signed to Carlyle Records, an early industrial-dance label, Dessau's latest demo included guest spots from Paul Barker of
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albums as well as the Max M Corporation. Cyber-tec
Records' exciting brand of EBM/Industrial Rock was exposed to American audiences through the release of the bands New Mind and a unique side-project of Jean-Luc DeMeyer of
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Harrington, Richard (2 August 1996). "SPIN CONTROL; The record business started in
Washington and a century later it's still going strong". Washington, D.C.: The Washington Post Company. The Washington Post.
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and a selection of artists including The
Shining, artists from the Italian label sub/mission and an assortment of electronic, drum and bass and dance records on the Full-Contact Records imprint.
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Following an investigation for tax evasion, the Fifth Column nightclub closed in 1996. Although a separate entity, the label eventually suffered as well and ceased operation in 1997.
212:"Transmissions from Eville" and Haloblack released "funkyhell" following their debut entitled "Tension Filter". There were new artists joining the fold in this year as well.
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The band Thud was the next artist to join the label. Heavy, loud and unrelenting, Thud became very popular amongst Metal fans and critics alike luring Eli Janney from
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This label is not to be confused by the similarly titled, but unrelated, hip hop record company called Fifth Column
Records, which was founded in 2015.
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based on the
William Gibson short story of the same name and a spooky voudou/goth-rock project led by Rodney Orpheus of goth-rock pioneer
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While trying to build upon a shaky distribution deal, the label entered 1997 supporting
Chemlab on tour with art-metal visionaries
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on vocals, a project from Black Rain that also served as the score to the
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to contribute to their debut record Life & Death and earning co-headlining performances with
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FCR in the Fall of 1996 and helped build the label's credibility amongst musicians.
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D.C. Club Owner Guilty of Tax Violation - The Washington Post | HighBeam Research
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393:The Shining
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355:Ipecac Loop
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455:References
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350:Insight 23
292:Black Rain
287:Black Lung
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