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340:, which he had written with her in mind. She was concerned about trying a role above her natural range of contralto. In the 1942 revival, the part of Bess was rewritten. She did accept the role of "Bess", but she would not sing the word "nigger", which Ira Gershwin subsequently wrote out of the libretto. Through her performances on Broadway and with the national touring company until 1945, she captured Bess as her signature role.
424:, as a man interested in the liberation of oppressed people globally, but with no official place in Ghana's Independence Day festivities. The recording of this conversation, conducted in a Ghanaian radio studio where Moten Barnett was gathering recordings for her Chicago broadcasts, is also available at the Library of Congress and the Schomburg Library.
403:
are available at the
Library of Congress and at the Schomburg Library in New York City. According to historian Angela Tate, Moten Barnett's program, which covered a wide range of cultural issues, was perhaps the first "Black woman’s radio broadcast created for Black listeners that also had a broader
407:
The United States government appointed her to be a representative on cultural missions to ten
African nations. Etta's marriage to Claude Barnett gave her the opportunity to travel to Africa. Claude, as the head of the Associated Negro Press, along with Etta and other members of the organization
173:
women on stage and screen. After her performing career, Barnett was active in
Chicago as a major philanthropist and civic activist, raising funds for and supporting cultural, social and church institutions. She also hosted a radio program in Chicago and represented the United States in several
227:
Etta Moten
Barnett's first job began at Lincoln University. She received a teaching contract, which was short-lived when her father informed her that she would be moving to New York. Moten moved to New York City, where she first performed as a soloist with the
343:
She stopped performing in 1952 owing to vocal problems after doctors found a cyst on her vocal cords that required surgery. After her husband, Claude
Barnett, died in 1967, she lived in Chicago, where she became active in the
330:
Etta Moten
Barnett crossed over decades before that music-industry phrase existed. Disturbed by subtle but persistent racial discrimination, Etta persevered, believing she had to be “twice as good to get anywhere at all.”
198:
Etta's family put great importance on education, as her parents made sure she was enrolled in good schools no matter where they moved. Etta attended Paul Quinn
College's secondary school in Waco, Texas. She then attended
211:, where she studied music. To pay her tuition, she joined a quartet on Topeka's WREN radio, performed on the Chautauqua circuit, and spent summers with the Jackson Jubilee Singers. She completed her education at the
420:'s independence from Great Britain—she as the wife of Claude Barnett, a prominent member of the official U.S. delegation headed by Vice President Richard Nixon, and King, fresh from the
215:, where she earned a B.A. in voice and drama in 1931. She became the first student to present a recital in the campus's newly constructed Hoch Auditorium. Moten became a member of
432:
About 1918 she married Curtis Brooks, who had been a teacher of hers in high school. They had three daughters: Sue, Gladys and Etta Vee, but divorced after six years of marriage.
801:
Barford, Mary
Florence, "INTIMACY AND AUTONOMY: TWENTIETH CENTURY AMERICAN WOMEN AND THE QUEST FOR SELF-REALIZATION" (2015). Open Access Dissertations. 1088.
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visited the continent frequently to gain
African news information for the ANP to include in their issues. On March 6, 1957, Moten Barnett interviewed Dr.
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archetype). Moten made a breakthrough with her roles in these movies and is generally recognized as the first black woman to do so.
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minister, Rev. Freeman F. Moten, and a teacher, his wife, Ida Norman Moten. She started singing as a child in the church choir.
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at his birthday celebration. The song echoed
Roosevelt's campaign promise that he would remember the "forgotten man."
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1041:(note: click on "Inductees" image 3 of 5, and "Inductees & Honorees Bios 1974–1993" images 110 & 116 of 295)
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The Rise and Fall of the Associated Negro Press: Claude Barnett's Pan-African News and the Jim Crow Paradox
856:"Pioneering Black Actress, Singer, Dies at 102; Etta Motten Barnett "Played Dignified Role in Pictures"."
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Up until this point, the representation of black women in movies was limited to maids or nannies (the
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In addition to activities with civic organizations, Moten Barnett served as a board member of both
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820:, by GERALD HORNE, University of Illinois Press, Urbana; Chicago; Springfield, 2017, pp. 51–64.
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2001 - Inducted into the Emily Taylor Center for Women and Gender Equity, University of Kansas
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1973 – African Center of Atlanta University, citation for contributions to Afro-American music
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885:"Sounding Off: Etta Moten Barnett's Archive, Diaspora, and Radio Activism in the Cold War"
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1958 – National Association of Business and Professional Women, citation for service
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in Chicago. The two were happily married for 33 years, until his death in 1967.
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In 1934, while living and working in New York, Moten married a second time, to
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On January 31, 1934, Moten became the first African American to perform at the
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955:
Stanford University | Martin Luther King, Jr. Research and Education Institute
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Etta Moten Barnett recalls her life with Claude Barnett (February 4, 1993).
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953:(Interview: transcript). Interviewed by Etta Moten Barnett. Accra, Ghana:
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667:(1942) as Soloist – 'Ballad for Americans' (uncredited) (final film role)
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In the 50s and 60s Moten Barnett hosted a radio show in Chicago called
371:, a service organization for African-American women, and her sorority,
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824:, www.jstor.org/stable/10.5406/j.ctt1ws7w2c.6. Accessed 22 Nov. 2020.
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Gershwin discussed her singing the part of "Bess" in his new work
163:
vocalist, who was identified with her signature role of "Bess" in
159:(November 5, 1901 – January 2, 2004) was an American actress and
72:
488:
1988 – African American Institute citation for service to Africa
933:, by Donald A. Ritchie, Oxford University Press, 2007, p. 199.
417:
948:
by Etta Moten Barnett.pdf "Interview by Etta Moten Barnett"
720:. New York, New York: Facts on File Books. pp. 63–65.
219:
sorority, which provided a network throughout her career.
803:
https://docs.lib.purdue.edu/open_access_dissertations/1088
718:
Facts on File Encyclopedia of Black Women in America Music
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1974 – WAIT, citation for contributions to City of Chicago
607:(1933) as 'Remember My Forgotten Man' Singer (uncredited)
1153:(Third ed.). New York: W. W. Norton & Company.
88:
Actress, singer, U.S. cultural representative in Africa
303:
in the 20th century, the first in over 50 years since
692:"Ten Things You Should Know about Etta Moten Barnett"
265:") and a more substantial role as a war widow in the
255:
She performed in two musical films released in 1933:
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Choir. Jessye was a groundbreaking collaborator with
416:, where they were both attending the celebration of
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450:at Chicago's Mercy Hospital in 2004, aged 102.
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683:
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459:1943 – University of Kansas, citation of merit
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643:(1934) as Slave at Medicine Show (uncredited)
275:(singing the emotive "My Forgotten Man" with
599:(1933) as Singing Inmate (voice, uncredited)
1223:20th-century African-American women singers
678:
279:). Also in 1933, she dubbed the singing of
174:official delegations to nations in Africa.
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1169:Etta Moten Barnett: A Kansas City Tribute.
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31:
1248:Deaths from pancreatic cancer in Illinois
1233:20th-century American women opera singers
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1071:
1148:
1025:"Black Filmmakers Hall of Fame Archives"
834:"Singer-actress, KU grad was role model"
381:
1151:The Music of Black Americans: A History
1129:"Emily Taylor Center Induction Article"
931:American Journalists: Getting the Story
584:' comedy, with an all-black cast (1946)
138: 1934; died 1967)
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878:
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248:. Moten was cast in the Broadway show
1058:National Coalition of 100 Black Women
484:National Coalition of 100 Black Women
1238:African-American women opera singers
1054:"Candace Award Recipients 1982–1990"
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379:activities and events in the 1980s.
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659:(1937) as Black Singer (uncredited)
475:, noted as: Actress, Concert Artist
13:
1298:American musical theatre actresses
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883:Tate, Angela (September 1, 2021).
690:John Troesser (February 1, 2005).
16:American singer, actress, activist
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631:(1933) (dubbed singing voice for
615:(1933) as Singer (scenes deleted)
539:North Carolina Central University
533:Lincoln University (Pennsylvania)
1338:Radio personalities from Chicago
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1313:20th-century American actresses
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1108:The Lincoln Academy of Illinois
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748:. Cengage/via- Encyclopedia.com
746:Encyclopedia of World Biography
362:South Side Community Art Center
346:National Council of Negro Women
135:
1318:Classical musicians from Texas
998:"Etta Moten Barnett Biography"
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1308:African-American centenarians
1228:20th-century American singers
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473:Black Filmmakers Hall of Fame
356:. She was also active in the
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1243:American operatic contraltos
845:Wichita Eagle and Kansas.com
716:Hine Clark, Darlene (1997).
651:(1936) as Angel (uncredited)
623:(1933) as The Colored Singer
240:. In 1931, she performed in
177:
169:. She created new roles for
7:
1323:American women centenarians
1278:African-American Methodists
1263:University of Kansas alumni
1079:"Etta Moten Barnett Papers"
1060:. p. 1. Archived from
446:Etta Moten Barnett died of
244:a musical revue written by
10:
1354:
1288:African-American actresses
1185:Internet Broadway Database
1104:"Laureates Alphabetically"
758:: CS1 maint: postscript (
495:from the State of Illinois
399:. Dozens of recordings of
377:International Women's Year
205:historically black college
1253:People from Weimar, Texas
1149:Southern, Eileen (1997).
774:"Etta Moten Barnett, 102"
375:. She was also active in
325:Franklin Delano Roosevelt
315:in 1878. Moten performed
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1303:American stage actresses
901:10.1525/res.2021.2.3.395
572:, musical revival (1943)
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307:performed for President
1328:20th-century Methodists
1293:American film actresses
944:King, Martin Luther Jr.
628:Professional Sweetheart
544:
286:Professional Sweetheart
187:Etta Moten was born in
1083:Chicago Public Library
596:Ladies They Talk About
558:, musical revue (1931)
527:University of Illinois
441:Associated Negro Press
422:Montgomery Bus Boycott
410:Martin Luther King Jr.
387:
191:, the only child of a
860:, Jan, 2005, pp. A.13
471:1979 – Inducted into
437:Claude Albert Barnett
385:
305:Marie Selika Williams
124:Claude Albert Barnett
1333:Members of The Links
1283:Actresses from Texas
1167:Vernon, Ann (1997).
858:Los Angeles Sentinel
742:"Etta Moten Barnett"
604:Gold Diggers of 1933
321:Gold Diggers of 1933
272:Gold Diggers of 1933
213:University of Kansas
816:“World War Looms.”
350:Chicago Lyric Opera
309:Rutherford B. Hayes
1258:Singers from Texas
1204:Etta Moten Barnett
1195:Etta Moten Barnett
1181:Etta Moten Barnett
1064:on March 14, 2003.
929:“Claude Barnett.”
839:2010-07-22 at the
656:A Day at the Races
648:The Green Pastures
620:Flying Down to Rio
515:Atlanta University
439:, the head of the
388:
258:Flying Down to Rio
246:Zora Neale Hurston
201:Western University
157:Etta Moten Barnett
25:Etta Moten Barnett
1003:The HistoryMakers
946:(March 6, 1957).
780:. January 4, 2004
754:cite encyclopedia
454:Legacy and honors
448:pancreatic cancer
391:Cultural missions
373:Alpha Kappa Alpha
317:The Forgotten Man
242:Fast and Furious;
217:Alpha Kappa Alpha
154:
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93:Years active
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521:Spelman College
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401:I Remember When
397:I Remember When
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319:from her movie
313:Lucy Webb Hayes
311:and First Lady
238:George Gershwin
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337:Porgy and Bess
323:for President
281:Theresa Harris
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1113:February 25,
1111:. Retrieved
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1088:February 25,
1086:. Retrieved
1082:
1062:the original
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1033:. Retrieved
1029:the original
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784:February 25,
782:. Retrieved
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699:. Retrieved
695:
664:Born to Sing
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582:Aristophanes
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116:; div. 1924)
67:(2004-01-02)
18:
1273:2004 deaths
1268:1901 births
701:January 22,
640:Operator 13
589:Filmography
404:audience."
301:White House
263:The Carioca
183:Early years
114: 1918
1217:Categories
979:|url=
672:References
577:Lysistrata
352:, and the
261:(singing "
230:Eva Jessye
207:(HBCU) in
46:1901-11-05
917:239225318
909:2688-867X
889:Resonance
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