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in two acts. Its success spread throughout Europe, and it was performed at the most important theatres (Milan, Naples, Rome, Vienna, London and Paris). It had a deep influence on the following generations of composers and aroused the admiration of many celebrated musicians and musical critics such as
402:
For the remainder of his life, he would many different appointments in institutions of musical education. However, in 1834 Paer would premiere one of the last operas which would bestow upon him great public success. Namely, his comic opera,
379:
in 1826, had left Paër in charge of the failing theatre. In 1827, he was fired from his position but later issued an open letter, "M. Paër, ex-directeur du Théâtre de l'Opéra
Italien, Ă MM. les Dilettanti," detailing his self-defense.
624:
Kann man dieser
Eintragung bereits die Namen seiner Eltern, Giulio Pär und Francesca Cutica sowie seines Großvaters Michael Pär entnehmen, so finden sich nähere Angaben über die Abstammung väterlicherseits in einem Artikel von
657:
Ferdinandos GroĂźvater
Michael Pär, gebürtig aus dem österreichischen Peterwardein (heute Novi Sad, Kroatien), hatte an der Spitze eines Musikkorpsregiments seine Heimatstadt verlassen und sich in Parma
232:(1801). He enjoyed the patronage of the music-loving Empress Marie Therese, composing several works for her private concerts. In 1802 he was appointed composer to the court theatre at Dresden, the
205:
in 1792; others rapidly followed, and his name was soon famous throughout Italy. At the age of 20, he became choirmaster in Venice. In 1797, he went to Vienna, where his future wife, the singer
165:). His father Giulio Paer was a trumpeter with the Ducal Bodyguards and also performed at church and court events; his mother was Francesca Cutica. He was named Ferdinando after
311:. The primary reason for this success is most certainly the high quality of the music involved, but the dramaturgical structure also presents significant material such as the
277:, while in Dresden, took a fancy to him and took him with him to Warsaw and Paris at a salary of 28,000 francs. He composed a bridal march for Napoleon's wedding to
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into a family of
Austrian descent. He came from a musical family. His grandfather Michael Pär was a regimental band member from Peterwardein (today
368:
During the 1820s, Paër's success both as a composer and teacher were being frustrated with the presence of
Giacomo Rossini and influence of writer
544:
Si degnò V.A.R. di accordar al Mro
Ferdinando Pär Umilimo servo, Suddito, ..., nello scorso carnevale, di poter far imprimere nell'opera ...
145:. He was of Austrian descent and used the German spelling Pär in application for printing in Venice, and later in France the spelling Paër.
41:
744:
1008:
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dit le livret. Certaines partitions, écrites par d'habiles compositeurs pour de semblables solennités champêtres, ne méritent souvent ...
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17:
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197:, premiered in 1791 and helped begin a fruitful career of composing for the young composer. His first Italian opera,
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583:. The name Paer does not require the diaeresis in Italian, but he himself adopted it when he settled in France.
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La musica, tutta nuova, sara del celebre signor
Ferdinando Pär, maestro di cappella al servizio del S. A. IL,
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946:
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On May 3, 1839 Paër died in his Paris apartment at the age of 67, and had his funeral conducted at the
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347:
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while accepting those of chamber composer to the king and conductor of the private orchestra of the
870:
539:..bezeichnet, einen Titel, den er nach folgendem Antrag im Juli 1792 auch offiziell fĂĽhren durfte:
266:
the following year. Beethoven had a high opinion of Paer, once jesting that the funeral march in
792:. Archives de la Ville de Bruxelles / Archief van de Stad Brussel. Paris: Pacini, pl. no. 1875.
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One or more of the preceding sentences incorporates text from a publication now in the
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729:. Vol. 20 (11th ed.). Cambridge University Press. pp. 447–448.
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372:. Rossini, having left his appointment at the Italian Theater of Paris
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Paer wrote a total of 55 operas, in the
Italian Classical styles of
220:, had obtained an engagement. There he became music director of the
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162:
342:. It was around this time that he taught composition to the young
338:. In 1823, he retired from the Opéra-Italien and was succeeded by
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Empress Marie
Therese and Music at the Viennese Court, 1792–1807.
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Ferdinando Paer: Biografia, Opere e
Documenti degli Anni Parigini
441:
258:
141:(1 June 1771 – 3 May 1839) was an Italian composer known for his
350:, and in 1832 was appointed conductor of the royal orchestra of
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until 1801, where he produced a series of operas, including his
905:
440:. His other works, including several religious compositions,
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142:
69:
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444:, many songs and a short list of orchestral chamber pieces.
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and became a strong contributor to the opera culture at the
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281:(a religious ceremony that took place on 2 April 1810).
838:"PAER, Ferdinando Francesco in "Dizionario Biografico""
762:"PAER, Ferdinando Francesco in "Dizionario Biografico""
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786:
Paer, Ferdinando; Lesguillon, Jean Pierre François.
915:
Ferdinando Paër – Organ Concerto in D-major (audio)
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802:
600:
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686:Cambridge: Cambridge University Press, 2003.
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622:
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579:parodied him as Signor Astucio in his opera
537:
525:(in German). Georg Olms Verlag. p. 17.
284:In 1809, he composed his most famous opera,
270:was so fine he "would have to compose it".
785:
383:In 1831, Paër was quickly employed in the
330:in Paris. He retained this post after the
40:
900:International Music Score Library Project
789:Un Caprice de femme, opéra comique, 1 act
745:Grove's Dictionary of Music and Musicians
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523:Die italienischen Opern Ferdinando Paërs
14:
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183:Conservatorio della PietĂ de' Turchini
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643:Die Musik in Geschichte und Gegenwart
253:(1804) is based on the same story as
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490:
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173:, Duke Ferdinand's wife. He studied
877:A Dictionary of Music and Musicians
171:Archduchess Maria Amalia of Austria
24:
1009:Italian people of Austrian descent
999:Italian Classical-period composers
906:Website with details on the opera
858:
751:
315:involving Agnese's father Uberto (
25:
1035:
889:
485:
428:List of operas by Ferdinando Paer
361:in the role of Signor Astucio in
346:. In 1831, he was elected to the
240:was bestowed upon him by Elector
966:
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803:David Chandler (November 2015).
748:, 5th ed., 1954, vol. VI, p. 487
703:
830:
796:
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896:Free scores by Ferdinando Paer
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279:Marie Louise, Duchess of Parma
46:Lithograph by François Delpech
13:
1:
571:Paer also tried to undermine
567:The Memoirs of Hector Berlioz
479:
1014:Italian male opera composers
497:"Ferdinando Paer - LAROUSSE"
357:In 1824, he was parodied by
7:
292:dramma semiserio per musica
10:
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811:La Passione di GesĂą Cristo
461:La Passione di GesĂą Cristo
425:
391:alongside colleagues like
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126:
100:
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51:
39:
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871:"Paer, Ferdinando"
521:EnĂźlin, Wolfram (2003).
421:
1004:Italian opera composers
726:Encyclopædia Britannica
385:Académie des Beaux-Arts
348:Académie des Beaux-Arts
201:, was given during the
167:Duke Ferdinand of Parma
148:
817:MusicWeb International
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322:In 1812, he succeeded
234:Morettisches Opernhaus
193:His first stage work,
113:Morettisches Opernhaus
882:Macmillan and Company
670:Giuliano Castellani:
575:'s success in Paris.
1024:Musicians from Parma
935:I Pomeriggi Musicali
742:"Paer, Ferdinando",
646:, vol. 12, p. 2174.
581:Le concert Ă la cour
495:Larousse, Éditions.
416:Church of Saint-Roch
405:Un caprice de femme,
363:Le concert Ă la cour
326:as conductor of the
262:, first produced as
177:under the violinist
473:La LĂ©gion d'honneur
352:King Louis Philippe
1019:Oratorio composers
809:, Naxos 8.572492;
418:three days later.
222:Kärntnertortheater
207:Francesca Riccardi
203:Carnival of Venice
195:Orphée et Euridice
108:Kärntnertortheater
924:Stefano Innocenti
807:La Santo Sepolcro
532:978-3-487-11946-5
457:Il Santo Sepolcro
407:premiered at the
370:Marie-Henri Beyle
340:Gioachino Rossini
181:, a pupil of the
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16:(Redirected from
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719:, ed. (1911). "
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652:Ludwig Finscher
648:Friedrich Blume
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599:, p. 7, 1843. "
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501:www.larousse.fr
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228:(1799) and his
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890:External links
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868:, ed. (1900).
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717:Chisholm, Hugh
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682:John A. Rice,
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596:Revue de Paris
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475:(June 9, 1816)
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846:. Retrieved
844:(in Italian)
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820:. Retrieved
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770:. Retrieved
768:(in Italian)
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627:Castil-Blaze
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505:. Retrieved
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393:Daniel Auber
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359:Daniel Auber
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185:in Naples.
175:music theory
159:Petrovaradin
152:
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82:(1839-05-03)
994:1839 deaths
989:1771 births
941:(conductor)
927: [
619:EnĂźlin 2003
503:(in French)
344:Franz Liszt
332:Restoration
255:Beethoven's
210: [
66:1 June 1771
983:Categories
880:. London:
848:2023-07-25
772:2023-07-25
507:2023-07-25
480:References
247:His opera
161:, part of
93:Occupation
80:3 May 1839
62:1771-06-01
961:Biography
933:(organ),
805:"Review:
654:(2004). "
434:Paisiello
411:in 1834.
313:mad scene
573:Spontini
565:(2002).
449:Oratorio
442:cantatas
438:Cimarosa
297:Stendhal
275:Napoleon
273:In 1807
163:Novi Sad
96:Composer
947:Portals
920:YouTube
902:(IMSLP)
898:at the
822:15 July
714::
301:Berlioz
268:Achille
264:Leonora
259:Fidelio
250:Leonora
230:Achille
226:Camilla
908:Agnese
708:
529:
467:Honors
455:1803:
309:Chopin
287:Agnese
189:Career
143:operas
973:Opera
931:]
577:Auber
422:Works
218:]
199:Circe
155:Parma
127:Works
87:Paris
70:Parma
824:2022
527:ISBN
436:and
395:and
317:bass
307:and
290:, a
149:Life
77:Died
52:Born
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