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amplifier designs use negative feedback, tapped from the output transformer speaker winding to enable more headroom before power stage distortion starts. They also use the more efficient negative-voltage fixed biasing on the output valves, allowing higher output power while running the output valves at a cooler temperature. (The earlier 5C3 Deluxe model
344:", based on a customized 1957 5E3 Tweed Deluxe, part of the rig of U2-guitarist "The Edge". It featured the addition of a Celestion Blue Alnico speaker, a tighter "bass" response from the preamp, a 12AX7 in V1 instead of a 12AY7, and, an added "Standby" switch. By mid 2016 the '57 Deluxe is once again included in the custom series as the
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effect, separate tone controls for the input channels, and a long-tail pair-type phase inverter. The preamp tube complement was changed to a trio of 12AX7 tubes, and the rectifier was changed to the more efficient GZ34 tube. The pair of 6V6GT power tubes remained the same, although the bias structure
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Fender again made a change in their amplifier cosmetics between 1963 and 1964. The color of the tolex covering was changed to black, and the control knobs were changed from ones with pointers that indicated the level number labeled on the control face to ones that had the level numbers incorporated
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One of the many features of the Tweed Deluxe that some players find useful is the interaction between the two volume controls. While the two input channels each have their own volume control, signal from one input socket also finds its way onto the opposite input. Thus, adjusting the volume control
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produced amplifiers with the intention of having the amplifier stay clean even at high volumes. The Tweed Deluxe is not known for producing a clean tone at high volumes, and as such, was regarded as being an intermediate amplifier. The saturated tone this amplifier produces at higher volumes is the
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It is relatively small in size, having one twelve inch speaker. Depending on the model it has either three or four inputs (5E3) and two channels. Each channel has a volume control. Both channels share a tone control. The inputs and controls are mounted at the top of the amplifier. It is often
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and the 18 watt
Marshall model 1974). The output valves are driven by a cathodyne phase splitter. These aspects of the circuit make a key contribution to the complex, wild and ragged sound of an overdriven 5E3 Deluxe, especially in comparison to other Fender amplifiers. Most Fender push-pull
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amps. The Deluxe was given its new look in 1963, and again, the circuitry was altered to the number AA763, devoting a full 12AX7 to the preamp of each of the relabeled "Normal" and "Vibrato" channels, as well as to the oscillator for the tremolo effect, a
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student and studio amp introduced in 1946 and upgraded in 1948. Subsequent versions of the Deluxe were the "wide panel" cabinet design 5B3, 5C3, and 5D3, followed by the "narrow panel" cabinet 5E3. The Deluxe was the most popular of the
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was changed from cathode to fixed biasing, bringing the output power up to around 20 watts. The circuit number was changed to 6G3, and Fender continued to build and dress the Deluxe in these circuits and cosmetics until 1963.
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The earliest version of the Deluxe was the 5A3, and is often referred to as having a TV Front appearance because the wide panels around the grill were like the television sets of the 1950s. This was true also of the smaller
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The Tweed Deluxe is such a seminal amplifier, is so desirable and (in its original form) so expensive, that there are at least 30 or 40 companies making clones or variants of it, either as kits or as completed amplifiers.
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In 2007–2011, Fender's Custom Shop division made an authentic recreation of the 5E3 Deluxe. Handwired point-to-point and with custom made transformers based on the 1957 specification it was dubbed the
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758:- John Lennon owned a "narrow panel" Tweed Deluxe from 1960 to July 1962, when they acquired their Vox amps. He painted it black and added metal corner protectors at some time.
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tube as a phase inverter, and individual Treble and Bass control knobs rather than single tone controls for each channel. The output bias remained fixed, but incorporated a
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Unusual for a Fender amplifier, the Deluxe (models 5D3 and 5E3) has a cathode biased output stage, with no negative feedback (a distinctive combination it shares with the
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The Tweed Deluxe originally came equipped with a Jensen P12R speaker. Due to limited power handling, owners sometimes replaced it with the more powerful Jensen P12Q.
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reason why it is one of the more famous amplifiers Fender ever produced. It is part of the signature tone for many musicians, a few notable examples being
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139:. The amplifiers were originally produced from early 1948 to 1966 and reissues are in current production. Its predecessor was the Fender Model 26
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referred to as the "Tweed Deluxe" because of its covering—a light brown material which is actually a cotton twill that is often lacquered.
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bands began getting louder, the overdriven tone of a cranked-up Deluxe found its way onto many live and recorded performances.
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Additional top panel controls are a ground switch, power switch and mains fuse holder. The mains / power cable is hard-wired.
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The Fender Deluxe amp of the 1950s was a medium-powered unit designed to let guitarists "hold their own" in a small group. As
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for one input channel also affects the tone of the other. This gives extra tonal variations than would normally be expected.
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In 2012 Fender issued an Artist
Signature amplifier based on the 5E3 circuit with the addition of a tremolo effect; the
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Fender amps. The Deluxe was one such model that made this transition in 1961. The circuit was also changed to include a
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311:. Fender discontinued the base Deluxe model in 1966 but as of 2018, the Deluxe Reverb version was still in production.
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Between 1959 and 1963, Fender began redressing several of their existing amp models in a light brown material known as
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When Fender redressed the Deluxe in 1963, they began producing a spin-off model that included an integrated
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In 2014 Fender introduced a piggyback head version of the 5E3 Deluxe to the Custom Shop lineup, dubbed the
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http://www.thetubestore.com/lib/thetubestore/schematics/Fender/Fender-Deluxe-6G3-Schematic.pdf
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http://www.thetubestore.com/lib/thetubestore/schematics/Fender/Fender-Deluxe-5D3-Schematic.pdf
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http://www.thetubestore.com/lib/thetubestore/schematics/Fender/Fender-Deluxe-5E3-Schematic.pdf
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http://www.thetubestore.com/lib/thetubestore/schematics/Fender/Fender-Deluxe-5C3-Schematic.pdf
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http://www.thetubestore.com/lib/thetubestore/schematics/Fender/Fender-Deluxe-5B3-Schematic.pdf
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http://www.thetubestore.com/lib/thetubestore/schematics/Fender/Fender-Deluxe-5A3-Schematic.pdf
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The Tube Store (2010, June 21). Tweed Deluxe (Early and 5C3 Models). Retrieved from
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http://www.thetubestore.com/Resources/Guitar-Amp-Info/Early-Fender-Tweed-Amps#tweed
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http://www.thetubestore.com/Resources/Guitar-Amp-Info/Early-Fender-Tweed-Amps#tweed
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to make bias adjustment simpler. The output was also bumped to 22 watts.
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619:"Shop Fender | Electric Guitars, Acoustics, Bass, Amps & More"
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121:. For humbucker-equipped variant of the Telecaster guitar, see
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633:"Fender Introduces '65 Deluxe Reverb Head and '57 Deluxe Head"
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In 2016 Fender issued a hand-wired Artist
Signature model, "
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use negative feedback although it too was cathode biased.)
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421:"GGJaguar's Guitarium and Ampeteria 1953 Fender Princeton"
239:
65:
and tools are available to assist in formatting, such as
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upon the knobs themselves. These are referred to as the
403:"GGJaguar's Guitarium and Ampeteria 1950 Fender Deluxe"
135:
is a range of non-reverb guitar amplifiers produced by
117:
For Deluxe-series amplifiers with built-in reverb, see
651:"'57 Deluxe™ Head | Custom Series | Fender®"
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in the preamp. The output is rated at about 15 watts.
242:-GT power tubes operating in push-pull mode, and a
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684:A Desktop Reference of Hip Vintage Guitar Amps
777:
475:"Fender Narrow Panel Tweed Deluxe – Ampwares"
46:, which are uninformative and vulnerable to
461:"Fender Wide Panel Tweed Deluxe – Ampwares"
378:"Fender Woody Deluxe (Model 26) – Ampwares"
61:and maintains a consistent citation style.
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722:- 57 Deluxe with Stratocaster and Les Paul
103:Learn how and when to remove this message
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238:The amplifier has a 5Y3-GT rectifier, 2
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793:Fender Musical Instruments Corporation
765:
680:
594:
487:
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605:"Fender Blackface Deluxe – Ampwares"
588:"Fender Brownface Deluxe – Ampwares"
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328:Fender Eric Clapton (or EC) Tremolux
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53:Please consider converting them to
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1128:List of Fender Guitar Finishes
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57:to ensure the article remains
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1:
528:Deluxe (early and 5C3 models)
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752:- The Fender Amp Field Guide
740:- ar American Vintage Guitar
716:- Tweed Deluxe Ultimate Demo
143:produced from 1946 to 1948.
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540:Deluxe (5D3 and 5E3 models)
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10:
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750:The Fender Amp Field Guide
714:Tweed Deluxe Ultimate Demo
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734:- Tweed Deluxe Speed Shop
738:1959 Fender Tweed Deluxe
346:Fender '57 Custom Deluxe
123:Fender Telecaster Deluxe
732:Tweed Deluxe Speed Shop
689:Hal Leonard Corporation
1106:Fender vibrato systems
1059:American Deluxe Series
681:Weber, Gerald (1994).
335:Fender '57 Deluxe Head
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726:Tweed Deluxe Research
637:www.premierguitar.com
358:Fender Hot Rod Deluxe
321:Fender '57 Deluxe Amp
154:
1170:Starcaster by Fender
309:Fender Deluxe Reverb
119:Fender Deluxe Reverb
744:Fender Tweed Deluxe
720:57 Deluxe in Action
657:on January 10, 2014
557:on February 1, 2014
18:Fender Tweed Deluxe
1143:Fender Reverb Unit
1133:Fender Custom Shop
639:. January 8, 2014.
342:Fender Edge Deluxe
271:Brown or Brownface
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1223:Fender amplifiers
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1095:Noiseless Pickups
1064:California Series
1033:Vibrosonic Reverb
923:Bandmaster Reverb
607:. March 14, 2011.
590:. March 14, 2011.
477:. March 14, 2011.
463:. March 14, 2011.
380:. March 14, 2011.
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63:Several templates
16:(Redirected from
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1123:List of products
1079:Signature Series
983:Princeton Reverb
834:George Fullerton
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1008:Super Reverb
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933:Blues Junior
854:Bill Schultz
814:Doc Kauffman
756:Beatles Gear
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674:Bibliography
659:. Retrieved
655:the original
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559:. Retrieved
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1165:Lace Sensor
1069:Lead Series
1028:Vibro Champ
849:Don Randall
844:Paul Rivera
824:Bill Carson
801:Key figures
661:January 10,
561:January 17,
1100:Wide Range
1023:Vibrasonic
993:Pro Reverb
918:Bandmaster
910:Amplifiers
900:Heartfield
839:Dale Hyatt
809:Leo Fender
488:Weber 1994
364:References
217:Neil Young
209:Don Felder
200:Leo Fender
173:rockabilly
59:verifiable
1043:White Amp
1038:Vibroverb
978:Princeton
746:- Ampedia
289:Blackface
44:bare URLs
1217:Category
1189:Category
1088:Hardware
1013:Tremolux
352:See also
224:Vox AC30
141:"Woodie"
48:link rot
1201:Commons
1153:Gretsch
998:Showman
963:Harvard
948:Concert
928:Bassman
885:Jackson
880:Charvel
275:tremolo
169:Western
1052:Series
953:Deluxe
938:Bronco
895:Tacoma
890:Squier
875:Bigsby
868:Brands
695:
246:and a
171:, and
137:Fender
68:reFill
1003:Super
943:Champ
551:"SOS"
294:12AT7
267:tolex
248:12AX7
244:12AY7
161:blues
42:uses
1018:Twin
693:ISBN
663:2014
563:2014
215:and
128:The
76:and
988:Pro
240:6V6
229:did
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