422:(compare quoteboxes). Melville's changes and revisions transform the generalized theme of the Psalm into something that bears specific correspondence to the story of Jonah. While some of the changes are purely stylistic improvements, the whole exercise demonstrates the author's "ability to keep within the framework of his source while substituting particularized relevant material." While adhering to the meter and rhyme scheme of the original, the second stanza (the hymn's first stanza), is almost completely rewritten to reflect Jonah's situation as stated in the
288:
true things ... Jonah, appalled at the hostility he should raise, fled from his mission, and sought to escape his duty and his God ... This, shipmates, this is that other lesson ... Woe to him who seeks to please rather than to appal! Woe to him whose good name is more to him than goodness! Woe to him who, in this world, courts not dishonor! Woe to him who would not be true, even though to be false were salvation!
430:, especially 2:3: "For thou hadst cast me into the deep, in the midst of the seas; and the floods compassed me about: all thy billows and thy waves passed over me." Unpredictable is the rejection of the word "flood," which appears in the Jonah story as well as in the Psalm. Three stanzas from the Psalm are omitted, probably because their subject matter is not apt for the Jonah story.
443:
Biblical rhetoric and tone, and that his "prophetic strain" is most distinct in Father Mapple's sermon. Melville has Mapple use "the most familiar linguistic device of the Hebrew prophets", such as the repeated ejaculation "Woefullness of time", "outer darkness", "the blackness of darkness", and "the quick and the dead".
158:
keeping with a 19th-century tradition of retellings of the biblical account in sermon form; Reynolds cites examples from as early as 1829. Such sermons employed nautical metaphors and colloquialisms, "producing a mixture of the imaginative and the sacred that directly anticipated Father Mapple's salty sermon".
298:
the penultimate paragraph derives from the prophets
Jeremiah, Isaiah, and Ezekiel. The paragraph with "woes" is followed by a paragraph with "delights": the structure of the two paragraphs is parallel, though the content is antithetical. Besides the structure, the phraseology also echoes the prophets.
297:
Father Mapple speaks the language of
Biblical prophets, scholar Nathalia Wright observes. In addition to the twelve quotations from the book of Jonah which appear in the first part of his sermon, he uses Biblical idioms such as "cast him forth", and "spake unto the fish." The interjection of "woe" in
287:
Shipmates, God has laid but one hand upon you; both his hands press upon me ... And now how gladly would I ... listen, while some one of you reads me that other and more awful lesson which Jonah teaches to me, as a pilot of the living God. How being an anointed pilot-prophet, or speaker of
273:
But the Lord raises a great storm, and after Jonah confesses to the sailors that his disobedience is the cause, Jonah is "taken up as an anchor and dropped into the sea." Instantly an "oily calmness floats out from the east, and the sea is still." Yet the storm follows Jonah, and he drops "seething
157:
explains, Melville was keenly aware of the popular literature and oratory of his time. Father Mapple's sermon is inspired by the more imaginative style of sermon that was becoming very popular in the United States. In addition, Reynolds argues, that Father Mapple would choose Jonah for a topic is in
145:. Both Taylor and Mapple fused Biblical imagery and colloquial language to deliver "anecdotal sermons to rough sailor congregations while perched theatrically on an elevated pulpit decorated with ship gear and backed by a wall painting of a seascape." The rope ladder is Melville's own amplification.
438:
Father Mapple's sermon addresses questions that fascinated
Melville and tensions that run through the rest of the novel, since Father Mapple believes, as does Ahab, that truth is clear to see, and that human beings must pursue it in spite of all obstacles; Ishmael on the other hand finds that truth
442:
John Bryant argues that this sermon of Jonah's duty to deliver God's "appalling message" of destruction to the people of
Nineveh parallels Melville's duty to "confront his own readers with the blasphemy yet logic of Ahab's anger and defiance". Nathalia Wright emphasizes Melville's general use of
278:
But observe his prayer, and learn a weighty lesson. For sinful as he is, Jonah does not weep and wail for direct deliverance. He feels that his dreadful punishment is just ... And here, shipmates, is true and faithful repentance; not clamorous for pardon, but grateful for
188:. Father Mapple appears and climbs a rope ladder to his pulpit, which is the form of a ship's prow: "Its panelled front was in the likeness of a ship’s bluff bows, and the Holy Bible rested on a projecting piece of scroll work, fashioned after a ship's fiddle-headed beak."
439:
has many forms and is difficult to see or understand. Reynolds notes that Father Mapple, who changes the common metaphor of God as a ship's pilot and makes himself "the pilot of the living God", confirms "man's capacities as a truth seeker".
133:, pastor of the Seamen's Bethel in Boston's North End and another Methodist, served as models for Father Mapple. Before his own whaling voyage, Melville heard Mudge preach at the Seamen's Bethel. Mudge was a contributor to
254:
Mapple then takes as his text "And God had prepared a great fish to swallow up Jonah." The lesson, he says, is a "two-stranded lesson; a lesson to us all as sinful men, and a lesson to me as a pilot of the living God."
269:"Jack, he's robbed a widow;" or, "Joe, do you mark him; he's a bigamist;" or, "Harry lad, I guess he's the adulterer that broke jail in old Gomorrah, or belike, one of the missing murderers from Sodom."
109:
does, that truth is clear to see, and that human beings must pursue it in spite of all obstacles. Ishmael, on the other hand, finds that truth has many forms and is difficult to see or understand.
418:
An example of
Melville's appropriation and development of religious material for his own thematic purposes is the hymn in Father Mapple's sermon, which draws upon Psalm 18 in the version of
600:
Substitution for "and," necessary because of the change in meaning of "awful" from the older "filling with awe" to the more modern sense of "terrible" that
Melville usually gives it.
265:
and prophesy against rampant sin but instead tries to flee by taking passage on a ship. The sailors know from merely looking at him that Jonah is some sort of fugitive:
865:
866:"Moby Dick Beaches Itself on L.A.'s Shores: 5 Ways to Cram for the Book How to read Melville's classic without actually reading it"
1491:
137:, which in December 1840 printed a series of sermons on Jonah. Father Taylor was a well-known preacher whose admirers included
732:
1339:
1486:
1050:
105:
The sermon presents themes which concerned
Melville and run through the rest of the novel. Father Mapple believes, as
1238:
992:
968:
945:
1481:
1254:
1246:
1457:
1388:
1346:
1074:
1270:
1262:
1203:
496:
489:
1435:
1374:
1360:
1179:
1112:
1381:
1313:
1163:
1153:
355:—The hymn in "The Sermon" (Ch.9) with David Battenfeld's commentary on the changes from the source.
1449:
1289:
1043:
1107:
984:
Beneath the
American Renaissance: The Subversive Imagination in the Age of Emerson and Melville
870:
130:
1028:
956:
1441:
1219:
1211:
1195:
1187:
1148:
982:
591:
Eliminates the partial rhyme of "rode" while establishing another partial rhyme with "shone."
475:
456:
191:
Father Mapple addresses the parishioners as "Shipmates" and leads them in a whaling hymn:
8:
1297:
1092:
167:
138:
95:
641:
1332:
1129:
1036:
934:
Heflin, Wilson
Lumpkin (2004). Mary K. Bercaw; Edwards, Thomas Farel Heffernan (eds.).
423:
180:
126:
1426:
1305:
1082:
988:
978:
964:
941:
499:
452:
154:
564:
Changes heighten the emotional quality and substitute a more vividly specific image.
175:
1353:
1059:
935:
81:
40:
420:
The Psalms and Hymns... of the
Reformed Protestant Dutch Church in North America
411:
The Psalms and Hymns... of the Reformed Protestant Dutch Church in North America
1416:
464:
1023:
1017:
1475:
427:
1087:
537:
Rhyme change enables alliteration and assonance of the stanza's final line.
485:
481:
471:
460:
142:
106:
519:
Substitution for "Death" makes natural the substitution in the next line.
185:
122:
91:
1421:
645:
1367:
1064:
171:
98:, the narrator of the novel, hears Mapple's sermon on the subject of
86:
28:
1097:
1395:
528:
Substitution for "Spread" prepared by the preceding substitution.
262:
274:
into the yawning jaws awaiting him". Jonah prays unto the Lord:
261:, Mapple begins, refuses God's commandment to go to the city of
1058:
664:
662:
125:, a Methodist minister who was the chaplain of the New Bedford
258:
102:, who was swallowed by a whale but did not turn against God.
99:
1018:
Chapter 9 – Versions of Moby-Dick, Moby-Dick (American 1851)
659:
961:
The Ashgate Encyclopedia of Literary and Cinematic Monsters
885:
906:
Battenfeld, David H. (1955). "The Source for the Hymn in
90:(1851). A former whaler, he has become a preacher in the
918:
Bryant, John; Springer, Haskell (2007). "Introduction".
703:
701:
459:, in which Father Mapple also has a daughter (played by
816:
814:
832:
609:
Substitution for "Lord" loses the rhyme with "record."
174:
where he will embark on a whaling voyage with Captain
713:
698:
686:
433:
811:
674:
618:Revision to get rid of the awkward trochaic foot.
1473:
1020:Melville Electronic Library, Hofstra University.
1006:. Durham, North Carolina: Duke University Press.
917:
668:
582:Ingenious substitution for "a cherub's wings."
1044:
573:Keeping the rhyme in a most skilful revision.
283:Mapple returns to the "two-stranded lesson":
1024:Orson Welles Delivers Father Mapple's Sermon
954:
891:
117:
1051:
1037:
955:Kerman, Judith B.; Brusso, Andrew (2014).
642:"Moby-Dick: Herman Melville, Chapters 1–9"
555:Substitution to sustain the whale imagery.
484:, who played Ahab in the 1956 film, won a
850:"Biblical Allusion in Melville's Prose,"
161:
977:
838:
719:
707:
692:
375:Which none but they that feel, can tell;
321:Which none but they that feel can tell--
312:While all God's sun-lit waves rolled by,
203:While all God's sun-lit waves rolled by,
148:
863:
636:
634:
1474:
1001:
933:
922:. New York, Boston: Pearson Education.
764:
762:
760:
758:
756:
754:
752:
750:
680:
366:While floods of high temptations rose,
362:2 Death, and the terrors of the grave,
1032:
920:Moby-Dick: A Longman Critical Edition
382:When I could scarce believe him mine;
373:With endless pains and sorrows there,
339:Awful, yet bright, as lightning shone
328:When I could scarce believe him mine,
319:With endless pains and sorrows there;
242:Awful, yet bright, as lightning shone
221:When I could scarce believe him mine,
631:
326:"In black distress, I called my God,
864:Duelund, Theis (9 September 2013).
747:
393:Awful and bright as lightning shone
330:He bowed his ear to my complaints--
314:And left me deepening down to doom.
308:"The ribs and terrors in the whale,
218:In black distress, I called my God,
206:And lift me deepening down to doom.
184:, goes to the Whaleman's Chapel in
13:
1340:Bart Simpson's Treehouse of Horror
434:Thematic significance in the novel
389:5 With speed he flew to my relief,
384:He bow'd his ear to my complaints;
371:3 I saw the opening gates of hell,
364:Spread over me their dismal shade;
350:His all the mercy and the power."
224:He bowed his ear to my complaints-
14:
1503:
1011:
546:Added assonance and alliteration.
446:
386:Then did his grace appear divine.
380:4 In my distress I call'd my God,
335:"With speed he flew to my relief,
332:No more the whale did me confine.
227:No more the whale did me confine.
197:The ribs and terrors in the whale
1255:Hakugei: Legend of the Moby Dick
404:Due to his mercy and his pow'r.
400:That terrible, that joyful hour;
368:And made my sinking soul afraid.
346:That terrible, that joyful hour;
236:With speed he flew to my relief,
937:Herman Melville's Whaling Years
900:
857:
844:
823:
802:
793:
784:
612:
603:
594:
585:
576:
567:
558:
549:
540:
531:
522:
513:
402:And give the glory to the Lord,
398:8 My song for ever shall record
391:As on a cherub's wings he rode:
377:While I was hurried to despair.
317:"I saw the opening maw of hell,
959:. In Jeffrey Weinstock (ed.).
775:
725:
395:The face of my deliv'rer, God.
344:"My song for ever shall record
337:As on a radiant dolphin borne;
323:Oh, I was plunging to despair.
310:Arched over me a dismal gloom,
239:As on a radiant dolphin borne;
200:Arched over me a dismal gloom,
1:
1492:Male characters in literature
625:
341:The face of my Deliverer God.
245:The face of my Deliverer God.
170:, a sailor about to sail for
112:
1389:Moby Dick and Mighty Mightor
1347:The Call of the Wretched Sea
963:. Ashgate. pp. 419–21.
733:"Major Symbols in Moby-Dick"
669:Bryant & Springer (2007)
470:Father Mapple was played by
301:
80:is a fictional character in
7:
1487:Fictional religious workers
1004:Melville's Use of the Bible
409:— Psalm 18:2-5 & 8, in
348:I give the glory to my God,
10:
1508:
1436:Green Shadows, White Whale
1409:
1361:Dopey Dick the Pink Whale
1324:
1281:
1230:
1171:
1162:
1139:
1121:
1073:
1002:Wright, Nathalia (1949).
914:27, November 1955, 393-6.
799:Battenfield (1955), 395-6
772:, Chapter 8, "The Pulpit"
67:
59:
51:
46:
36:
26:
21:
1154:Fast-Fish and Loose-Fish
930:(London, New York 1851).
892:Kerman & Brusso 2014
770:Moby-Dick; or, The Whale
506:
488:as Father Mapple in the
292:
118:Models for the character
1482:Characters in Moby-Dick
1459:In the Heart of the Sea
1451:In the Heart of the Sea
928:Moby-Dick, or The Whale
47:In-universe information
854:12.2 (1940): 185–199.
829:Battenfeld (1955), 395
820:Battenfeld (1955), 396
790:Wright (1949), 147-148
497:2011 television series
490:1998 television series
455:plays the part in the
406:
352:
290:
281:
271:
162:Father Mapple's sermon
1247:Moby Dick - Rehearsed
360:
306:
285:
276:
267:
149:Models for the sermon
502:plays Father Mapple.
1290:Moby Dick—Rehearsed
912:American Literature
852:American Literature
735:. CliffsNotes. 2014
413:(Philadelphia 1854)
94:Whaleman's Chapel.
16:Fictional character
1333:Age of the Dragons
1207:(1971; unfinished)
979:Reynolds, David S.
781:Wright (1949), 147
463:) with whom Ahab (
424:King James Version
131:Father E.T. Taylor
1469:
1468:
1405:
1404:
940:. Vanderbilt UP.
926:Herman Melville,
808:Battenfeld (1955)
768:Herman Melville,
500:Donald Sutherland
166:In chapters 7-9,
155:David S. Reynolds
135:Sailor's Magazine
75:
74:
1499:
1169:
1168:
1142:special subjects
1053:
1046:
1039:
1030:
1029:
1007:
998:
974:
951:
923:
895:
889:
883:
882:
880:
878:
861:
855:
848:
842:
836:
830:
827:
821:
818:
809:
806:
800:
797:
791:
788:
782:
779:
773:
766:
745:
744:
742:
740:
729:
723:
717:
711:
705:
696:
690:
684:
678:
672:
666:
657:
656:
654:
652:
638:
619:
616:
610:
607:
601:
598:
592:
589:
583:
580:
574:
571:
565:
562:
556:
553:
547:
544:
538:
535:
529:
526:
520:
517:
467:) falls in love.
414:
356:
19:
18:
1507:
1506:
1502:
1501:
1500:
1498:
1497:
1496:
1472:
1471:
1470:
1465:
1401:
1354:Capitaine Achab
1320:
1277:
1226:
1158:
1141:
1135:
1117:
1069:
1060:Herman Melville
1057:
1014:
995:
971:
948:
903:
898:
890:
886:
876:
874:
862:
858:
849:
845:
839:Reynolds (2011)
837:
833:
828:
824:
819:
812:
807:
803:
798:
794:
789:
785:
780:
776:
767:
748:
738:
736:
731:
730:
726:
720:Reynolds (2011)
718:
714:
708:Reynolds (2011)
706:
699:
693:Reynolds (2011)
691:
687:
679:
675:
667:
660:
650:
648:
640:
639:
632:
628:
623:
622:
617:
613:
608:
604:
599:
595:
590:
586:
581:
577:
572:
568:
563:
559:
554:
550:
545:
541:
536:
532:
527:
523:
518:
514:
509:
449:
436:
416:
408:
403:
401:
399:
397:
396:
394:
392:
390:
388:
387:
385:
383:
381:
379:
378:
376:
374:
372:
370:
369:
367:
365:
363:
358:
354:
349:
347:
345:
343:
342:
340:
338:
336:
334:
333:
331:
329:
327:
325:
324:
322:
320:
318:
316:
315:
313:
311:
309:
304:
295:
164:
151:
127:Seamen's Bethel
120:
115:
82:Herman Melville
41:Herman Melville
17:
12:
11:
5:
1505:
1495:
1494:
1489:
1484:
1467:
1466:
1464:
1463:
1455:
1447:
1439:
1432:
1424:
1419:
1417:Moby Dick Coin
1413:
1411:
1407:
1406:
1403:
1402:
1400:
1399:
1392:
1385:
1378:
1371:
1364:
1357:
1350:
1343:
1336:
1328:
1326:
1322:
1321:
1319:
1318:
1317:(2019 musical)
1310:
1302:
1301:(1990 musical)
1294:
1285:
1283:
1279:
1278:
1276:
1275:
1267:
1259:
1251:
1243:
1234:
1232:
1228:
1227:
1225:
1224:
1216:
1208:
1200:
1192:
1184:
1175:
1173:
1166:
1160:
1159:
1157:
1156:
1151:
1145:
1143:
1137:
1136:
1134:
1133:
1125:
1123:
1119:
1118:
1116:
1115:
1110:
1105:
1100:
1095:
1090:
1085:
1079:
1077:
1071:
1070:
1056:
1055:
1048:
1041:
1033:
1027:
1026:
1021:
1013:
1012:External links
1010:
1009:
1008:
999:
993:
975:
969:
952:
946:
931:
924:
915:
902:
899:
897:
896:
894:, p. 421.
884:
856:
843:
831:
822:
810:
801:
792:
783:
774:
746:
724:
712:
697:
685:
673:
671:, p. xii.
658:
629:
627:
624:
621:
620:
611:
602:
593:
584:
575:
566:
557:
548:
539:
530:
521:
511:
510:
508:
505:
504:
503:
493:
479:
468:
465:John Barrymore
448:
447:In adaptations
445:
435:
432:
359:
305:
303:
300:
294:
291:
252:
251:
250:
249:
246:
243:
240:
237:
231:
230:
229:
228:
225:
222:
219:
213:
212:
211:
210:
207:
204:
201:
198:
163:
160:
150:
147:
119:
116:
114:
111:
73:
72:
69:
65:
64:
61:
57:
56:
53:
49:
48:
44:
43:
38:
34:
33:
24:
23:
15:
9:
6:
4:
3:
2:
1504:
1493:
1490:
1488:
1485:
1483:
1480:
1479:
1477:
1461:
1460:
1456:
1453:
1452:
1448:
1445:
1444:
1440:
1438:
1437:
1433:
1430:
1429:
1425:
1423:
1420:
1418:
1415:
1414:
1412:
1408:
1398:
1397:
1393:
1391:
1390:
1386:
1383:
1379:
1377:
1376:
1372:
1370:
1369:
1365:
1363:
1362:
1358:
1356:
1355:
1351:
1349:
1348:
1344:
1342:
1341:
1337:
1335:
1334:
1330:
1329:
1327:
1323:
1316:
1315:
1311:
1308:
1307:
1303:
1300:
1299:
1295:
1292:
1291:
1287:
1286:
1284:
1280:
1273:
1272:
1268:
1265:
1264:
1260:
1257:
1256:
1252:
1249:
1248:
1244:
1241:
1240:
1236:
1235:
1233:
1229:
1222:
1221:
1217:
1214:
1213:
1209:
1206:
1205:
1201:
1198:
1197:
1193:
1190:
1189:
1185:
1182:
1181:
1180:The Sea Beast
1177:
1176:
1174:
1170:
1167:
1165:
1161:
1155:
1152:
1150:
1147:
1146:
1144:
1138:
1132:
1131:
1127:
1126:
1124:
1120:
1114:
1111:
1109:
1106:
1104:
1103:Father Mapple
1101:
1099:
1096:
1094:
1091:
1089:
1086:
1084:
1081:
1080:
1078:
1076:
1072:
1067:
1066:
1061:
1054:
1049:
1047:
1042:
1040:
1035:
1034:
1031:
1025:
1022:
1019:
1016:
1015:
1005:
1000:
996:
994:9780199782840
990:
987:. Oxford UP.
986:
985:
980:
976:
972:
970:9781409425625
966:
962:
958:
953:
949:
947:9780826513823
943:
939:
938:
932:
929:
925:
921:
916:
913:
909:
905:
904:
893:
888:
873:
872:
867:
860:
853:
847:
841:, p. 30.
840:
835:
826:
817:
815:
805:
796:
787:
778:
771:
765:
763:
761:
759:
757:
755:
753:
751:
734:
728:
722:, p. 29.
721:
716:
710:, p. 28.
709:
704:
702:
695:, p. 20.
694:
689:
683:, p. 41.
682:
681:Heflin (2004)
677:
670:
665:
663:
647:
643:
637:
635:
630:
615:
606:
597:
588:
579:
570:
561:
552:
543:
534:
525:
516:
512:
501:
498:
494:
491:
487:
483:
480:
477:
473:
469:
466:
462:
458:
454:
451:
450:
444:
440:
431:
429:
428:Book of Jonah
425:
421:
415:
412:
405:
357:
351:
299:
289:
284:
280:
275:
270:
266:
264:
260:
256:
247:
244:
241:
238:
235:
234:
233:
232:
226:
223:
220:
217:
216:
215:
214:
208:
205:
202:
199:
196:
195:
194:
193:
192:
189:
187:
183:
182:
177:
173:
169:
159:
156:
146:
144:
140:
136:
132:
128:
124:
110:
108:
103:
101:
97:
93:
89:
88:
83:
79:
78:Father Mapple
70:
66:
62:
58:
54:
50:
45:
42:
39:
35:
31:
30:
25:
22:Father Mapple
20:
1458:
1450:
1442:
1434:
1427:
1394:
1387:
1373:
1366:
1359:
1352:
1345:
1338:
1331:
1312:
1309:(2010 opera)
1304:
1296:
1288:
1269:
1261:
1253:
1245:
1237:
1218:
1210:
1202:
1194:
1186:
1178:
1140:Chapters and
1128:
1102:
1088:Captain Ahab
1063:
1003:
983:
960:
936:
927:
919:
911:
907:
901:Bibliography
887:
875:. Retrieved
869:
859:
851:
846:
834:
825:
804:
795:
786:
777:
769:
737:. Retrieved
727:
715:
688:
676:
649:. Retrieved
614:
605:
596:
587:
578:
569:
560:
551:
542:
533:
524:
515:
486:Golden Globe
482:Gregory Peck
472:Orson Welles
461:Joan Bennett
441:
437:
419:
417:
410:
407:
361:
353:
307:
296:
286:
282:
277:
272:
268:
257:
253:
190:
179:
165:
152:
134:
121:
107:Captain Ahab
104:
85:
77:
76:
27:
1431:(whaleship)
1382:Möbius Dick
1164:Adaptations
957:"Moby-Dick"
871:Los Angeles
279:punishment.
186:New Bedford
123:Enoch Mudge
92:New Bedford
68:Nationality
1476:Categories
1422:Mocha Dick
1231:Television
1108:Bulkington
1075:Characters
877:17 January
651:17 January
646:SparkNotes
626:References
113:Background
60:Occupation
37:Created by
1446:(TV film)
1443:The Whale
1375:Leviathan
1368:Dicky Moe
1314:Moby-Dick
1306:Moby-Dick
1298:Moby Dick
1271:Moby Dick
1263:Moby Dick
1239:Moby Dick
1220:Moby Dick
1212:Moby Dick
1204:Moby Dick
1196:Moby Dick
1188:Moby Dick
1083:Moby Dick
1065:Moby-Dick
908:Moby-Dick
739:4 October
476:1956 film
457:1930 film
453:John Ince
302:The psalm
172:Nantucket
87:Moby-Dick
84:'s novel
32:character
29:Moby-Dick
1149:Cetology
1098:Queequeg
981:(2011).
71:American
63:Minister
1410:Related
1396:Railsea
1093:Ishmael
495:In the
474:in the
426:of the
263:Nineveh
178:on the
168:Ishmael
143:Whitman
139:Emerson
96:Ishmael
1462:(film)
1454:(book)
1293:(1955)
1274:(2011)
1266:(1998)
1258:(1997)
1250:(1965)
1242:(1954)
1223:(2010)
1215:(1978)
1199:(1956)
1191:(1930)
1183:(1926)
1130:Pequod
1068:(1851)
991:
967:
944:
181:Pequod
129:, and
52:Gender
1428:Essex
1325:Other
1282:Stage
1122:Ships
507:Notes
293:Style
259:Jonah
100:Jonah
1172:Film
989:ISBN
965:ISBN
942:ISBN
879:2015
741:2014
653:2015
176:Ahab
141:and
55:Male
1113:Pip
1062:'s
910:."
248:...
209:...
153:As
1478::
868:.
813:^
749:^
700:^
661:^
644:.
633:^
1384:"
1380:"
1052:e
1045:t
1038:v
997:.
973:.
950:.
881:.
743:.
655:.
492:.
478:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.