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Family Snapshot

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are introduced; the lyrics in this section detail the assassin scouting the area for their target. At the song's climax, which features full instrumentation, the assassin rationalises their decision to carry out the murder as a means to gain notoriety. Finally, the song transitions back to a quiet,
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was a really nasty book, but you do get a sense of the person who is writing it. Bremer was obsessed with the idea of fame. He was aware of the news broadcasts all over the world and was trying to time the assassination to hit the early evening news in the States and the late night in Europe to get
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synthesizer. "There was a sound I used to like on 'Family Snapshot' which was a small variation on a Prophet noise. It was OK on its own, but it was magical with the processing. And then Hugh Padgham, at that time, made some nice additional stereo imaging and delays, so it was a beautiful swirl
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The song starts off as a slow, understated piece, where the killer goes through his plan, becoming more intense as the target unwittingly comes closer to the assassin. By the third section of the song, guitar chords from
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played by John Giblin and minimal keyboards. Gabriel stated that the assassin's flashback at the end of the song was meant to express the notion that "patterns of behavior begun in childhood do carry through."
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mournful climax as the shooter, having just shot his target, remembers his childhood loneliness and desire for attention. This final section is accompanied by sparse instrumentation consisting of a
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where the band comes in." The working title was "FMR", according to early tour setlists.
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PETER GABRIEL 3 (album 1979, tour 1980) (from Larry Fast Synergy site, archived)
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in 1983 that the song is "partly taken from the writings of Arthur Bremer and
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Gabriel stated in the introduction to the song during his concert at the
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sound. In the mix you don't hear it as much, but it's the sort of
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enhanced the song by assisting with the processing of a
209:. Gabriel talked about the book in an interview with 444:Experiencing Peter Gabriel: A Listener's Companion 269:The recording features Gabriel's first use of the 197:, who, on May 15, 1972, attempted to assassinate 167:" is a song written and performed by the English 1361: 437: 435: 535: 1385:Song recordings produced by Steve Lillywhite 466: 432: 542: 528: 363: 361: 418:. United Kingdom: SonicBond. p. 26. 367: 1137:Shaking the Tree: Sixteen Golden Greats 358: 1362: 1223:Still Growing Up: Live & Unwrapped 441: 416:Peter Gabriel: Every Album, Every Song 413: 1241:Xplora1: Peter Gabriel's Secret World 523: 485: 1066:We Do What We're Told (Milgram's 37) 442:Bowman, Durrell (2 September 2016). 409: 407: 405: 193:, published in 1973 and written by 13: 14: 1396: 549: 402: 368:Sutcliffe, Phil (14 June 1980). 486:Bacon, Tony (29 January 2019). 239:and mixed with a few images of 1380:Songs written by Peter Gabriel 505: 479: 469:"Peter Gabriel - III ("Melt")" 460: 246: 1: 695:Back to Front: Live in London 351: 182: 296: 177:third eponymous studio album 7: 10: 1401: 894:Burn You Up, Burn You Down 16:1980 song by Peter Gabriel 1351:Peter Gabriel discography 1348: 1264: 1232: 1200: 1174: 1128: 1089: 1001: 711: 658: 557: 394:: CS1 maint: unfit URL ( 205:politician who supported 187:The song was inspired by 147: 133: 112: 96: 70: 62: 47: 37: 26: 21: 276:. Gabriel recalled that 237:The Diary of an Assassin 874:The Barry Williams Show 741:Games Without Frontiers 414:Scarfe, Graeme (2021). 241:Dallas twenty years ago 1323:And I'll Scratch Yours 1038:The Rhythm of the Heat 860:While the Earth Sleeps 467:Hecker-Stampehl, Jan. 225: 674:Plays Live Highlights 217: 51:30 May 1980 1302:Millennium Dome Show 1010:Here Comes the Flood 943:Four Kinds of Horses 274:electric grand piano 41:Peter Gabriel (Melt) 1375:Peter Gabriel songs 1255:Myst IV: Revelation 867:When You're Falling 832:Digging in the Dirt 220:An Assassin's Diary 190:An Assassin's Diary 175:, appearing on his 1334:Real World Studios 1329:Real World Records 1187:Back to Front Tour 1165:Flotsam and Jetsam 207:racial segregation 1357: 1356: 1339:Solid State Logic 1288:Passion – Sources 1209:Secret World Live 1182:Secret World Tour 992:Live and Let Live 681:Secret World Live 425:978-1-78952-138-2 229:Paramount Theatre 223:maximum coverage. 161: 160: 22:"Family Snapshot" 1392: 1309:Play: The Videos 1295:The Story of OVO 1216:Growing Up: Live 1052:That Voice Again 929:Playing for Time 825:Shaking the Tree 776:I Have the Touch 769:Shock the Monkey 762:I Don't Remember 544: 537: 530: 521: 520: 514: 509: 503: 502: 500: 498: 483: 477: 476: 464: 458: 457: 439: 430: 429: 411: 400: 399: 393: 385: 383: 381: 365: 203:Democratic Party 156:Steve Lillywhite 152: 138: 108: 107: 103: 89:progressive rock 58: 56: 19: 18: 1400: 1399: 1395: 1394: 1393: 1391: 1390: 1389: 1360: 1359: 1358: 1353: 1344: 1260: 1228: 1196: 1170: 1124: 1085: 1073:Come Talk to Me 1031:Family Snapshot 997: 748:No Self Control 707: 702:Growing Up Live 654: 635:Scratch My Back 553: 548: 518: 517: 510: 506: 496: 494: 484: 480: 465: 461: 454: 440: 433: 426: 412: 403: 387: 386: 379: 377: 366: 359: 354: 305:– vocals, piano 299: 249: 185: 165:Family Snapshot 148: 134: 105: 101: 100: 84:progressive pop 54: 52: 38:from the album 17: 12: 11: 5: 1398: 1388: 1387: 1382: 1377: 1372: 1355: 1354: 1349: 1346: 1345: 1343: 1342: 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Home 797:In Your Eyes 790:Sledgehammer 700: 693: 686: 679: 672: 665: 647: 640: 633: 626: 619: 612: 605: 601: 593: 589: 581: 577: 569: 565: 507: 495:. 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Retrieved 373: 339:Dave Gregory 329:– snare drum 327:Phil Collins 309:David Rhodes 282:Hugh Padgham 271:Yamaha CP-70 268: 254:Dave Gregory 250: 236: 226: 219: 218: 210: 188: 186: 164: 162: 39: 1272:Discography 1233:Video games 1090:Soundtracks 1045:San Jacinto 950:Road to Joy 727:Modern Love 659:Live albums 497:10 February 347:– saxophone 333:John Giblin 247:Composition 150:Producer(s) 1370:1980 songs 1364:Categories 1017:On the Air 964:Olive Tree 915:Panopticom 888:Growing Up 783:Wallflower 688:Live Blood 667:Plays Live 352:References 321:Larry Fast 278:Larry Fast 215:magazine: 183:Background 55:1980-05-30 1144:Revisited 985:And Still 922:The Court 642:New Blood 390:cite news 297:Personnel 171:musician 66:Late 1979 1158:Rated PG 1024:Intruder 901:Darkness 818:Red Rain 811:Big Time 606:Security 380:14 April 341:– guitar 311:– guitar 121:Charisma 79:Art rock 63:Recorded 48:Released 1277:Genesis 1105:Passion 957:So Much 712:Singles 582:Scratch 317:– drums 291:G minor 286:Prophet 233:Seattle 53: ( 734:D.I.Y. 492:Reverb 450:  422:  374:Sounds 335:– bass 212:Sounds 126:Geffen 97:Length 1341:(SSL) 1282:WOMAD 1265:Other 1201:Films 1098:Birdy 1002:Songs 839:Steam 114:Label 72:Genre 755:Biko 594:Melt 499:2024 448:ISBN 420:ISBN 396:link 382:2024 201:, a 169:rock 28:Song 1248:Eve 1151:Hit 1112:OVO 936:I/O 649:I/O 570:Car 258:XTC 256:of 243:". 30:by 1366:: 628:Up 621:Us 614:So 490:. 471:. 434:^ 404:^ 392:}} 388:{{ 372:. 360:^ 231:, 179:. 106:28 1082:" 1078:" 1075:" 1071:" 1068:" 1064:" 1061:" 1057:" 1054:" 1050:" 1047:" 1043:" 1040:" 1036:" 1033:" 1029:" 1026:" 1022:" 1019:" 1015:" 1012:" 1008:" 994:" 990:" 987:" 983:" 980:" 976:" 973:" 969:" 966:" 962:" 959:" 955:" 952:" 948:" 945:" 941:" 938:" 934:" 931:" 927:" 924:" 920:" 917:" 913:" 910:" 906:" 903:" 899:" 896:" 892:" 886:" 883:" 879:" 876:" 872:" 869:" 865:" 862:" 858:" 855:" 851:" 848:" 844:" 841:" 837:" 834:" 830:" 827:" 823:" 820:" 816:" 813:" 809:" 806:" 802:" 799:" 795:" 792:" 788:" 785:" 781:" 778:" 774:" 771:" 767:" 764:" 760:" 757:" 753:" 750:" 746:" 743:" 739:" 736:" 732:" 729:" 725:" 722:" 718:" 608:) 604:( 596:) 592:( 584:) 580:( 572:) 568:( 543:e 536:t 529:v 501:. 475:. 456:. 428:. 398:) 384:. 163:" 104:: 102:4 57:)

Index

Song
Peter Gabriel
Peter Gabriel (Melt)
Genre
Art rock
progressive pop
progressive rock
Label
Charisma
Geffen
Songwriter(s)
Peter Gabriel
Producer(s)
Steve Lillywhite
rock
Peter Gabriel
third eponymous studio album
An Assassin's Diary
Arthur Bremer
George Wallace
Democratic Party
racial segregation
Sounds
Paramount Theatre
Seattle
Dallas twenty years ago
Dave Gregory
XTC
fretless bass
Yamaha CP-70

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