537:"I had been sick with the flu, holed up in bed in the house. I was delirious half the time and had an odd metallic taste in my mouth. It was peculiar. At the height of this sickness, I felt pretty high in a strange way. I had a guitar in a case near the bed. I took it out and started playing; I had left it in a tuning I was fond of, D modal, with the E strings both tuned down to D. It provided a drone sound, sort of like a sitar, but not really. I played for a while and wrote "Cinnamon Girl." The lyrics were different from how the song eventually ended up, but all those changes happened right there, immediately, until the song was complete. Then I took the guitar out of D modal and kept playing. At the time, there was a song in E minor on the radio that I liked, "Sunny" or something like that. I remembered hearing it in the drugstore at Fairfax and Sunset while I was shopping for something to ease the flu. The song kept looping in my head, endlessly, like some things do when I’m sick and maybe a little delirious. So I started playing it on the guitar, and then I changed the chords a bit, and it turned into "Down by the River." I was still feeling sick, but happy and high. It was a unique feeling. I had two brand-new songs! Totally different from the last album! Then I started playing in A minor, one of my favorite keys. I had nothing to lose. I was on a roll. The music just flowed naturally that afternoon, and soon I had written "Cowgirl in the Sand." This was pretty unique, to write three songs in one sitting, and I am pretty sure that my semi-delirious state had a lot to do with that."
504:"That's what was so great about Crazy Horse in those days: Danny understood my music, and everyone listened to Danny. He understood what we were doing. A really great second guitar player, the perfect counterpoint to everything else that was happening. His style of playing was so adventuresome. So sympathetic. So unthoughtful. And just so natural. That’s really what made "Cowgirl in the Sand" and "Down by the River" happen: Danny’s guitar parts. Nobody played guitar with me like that; that rhythm. When you listen to "Cowgirl in the Sand," he keeps changing: plays something one and a half, maybe two, times, and he's on to the next thing. Billy and Ralph will get into a groove and everything will be goin' along and all of a sudden Danny'll start doin' somethin' else. He just led those guys from one groove to another, all within the same groove. So when I played these long guitar solos, it seemed like they weren't all that long, that I was making all these changes, when in reality what was changing was not one thing, but the whole band. Danny was the key."
762:: "There were three people sitting like you and me, and then another, and six microphone booms coming down, absolutely stoned out of our minds in the studio, singing a song with the guitars, three guitars goin' at once. If you listen to it, "Round And Round" is one of my favorites on the second album, because ... the echo from the acoustic guitar on the right echoes back on the left, and the echo from the guitar on the left comes back on the right and it makes the guitars go like this: one line starts goin' like da-da-daow, and then you can hear like one voice comes in and out, and that's 'cause Danny was rockin' back and forth. Those things are not featured, they're just in it, you know, and that's what I'm trying to get at. I think they last longer that way. Doing it live and singing and playing all at once just makes it sound more real." Singer
647:, in which layers of overdubs are used to create each track. Instead, the songs on the album were largely recorded live, without overdubs. Young explains to DJ B. Mitchell Reid: "That’s when a change came over me, right then. I started just tryin' to be real instead of fabricate something. Since then I've just been striving to get realer and realer on record. As in more real." For the first time, Young would record his vocal live while playing. "My only concern was to make the fuckin' records sound right. When I finally got the studio together and played, I think, "Running Dry," that was my first live vocal."
750:"Cinnamon Girl" is noted for its one-note guitar solo. According to Young, "people say that it is a solo with only one note but, in my head, each one of those notes is different. The more you get into it, the more you can hear the differences.” He elaborates in a 1991 interview: "The same note on two strings. The wang bar made every one sound different. When people say 'one-note solo,' I listen to it and every one sounds different to me. It sounds like it's all different in that one place. As you're going in farther, you’re hearing all the differences, but if you get back, it's all one."
627:"Cowgirl in the Sand" attempts to convey an emotion, a moment in time without being too specific, so that the listener can relate to the song and free-associate with it. Young explains to the audience in a 2007 concert: "These songs, some of them are like they're antiques like me and the rest of us. But they're really just about people like you and me, and feelings. And you only feel it for like a second and then you write it down. After that you don't walk with that all the time. That's why the songs live. Some of them live longer than others." He explains further in
631:: "The words to 'Cowgirl in the Sand' are very important because you can free associate with them. Some words won't let you do that, so you're locked into the specific fuckin' thing the guy's singin' about. This way it could be anything. The thing is, as long as there's a thread that carries through it, then when you imagine what it's about, there's gonna be a thread that takes you to the end, too. You can follow your thought all the way through if you happen to have one, or if you don't, you realize it doesn't matter.
624:: "I asked those three guys to play with me as Crazy Horse. And I thought the Rockets could go on, too. But the truth is, I probably did steal them away from the other band, which was a good band. But only because what we did, we went somewhere. What they were doing, it didn't go anywhere at that time, so this thing moved, this thing took off, and the other thing didn't. But the other thing could have gone on, I guess. That's the hardest part, is the guilt of the trail of destruction that I've left behind me."
493:: "Really literally, we'd only been together for six or seven days when "Down By The River" was cut. I just wanted to go ahead and do it, I just wanted to catch it, because there is something on those records that was recorded like it was when we were really feeling each other out, you know, and we didn't know each other, but we were turned on to what was happening. So I wanted to record that, because that never gets recorded. And that's what that album is, it's just the bare beginnings."
575:, a folk duo. Had a record out called "People World," and she did a lot of dancing with finger cymbals. She was really great. Might’ve been her. Good chance. I kinda had a crush on her for a while. Moved nice. She was real musical, soulful. There’s images in there that have to do with Jean and there’s images that have to do with other people." In the 2005 liner notes to one of her own releases, Ray takes credit as inspiration for both "Cinnamon Girl" and "Cowgirl in the Sand."
696:: "'Down by the River' was really edited. We got the vibe, but it was just too long and sometimes it fell apart, so we just took the shitty parts out. Made some radical cuts in there; I mean, you can hear 'em. But Danny just played so cool on that. He made the whole band sound good. Me and Billy and Ralph sounded like Crazy Horse right away. All I had to do was come up with the songs and the riffs. I started realizing how long we could jam. It was fantastic."
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it to the next level which is how "The Loner" (released on Young's first solo album) and "Cinnamon Girl" happened. You make a traditional chord shape and any finger that doesn't work, you just lift it up and let the string just ring. I've used that tuning throughout my career right up to today. You can hear it on everything from Fuckin' Up on Ragged Glory to War Of Man and One Of These Days on
Harvest Moon. Lots of songs”.
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time, that all these people were thinking the same thing, and they're all playing at the same time. It happens on a few cuts, you can hear it. I think "Cinnamon Girl," "Everybody Knows This Is
Nowhere," and "Round And Round" has that feeling of togetherness, although it was just Danny and me and Robin Lane."
608:, Young suggests otherwise: "There's no real murder in it. It's about blowing your thing with a chick. See, now, in the beginning, it's 'I'll be on your side, you be on mine.' It could be anything. Then the chick thing comes in. Then at the end, it's a whole other thing. It's a plea; a desperation cry."
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in
December 1995: "Stills and I discovered this D modal tuning at around the same time in '66, I think... We'd play in that tuning together a lot. This was when 'ragas' were happening and D modal made it possible to have that 'droning' sound going on all the time, that's where it started. Only I took
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completely in about five seconds" and that "Crazy Horse were loose and sloppy, privileging groove and feeling above all". He also said that "Young sounds comfortable and confident, singing with the versatile voice that has changed remarkably little in the 40 years since" and concluded that it "was a
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record of the Horse, and you can hear a different vocal of "Cinnamon Girl" featuring more of Danny. He was singing the high part, and it came through big-time. I changed it so I sang the high part and put that out. That was a big mistake. I fucked up. I did not know who Danny was. He was better than
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Young's lead vocal track on the song "Everybody Knows This Is
Nowhere" (on the original album) was actually a temporary scratch vocal he sang through the low-quality talk-back microphone on the mixing board, with no effects such as reverb. Young liked the stark contrast to the rest of the recording.
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said of the album, "released only four months after his first , was nearly a total rejection of that polished effort." He noted that "Cinnamon Girl," "Down by the River," and "Cowgirl in the Sand" were "useful as frames on which to hang the extended improvisations Young played with Crazy Horse and
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The sessions went free and easy, like they are to this day. No rehearsals. Neil walks in with a song, then we jump in. We get it in one, two takes. After that, the feel, heart and emotion are lost. Any more takes, and now you're just playing a part. When you're young, there are no politics, nothing
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Young recalls the atmosphere in an interview with J.C. Costa: "We got together, started rehearsing and we went right in. That whole album was like catching the group just as they were getting to know each other. We didn't even know what we sounded like until we heard the album." He continues in an
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wrote a favorable review, describing Young's voice as "perpetually mournful, without being maudlin or pathetic. It hints at a world in which sorrow underlies everything because that world is recognizable to most of us, Young's singing is often strangely moving." Despite stating that "in several
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records and things like that. They were all done with a sort of quality to them. They were done at once. It's just a quality about them, the singer is into the song and the musicians were playing with the singer and it was an entity, you know. It was something special that used to hit me all the
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called the record "raw, rushed, energised", and the band's interplay "at once primitive and abstract", a "gloriously spontaneous sound" that "would endure, not only as a blueprint for Young...but as an influence on countless bands." William
Ruhlmann of music database website
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me. I didn't see it. I was strong, and maybe I helped destroy something sacred by not seeing it. He was never pissed off about it. It wasn't like that. I was young, and maybe I didn't know what I was doing. Some things you wish never happened. But we got what we got."
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respects falls short of his previous effort" and that "the lyricism of the first album can only be found in faint traces," he concluded that the album "offers ample rewards. Young's music partially makes up for its lack of grace by its energy and its assurance."
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to reflect the ominous tone of his singing". He concluded that the album "set a musical pattern Young and his many musical descendants have followed ever since and a lot of contemporary bands were playing music clearly influenced by it". Mark
Richardson of
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Neil Young: Our
Complete 1991 "Guitar Player" Interview (HD Audio). On Songwriting, Soloing, Guitars and Amps, the Downsides of Digital, and More. Jas Obrecht. Guitar Player. November 1991. jasobrecht.substack.com/p/neil-young-our-complete-1991-guitar
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at
Sunwest Recording Studio in Hollywood to record the final song for the album. "Round and Round" was performed live in the studio for the album to achieve a more authentic sound. Young would explain in an April 1970 interview for
686:: "You know, maybe what you hear on the record would be take one, but with a couple pieces of something else in there. I could look it up. We have all the track sheets. All that information could be made available through
682:"Down by the River" and "Cowgirl in the Sand" are edited from extended performances, and in some cases combine multiple takes. Young explains that three of four takes of each song were recorded in a 2009 interview for
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that "Young is a strange artist and I am not all the way into him yet, but this record is haunting". The original review was printed with a grade of "B+", but
Christgau later said he would have changed it to an "A−".
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717:. Crazy Horse would then join Young for additional dates at coffeehouse folk clubs in late February through March. Young would perform a solo acoustic set followed by a band set, performing at
654:'s Elliot Blinder, Young says that he was trying to achieve a sound on the record reminiscent of 1950s and 1960s singles where the singer and band achieve a tight, locked-in sound together:
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was caught off guard that her performance on the song became the master take. "I thought we were rehearsing. I didn’t even know what I was singing. Neil was the original punk rocker."
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The band would return to Wally Heider on March 20 and record "Cinnamon Girl," "Losing End" and "Running Dry". "Cinnamon Girl" features handclaps, inspired by the 1963 single "
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to produce the record. Young first collaborated with Briggs during the recording of his debut album. The first sessions for the album were held in late
January 1969 at
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Young would tour with Crazy Horse upon completion of the album, playing various dates in North America in May and June 1969. From August to December, Young would join
826:. In February and March 1970, Young would once again tour with Crazy Horse, performing the bulk of the album in the setlist. Performances at the Fillmore East with
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614:"Running Dry (Requiem for the Rockets)" is dedicated to The Rockets, the six-piece band that evolved into Young's collaborators Crazy Horse. Rocket violinist
600:" has become one of Young's signature songs, and, like Cinnamon Girl, one of his most frequently performed in concert. Its lyrics tell a tale reminiscent of "
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Young credits the album's unique sound to the guitar playing of Danny Whitten and the interplay between the two. He explains in the biography
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The front cover is a grainy photo depicting Young leaning against a tree with his dog Winnipeg at his feet. The photographer was Frank Bez.
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and started playing together. In a February 2021 interview, drummer Ralph Molina remembers how the group ended up collaborating with Young:
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The group would take a break in recording from the end of January until late March. Young would perform a series of solo acoustic sets at
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updates. We could make it so you could go in and figure out exactly what take you're listening to of a specific song. He continues in
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more prominently, with both singers equal in the mix. Young changed the mix for the album, a decision he regrets: "I have made an
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The lyrics to "The Losing End (When You're On)" are about the experience of finding out that your romantic partner has moved on.
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Is This The Story of "Cinnamon Girl"? The Story Behind Neil Young's Iconic Song Revisited. Thrasher's Wheat. April 2021.
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sort of big bang for Young, a dense moment of creative explosion that saw possibilities expanding in every direction".
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eyes playing finger cymbals. It was hard to explain to my wife." He further explains in interview for the biography
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in Hollywood, where the band cut "Down by the River," "Cowgirl in the Sand" and "Everybody Knows This Is Nowhere."
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Ralph Molina/Crazy Horse. Interview by John Wisniewski & Jason Gross. Perfect Sound Forever. February 2021
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liner notes, Young states that he wrote "Cinnamon Girl" "for a city girl on peeling pavement coming at me thru
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in Hollywood. We asked him to come sit in with us, which he did. We then formed into Crazy Horse and recorded
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Recorded at Wally Heider Recording Studios, Hollywood, 1/18/1969. Produced by David Briggs & Neil Young.
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Recorded at Wally Heider Recording Studios, Hollywood, 3/20/1969. Produced by David Briggs & Neil Young.
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Recorded at Wally Heider Recording Studios, Hollywood, 3/20/1969. Produced by David Briggs & Neil Young.
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Recorded at Wally Heider Recording Studios, Hollywood, 1/17/1969. Produced by David Briggs & Neil Young.
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Recorded at Wally Heider Recording Studios, Hollywood, 1/23/1969. Produced by David Briggs & Neil Young.
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Recorded at Wally Heider Recording Studios, Hollywood, 3/20/1969. Produced by David Briggs & Neil Young.
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Neil Young – guitar, vocal; Danny Whitten – guitar, vocal; Billy Talbot – bass; Ralph Molina – drums, vocal
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Neil Young – guitar, vocal; Danny Whitten – guitar, vocal; Billy Talbot – bass; Ralph Molina – drums, vocal
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Neil Young – guitar, vocal; Danny Whitten – guitar, vocal; Billy Talbot – bass; Ralph Molina – drums, vocal
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Neil Young – guitar, vocal; Danny Whitten – guitar, vocal; Billy Talbot – bass; Ralph Molina – drums, vocal
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was originally released on vinyl by Reprise on May 14, 1969. It was first released on CD in December 1987.
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Recorded at Sunwest Recording Studios, Hollywood, 3/24/1969. Produced by David Briggs & Neil Young.
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Young, Neil. 2015. Special Deluxe. New York, New York: Plume, An Imprint Of Penguin Random House Llc.
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The album is Young's first with longtime collaborators Crazy Horse. Guitarist, songwriter and singer
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and at number 407 in the 2020 edition. Additionally, it was voted number 124 in the third edition of
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Digital high-resolution files of the album are also available via the Neil Young Archives website.
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https://www.discogs.com/Neil-Young-With-Crazy-Horse-Everybody-Knows-This-Is-Nowhere/release/671753
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Jarmusch, Jim, dir. 1997. Year of the Horse: A Tale of Four Guys Who like to Rock. October Films.
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plays on the track. Young expresses his feelings about breaking up The Rockets in the 1997 film
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had already been performing and recording together as The Rockets. They met Young through the
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The album contains several songs that became standards in Young's performance repertoire. "
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571:: "I remember this one girl, Jean "Monte" Ray; she was the singing partner of Jim,
471:"Neil would come out to (Billy Talbot's) house in Laurel Canyon, after he left the
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https://www.discogs.com/Neil-Young-Official-Release-Series-Discs-1-4/master/421064
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The song "Cinnamon Girl" is in D modal tuning, a tuning Young first used with
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Weisbard, Eric (1995). "Neil Young". In Weisbard, Eric; Marks, Craig (eds.).
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Journey Through the Past: The Stories Behind the Classic Songs of Neil Young
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Journey Through the Past. Richard Bienstock. Guitar World. October 2009.
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to get in the way. We just had fun playing- no thinking, just playing."
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Neil Young: Long May You Run: The Illustrated History, Updated Edition
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Comments to the audience, United Palace, New York. December 18, 2007
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on "Bluebird". Young explains his relationship with the tuning with
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received generally favorable reviews from critics. Bruce Miroff of
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784:-encoded CD and digital download on July 14, 2009, as part of the
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Neil Young Q&A, Elliot Blinder, Rolling Stone, April 30, 1970
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wrote, "the opening riff to 'Cinnamon Girl' erases the memory of
604:," that of a man who murders his lover. In a 1970 interview with
601:
393:, catalogue number RS 6349. His first with longtime backing band
1975:
Young, Neil. 2012. Waging Heavy Peace. Penguin Publishing Group.
711:
in Toronto. The Riverboat concerts would see release in 2009 as
1382:
4282:
2358:, 1st edition, Random House/Rolling Stone Press, 1979, p. 425.
2241:
Everybody Knows This Is Nowhere – Neil Young & Crazy Horse
1990:"I Build Something Up, I Tear It Right Down: Neil Young at 50"
2729:
526:
102:
2660:"BILLBOARD MAGAZINE: American music magazine 1920's to 2017"
1299:
Neil Young – guitar, vocal; Danny Whitten – guitar, vocal;
1227:
Neil Young – guitar, vocal; Danny Whitten – guitar, vocal;
781:
417:
1775:"Neil Young Everybody Knows This Is Nowhere Chart History"
1721:
1356:– guitar, harmony vocals, co-lead vocal on "Cinnamon Girl"
1303:– violin; Billy Talbot – bass; Ralph Molina – drums, vocal
2513:
1149:
736:. An early single mix of the song features the vocals of
385:
is the second studio album by Canadian-American musician
62:
412:
in August 1970 during a 98-week chart stay. It has been
58:
2403:. No. 39. New York City: Wenner Media. p. 36
82:
1969 studio album by Neil Young with Crazy Horse
26:
Everybody Knows This Is Nowhere (Mother Hips album)
4435:Gone Dead Train: The Best of Crazy Horse 1971–1989
2301:
2299:
721:in New York, in Cleveland, Providence, and at the
1627:
792:, released in the US in 2009 and Europe in 2012.
4838:
2305:
1880:https://www.furious.com/perfect/ralphmolina.html
810:for their tour of North America promoting their
2296:
2261:(5th concise ed.). Omnibus. p. 1542.
2048:Robert Greenfield. Fusion Magazine. April 1970.
1672:Shipments figures based on certification alone.
1391:– guitar and harmony vocal on "Round and Round"
1295:"Running Dry (Requiem for the Rockets)" (5:30)
431:Rolling Stone's 500 Greatest Albums of All Time
3356:Sugar Mountain – Live at Canterbury House 1968
2057:
1223:"Round & Round (It Won't Be Long)" (5:49)
942:
429:. In 2003, the album was ranked number 208 on
4298:
2745:
2235:
2233:
1158:list of the '500 Greatest Albums of all time'
57:. Consider transferring direct quotations to
2173:https://neilyoungarchives.com/album?id=A_007
1844:
1137:In 2003, the album was ranked number 208 on
1042:
1004:
906:
868:
405:, ultimately peaking at number 34 on the US
1722:Daniel Durchholz; Gary Graff (2012-11-05).
1668:Sales figures based on certification alone.
786:Neil Young Archives Original Release Series
753:On March 23, the band convened with singer
4857:Albums produced by David Briggs (producer)
4305:
4291:
2752:
2738:
2552:http://www.45worlds.com/vinyl/album/rs6349
2386:
2282:MusicHound Rock: The Essential Album Guide
2230:
2051:
2013:Neil Young. Decade album liner notes. 1977
1800:"1001 Albums You Must Hear Before You Die"
1385:on "Running Dry (Requiem for the Rockets)"
1164:Audience Award in the 1960–1975 category.
401:amid Young's contemporaneous success with
93:
4442:Scratchy: The Complete Reprise Recordings
3324:Neil Young Archives Volume III: 1976–1987
2713:Recording Industry Association of America
2633:
2618:"RPM Top 100 Albums - September 13, 1970"
2421:
1905:
1750:"Neil Young singles & EP discography"
1280:"The Losing End (When You're On)" (4:03)
3954:Crime in the City (Sixty to Zero Part I)
3317:Neil Young Archives Volume II: 1972–1976
2372:. New York: Vintage Books. p. 447.
2367:
2331:
426:1001 Albums You Must Hear Before You Die
4877:Albums recorded at Wally Heider Studios
1983:
1981:
1934:
1932:
1930:
4839:
2506:
2392:
2327:
2325:
2306:Richardson, Mark (December 11, 2009).
2256:
1971:
1969:
1967:
18:Everybody Knows This Is Nowhere (song)
16:For the title song of this album, see
4286:
2733:
2594:"RECORD WORLD MAGAZINE: 1942 to 1982"
2588:
2586:
2561:
2559:
2509:"The 500 Greatest Albums of all time"
2452:
2284:. Detroit: Visible Ink. p. 753.
2279:
1901:
1899:
1897:
1895:
1893:
1891:
1889:
1887:
1838:
1821:"The 500 Greatest Albums of All Time"
849:
830:opening would see release in 2006 as
780:A remastered version was released on
346:" / "The Losing End (When You're On)"
48:too many or overly lengthy quotations
4882:Hard rock albums by Canadian artists
2115:"Music: Great One-Note Guitar Solos"
1987:
1978:
1927:
30:
4201:The Bridge: A Tribute to Neil Young
3008:Living with War: "In the Beginning"
2627:
2322:
1964:
1695:"20 Best Second Albums of All Time"
1145:The 500 Greatest Albums of All Time
944:
822:and perform "Down by the River" on
13:
4148:Waging Heavy Peace: A Hippie Dream
2583:
2556:
2455:"Nitpicking Issues With the Lists"
1884:
14:
4893:
2636:Sólo éxitos: año a año, 1959–2002
2507:Barker, Emily (23 October 2013).
2395:"Everybody Knows This Is Nowhere"
2259:The Encyclopedia of Popular Music
2199:Official Release Series Discs 1–4
2140:"The 10 Best Solos of Neil Young"
1612:
1044:
1006:
908:
870:
790:Official Release Series Discs 1–4
4825:She Used to Wanna Be a Ballerina
4267:
4266:
4185:Crosby, Stills, Nash & Young
3894:My My, Hey Hey (Out of the Blue)
3733:When You Dance I Can Really Love
1425:
1167:
1063:
1058:
1053:
1048:
1043:
1025:
1020:
1015:
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1005:
963:
958:
953:
948:
943:
927:
922:
917:
912:
907:
889:
884:
879:
874:
869:
529:. Young explains in his memoir,
481:Everybody Knows This Is Nowhere.
403:Crosby, Stills, Nash & Young
318:Everybody Knows This Is Nowhere
35:
4781:Hey Hey, My My (Into the Black)
4704:Everybody Knows This Is Nowhere
4460:Everybody Knows This Is Nowhere
4312:
4017:A Rock Star Bucks a Coffee Shop
3887:Hey Hey, My My (Into the Black)
3638:Everybody Knows This Is Nowhere
3575:Nowadays Clancy Can't Even Sing
2812:Everybody Knows This Is Nowhere
2652:
2610:
2548:Everybody Knows This Is Nowhere
2541:
2521:
2500:
2474:
2446:
2415:
2393:Miroff, Bruce (9 August 1969).
2361:
2345:
2273:
2250:
2216:
2207:
2192:
2184:Everybody Knows This Is Nowhere
2177:
2171:, Neil Young Archives website;
2169:Everybody Knows This Is Nowhere
2162:
2153:
2132:
2112:
2094:
2085:
2076:
2062:. Hal Leonard. pp. 27–29.
2042:
2028:
2016:
2007:
1941:
1206:Everybody Knows This Is Nowhere
1088:Everybody Knows This Is Nowhere
775:Everybody Knows This Is Nowhere
589:. The demo appears on the 2001
580:Everybody Knows This Is Nowhere
382:Everybody Knows This Is Nowhere
331:Everybody Knows This Is Nowhere
291:Everybody Knows This Is Nowhere
241:Everybody Knows This Is Nowhere
88:Everybody Knows This Is Nowhere
20:. For a cover of this album by
3824:Come On Baby Let's Go Downtown
3796:The Needle and the Damage Done
3782:Are You Ready for the Country?
3712:Only Love Can Break Your Heart
3527:Dorothy Chandler Pavilion 1971
3398:Roxy: Tonight's the Night Live
2759:
2356:The Rolling Stone Record Guide
1911:Shakey: Neil Young's Biography
1872:
1813:
1792:
1767:
1742:
1728:. Voyageur Press. p. 76.
1715:
1687:
1037:The Rolling Stone Record Guide
1:
4867:Albums produced by Neil Young
4672:I Don't Want to Talk About It
3310:The Archives Vol. 1 1963–1972
2688:British Phonographic Industry
2370:Spin Alternative Record Guide
2335:(August 19, 1999). "Review".
1680:
1160:. In 2018, the album won the
1111:In a retrospective review in
1075:Spin Alternative Record Guide
901:Encyclopedia of Popular Music
814:. The group would perform at
446:
4452:Neil Young & Crazy Horse
2634:Salaverri, Fernando (2005).
1988:Kent, Nick (December 1995).
1605:
1569:
1555:
1541:
1501:
1490:
1482:
1468:
1454:
1334:
1250:Neil Young – guitar, vocal;
839:
801:
634:
423:The album is on the list of
333:" / "The Emperor of Wyoming"
7:
4600:Way Down in the Rust Bucket
4088:Neil Young: Silver and Gold
4003:Let's Impeach the President
3726:Don't Let It Bring You Down
3542:Somewhere Under the Rainbow
3426:Way Down in the Rust Bucket
2354:; Swenson, John (Editors).
2257:Larkin, Colin, ed. (2007).
1274:
1179:
591:Buffalo Springfield box set
10:
4898:
3363:Live at the Riverboat 1969
2247:. Retrieved March 3, 2012.
1508:
1413:Henry Saskowski – engineer
1172:All tracks are written by
769:
714:Live at the Riverboat 1969
389:, released in May 1969 on
15:
4872:Crazy Horse (band) albums
4804:
4688:
4656:
4565:Live at the Fillmore East
4451:
4391:
4320:
4262:
4157:
4139:
4102:Neil Young: Heart of Gold
4030:
3947:Rockin' in the Free World
3924:
3668:
3617:I've Been Waiting for You
3566:
3559:
3514:
3449:
3342:Live at the Fillmore East
3333:
3301:
3292:
3260:
3214:
3133:
3108:
2796:
2767:
2280:Graff, Gary, ed. (1996).
1665:
1650:
1635:
1624:
1621:
1532:
1529:
1443:
1420:
857:
854:
833:Live at the Fillmore East
489:April 1970 interview for
465:Laurel Canyon music scene
374:
323:
312:
274:
266:
262:
225:
217:
198:
186:
170:
147:
136:
128:
120:
101:
92:
87:
4208:Myrmekiaphila neilyoungi
4039:Journey Through the Past
3349:Live at Massey Hall 1971
3223:Journey Through the Past
2638:. Fundación Autor-SGAE.
2453:Anon. (April 25, 2002).
1851:All Time Top 1000 Albums
1416:Kendal Pacios – engineer
650:In a 1970 interview for
508:
440:All Time Top 1000 Albums
366:Released: April 20, 1970
55:summarize the quotations
4689:Songs (with Neil Young)
4358:Frank "Poncho" Sampedro
3515:Official bootleg series
3384:Live at the Cellar Door
2239:Ruhlmann, William.
2058:Williamson, N. (2002).
1368:– drums, harmony vocals
808:Crosby, Stills and Nash
336:Released: April 7, 1969
141:Wally Heider's Studio 3
4862:Reprise Records albums
4481:American Stars 'n Bars
3537:Citizen Kane Jr. Blues
3450:Special release series
3230:Where the Buffalo Roam
2854:American Stars 'n Bars
1488:Canadian Album Charts
1162:Polaris Heritage Prize
709:Riverboat Coffee House
669:
539:
506:
486:
349:Released: May 14, 1969
132:January and March 1969
4229:Bridge School Benefit
4190:The Stills–Young Band
4116:Neil Young Trunk Show
3747:Bad Fog of Loneliness
3624:The Old Laughing Lady
3370:Dreamin' Man Live '92
2664:worldradiohistory.com
2598:worldradiohistory.com
2571:worldradiohistory.com
1499:Spanish Album Charts
1343:– guitar, lead vocals
845:Retrospective reviews
820:Big Sur Folk Festival
707:in Ottawa and at the
705:Le Hibou Coffee House
684:Guitar World Magazine
656:
535:
502:
469:
4053:Neil Young in Berlin
3989:From Hank to Hendrix
2427:"Consumer Guide (2)"
1404:– engineer, producer
1373:Additional musicians
677:Wally Heider Studios
4739:Tonight's the Night
4718:Cowgirl in the Sand
4665:Dance, Dance, Dance
4593:Return to Greendale
4467:After the Gold Rush
4180:Buffalo Springfield
4123:Neil Young Journeys
3933:Rainin' in My Heart
3817:Tonight's the Night
3705:After the Gold Rush
3659:Dance, Dance, Dance
3652:Cowgirl in the Sand
3440:Noise & Flowers
3419:Return to Greendale
2980:Are You Passionate?
2924:This Note's for You
2896:Everybody's Rockin'
2840:Tonight's the Night
2819:After the Gold Rush
2787:Promise of the Real
2537:. October 23, 2018.
2460:Robertchristgau.com
1618:
1316:Cowgirl in the Sand
1143:magazine's list of
846:
730:My Boyfriend's Back
641:Buffalo Springfield
587:Buffalo Springfield
523:Cowgirl in the Sand
250:After the Gold Rush
4537:Sleeps with Angels
3768:A Man Needs a Maid
3754:Out on the Weekend
3522:Carnegie Hall 1970
3334:Performance series
3064:The Monsanto Years
2952:Sleeps with Angels
2142:. Guitars Exchange
1617:
1086:Upon its release,
844:
531:Waging Heavy Peace
414:certified platinum
397:, it emerged as a
4852:Neil Young albums
4834:
4833:
4760:Cortez the Killer
4711:Down by the River
4551:Year of the Horse
4488:Rust Never Sleeps
4280:
4279:
4081:Year of the Horse
4026:
4025:
3852:Cortez the Killer
3645:Down by the River
3555:
3554:
3433:Young Shakespeare
3177:Year of the Horse
2973:Silver & Gold
2875:Hawks & Doves
2868:Rust Never Sleeps
2432:The Village Voice
2425:(July 31, 1969).
2423:Christgau, Robert
2310:. Pitchfork Media
1920:978-0-224-06914-4
1913:. Jonathan Cape.
1735:978-0-7603-4411-8
1678:
1677:
1673:
1669:
1610:
1609:
1574:
1573:
1506:
1505:
1254:– guitar, vocal;
1244:Down by the River
1104:The Village Voice
1084:
1083:
621:Year of the Horse
606:Robert Greenfield
598:Down by the River
519:Down by the River
378:
377:
344:Down by the River
308:
307:
258:
257:
80:
79:
4889:
4805:Related articles
4767:Like a Hurricane
4725:I Believe in You
4579:Psychedelic Pill
4307:
4300:
4293:
4284:
4283:
4270:
4269:
4244:Carrie Snodgress
4031:Films and videos
3866:Like a Hurricane
3740:I Believe in You
3596:Expecting to Fly
3564:
3563:
3299:
3298:
3198:Before and After
3184:Road Rock Vol. 1
3043:Psychedelic Pill
3022:Fork in the Road
3015:Chrome Dreams II
2910:Landing on Water
2780:The Stray Gators
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2226:. 19 March 2020.
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1854:(3rd ed.).
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1710:
1708:
1703:. March 24, 2014
1691:
1671:
1667:
1636:United Kingdom (
1619:
1616:
1581:
1580:
1533:"Cinnamon Girl"
1513:
1512:
1430:
1429:
1155:
1099:Robert Christgau
1068:
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283:(as the Rockets)
276:
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115:
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84:
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66:
39:
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4414:At Crooked Lake
4387:
4367:George Whitsell
4316:
4311:
4281:
4276:
4258:
4175:The Mynah Birds
4153:
4135:
4022:
3925:1980s and later
3920:
3664:
3551:
3532:Royce Hall 1971
3510:
3445:
3329:
3294:Archives series
3288:
3256:
3210:
3142:Time Fades Away
3129:
3104:
3001:Living with War
2792:
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2728:
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1615:
1603:Year End Chart
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660:Everly Brothers
645:his debut album
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4653:
4651:
4650:
4643:
4636:
4631:
4624:
4617:
4610:
4603:
4596:
4589:
4582:
4575:
4568:
4561:
4554:
4547:
4540:
4533:
4526:
4519:
4512:
4505:
4498:
4491:
4484:
4477:
4470:
4463:
4455:
4453:
4449:
4448:
4446:
4445:
4438:
4431:
4424:
4417:
4410:
4403:
4395:
4393:
4389:
4388:
4386:
4385:
4382:
4380:Michael Curtis
4377:
4374:
4371:
4368:
4365:
4360:
4355:
4349:
4348:
4343:
4336:
4329:
4321:
4318:
4317:
4310:
4309:
4302:
4295:
4287:
4278:
4277:
4275:
4274:
4263:
4260:
4259:
4257:
4256:
4251:
4249:Elliot Roberts
4246:
4241:
4236:
4231:
4226:
4221:
4216:
4211:
4204:
4197:
4192:
4187:
4182:
4177:
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4159:
4155:
4154:
4152:
4151:
4143:
4141:
4137:
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4134:
4133:
4126:
4119:
4112:
4105:
4098:
4091:
4084:
4077:
4070:
4063:
4056:
4049:
4042:
4034:
4032:
4028:
4027:
4024:
4023:
4021:
4020:
4013:
4006:
3999:
3992:
3985:
3982:Unknown Legend
3978:
3971:
3964:
3957:
3950:
3943:
3936:
3928:
3926:
3922:
3921:
3919:
3918:
3915:Sedan Delivery
3911:
3904:
3897:
3890:
3883:
3876:
3873:Love Is a Rose
3869:
3862:
3855:
3848:
3841:
3834:
3827:
3820:
3813:
3806:
3799:
3792:
3785:
3778:
3771:
3764:
3757:
3750:
3743:
3736:
3729:
3722:
3715:
3708:
3701:
3694:
3687:
3680:
3672:
3670:
3666:
3665:
3663:
3662:
3655:
3648:
3641:
3634:
3627:
3620:
3613:
3606:
3603:Sugar Mountain
3599:
3592:
3585:
3578:
3570:
3568:
3561:
3557:
3556:
3553:
3552:
3550:
3549:
3544:
3539:
3534:
3529:
3524:
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3512:
3511:
3509:
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3501:
3496:
3489:
3482:
3475:
3468:
3461:
3453:
3451:
3447:
3446:
3444:
3443:
3436:
3429:
3422:
3415:
3408:
3405:Songs for Judy
3401:
3394:
3387:
3380:
3373:
3366:
3359:
3352:
3345:
3337:
3335:
3331:
3330:
3328:
3327:
3320:
3313:
3305:
3303:
3296:
3290:
3289:
3287:
3286:
3279:
3276:Lucky Thirteen
3272:
3264:
3262:
3258:
3257:
3255:
3254:
3247:
3240:
3233:
3226:
3218:
3216:
3212:
3211:
3209:
3208:
3201:
3194:
3187:
3180:
3173:
3166:
3159:
3152:
3145:
3137:
3135:
3131:
3130:
3128:
3127:
3120:
3112:
3110:
3106:
3105:
3103:
3102:
3095:
3088:
3081:
3074:
3067:
3060:
3053:
3046:
3039:
3032:
3025:
3018:
3011:
3004:
2997:
2990:
2983:
2976:
2969:
2962:
2955:
2948:
2941:
2934:
2927:
2920:
2913:
2906:
2899:
2892:
2885:
2878:
2871:
2864:
2857:
2850:
2843:
2836:
2829:
2822:
2815:
2808:
2800:
2798:
2794:
2793:
2791:
2790:
2783:
2776:
2768:
2765:
2764:
2757:
2756:
2749:
2742:
2734:
2726:
2725:
2700:
2675:
2651:
2644:
2626:
2609:
2582:
2555:
2540:
2520:
2499:
2473:
2445:
2414:
2385:
2378:
2360:
2344:
2341:. p. 118.
2321:
2295:
2272:
2249:
2229:
2215:
2206:
2191:
2176:
2161:
2152:
2131:
2105:
2093:
2084:
2075:
2068:
2050:
2041:
2027:
2015:
2006:
1977:
1963:
1940:
1926:
1919:
1907:McDonough, Jim
1883:
1871:
1864:
1858:. p. 81.
1848:, ed. (2006).
1837:
1812:
1791:
1766:
1741:
1734:
1714:
1685:
1684:
1682:
1679:
1676:
1675:
1663:
1662:
1659:
1656:
1648:
1647:
1644:
1641:
1633:
1632:
1626:
1623:
1614:
1613:Certifications
1611:
1608:
1607:
1604:
1596:
1592:
1591:
1588:
1585:
1577:Year End Chart
1572:
1571:
1568:
1558:
1557:
1554:
1544:
1543:
1540:
1534:
1531:
1527:
1526:
1523:
1520:
1517:
1510:
1507:
1504:
1503:
1500:
1497:
1493:
1492:
1489:
1485:
1484:
1481:
1471:
1470:
1467:
1457:
1456:
1453:
1445:
1441:
1440:
1437:
1434:
1427:
1424:
1422:
1419:
1418:
1417:
1414:
1411:
1405:
1393:
1392:
1386:
1370:
1369:
1363:
1357:
1345:
1344:
1336:
1333:
1332:
1331:
1330:
1329:
1324:
1312:
1311:
1310:
1305:
1293:
1292:
1291:
1286:
1276:
1273:
1272:
1271:
1270:
1269:
1264:
1262:– drums, vocal
1240:
1239:
1238:
1233:
1221:
1220:
1219:
1214:
1202:
1201:
1200:
1195:
1181:
1178:
1169:
1166:
1082:
1081:
1078:
1070:
1069:
1040:
1032:
1031:
1002:
994:
993:
990:
982:
981:
978:
970:
969:
940:
934:
933:
904:
896:
895:
866:
860:
859:
856:
852:
851:
841:
838:
824:ABC Television
803:
800:
771:
768:
725:in Hollywood.
719:The Bitter End
636:
633:
543:Stephen Stills
510:
507:
448:
445:
376:
375:
372:
371:
369:
368:
361:Sugar Mountain
351:
338:
324:
321:
320:
310:
309:
306:
305:
296:
287:
272:
271:
264:
263:
260:
259:
256:
255:
246:
237:
223:
222:
215:
214:
213:
212:
207:
202:
196:
195:
190:
184:
183:
172:
168:
167:
165:
164:
159:
153:
151:
145:
144:
138:
134:
133:
130:
126:
125:
122:
118:
117:
106:
99:
98:
90:
89:
81:
78:
77:
43:
41:
34:
9:
6:
4:
3:
2:
4894:
4883:
4880:
4878:
4875:
4873:
4870:
4868:
4865:
4863:
4860:
4858:
4855:
4853:
4850:
4848:
4845:
4844:
4842:
4827:
4826:
4822:
4820:
4819:
4815:
4813:
4810:
4809:
4807:
4803:
4796:
4792:
4789:
4785:
4782:
4778:
4775:
4771:
4768:
4764:
4761:
4757:
4754:
4750:
4747:
4743:
4740:
4736:
4733:
4729:
4726:
4722:
4719:
4715:
4712:
4708:
4705:
4701:
4698:
4697:Cinnamon Girl
4694:
4693:
4691:
4687:
4680:
4676:
4673:
4669:
4666:
4662:
4661:
4659:
4655:
4649:
4648:
4644:
4642:
4641:
4637:
4635:
4632:
4630:
4629:
4628:Odeon Budokan
4625:
4623:
4622:
4621:Chrome Dreams
4618:
4616:
4615:
4611:
4609:
4608:
4604:
4602:
4601:
4597:
4595:
4594:
4590:
4588:
4587:
4583:
4581:
4580:
4576:
4574:
4573:
4569:
4567:
4566:
4562:
4560:
4559:
4555:
4553:
4552:
4548:
4546:
4545:
4541:
4539:
4538:
4534:
4532:
4531:
4527:
4525:
4524:
4520:
4518:
4517:
4513:
4511:
4510:
4506:
4504:
4503:
4499:
4497:
4496:
4492:
4490:
4489:
4485:
4483:
4482:
4478:
4476:
4475:
4471:
4469:
4468:
4464:
4462:
4461:
4457:
4456:
4454:
4450:
4444:
4443:
4439:
4437:
4436:
4432:
4430:
4429:
4428:Left for Dead
4425:
4423:
4422:
4418:
4416:
4415:
4411:
4409:
4408:
4404:
4402:
4401:
4397:
4396:
4394:
4390:
4383:
4381:
4378:
4375:
4372:
4369:
4366:
4364:
4363:Jack Nitzsche
4361:
4359:
4356:
4354:
4353:Danny Whitten
4351:
4350:
4347:
4344:
4342:
4341:
4337:
4335:
4334:
4330:
4328:
4327:
4323:
4322:
4319:
4315:
4308:
4303:
4301:
4296:
4294:
4289:
4288:
4285:
4273:
4265:
4264:
4261:
4255:
4252:
4250:
4247:
4245:
4242:
4240:
4237:
4235:
4232:
4230:
4227:
4225:
4222:
4220:
4217:
4215:
4212:
4210:
4209:
4205:
4203:
4202:
4198:
4196:
4193:
4191:
4188:
4186:
4183:
4181:
4178:
4176:
4173:
4171:
4168:
4166:
4163:
4162:
4160:
4156:
4150:
4149:
4145:
4144:
4142:
4138:
4132:
4131:
4127:
4125:
4124:
4120:
4118:
4117:
4113:
4111:
4110:
4106:
4104:
4103:
4099:
4097:
4096:
4092:
4090:
4089:
4085:
4083:
4082:
4078:
4076:
4075:
4071:
4069:
4068:
4064:
4062:
4061:
4057:
4055:
4054:
4050:
4048:
4047:
4046:Human Highway
4043:
4041:
4040:
4036:
4035:
4033:
4029:
4018:
4014:
4011:
4007:
4004:
4000:
3997:
3993:
3990:
3986:
3983:
3979:
3976:
3972:
3969:
3968:Wrecking Ball
3965:
3962:
3958:
3955:
3951:
3948:
3944:
3941:
3937:
3934:
3930:
3929:
3927:
3923:
3916:
3912:
3909:
3905:
3902:
3898:
3895:
3891:
3888:
3884:
3881:
3877:
3874:
3870:
3867:
3863:
3860:
3856:
3853:
3849:
3846:
3842:
3839:
3835:
3832:
3828:
3825:
3821:
3818:
3814:
3811:
3807:
3804:
3800:
3797:
3793:
3790:
3786:
3783:
3779:
3776:
3775:Heart of Gold
3772:
3769:
3765:
3762:
3758:
3755:
3751:
3748:
3744:
3741:
3737:
3734:
3730:
3727:
3723:
3720:
3716:
3713:
3709:
3706:
3702:
3699:
3695:
3692:
3688:
3685:
3681:
3678:
3674:
3673:
3671:
3667:
3660:
3656:
3653:
3649:
3646:
3642:
3639:
3635:
3632:
3631:Cinnamon Girl
3628:
3625:
3621:
3618:
3614:
3611:
3607:
3604:
3600:
3597:
3593:
3590:
3586:
3583:
3579:
3576:
3572:
3571:
3569:
3565:
3562:
3558:
3548:
3545:
3543:
3540:
3538:
3535:
3533:
3530:
3528:
3525:
3523:
3520:
3519:
3517:
3513:
3507:
3506:
3502:
3500:
3497:
3495:
3494:
3493:Odeon Budokan
3490:
3488:
3487:
3486:Chrome Dreams
3483:
3481:
3480:
3476:
3474:
3473:
3469:
3467:
3466:
3462:
3460:
3459:
3455:
3454:
3452:
3448:
3442:
3441:
3437:
3435:
3434:
3430:
3428:
3427:
3423:
3421:
3420:
3416:
3414:
3413:
3409:
3407:
3406:
3402:
3400:
3399:
3395:
3393:
3392:
3391:Bluenote Café
3388:
3386:
3385:
3381:
3379:
3378:
3374:
3372:
3371:
3367:
3365:
3364:
3360:
3358:
3357:
3353:
3351:
3350:
3346:
3344:
3343:
3339:
3338:
3336:
3332:
3326:
3325:
3321:
3319:
3318:
3314:
3312:
3311:
3307:
3306:
3304:
3300:
3297:
3295:
3291:
3285:
3284:
3283:Greatest Hits
3280:
3278:
3277:
3273:
3271:
3270:
3266:
3265:
3263:
3259:
3253:
3252:
3248:
3246:
3245:
3241:
3239:
3238:
3234:
3232:
3231:
3227:
3225:
3224:
3220:
3219:
3217:
3213:
3207:
3206:
3202:
3200:
3199:
3195:
3193:
3192:
3188:
3186:
3185:
3181:
3179:
3178:
3174:
3172:
3171:
3167:
3165:
3164:
3160:
3158:
3157:
3153:
3151:
3150:
3146:
3144:
3143:
3139:
3138:
3136:
3132:
3126:
3125:
3121:
3119:
3118:
3114:
3113:
3111:
3107:
3101:
3100:
3096:
3094:
3093:
3089:
3087:
3086:
3082:
3080:
3079:
3075:
3073:
3072:
3068:
3066:
3065:
3061:
3059:
3058:
3054:
3052:
3051:
3050:A Letter Home
3047:
3045:
3044:
3040:
3038:
3037:
3033:
3031:
3030:
3026:
3024:
3023:
3019:
3017:
3016:
3012:
3010:
3009:
3005:
3003:
3002:
2998:
2996:
2995:
2991:
2989:
2988:
2984:
2982:
2981:
2977:
2975:
2974:
2970:
2968:
2967:
2963:
2961:
2960:
2956:
2954:
2953:
2949:
2947:
2946:
2942:
2940:
2939:
2935:
2933:
2932:
2928:
2926:
2925:
2921:
2919:
2918:
2914:
2912:
2911:
2907:
2905:
2904:
2900:
2898:
2897:
2893:
2891:
2890:
2886:
2884:
2883:
2879:
2877:
2876:
2872:
2870:
2869:
2865:
2863:
2862:
2858:
2856:
2855:
2851:
2849:
2848:
2844:
2842:
2841:
2837:
2835:
2834:
2830:
2828:
2827:
2823:
2821:
2820:
2816:
2814:
2813:
2809:
2807:
2806:
2802:
2801:
2799:
2797:Studio albums
2795:
2789:
2788:
2784:
2782:
2781:
2777:
2775:
2774:
2770:
2769:
2766:
2762:
2755:
2750:
2748:
2743:
2741:
2736:
2735:
2732:
2714:
2710:
2704:
2689:
2685:
2679:
2665:
2661:
2655:
2647:
2645:84-8048-639-2
2641:
2637:
2630:
2619:
2613:
2599:
2595:
2589:
2587:
2572:
2568:
2562:
2560:
2553:
2549:
2544:
2536:
2535:
2530:
2524:
2516:
2515:
2510:
2503:
2492:September 16,
2487:
2486:Rolling Stone
2483:
2477:
2462:
2461:
2456:
2449:
2434:
2433:
2428:
2424:
2418:
2402:
2401:
2400:Rolling Stone
2396:
2389:
2381:
2375:
2371:
2364:
2357:
2353:
2348:
2340:
2339:
2338:Rolling Stone
2334:
2328:
2326:
2309:
2302:
2300:
2291:
2287:
2283:
2276:
2268:
2264:
2260:
2253:
2246:
2242:
2236:
2234:
2225:
2219:
2210:
2204:
2200:
2195:
2189:
2186:CD (2282–2);
2185:
2180:
2174:
2170:
2165:
2156:
2141:
2135:
2120:
2116:
2109:
2103:
2097:
2088:
2079:
2071:
2069:9780879307417
2065:
2061:
2054:
2045:
2037:
2031:
2025:
2019:
2010:
1995:
1991:
1984:
1982:
1972:
1970:
1968:
1960:
1956:
1952:
1951:
1944:
1935:
1933:
1931:
1922:
1916:
1912:
1908:
1902:
1900:
1898:
1896:
1894:
1892:
1890:
1888:
1881:
1875:
1867:
1865:0-7535-0493-6
1861:
1857:
1853:
1852:
1847:
1841:
1826:
1825:Rolling Stone
1822:
1816:
1802:. discogs.com
1801:
1795:
1780:
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1701:
1700:Rolling Stone
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1625:Certification
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1426:Weekly charts
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1379:Bobby Notkoff
1377:
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1367:
1364:
1362:– bass guitar
1361:
1358:
1355:
1354:Danny Whitten
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1187:Cinnamon Girl
1184:
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1175:
1168:Track listing
1165:
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1152:
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1141:
1140:Rolling Stone
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850:Review scores
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739:
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652:Rolling Stone
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616:Bobby Notkoff
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551:Mojo Magazine
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515:Cinnamon Girl
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491:Rolling Stone
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453:Danny Whitten
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44:This article
42:
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27:
23:
19:
4823:
4816:
4788:Powderfinger
4732:Southern Man
4645:
4638:
4633:
4626:
4619:
4614:World Record
4612:
4605:
4598:
4591:
4584:
4577:
4570:
4563:
4556:
4549:
4544:Broken Arrow
4542:
4535:
4528:
4521:
4516:Ragged Glory
4514:
4507:
4500:
4493:
4486:
4479:
4472:
4465:
4459:
4458:
4440:
4433:
4426:
4419:
4412:
4405:
4398:
4373:John Blanton
4346:Micah Nelson
4345:
4340:Nils Lofgren
4338:
4333:Ralph Molina
4331:
4326:Billy Talbot
4324:
4239:Daryl Hannah
4206:
4199:
4146:
4128:
4121:
4114:
4109:CSNY/Déjà Vu
4107:
4100:
4093:
4086:
4079:
4072:
4065:
4058:
4051:
4044:
4037:
3975:Harvest Moon
3908:Powderfinger
3859:Will to Love
3719:Southern Man
3684:Country Girl
3589:Broken Arrow
3546:
3541:
3536:
3531:
3526:
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3261:Compilations
3249:
3242:
3237:Philadelphia
3235:
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3221:
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3099:World Record
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3013:
3006:
2999:
2994:Prairie Wind
2992:
2985:
2978:
2971:
2966:Broken Arrow
2964:
2957:
2950:
2945:Harvest Moon
2943:
2938:Ragged Glory
2936:
2929:
2922:
2915:
2908:
2901:
2894:
2887:
2880:
2873:
2866:
2861:Comes a Time
2859:
2852:
2845:
2838:
2833:On the Beach
2831:
2824:
2817:
2811:
2810:
2803:
2785:
2778:
2771:
2716:. Retrieved
2703:
2691:. Retrieved
2678:
2667:. Retrieved
2663:
2654:
2635:
2629:
2612:
2601:. Retrieved
2597:
2574:. Retrieved
2570:
2550:rear cover;
2547:
2543:
2532:
2523:
2512:
2502:
2490:. Retrieved
2476:
2464:. Retrieved
2458:
2448:
2436:. Retrieved
2430:
2417:
2405:. Retrieved
2398:
2388:
2369:
2363:
2355:
2347:
2336:
2312:. Retrieved
2281:
2275:
2258:
2252:
2218:
2209:
2201:CD box set;
2198:
2194:
2183:
2179:
2168:
2164:
2155:
2144:. Retrieved
2134:
2122:. Retrieved
2119:Mother Jones
2118:
2113:Ben, Party.
2108:
2096:
2087:
2078:
2059:
2053:
2044:
2036:"Neil Young"
2030:
2018:
2009:
1997:. Retrieved
1993:
1948:
1947:Neil Young.
1943:
1910:
1874:
1856:Virgin Books
1849:
1846:Colin Larkin
1840:
1829:. Retrieved
1827:. 2020-09-22
1824:
1815:
1804:. Retrieved
1794:
1782:. Retrieved
1778:
1769:
1757:. Retrieved
1753:
1744:
1724:
1717:
1707:November 10,
1705:. Retrieved
1698:
1689:
1666:
1599:
1576:
1575:
1567:Pop Singles
1564:Record World
1562:
1553:Pop Singles
1549:
1539:Pop Singles
1536:
1477:Record World
1475:
1462:
1448:
1402:David Briggs
1395:
1394:
1372:
1371:
1366:Ralph Molina
1360:Billy Talbot
1347:
1346:
1326:
1321:
1307:
1298:
1288:
1283:
1266:
1260:Ralph Molina
1256:Billy Talbot
1249:
1235:
1226:
1216:
1211:
1197:
1192:
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1148:
1138:
1136:
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831:
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789:
779:
774:
773:
752:
749:
741:
727:
712:
702:
698:
693:
687:
681:
673:David Briggs
670:
662:records and
657:
649:
638:
628:
626:
619:
613:
610:
595:
584:
577:
573:Jim and Jean
568:
558:
556:
540:
536:
530:
512:
503:
497:
495:
487:
480:
470:
461:Ralph Molina
459:and drummer
457:Billy Talbot
450:
438:
435:Colin Larkin
424:
422:
407:
381:
380:
379:
317:
298:
290:
289:
279:
248:
240:
239:
230:
210:David Briggs
157:Country rock
124:May 14, 1969
103:Studio album
68:
53:Please help
45:
4847:1969 albums
4818:The Rockets
4753:Danger Bird
4400:Crazy Horse
4392:Crazy Horse
4376:Rick Curtis
4314:Crazy Horse
4170:The Squires
4165:Discography
4067:Muddy Track
4010:Angry World
3940:Grey Riders
3845:Danger Bird
3698:Tell Me Why
3547:High Flyin'
3215:Soundtracks
3134:Live albums
3078:The Visitor
3071:Peace Trail
2959:Mirror Ball
2773:Crazy Horse
2718:17 November
2352:Marsh, Dave
1959:liner notes
1480:Pop Albums
1466:Pop Albums
1452:Pop Albums
1348:Crazy Horse
938:Music Story
828:Miles Davis
812:debut album
664:Roy Orbison
473:Springfield
399:sleeper hit
395:Crazy Horse
300:Crazy Horse
281:The Rockets
268:Crazy Horse
143:(Hollywood)
113:Crazy Horse
22:Mother Hips
4841:Categories
4812:Neil Young
4774:Lotta Love
4746:Tired Eyes
4647:Early Daze
4640:Fuckin' Up
4421:Crazy Moon
4384:Sonny Mone
4370:Greg LeRoy
4234:Pegi Young
4060:Solo Trans
3901:Pocahontas
3880:Lotta Love
3831:Tired Eyes
3505:Early Daze
3458:Hitchhiker
3412:Tuscaloosa
3377:A Treasure
3205:Fuckin' Up
2805:Neil Young
2761:Neil Young
2669:2021-01-13
2603:2020-07-05
2576:2020-07-05
2379:0679755748
2146:2018-10-08
1999:August 26,
1957:3RS 2257,
1831:2020-11-16
1806:2015-04-03
1681:References
1661:1,000,000
1410:– producer
1408:Neil Young
1389:Robin Lane
1341:Neil Young
1318:" (10:03)
1229:Robin Lane
1174:Neil Young
1131:Neil Young
764:Robin Lane
755:Robin Lane
743:Early Daze
734:The Angels
723:Troubadour
455:, bassist
447:Background
387:Neil Young
270:chronology
232:Neil Young
221:chronology
219:Neil Young
206:Neil Young
108:Neil Young
71:April 2024
63:Wikisource
4572:Americana
4558:Greendale
4502:Re·ac·tor
4495:Live Rust
4254:Pearl Jam
4219:Old Black
4195:The Ducks
4095:Greendale
3610:The Loner
3472:Homegrown
3170:Unplugged
3149:Live Rust
3124:The Times
3057:Storytone
3036:Americana
2987:Greendale
2882:Re·ac·tor
2466:April 20,
2438:April 20,
2407:1 October
2267:11913831M
1658:Platinum
1600:Billboard
1590:Position
1537:Billboard
1525:Position
1449:Billboard
1439:Position
1396:Technical
1335:Personnel
1246:" (9:13)
1208:" (2:26)
1189:" (2:58)
1127:Pitchfork
1101:wrote in
987:Pitchfork
840:Reception
816:Woodstock
802:Promotion
635:Recording
565:Phil Ochs
547:Nick Kent
408:Billboard
162:hard rock
59:Wikiquote
46:contains
4679:Downtown
4586:Colorado
4272:Category
4224:Farm Aid
3996:Downtown
3838:New Mama
3803:War Song
3677:Helpless
3582:Mr. Soul
3302:Box sets
3244:Dead Man
3117:Eldorado
3085:Colorado
3029:Le Noise
2903:Old Ways
2534:Exclaim!
2333:Greg Kot
2314:March 2,
2290:8145585M
2245:AllMusic
2124:5 August
1953:. 1976:
1909:(2002).
1784:8 August
1759:July 22,
1275:Side two
1258:– bass;
1180:Side one
1122:AllMusic
1117:Greg Kot
864:AllMusic
818:and the
689:Archives
521:", and "
443:(2000).
200:Producer
129:Recorded
121:Released
105: by
4158:Related
4130:Paradox
3961:No More
3789:Old Man
3761:Harvest
3465:Paradox
3251:Paradox
2931:Freedom
2826:Harvest
1955:Reprise
1754:Discogs
1646:60,000
1643:Silver
1631:/sales
1622:Region
1550:Cashbox
1519:Single
1509:Singles
1463:Cashbox
1231:– vocal
770:Release
602:Hey Joe
557:In the
477:Whiskey
416:by the
314:Singles
304:(1971)
295:(1969)
286:(1968)
254:(1970)
245:(1969)
236:(1968)
193:Reprise
3269:Decade
2642:
2488:. 2012
2376:
2288:
2265:
2066:
1950:Decade
1917:
1862:
1732:
1587:Chart
1522:Chart
1436:Chart
1421:Charts
1383:violin
858:Rating
855:Source
694:Shakey
629:Shakey
569:Shakey
560:Decade
498:Shakey
171:Length
137:Studio
24:, see
4657:Songs
4407:Loose
4140:Books
3669:1970s
3567:1960s
3560:Songs
3479:Toast
3191:Earth
2889:Trans
2693:5 May
2621:(PDF)
1595:1970
1584:Year
1530:1970
1516:Year
1496:1972
1444:1970
1433:Year
1154:'
992:10/10
732:" by
527:fever
509:Songs
359:" / "
316:from
188:Label
149:Genre
110:with
4634:Dume
4607:Barn
4523:Weld
4509:Life
4474:Zuma
4214:Pono
4074:Weld
3810:L.A.
3691:Ohio
3499:Dume
3156:Weld
3092:Barn
2917:Life
2847:Zuma
2720:2019
2695:2022
2640:ISBN
2494:2019
2468:2018
2440:2018
2409:2015
2374:ISBN
2316:2012
2126:2015
2064:ISBN
2001:2023
1994:Mojo
1915:ISBN
1860:ISBN
1786:2018
1761:2024
1730:ISBN
1709:2016
1653:RIAA
1080:6/10
782:HDCD
643:and
549:for
517:", "
418:RIAA
4530:Arc
3163:Arc
3109:EPs
2514:NME
2243:at
1638:BPI
1606:45
1570:52
1561:US
1556:56
1547:US
1542:55
1502:18
1491:32
1483:31
1474:US
1469:62
1460:US
1455:34
1150:NME
980:5/5
437:'s
410:200
4843::
2711:.
2686:.
2662:.
2596:.
2585:^
2569:.
2558:^
2531:.
2511:.
2484:.
2457:.
2429:.
2397:.
2324:^
2298:^
2286:OL
2263:OL
2232:^
2117:.
1992:.
1980:^
1966:^
1929:^
1886:^
1823:.
1777:.
1752:.
1697:.
1655:)
1640:)
1381:–
1156:s
1115:,
836:.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
