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131:. Many of Du Caurroy's chansons written in this style were not published until 1609, long after the disbanding of the Académie, and they contrast significantly with his otherwise more conservative musical output. According to Du Caurroy, he was initially hostile to writing in the style, but was so moved by a performance of a composition of Le Jeune's, a
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for three to six instruments. The collection of 42 such pieces, published posthumously in 1610, is considered to be a strong influence on the next generation of French keyboard players, especially
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Paul-André Gaillard, Richard
Freedman, Marie-Alexis Colin: "Eustache du Caurroy", Grove Music Online, ed. L. Macy (Accessed July 5, 2006),
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Caurroy also used the musique mesurée technique in his sacred compositions, including seven psalm settings, published in his
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Caurroy accumulated wealth and honours in the first decade of the 17th century, including benefices and a large estate in
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for the funerals of French kings for the next several centuries. It is a long composition containing the
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sung by a hundred voices, that he wanted to attempt it himself.
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responsory, the chant for which is similar to the famous
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176:Dies irae
171:Libera me
167:St. Denis
267:Archived
204:Pie Jesu
127:and his
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