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Eyes Without a Face (film)

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1163: 31: 3044: 3028: 3012: 2996: 2980: 379: 1699: 1544:(1961) was also influenced by the film, with a scientist obsessed with restoring a scarred exotic dancer's face with a serum developed from the glands of murdered women. These homages are seen in the plot line of a police lieutenant who is investigating the circumstances behind the death of a young girl whose body has scars around the eyes. The lieutenant's investigation eventually leads him to a plastic surgery clinic, a similar plot motivation to 1687: 1675: 1663: 30: 1165: 1169: 1168: 1164: 1170: 1167: 407:
experiments. Dr. GĂ©nessier dismisses the police (who readily accept his explanations) and returns to his lab. There, a newly acquired German Shepherd attacks him, inciting the other dogs to follow suit, mauling him to death. Christiane, unmoved by his death, strolls out into the woods outside with a dove in her hands.
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version removed parts of the heterografting scene as well as scenes showing Doctor GĂ©nessier's more human side, such as his loving care for a small child at his clinic. Lopert Pictures recognized the artistic merit of the film, and played up that element in promotion with an advertisement quoting the
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While the doctor talks with the police, Christiane, disenchanted with her father's immoral experiments, while slowly losing her mind from guilt and isolation, decides to act. She frees Paulette and murders Louise by stabbing her in the neck. She also frees the dogs and doves that her father uses for
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was of the opinion that "when a director as distinguished as Georges Franju makes a horror film...one cannot but feel tempted to search for symbols, an allegory, layers, or interpretation. Unhappily there is practically nothing in this inept work to offer any encouragement for doing so." The review
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Jacques informs the police, who have been investigating the disappearance of young women with similar facial characteristics. Jacques realizes one of the girls looks like Louise. Inspector Parot instructs Paulette MĂ©rodon (recently arrested for shoplifting) to check herself into GĂ©nessier's clinic.
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for the film archive's 50th anniversary in France. As Franju was the archive's co-founder, the Cinémathèque Française celebrated by presenting the director's back catalogue. With the renewed interest, the film's critical reputation began to be re-evaluated. French critics' response to the film was
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as Paulette MĂ©rodon, a young woman who is taken into police custody after being caught shoplifting. Due to a resemblance with the women GĂ©nessier has kidnapped, she is informed by Parot that the charges against her will be dropped if she checks into GĂ©nessier's clinic. She is subsequently released
1644:". The song, which has the film's French title ("Les yeux sans visage") as a recurring line in the chorus, takes the father-daughter relationship from the film and recasts it as the deteriorated relationship between the narrator and his lover. The song became Idol's first top-10 hit in the U.S. 1357:
is just as chilling and poetic today as it was when it was first released". Metacritic reports that the film has a weighted average of 90 out of 100, indicating "universal acclaim" Many reviewers commented on the film's poetic nature and noted the strong influence of French poet and filmmaker
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as Edna GrĂĽber, a young woman who becomes a victim of Doctor GĂ©nessier's experiments after being befriended by Louise in Paris. Edna is the first woman whose face is successfully transplanted to Christiane. While recovering from the surgery, she attacks Louise and then leaps from a window at
515:-themed films, and he relished the opportunity to contribute to the genre. Franju felt the story was not a horror film; rather, he described his vision of the film as one of "anguish... it's a quieter mood than horror... more internal, more penetrating. It's horror in homeopathic doses." 470:
as Christiane GĂ©nessier, Doctor GĂ©nessier's daughter. Christiane's face was damaged in a car accident caused by her father. For most of the film, her face is covered by a stiff mask that resembles her face before the accident. Like Brasseur, Scob was also cast by Franju in
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as Louise, a woman who is GĂ©nessier's assistant, kidnaps young women, assists him in the laboratory and acts as a surrogate mother to Christiane. Louise aids GĂ©nessier partly because of his help in restoring her damaged face in events that happened before the events of the
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said there was "a strange and poetic opening" and Schuftan's "haunting camerawork allies itself perfectly to Maurice Jarre's obsessive score" while" Brasseur and Valli were "sadly wasted" and that they "do what they can with almost non-existent characters".
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was negative, noting specifically that the "stilted acting, asides to explain characters and motivations, and a repetition of effects lose the initial impact" and an "unclear progression and plodding direction give an old-fashioned air". The English
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At the time, modern horror films had not been attempted by French film makers until producer Jules Borkon decided to tap into the horror market. Borkon bought the rights to the Redon novel and offered the directorial role to one of the founders of
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as Jacques Vernon, a student of Génessier and Christiane's fiancé. Jacques is unaware of Doctor Génessier's criminal activity and believes Christiane is dead. After receiving a phone call from Christiane, he helps the police in investigating the
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as Doctor GĂ©nessier, a physician and father of Christiane. GĂ©nessier experiments on his pet dogs and performs heterograft surgeries on women to try and restore the face of his daughter Christiane. Brasseur previously worked with director
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to a genre film-maker claiming the film to be in a "minor genre, quite unworthy of his abilities". Franju responded to these comments claiming the film was his attempt to get the minor genre to be taken seriously. In England,
1517:, to reconstruct the face of his disfigured daughter Melissa. Inspector Edgar Tanner investigates Orloff using his girlfriend, Wanda Bronsky, as an undercover spy. Franco followed the film with several sequels to 386:
After her father leaves with promises to restore her face, Christiane, wearing a mask to cover her disfigurement, calls her fiancé Jacques Vernon, Dr. Génessier's assistant, but hangs up without saying a word.
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it onto Christiane's face. The heavily bandaged and faceless Edna attempts to escape but falls to her death from an upstairs window. After disposing of Edna's corpse, GĂ©nessier notices the new tissue is
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completed filming in 1959, and was premiered in Paris on 2 March 1960. Although it passed through the European censors, the film caused controversy on its release in Europe. The French news magazine
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GĂ©nessier's next victim was Edna GrĂĽber. He and Louise carry a sedated Edna to the lab to prepare her for surgery, secretly watched by Christiane. Later, he removes Edna's face skin and successfully
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and other large dogs. The body (which was disposed of by his assistant Louise) belongs to a young woman whose face skin Dr. GĂ©nessier removed and unsuccessfully attempted to graft onto his daughter.
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Outside Paris, a woman dumps a corpse in the river. The body is identified by Dr. GĂ©nessier as his daughter Christiane, who was reported missing after an automobile accident disfigured her face.
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On the film's initial release, the French critics' general response was moderate, ranging from mild enthusiasm to general disdain or disappointment, claiming it to be either a repetition of
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as Inspector Parot, a police inspector investigating the disappearances of GĂ©nessier's victims. Parot ultimately discovers that all of the missing girls have similar features.
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on his daughter, who was disfigured in a car accident. During the film's production, consideration was given to the standards of European censors by minimizing gore. Although
356:. The film's initial critical reception was not overtly positive, but subsequent theatrical and home video re-releases improved its reputation. Modern critics praise 1404:, and writing: "It moved me because the daughter, once she understands what is happening, is more heartbroken over her father’s victims than over her own fate." 530:). All three of these were part of the novel, presenting a challenge to find the right tone for presenting these story elements in the film. First, working with 2421: 1764: 1921: 2220: 1887: 1366:
agreed with the assertion of Cocteau's influence, stating that "Franju invests with a weird poetry in which the influence of Cocteau is unmistakable".
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has an approval rating of 97% from 61 reviews, with an average rating of 8.4/10. The critic consensus says "A horrific tale of guilt and obsession,
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s positive statements about the film and mentioned its showing at the Edinburgh Film Festival. This was in contrast to their presentation of
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Christiane (Édith Scob) fails to make a phone call to Jacques Vernon. Scob's face is hidden behind a face-like mask for most of the film.
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Soon after, Paulette is picked up by Louise and delivered to Dr. GĂ©nessier. Before he begins surgery on Paulette, the police arrive.
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created films throughout his career that were influenced by the film. Franco's first such film was the Spanish/French co-production
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who was also serving as first assistant director and who laid out the preliminary screenplay, Franju hired the writing team of
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within days and Christiane has to wear the mask again. She phones Jacques and says his name, but Louise interrupts the call.
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and kidnapped to have her face transplanted, but is saved by Christiane before GĂ©nessier is able to perform surgery on her.
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For his production staff, Franju enlisted people with whom he had previously worked on earlier projects. Cinematographer
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commented that the audience "dropped like flies" during the heterografting scene. During the film's showing at the 1960
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polled authors, directors, actors and critics who had worked in the horror genre to vote for their top horror films.
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was cleared by censors, its release in Europe caused controversy. Critical reaction ranged from praise to disgust.
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along with other soundtracks performed by Jarre. This also includes soundtracks from other Franju films including
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To avoid problems with European censors, Borkon cautioned Franju not to include too much blood (which would upset
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show qualities with its "two-headed monster" and "Invasion from outer space by two-headed creature killer".
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edition of the film was released on 2 July 2007 by Umbrella Entertainment. The disc also included Franju's
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In reality, Christiane still lives in Dr. GĂ©nessier's mansion next to his private clinic, guarded by
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The film was re-released in its original and uncut form to American theaters on 31 October 2003. On
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in his films that is similar to the character Christiane's dove-laden escape in the film's finale.
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had a very limited initial run and there was little commentary from the American mainstream press.
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created the haunting score for the film. Jarre had also previously worked with Franju on his film
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significantly more positive than it was on its original release, with former editor-in-chief of
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received a theatrical re-release in September 1986 in conjunction with retrospectives at the
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The film has influenced other European films since its initial release. Spanish director
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The X-list: The National Society of Film Critics' Guide to the Movies That Turn Us On
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The American Film Institute Catalog of Motion Pictures Produced in the United States
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declared the film "a masterpiece of poetic horror and tactful, tactile brutality".
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has a similar plot involving beautiful women who are abducted by Dr. Flamand's (
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praised the film, referring to it as "absurd and as beautiful as a fairy tale".
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plays on the artistic nature of the film that modern critics would later praise.
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A Cut Above the Rest (Halloween: 25th Anniversary Edition DVD Special Features)
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for its poetic nature as well as for being an influence on other filmmakers.
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has suggested that the film inspired the idea of a featureless mask for the
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In the United States, an edited and dubbed version of the film, titled
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and I decided on that, maybe it was because of an old movie called
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Clarke, Cath; Calhoun, Dave; Huddleston, Tom (August 19, 2015).
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DVD film reviews have suggested the film influenced director
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https://www.rogerebert.com/reviews/eyes-without-a-face-2003
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Dyer, Peter John (P.J.D.) (1960). "Yeux Sans Visage, Les".
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was released on 21 April 2008 by Second Sight Films. A
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or simply a disappointment of the director's leap from
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For the American release in 1962, the film was edited,
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gave the film a positive review, noting the fusion of
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Cutting Edge: Art-Horror and the Horrific Avant-Garde
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cited the film as giving him the idea for his song "
2131: 2107: 1922:"La TĂŞte Contre les Murs : Production Credits" 1916: 1914: 2920: 2337:"Eyes Without a Face (re-release) (2003): Reviews" 2245: 2192: 2119: 1894: 1472:(1949), a depiction of a French slaughterhouse. A 2659: 1827: 1421:feature ... ut it's Lugosi by way of Cocteau and 430:(1958), again in a leading role playing a doctor. 3205: 2921:Hardy, Phil; Milne, Tom; Willemen, Paul (1986). 2597: 1986: 1911: 2733: 2628: 1886:: CS1 maint: others in cite AV media (notes) ( 2013: 499:(1958). Franju had grown up during the French 3076: 2566: 2331: 2329: 2327: 2278: 2088:"Eyes Without a Face Movie Reviews, Pictures" 1241:and foreign releases, released the film on a 2696: 2377: 2371: 2022:"Eyes Without a Face (Les Yeux Sans Visage)" 1953: 1951: 1949: 1623:. Another resemblance is Woo's use of white 2820: 2513: 2511: 2454:"Second Sight – Classic Film and TV on DVD" 2446: 2266: 2049: 2047: 3083: 3069: 3042: 3026: 3010: 2994: 2978: 2324: 489:, Franju, who was directing his first non- 29: 16:1960 film by Claude Sautet, Georges Franju 2877: 2214: 2212: 1946: 1785: 317:. Based on the novel of the same name by 223:Lux Compagnie CinĂ©matographique de France 2764: 2716: 2508: 2044: 1796: 1794: 1161: 661:In February 2005, the French soundtrack 377: 3051:Eyes Without a Face: The Unreal Reality 2880:1001 Movies You Must See Before You Die 2858: 2821:Ashby, Justine; Higson, Andrew (2000). 2560: 2365: 2272: 2186: 2174: 1982: 1980: 1619:(1997) to the face transplant scene in 3206: 2940: 2697:Suárez LĂłpez, Gonzalo (May 19, 2011). 2316:. Vol. 27, no. 312. London: 2305: 2303: 2209: 1759: 1757: 1755: 1138: 1122: 1106: 1090: 1074: 1058: 1042: 1026: 1010: 994: 978: 962: 946: 930: 914: 898: 882: 866: 850: 685:All music is composed by Maurice Jarre 3064: 2896: 2572: 2422:"The 100 best horror films: the list" 2415: 2413: 2137: 2082: 2080: 1987:Edelstein, David (October 29, 2004). 1905: 1860: 1858: 1856: 1854: 1852: 1850: 1848: 1846: 1844: 1842: 1791: 834: 818: 802: 786: 770: 754: 738: 722: 706: 665:Play Time released the soundtrack on 565:, best remembered for developing the 2839: 2739: 2665: 2603: 2254: 2218: 2203: 2125: 2113: 1977: 1960:"Quick Reviews: Eyes Without a Face" 1833: 1800: 1174:The film was released in America as 970:Un court-mĂ©trage de Georges RĂ©gnier 2770: 2300: 2143: 1803:"La TĂŞte Contre les Murs: Overview" 1752: 1216: 13: 2945:. University of California Press. 2634: 2410: 2077: 2032:from the original on July 18, 2008 2001:from the original on July 18, 2008 1957: 1839: 14: 3345: 2962: 2923:The Encyclopedia of Horror Movies 2863:. University of Minnesota Press. 2378:Hoberman, J. (October 28, 2003). 2279:Variety Staff (January 1, 1959). 2019: 1767:(in French). Bibliothèque du film 1227:The Horror Chamber of Dr. Faustus 1184:in 1962. In this trailer for the 1176:The Horror Chamber of Dr. Faustus 339:The Horror Chamber of Dr. Faustus 3259:Films directed by Georges Franju 2823:British Cinema: Past and Present 2699:"Interview with Pedro AlmodĂłvar" 1697: 1685: 1673: 1661: 1364:The Encyclopedia of Horror Films 35:French theatrical release poster 2882:. Barron's Educational Series. 2844:. Manchester University Press. 2813: 2795: 2690: 2541: 2484:"Eyes Without a Face: Overview" 2476: 2399: 2055:"Anthologie 80ème Anniversaire" 1002:Mort, oĂą est ta Victoire ? 325:who is determined to perform a 2941:Munden, Kenneth White (1971). 2878:Schneider, Steven Jay (2005). 1269:, which mainly focused on its 691: 1: 3304:Italian black-and-white films 3294:French-language Italian films 3264:Films scored by Maurice Jarre 3054:– an essay by David Kalat at 1745: 1727:List of French-language films 1442: 1439:at number 34 on the top 100. 1342:calling the film "a marvel". 710:"GĂ©nĂ©rique / Surprise-partie" 588: 479: 3334:French-language horror films 3279:French black-and-white films 3254:Films based on horror novels 3249:Films based on French novels 2806:, Episode 53, 19 April 2001. 1732:List of horror films of 1960 1280: 1225:into English, and re-titled 301:) is a 1960 French-language 7: 3329:Films about plastic surgery 3314:Italian serial killer films 3269:Films set in country houses 3229:1960s French-language films 3183:The Demise of Father Mouret 2061:(in French). Archived from 1647: 1046:"Pavane des flamands roses" 10: 3350: 3289:French serial killer films 1692:Speculative fiction/Horror 1157: 918:"La ballade des dragueurs" 444:GĂ©nessier's home and dies. 206:Champs-ÉlysĂ©es Productions 3239:1960s serial killer films 3134: 3099: 2313:The Monthly Film Bulletin 1498: 1030:"Les animaux (gĂ©nĂ©rique)" 806:"Des phares dans la nuit" 701: 698: 695: 690: 649: 633: 621: 613: 600: 595: 278: 261: 251: 227: 219: 194: 184: 176: 166: 120: 112: 100: 96: 86: 70: 60: 56: 44: 40: 28: 23: 3056:The Criterion Collection 2722:Carpenter, John (2003). 1874:The Criterion Collection 1464:the Criterion Collection 934:"Surboum chez Ghislaine" 503:when filmmakers such as 2897:Turan, Kenneth (2005). 2267:Ashby & Higson 2000 2155:American Film Institute 1575:American film director 1207:Edinburgh Film Festival 746:La TĂŞte contre les Murs 742:"Enterrement Ă  l'asile" 730:La TĂŞte contre les Murs 714:La TĂŞte contre les Murs 672:La TĂŞte contre les Murs 579:La TĂŞte Contre les Murs 571:La TĂŞte Contre les Murs 496:La TĂŞte contre les murs 473:La TĂŞte Contre les Murs 427:La TĂŞte contre les murs 410: 363: 321:, it revolves around a 2859:Hawkins, Joan (2000). 2458:secondsightfilms.co.uk 2318:British Film Institute 2281:"Les Yeux Sans Visage" 2221:"Les Yeux sans visage" 1765:"Les Yeux sans visage" 1462:on 19 October 2004 by 1330:CinĂ©mathèque Française 1193: 487:CinĂ©mathèque Française 383: 298: 236:2 March 1960 3143:Head Against the Wall 2773:"Eyes Without a Face" 2742:"Eyes Without a Face" 2575:"The Awful Dr. Orlof" 2519:"Eyes Without a Face" 2219:Wheatley, Catherine. 1722:Italian films of 1960 1454:on 9 January 2001 by 1392:The Chicago Sun-Times 1328:in London and at the 1326:National Film Theatre 1314:Monthly Film Bulletin 1291:documentary filmmaker 1251:(1959). Edits in the 1173: 966:"L'univers d'Utrillo" 950:"L'oiseau de paradis" 886:"ThĂ©rèse Desqueyroux" 540:Henri-Georges Clouzot 381: 3309:Italian horror films 3244:Films about surgeons 2529:on February 24, 2011 1815:on November 16, 2017 1717:French films of 1960 1562:has stated his film 1287:German expressionism 1237:that specialized in 1146:Week-End Ă  Zuydcoote 1130:Week-End Ă  Zuydcoote 1114:Week-End Ă  Zuydcoote 986:Le Soleil dans l'Ĺ“il 726:"Thème de StĂ©phanie" 596:Ma Periode Française 299:Les Yeux sans visage 244: (Paris, France) 105:Les Yeux sans visage 51:Les yeux sans visage 3324:Mad scientist films 3299:Gothic horror films 3284:French horror films 3274:Films set in France 3234:1960s Italian films 3175:Thomas the Impostor 3159:ThĂ©rèse Desqueyroux 3151:Eyes Without a Face 3116:Hotel des Invalides 3108:Blood of the Beasts 3035:Eyes Without a Face 3019:Eyes Without a Face 3003:Eyes Without a Face 2987:Eyes Without a Face 2970:Eyes Without a Face 2840:Ince, Kate (2005). 2740:Jacobson, Michael. 2573:Firsching, Robert. 2549:Eyes Without a Face 1934:on October 25, 2012 1882:cite AV media notes 1866:Eyes Without a Face 1642:Eyes Without a Face 1621:Eyes Without a Face 1601:Eyes Without a Face 1570:Eyes Without a Face 1548:. The British film 1546:Eyes Without a Face 1489:Blood of the Beasts 1478:Eyes Without a Face 1469:Blood of the Beasts 1448:Eyes Without a Face 1437:Eyes Without a Face 1355:Eyes Without a Face 1351:Eyes Without a Face 1322:Eyes Without a Face 1275:Eyes Without a Face 1197:Eyes Without a Face 1014:"Valse de Platonov" 954:L'Oiseau de Paradis 890:ThĂ©rèse Desqueyroux 874:ThĂ©rèse Desqueyroux 858:ThĂ©rèse Desqueyroux 842:Eyes Without a Face 826:Eyes Without a Face 810:Eyes Without a Face 794:Eyes Without a Face 778:Eyes Without a Face 762:Eyes Without a Face 678:ThĂ©rèse Desqueyroux 358:Eyes Without a Face 331:Eyes Without a Face 290:Eyes Without a Face 24:Eyes Without a Face 3224:1960s French films 3091:Films directed by 3040:TCM Movie Database 2925:. Harper and Row. 2637:"Atom Age Vampire" 2523:umbrellaent.com.au 2464:on October 2, 2011 2233:on October 3, 2009 2026:culturevulture.net 1738:The Skin I Live In 1565:The Skin I Live In 1519:Gritos en la noche 1510:Gritos en la noche 1368:Jonathan Rosenbaum 1298:, film critic for 1194: 1078:"Surf des loutres" 774:"Thème romantique" 448:Alexandre Rignault 384: 342:, was released by 143:Alexandre Rignault 3219:1960 horror films 3201: 3200: 3100:Documentary films 2746:DVD Movie Central 2678:on April 26, 2006 2666:Buchanan, Jason. 2647:on April 26, 2006 2616:on April 26, 2006 2585:on April 26, 2006 2385:The Village Voice 1872:. New York City: 1583:character in the 1554:(1968), starring 1425:". In the 2010s, 1383:The Village Voice 1336:Cahiers du cinĂ©ma 1171: 1154: 1153: 1126:"Sergent Maillat" 1094:"Mourir Ă  Madrid" 902:"La femme idĂ©ale" 822:"Valse poursuite" 659: 658: 567:SchĂĽfftan process 454:BĂ©atrice Altariba 309:. The film stars 286: 285: 148:BĂ©atrice Altariba 3341: 3085: 3078: 3071: 3062: 3061: 3046: 3030: 3014: 2998: 2982: 2956: 2936: 2916: 2893: 2874: 2855: 2836: 2807: 2803:VH1 Storytellers 2799: 2793: 2792: 2790: 2788: 2783:on June 10, 2007 2779:. Archived from 2771:Gilvear, Kevin. 2768: 2762: 2761: 2759: 2757: 2752:on June 23, 2021 2748:. Archived from 2737: 2731: 2726:(DVD Region 2). 2720: 2714: 2713: 2711: 2709: 2694: 2688: 2687: 2685: 2683: 2674:. Archived from 2663: 2657: 2656: 2654: 2652: 2643:. Archived from 2635:Binion, Cavett. 2632: 2626: 2625: 2623: 2621: 2612:. Archived from 2601: 2595: 2594: 2592: 2590: 2581:. Archived from 2570: 2564: 2558: 2552: 2547:Georges Franju: 2545: 2539: 2538: 2536: 2534: 2525:. Archived from 2515: 2506: 2505: 2503: 2501: 2492:. Archived from 2480: 2474: 2473: 2471: 2469: 2460:. Archived from 2450: 2444: 2443: 2441: 2439: 2434:on April 9, 2013 2430:. Archived from 2417: 2408: 2403: 2397: 2396: 2394: 2392: 2375: 2369: 2363: 2354: 2353: 2351: 2349: 2333: 2322: 2321: 2307: 2298: 2297: 2295: 2293: 2276: 2270: 2264: 2258: 2252: 2243: 2242: 2240: 2238: 2229:. Archived from 2226:Senses of Cinema 2216: 2207: 2201: 2190: 2184: 2178: 2172: 2166: 2165: 2163: 2161: 2147: 2141: 2135: 2129: 2123: 2117: 2111: 2105: 2104: 2102: 2100: 2084: 2075: 2074: 2072: 2070: 2065:on June 12, 2018 2051: 2042: 2041: 2039: 2037: 2017: 2011: 2010: 2008: 2006: 1984: 1975: 1974: 1972: 1970: 1955: 1944: 1943: 1941: 1939: 1930:. Archived from 1918: 1909: 1903: 1892: 1891: 1885: 1877: 1862: 1837: 1831: 1825: 1824: 1822: 1820: 1811:. Archived from 1798: 1789: 1783: 1777: 1776: 1774: 1772: 1761: 1702: 1701: 1700: 1690: 1689: 1678: 1677: 1676: 1666: 1665: 1664: 1657: 1633:VH1 Storytellers 1541:Atom Age Vampire 1450:was released on 1264: 1233:, a division of 1217:American version 1172: 1018:Recours en Grâce 693: 688: 687: 645: 644: 640: 602:Soundtrack album 593: 592: 550:Alfred Hitchcock 536:Boileau-Narcejac 441:Juliette Mayniel 373:German Shepherds 243: 241: 138:Juliette Mayniel 75:Boileau-Narcejac 33: 21: 20: 3349: 3348: 3344: 3343: 3342: 3340: 3339: 3338: 3204: 3203: 3202: 3197: 3130: 3124:Le Grand MĂ©liès 3095: 3089: 3024:Rotten Tomatoes 2965: 2960: 2953: 2933: 2913: 2890: 2871: 2852: 2833: 2816: 2811: 2810: 2800: 2796: 2786: 2784: 2769: 2765: 2755: 2753: 2738: 2734: 2721: 2717: 2707: 2705: 2695: 2691: 2681: 2679: 2664: 2660: 2650: 2648: 2633: 2629: 2619: 2617: 2604:Pavlides, Dan. 2602: 2598: 2588: 2586: 2571: 2567: 2559: 2555: 2546: 2542: 2532: 2530: 2517: 2516: 2509: 2499: 2497: 2496:on July 8, 2012 2482: 2481: 2477: 2467: 2465: 2452: 2451: 2447: 2437: 2435: 2418: 2411: 2404: 2400: 2390: 2388: 2376: 2372: 2364: 2357: 2347: 2345: 2335: 2334: 2325: 2308: 2301: 2291: 2289: 2277: 2273: 2265: 2261: 2253: 2246: 2236: 2234: 2217: 2210: 2202: 2193: 2185: 2181: 2173: 2169: 2159: 2157: 2149: 2148: 2144: 2136: 2132: 2124: 2120: 2112: 2108: 2098: 2096: 2093:Rotten Tomatoes 2086: 2085: 2078: 2068: 2066: 2059:FGL Productions 2053: 2052: 2045: 2035: 2033: 2018: 2014: 2004: 2002: 1985: 1978: 1968: 1966: 1956: 1947: 1937: 1935: 1920: 1919: 1912: 1904: 1895: 1879: 1878: 1870:Franju, Georges 1864: 1863: 1840: 1832: 1828: 1818: 1816: 1801:Erickson, Hal. 1799: 1792: 1784: 1780: 1770: 1768: 1763: 1762: 1753: 1748: 1708: 1698: 1696: 1684: 1674: 1672: 1662: 1660: 1652: 1650: 1560:Pedro AlmodĂłvar 1501: 1445: 1406:David Edelstein 1347:Rotten Tomatoes 1283: 1262: 1231:Lopert Pictures 1219: 1190:Lopert Pictures 1162: 1160: 1155: 1098:Mourir Ă  Madrid 642: 638: 637: 609: 591: 563:Eugen SchĂĽfftan 545:Les Diaboliques 524:English censors 509:Louis Feuillade 501:silent-film era 482: 461:François GuĂ©rin 417:Pierre Brasseur 413: 366: 344:Lopert Pictures 327:face transplant 323:plastic surgeon 311:Pierre Brasseur 274: 254: 247: 239: 237: 230: 215: 214: 199: 197: 171:Eugen SchĂĽfftan 162: 153:François GuĂ©rin 128:Pierre Brasseur 107: 79: 77: 36: 17: 12: 11: 5: 3347: 3337: 3336: 3331: 3326: 3321: 3319:Lux Film films 3316: 3311: 3306: 3301: 3296: 3291: 3286: 3281: 3276: 3271: 3266: 3261: 3256: 3251: 3246: 3241: 3236: 3231: 3226: 3221: 3216: 3199: 3198: 3196: 3195: 3187: 3179: 3171: 3163: 3155: 3147: 3138: 3136: 3132: 3131: 3129: 3128: 3120: 3112: 3103: 3101: 3097: 3096: 3093:Georges Franju 3088: 3087: 3080: 3073: 3065: 3059: 3058: 3047: 3031: 3015: 2999: 2983: 2964: 2963:External links 2961: 2959: 2958: 2951: 2938: 2931: 2918: 2911: 2894: 2888: 2875: 2869: 2856: 2850: 2842:Georges Franju 2837: 2831: 2817: 2815: 2812: 2809: 2808: 2794: 2763: 2732: 2715: 2689: 2658: 2627: 2596: 2565: 2553: 2540: 2507: 2475: 2445: 2409: 2398: 2370: 2355: 2323: 2299: 2271: 2269:, p. 222. 2259: 2244: 2208: 2191: 2179: 2167: 2142: 2130: 2118: 2116:, p. 162. 2106: 2076: 2043: 2012: 1976: 1958:Bourne, Mark. 1945: 1910: 1893: 1838: 1826: 1790: 1788:, p. 365. 1786:Schneider 2005 1778: 1750: 1749: 1747: 1744: 1743: 1742: 1734: 1729: 1724: 1719: 1714: 1707: 1706: 1694: 1682: 1670: 1649: 1646: 1577:John Carpenter 1500: 1497: 1444: 1441: 1408:, writing for 1373:Chicago Reader 1282: 1279: 1235:United Artists 1229:; distributor 1218: 1215: 1188:, distributor 1159: 1156: 1152: 1151: 1148: 1143: 1140: 1136: 1135: 1132: 1127: 1124: 1120: 1119: 1116: 1111: 1108: 1104: 1103: 1100: 1095: 1092: 1088: 1087: 1084: 1079: 1076: 1072: 1071: 1068: 1063: 1060: 1056: 1055: 1052: 1047: 1044: 1040: 1039: 1036: 1031: 1028: 1024: 1023: 1020: 1015: 1012: 1008: 1007: 1004: 999: 996: 992: 991: 988: 983: 980: 976: 975: 972: 967: 964: 960: 959: 956: 951: 948: 944: 943: 940: 935: 932: 928: 927: 924: 919: 916: 912: 911: 908: 903: 900: 896: 895: 892: 887: 884: 880: 879: 876: 871: 868: 864: 863: 860: 855: 852: 848: 847: 844: 839: 836: 832: 831: 828: 823: 820: 816: 815: 812: 807: 804: 800: 799: 796: 791: 788: 784: 783: 780: 775: 772: 768: 767: 764: 759: 756: 752: 751: 748: 743: 740: 736: 735: 732: 727: 724: 720: 719: 716: 711: 708: 704: 703: 700: 697: 694: 683: 657: 656: 653: 647: 646: 635: 631: 630: 625: 619: 618: 615: 611: 610: 605: 598: 597: 590: 587: 528:German censors 520:French censors 505:Georges MĂ©liès 481: 478: 477: 476: 465: 458: 451: 445: 438: 431: 424:in the drama, 422:Georges Franju 412: 409: 365: 362: 348:double feature 307:Georges Franju 284: 283: 280: 276: 275: 273: 272: 269: 265: 263: 259: 258: 255: 252: 249: 248: 246: 245: 233: 231: 228: 225: 224: 221: 220:Distributed by 217: 216: 213: 212: 207: 203: 202: 200: 195: 192: 191: 186: 182: 181: 178: 174: 173: 168: 167:Cinematography 164: 163: 161: 160: 155: 150: 145: 140: 135: 130: 124: 122: 118: 117: 114: 110: 109: 102: 98: 97: 94: 93: 88: 84: 83: 72: 68: 67: 65:Georges Franju 62: 58: 57: 54: 53: 48: 42: 41: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 3346: 3335: 3332: 3330: 3327: 3325: 3322: 3320: 3317: 3315: 3312: 3310: 3307: 3305: 3302: 3300: 3297: 3295: 3292: 3290: 3287: 3285: 3282: 3280: 3277: 3275: 3272: 3270: 3267: 3265: 3262: 3260: 3257: 3255: 3252: 3250: 3247: 3245: 3242: 3240: 3237: 3235: 3232: 3230: 3227: 3225: 3222: 3220: 3217: 3215: 3212: 3211: 3209: 3193: 3192: 3188: 3185: 3184: 3180: 3177: 3176: 3172: 3169: 3168: 3164: 3161: 3160: 3156: 3153: 3152: 3148: 3145: 3144: 3140: 3139: 3137: 3135:Feature films 3133: 3126: 3125: 3121: 3118: 3117: 3113: 3110: 3109: 3105: 3104: 3102: 3098: 3094: 3086: 3081: 3079: 3074: 3072: 3067: 3066: 3063: 3057: 3053: 3052: 3048: 3045: 3041: 3037: 3036: 3032: 3029: 3025: 3021: 3020: 3016: 3013: 3009: 3005: 3004: 3000: 2997: 2993: 2989: 2988: 2984: 2981: 2976: 2972: 2971: 2967: 2966: 2954: 2952:0-520-20970-2 2948: 2944: 2939: 2934: 2932:0-06-055050-3 2928: 2924: 2919: 2914: 2912:0-306-81445-5 2908: 2904: 2903:Da Capo Press 2900: 2895: 2891: 2889:0-7641-5907-0 2885: 2881: 2876: 2872: 2870:0-8166-3414-9 2866: 2862: 2857: 2853: 2851:0-7190-6828-2 2847: 2843: 2838: 2834: 2832:0-415-22061-0 2828: 2825:. Routledge. 2824: 2819: 2818: 2805: 2804: 2798: 2782: 2778: 2774: 2767: 2751: 2747: 2743: 2736: 2729: 2725: 2719: 2708:September 26, 2704: 2700: 2693: 2677: 2673: 2669: 2662: 2646: 2642: 2638: 2631: 2615: 2611: 2607: 2600: 2584: 2580: 2576: 2569: 2563:, p. 87. 2562: 2557: 2550: 2544: 2528: 2524: 2520: 2514: 2512: 2495: 2491: 2490: 2485: 2479: 2463: 2459: 2455: 2449: 2433: 2429: 2428: 2423: 2416: 2414: 2407: 2402: 2387: 2386: 2381: 2374: 2368:, p. 82. 2367: 2362: 2360: 2344: 2343: 2338: 2332: 2330: 2328: 2320:. p. 36. 2319: 2315: 2314: 2306: 2304: 2288: 2287: 2282: 2275: 2268: 2263: 2257:, p. 52. 2256: 2251: 2249: 2232: 2228: 2227: 2222: 2215: 2213: 2206:, p. 51. 2205: 2200: 2198: 2196: 2189:, p. 84. 2188: 2183: 2177:, p. 75. 2176: 2171: 2156: 2152: 2151:"The Manster" 2146: 2140:, p. 91. 2139: 2134: 2128:, p. 50. 2127: 2122: 2115: 2110: 2095: 2094: 2089: 2083: 2081: 2064: 2060: 2056: 2050: 2048: 2031: 2027: 2023: 2020:Mairs, Gary. 2016: 2000: 1996: 1995: 1990: 1983: 1981: 1965: 1961: 1954: 1952: 1950: 1933: 1929: 1928: 1923: 1917: 1915: 1908:, p. 92. 1907: 1902: 1900: 1898: 1889: 1883: 1876:. 2004 . 260. 1875: 1871: 1867: 1861: 1859: 1857: 1855: 1853: 1851: 1849: 1847: 1845: 1843: 1836:, p. 48. 1835: 1830: 1814: 1810: 1809: 1804: 1797: 1795: 1787: 1782: 1766: 1760: 1758: 1756: 1751: 1740: 1739: 1735: 1733: 1730: 1728: 1725: 1723: 1720: 1718: 1715: 1713: 1710: 1709: 1705: 1695: 1693: 1688: 1683: 1681: 1671: 1669: 1659: 1658: 1655: 1645: 1643: 1639: 1635: 1634: 1628: 1626: 1622: 1618: 1617: 1613: 1609: 1604: 1602: 1598: 1594: 1593: 1589: 1586: 1582: 1581:Michael Myers 1578: 1573: 1571: 1567: 1566: 1561: 1557: 1556:Peter Cushing 1553: 1552: 1547: 1543: 1542: 1538: 1534: 1533:Helmut Berger 1530: 1526: 1525: 1520: 1516: 1512: 1511: 1506: 1496: 1494: 1490: 1487: 1483: 1479: 1475: 1471: 1470: 1465: 1461: 1457: 1453: 1449: 1440: 1438: 1434: 1430: 1429: 1424: 1420: 1417: 1413: 1412: 1407: 1403: 1399: 1398: 1393: 1389: 1385: 1384: 1379: 1375: 1374: 1369: 1365: 1361: 1356: 1352: 1348: 1343: 1341: 1338: 1337: 1331: 1327: 1323: 1319: 1316: 1315: 1309: 1308: 1303: 1302: 1301:The Spectator 1297: 1296:Isabel Quigly 1292: 1288: 1278: 1276: 1272: 1268: 1261: 1260: 1254: 1250: 1249: 1244: 1240: 1236: 1232: 1228: 1224: 1214: 1212: 1208: 1204: 1203: 1198: 1191: 1187: 1183: 1182: 1177: 1149: 1147: 1144: 1141: 1137: 1133: 1131: 1128: 1125: 1121: 1117: 1115: 1112: 1109: 1105: 1101: 1099: 1096: 1093: 1089: 1085: 1083: 1080: 1077: 1073: 1069: 1067: 1064: 1061: 1057: 1053: 1051: 1048: 1045: 1041: 1037: 1035: 1032: 1029: 1025: 1021: 1019: 1016: 1013: 1009: 1005: 1003: 1000: 997: 993: 989: 987: 984: 981: 977: 973: 971: 968: 965: 961: 957: 955: 952: 949: 945: 941: 939: 938:Les Dragueurs 936: 933: 929: 925: 923: 922:Les Dragueurs 920: 917: 913: 909: 907: 906:Les Dragueurs 904: 901: 897: 893: 891: 888: 885: 881: 877: 875: 872: 869: 865: 861: 859: 856: 853: 849: 845: 843: 840: 837: 833: 829: 827: 824: 821: 817: 813: 811: 808: 805: 801: 797: 795: 792: 789: 785: 781: 779: 776: 773: 769: 765: 763: 760: 757: 753: 749: 747: 744: 741: 737: 733: 731: 728: 725: 721: 717: 715: 712: 709: 705: 689: 686: 682: 680: 679: 674: 673: 668: 664: 654: 652: 648: 636: 632: 629: 626: 624: 620: 617:February 2005 616: 612: 608: 607:Maurice Jarre 603: 599: 594: 586: 584: 580: 576: 575:Maurice Jarre 572: 568: 564: 559: 557: 556: 551: 547: 546: 541: 537: 533: 532:Claude Sautet 529: 525: 521: 516: 514: 510: 506: 502: 498: 497: 492: 488: 474: 469: 466: 462: 459: 455: 452: 449: 446: 442: 439: 435: 432: 429: 428: 423: 418: 415: 414: 408: 404: 400: 398: 393: 388: 380: 376: 374: 369: 361: 359: 355: 354: 349: 346:in 1962 as a 345: 341: 340: 334: 332: 328: 324: 320: 316: 312: 308: 304: 300: 296: 292: 291: 281: 277: 270: 267: 266: 264: 260: 256: 250: 235: 234: 232: 229:Release dates 226: 222: 218: 211: 208: 205: 204: 201: 193: 190: 189:Maurice Jarre 187: 183: 180:Gilbert Natot 179: 175: 172: 169: 165: 159: 156: 154: 151: 149: 146: 144: 141: 139: 136: 134: 131: 129: 126: 125: 123: 119: 115: 111: 108:by Jean Redon 106: 103: 99: 95: 92: 91:Pierre Gascar 89: 85: 82: 81:Claude Sautet 76: 73: 71:Adaptation by 69: 66: 63: 59: 55: 52: 49: 47: 43: 39: 32: 27: 22: 19: 3191:Nuits Rouges 3189: 3181: 3173: 3165: 3157: 3150: 3149: 3141: 3122: 3114: 3106: 3050: 3034: 3018: 3001: 2986: 2969: 2942: 2922: 2898: 2879: 2860: 2841: 2822: 2814:Bibliography 2801: 2797: 2785:. Retrieved 2781:the original 2776: 2766: 2754:. Retrieved 2750:the original 2745: 2735: 2723: 2718: 2706:. Retrieved 2702: 2692: 2680:. Retrieved 2676:the original 2671: 2661: 2649:. Retrieved 2645:the original 2640: 2630: 2618:. Retrieved 2614:the original 2609: 2599: 2587:. Retrieved 2583:the original 2578: 2568: 2561:Hawkins 2000 2556: 2548: 2543: 2531:. Retrieved 2527:the original 2522: 2498:. Retrieved 2494:the original 2487: 2478: 2466:. Retrieved 2462:the original 2457: 2448: 2436:. Retrieved 2432:the original 2425: 2401: 2389:. Retrieved 2383: 2373: 2366:Hawkins 2000 2346:. Retrieved 2340: 2311: 2290:. Retrieved 2284: 2274: 2262: 2235:. Retrieved 2231:the original 2224: 2187:Hawkins 2000 2182: 2175:Hawkins 2000 2170: 2158:. Retrieved 2145: 2133: 2121: 2109: 2099:February 20, 2097:. Retrieved 2091: 2067:. Retrieved 2063:the original 2058: 2034:. Retrieved 2025: 2015: 2003:. Retrieved 1992: 1989:"Ick Flicks" 1967:. Retrieved 1963: 1936:. 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Index

Movie poster tinted red. It depicts Christiane GĂ©nessier's head wearing her mask staring away. In the bottom right corner, Doctor GĂ©nessier is suffocating a female victim. Text at the top of the image includes the two leads and the film's title. Text at the bottom left of the poster reveals further production credits.
French
Georges Franju
Boileau-Narcejac
Claude Sautet
Pierre Gascar
Pierre Brasseur
Alida Valli
Juliette Mayniel
Alexandre Rignault
BĂ©atrice Altariba
François Guérin
Édith Scob
Eugen SchĂĽfftan
Maurice Jarre
Lux Film
French
horror film
Georges Franju
Pierre Brasseur
Alida Valli
Jean Redon
plastic surgeon
face transplant
Lopert Pictures
double feature
The Manster
German Shepherds
Black and white screen capture of the film showing character Christiane wearing her white featureless mask that covers her face.
grafts

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