128:- were for decades active sponsored film producers and distributors; others included airlines who offered travelogues on their destinations. In the early years of commercial television, local television stations often used sponsored films as "filler" programming. Specialized distributing agents packaged films from various sponsors into TV programs with titles like
195:
Prelinger estimates that the form includes perhaps 400,000 films and, as such, is the largest genre of films, but that one-third to one-half of the films have been lost to neglect. In the late 20th century, the archival moving-image community has taken greater notice of sponsored film, and key
191:
film instructing children to be careful of strangers may seem laughable by today's standards, but the film may show important aspects of society which were documented unintentionally: hairstyles, popular fashions, technological advances, landscapes, etc.
461:
46:
for a specific purpose other than as a work of art: the films were designed to serve a specific pragmatic purpose for a limited time. Many of the films are also
187:
Prelinger and other film archivists generally consider the films interesting for their sociological, ethnographic, or evidentiary value: for instance, a
409:
96:
Sponsored films in 16mm were loaned at no cost, except sometimes postage, to clubs, schools, and other groups. America's largest companies -
334:
353:
93:, what defines them is a sponsored rhetoric to achieve the sponsor's goals, rather than those of the creative artist.
328:
238:
17:
500:
125:
277:
256:
495:
451:
50:
since they lack copyright owners or active custodians to guarantee their long-term preservation.
520:
515:
510:
505:
204:
462:
Curated
Collection of Jamieson Film Company materials at the Texas Archive of the Moving Image
490:
396:
367:
75:
43:
8:
232:
220:
392:
261:
251:
196:
ephemeral films began to be preserved by specialized, regional, and national archives.
162:
105:
172:
384:
226:
157:
109:
67:
63:
410:
Navigating the well-curated, deeply weird
Sponsored Films online archive-The Verge
271:
388:
324:
200:
188:
181:
117:
113:
35:
484:
71:
452:
Online Field Guide to
Sponsored Films: National Film Preservation Foundation
288:
121:
82:
47:
475:
266:
90:
59:
456:
446:
203:
films in this style were re-evaluated and released commercially by the
177:
167:
86:
471:
97:
81:
While some may borrow themes from well-known film genres such as
354:
Learning to Love
Sponsored Films|Arts & Culture|Smithsonian
283:
153:
101:
308:
EPHEMERA: The
Prelinger Archives (March 2013 Edition) on Vimeo
431:
420:
307:
466:
176:(1999) as an example of what he perceives as hysteria over
39:
366:
368:"Labor-Sponsored Film and Working-Class History:
482:
257:Internet Archive ยง Moving image collection
467:Ephemeral Films: National Socialism in Austria
319:
317:
315:
242:is a sponsored film about sponsored films.
421:Ephemeral Films by Rick Prelinger on Vimeo
53:
323:
160:, for instance, the social guidance film
364:
312:
14:
483:
170:) appears, desaturated, in Ron Mann's
335:National Film Preservation Foundation
218:Examples of sponsored films include
24:
330:The Field Guide to Sponsored Films
25:
532:
440:
78:, and government-produced films.
239:Technicolor for Industrial Films
383:(4). Indiana University Press.
180:, as well as an example of the
34:, as defined by film archivist
457:Ephemeral Films on Archive.org
425:
414:
403:
358:
347:
301:
13:
1:
333:, San Francisco, California:
294:
126:Westinghouse Electric Company
278:Mystery Science Theater 3000
152:The films are often used as
7:
432:EPHEMERA: POPULUXE on Vimeo
397:10.2979/filmhistory.26.4.84
389:10.2979/filmhistory.26.4.84
245:
10:
537:
447:The Industry Film Archive
365:Godfried, Nathan (2014).
58:The genre is composed of
147:
207:in 2010 as part of its
54:Types of sponsored film
205:British Film Institute
76:social guidance films
42:made by a particular
501:Audiovisual ephemera
142:Adventures In Living
233:A Word to the Wives
221:Design for Dreaming
213:Shadows of Progress
399:– via JSTOR.
262:Industrial musical
252:Prelinger Archives
163:The Terrible Truth
158:documentary films
68:industrial videos
64:educational films
16:(Redirected from
528:
434:
429:
423:
418:
412:
407:
401:
400:
374:
362:
356:
351:
345:
344:
343:
341:
321:
310:
305:
227:A Touch of Magic
110:General Electric
21:
536:
535:
531:
530:
529:
527:
526:
525:
496:Sponsored films
481:
480:
443:
438:
437:
430:
426:
419:
415:
408:
404:
370:The Inheritance
363:
359:
352:
348:
339:
337:
325:Prelinger, Rick
322:
313:
306:
302:
297:
272:Grey literature
248:
150:
56:
23:
22:
15:
12:
11:
5:
534:
524:
523:
518:
513:
508:
503:
498:
493:
479:
478:
469:
464:
459:
454:
449:
442:
441:External links
439:
436:
435:
424:
413:
402:
357:
346:
311:
299:
298:
296:
293:
292:
291:
286:
281:
274:
269:
264:
259:
254:
247:
244:
189:mental hygiene
182:slippery slope
149:
146:
118:Republic Steel
114:General Motors
72:training films
55:
52:
36:Rick Prelinger
32:ephemeral film
28:Sponsored film
18:Ephemeral film
9:
6:
4:
3:
2:
533:
522:
521:1960s in film
519:
517:
516:1950s in film
514:
512:
511:1940s in film
509:
507:
506:1930s in film
504:
502:
499:
497:
494:
492:
489:
488:
486:
477:
473:
472:prelinger.com
470:
468:
465:
463:
460:
458:
455:
453:
450:
448:
445:
444:
433:
428:
422:
417:
411:
406:
398:
394:
390:
386:
382:
378:
373:
371:
361:
355:
350:
336:
332:
331:
326:
320:
318:
316:
309:
304:
300:
290:
287:
285:
282:
280:
279:
275:
273:
270:
268:
265:
263:
260:
258:
255:
253:
250:
249:
243:
241:
240:
235:
234:
229:
228:
223:
222:
216:
214:
210:
206:
202:
197:
193:
190:
185:
183:
179:
175:
174:
169:
165:
164:
159:
155:
145:
143:
139:
135:
131:
127:
123:
119:
115:
111:
107:
103:
99:
94:
92:
88:
84:
79:
77:
73:
69:
65:
61:
51:
49:
45:
41:
37:
33:
29:
19:
427:
416:
405:
380:
377:Film History
376:
369:
360:
349:
338:, retrieved
329:
303:
289:Camp (style)
276:
237:
231:
225:
219:
217:
212:
209:Boom Britain
208:
199:A number of
198:
194:
186:
171:
161:
151:
141:
137:
134:Color Camera
133:
129:
122:Standard Oil
95:
83:western film
80:
57:
48:orphan works
31:
27:
26:
491:Film genres
267:Infomercial
138:Ladies' Day
60:advertising
485:Categories
295:References
178:drug abuse
215:project.
184:fallacy.
168:Sid Davis
327:(2006),
246:See also
98:AT&T
91:comedies
87:musicals
372:(1964)"
340:10 July
201:British
166:(1951,
130:Compass
62:films,
44:sponsor
38:, is a
395:
284:Kitsch
230:, and
154:B-roll
140:, and
124:, and
102:DuPont
89:, and
476:Panix
393:JSTOR
173:Grass
148:Usage
30:, or
474:via
342:2023
106:Ford
40:film
385:doi
156:in
487::
391:.
381:26
379:.
375:.
314:^
236:.
224:,
211:/
144:.
136:,
132:,
120:,
116:,
112:,
108:,
104:,
100:,
85:,
74:,
70:,
66:,
387::
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.