Glossary of ballet

5266:) Although commonly thought to mean a scissor step, sissonnes are in fact named after the originator of the step. There are many types of sissonne, but all push off the floor with two feet and land on one. A sissone simple/ ordinaire devant starts in fifth position, shows fifth position in the air and lands in cou-de-pied devant. A sissonne fermée (close) has the dancer perform a medium to large jump from two feet, springing in any direction and leaving an extended leg behind, the ‘fermé’ is then a fast closing of the extended leg back into fifth position. A sissonne ouverte (open) will finish in the extended position. Advanced dancers can often be seen splitting their legs in a sissonne fermée and ouverte, this has perhaps led to some believing sissonne to be a ‘scissor step’. For reference, ‘scissors’ in French is ‘Ciseaux’ . Pas de ciseaux - a scissor step, is in advanced step in which following a temps levé from the left leg with the right leg devant, the legs pass each other at the height of the jump and the left leg is then immediately thrust backwards to land on the right leg with the left leg in arabesque (en fondue). 977: 4347:, (in first, second, fourth, and fifth position) While doing a grand-plié position one must remember to have proper alignment. Head over shoulders, shoulders over hips over knees and knees over feet. When initiating a grand-plié one must pull up and resist against going down. Lengthening from the center and back of the head and pressing down through the floor through the balls of the feet. As you are bending your knees you have to maintain the proper alignment and make sure that the knees are going over the big toe. Heels come off the ground past demi-plié with the feet ending in a demi-pointe at the bottom of the bend. Making sure to create proper turn out by rotating the inner thighs forward and you go down. Making sure to keep the pelvis in line as you go down and up so that you do not release your seat and stick your chest forward, and at the same time engaging your core(stomach) by pressing your navel towards your spine. As soon as the bottom of the bend is reached, the bend is reversed and the legs are straightened. *Note: Heels do not come up off the floor in a second position. 4340:, (in a first, second, fourth, and fifth position) a dancer bends the knees while maintaining turnout. While in a demi-plié position one must remember to have proper alignment. Head over shoulders, shoulders over hips over knees and knees over feet. When initiating a demi-plié one must pull up and resist against going down. Lengthening from the center and back of the head and pressing down through the floor through the balls of the feet. As you are bending your knees you have to maintain the proper alignment and make sure that the knees are going over the big toe. Creating proper turn out by rotating the inner thighs forward and you go down. Making sure to keep the pelvis in line as you go down and up so that you do not release your seat and stick your chest forward. at the same time engaging your core (stomach) by pressing your naval towards your spine. The knees bending directly above the line of the toes without releasing the heels from the floor. As soon as the bottom of the bend is reached, the bend is reversed and the legs are straightened. 3220: 498: 5015: 1833: 4947: 2693: 5425: 4857: 4024: 2550: 956:; meaning 'caper.') An allegro step in which the extended legs are beaten in the air. Cabrioles are divided into two categories: petite, which are executed at 45 degrees, and grande, which are executed at 90 degrees. The working leg is thrust into the air, the underneath leg follows and beats against the first leg, sending it higher. The landing is then made on the underneath leg. Cabriole may be done devant, derrière and à la seconde in any given position of the body such as croisé, effacé, écarté, and so on. 4088: 5676: 2265:('six'), three changes of the feet are made in the air, ultimately changing which foot is in front. Even-numbered entrechats indicate the number of times the legs cross in and out in the air: a regular changement is two (one out, one in), entrechat quatre is two outs, two ins; six is three and three; huit is four and four. Odd-numbered entrechats refer to the previous number, but done landing on one foot with the other in cou-de-pied: for example, an 3737: 609: 3283: 3159: 3071: 2984: 2889: 2770: 1055: 2443:. E.g. From croisé, the upstage leg opens behind on the sissonne as the body changes direction in the air to land ouverte effacé; the back leg which is now downstage slides through in a chassé passé to fourth in front, ending the dancer croisé the corner opposite the original. This chassé passé is the (pas) failli. An assemblé (dessus/over) to the opposite corner would reorient the body back to its original position. 454: 3767:.') A quick sequence of movements beginning with extension of the first leg while demi-plié, closing the first leg to the second as both transition to relevé (demi-pointe or pointe), extending the second leg to an open position while relevé, and closing the first leg to the second in demi-plié (or optionally with legs straight if performed quickly or as the final step of an enchainement). Variants include: 800: 4542: 4356: 2497: 4317: 3535:, a jump initiated with a grand battement en avant of the leading leg while pushing off the trailing leg from plié (usually led into by some moving step such as chassé, glissade en avant, or pas couru), the trailing leg brushing to grand battement derrière while in the air, the jump ultimately landing on the leading leg. Resembles the splits (en l'air). 3545:('turn'/'interlaced') is a grand jeté done turning: a jump initiated with a grand battement en avant of the leading leg, followed by a fouetté turning the direction of the body 180 degrees and the trailing leg brushing through to a grand battement derrière, the jump landing arabesque with the leading leg now the standing (landing) leg. 705:(Italian) A principal female ballet dancer in a ballet company. Ballerinas get more lead roles, which are referred to as principal roles as they are generally danced by principal dancers. Soloists also often dance in principal roles, but most of the time not in the first cast of the show (i.e. the cast that performs the most shows) 2663:, in an en dehors turn, the working leg extends forward and then whips around to the side as the working foot is retracted to the supporting knee in retiré, creating the impetus to rotate one turn. The working leg returns out of retiré nearing the end of a single rotation to restart the entire leg motion for successive rotations. 3803: 2714:

the Russian school, a pointed foot at cou-de-pied extends directly out to dégagé height without brushing through the floor. On demi-pointe, Cecchetti employs the Russian style of non-brushed pointed foot directly out. Other schools may use a flexed foot without the strike or a non-brushed pointed foot on demi-pointe.

5341:, stepping onto that leg en pointe/demi-pointe (making it the standing leg), then bringing the other leg to fifth position in front of the standing leg and finally turning (effectively, an unwinding motion). At the end of the rotation, the originally crossed-over foot in front should now be in fifth position behind. 5241: 5402:; literally 'on the neck of the foot.') The arched working foot is placed wrapped at the part of the leg between the base of the calf and the beginning of the ankle. On the accent devant (front), the heel of the working foot is placed in front of the leg, while the toes point to the back, allowing the instep ( 4963:) A position of the working leg in which the leg is raised turned out and bent at the knee to the side so that the toe is located directly in front of (retiré devant) or behind (retiré derrière) the supporting knee. This is commonly used in pirouettes and as an intermediate position in other movements such as 3742: 3741: 3738: 614: 613: 611: 3743: 1060: 1059: 1056: 4766:

Pulling up is critical to the simple act of rising up on balance and involves the use of the entire body. The feeling of being simultaneously grounded and "pulled up" is necessary for many steps in ballet. To pull up, a dancer must lift the ribcage and sternum but keep the shoulders down, relaxed and

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itself refers to a move where a quick pivot on the supporting leg changes the orientation of the body and the working leg. E.g. A 180-degree or 90-degree fouetté could involve a working leg beginning extended elevated in front; the supporting leg rising onto demi-pointe or pointe quickly executing a

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A posture in which the feet are turned outward. With one foot in the front and one in the back, you will make fifth position. The front foot is usually facing horizontal while the back foot is diagonal. It does not matter which foot is in the front or back, as long as they are turned out. You can do

2261:('four'), starting from fifth position, right foot front, a dancer will jump up with legs crossed, execute a changement beating the right thigh at the back of the left thigh, then bring the right leg in front again beating the front of the left thigh, and land in the same position as started. In an 615: 423:

In dance (particularly ballet), arabesque (French: ; literally, "in Arabic fashion") is a body position in which a dancer stands on one leg (the supporting leg) with the other leg (the working leg) extended, straight, behind the body. The arm positions can vary and are generally allongé. The foot of

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Frappés are commonly done in singles, doubles, or triples. Double and triple frappés involve tapping the foot (flexed or pointed) at both cou-de-pied devant (or wrapped) and derrière before extending out. (E.g. Double frappé front would be cou-de-pied back, cou-de-pied front, dégagé front. Double

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traveling either forward (en avant) or backward (en arrière), with an extra beat that "breaks" the jump in its travel. To execute a brisé en avant, the dancer demi-pliés in fifth position and brushes the back leg (through first position) to the front, then springs into the air and brings the second

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jump in which one lands on the leg from which one pushes off after that leg travels around the other leg which is lifted to a level that is parallel with the floor. There are several variants, the passing leg may pass around the lifted leg in a passé position, or it may be extended and parallel to

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Action of extending the working foot out from cou-de-pied. In Cecchetti, RAD, and American ballet, on flat, this action involves brushing a flexed (or non-pointed relaxed) foot from cou-de-pied through the floor, the ball of the foot (lightly) striking as extending out pointed through dégagé. In

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Quick movement of the feet, can be performed on pointe or on demi-pointe. The dancer straightens one leg (the leg in back) and bends a leg and picks it up(the leg in front). Then the bent leg is straighted on the floor and the straight leg is picked off the floor and bent. These steps are repeated

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There are two basic positions of the arms. In one, the dancer keeps the fingers of both arms almost touching to form an oval/round shape, either near the hips, at navel level, or raised above the dancer's head. In the other, the arms are extended to the sides with the elbows slightly bent. These

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is used in some schools and parts of the world to indicate a bending forward, backward, or circularly of the body at the waist, generally to be followed by bringing the upper body back to center/upright again, e.g. "port de bras forward", "port de bras back", "circular port de bras/grand port de

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A small traveling step (en avant or en arrière) where each leg is alternately brought to cou-de-pied, passing the previous standing leg in doing so. Both legs shoot straight downward in the air, and land on one foot in cou-de-pied. This step is often done turning ("en tournant"), where each jump

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or bending of the knees. Throughout the movement, the pelvis should be kept neutral, the back straight and aligned with the heels, the legs turned out, and the knees over the feet. From standing to bent this should be fluid. A purpose of the grand plié is to warm up the ankles and stretch the

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A variation on the typical tour piqué/piqué turn, where the dancer does 1/2 piqué turn as usual, then, without coming off relevé, steps onto the previously working leg and lifts the previously supporting leg to retiré to finish the turn. This can be done several times in succession. (See "Piqué

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or piqué turn is a traveling turn executed by the leg stepping out onto an en pointe or demi-pointe foot becoming the supporting leg while the working leg moves from plié to retiré derrière, if an en dedans turn, or retiré devant, if an en dehors turn. In fast piqué turns, petit retiré may be

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with a beating of the legs preceding the foot change. Example: with the right foot in front in fifth position, plié, jump, beat the right thigh against the left (back thigh) and continue with a changement moving the right leg to behind the left, landing fifth position left foot front.

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A sturdy horizontal bar, approximately waist height, used during ballet warm-up exercises and training. Fixed barres are typically mounted on -covered walls; portable barres can be relocated as needed. Used for balance, not support. A barre is a tool, not a necessary item to dance.

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Usually, manèges will be a repetition of one or two steps, but can also be a combination of several. For example, a coupé jeté manèges is typically done by a male dancer in a coda of a classical pas de deux. Ballerinas will often do piqué manèges in a variation or also in a coda.

3740: 5493:; literally 'time raised.') A term from the Cecchetti school indicating a hop on one foot while the other is raised in any position. The instep is fully arched when leaving the ground and the spring must come from the pointing of the toe and the extension of the leg after the 612: 1058: 3510:), weight being transferred via a jump propelled by pushing off the standing leg from plié, the leading leg landing tombé and the foot of the other/former standing leg ending cou-de-pied (derrière). Some schools (including ABT at one point) may still refer to this as a 522:

leg) is raised and turned out with knee bent to form an angle of approximately 90° between the thigh and the lower leg. The height of the knee versus the foot and the angle of the knee flexion will vary depending on the techniques. The working leg can be held behind

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Dancing performed by a pair of dancers, typically a male and a female, in which the pair strives to achieve a harmony of coordinated movements so that the audience remains unaware of the mechanics. A dance that is focused on a single pair of partnering dancers is a

457: 4984:; 'reverence, bow.') A bow, curtsy, or grand gesture of respect to acknowledge the teacher and the pianist after class or the audience and orchestra after a performance. After a classical ballet, a bow or choreographed révérence may be performed in character. 1403:; meaning 'in the shape of a cross.') Term often used during barre exercises to indicate that a step is done to the front, to the side, to the back, and then again to the side (as in the shape of a cross), finishing closed in either first or fifth position. 489:, brushing out. The dancer launches into a jump, with the second foot then meeting the first foot before landing. A petit assemblé is when a dancer is standing on one foot with the other extended. The dancer then does a small jump to meet the first foot. 4561:

First position holds the arms round or oval in front of the body somewhere between the naval and breastbone (depending on the school and movement), the fingertips of the hands approaching each other. In Cecchetti, the hands stay a little lower at tutu

3806: 3805: 3810: 3809: 3804: 3439:"A male dancer's step in which the dancer jumps into the air with the legs drawn up, one in front of the other, then reverses their position several times before landing with the feet apart again." This step can look akin to swimming in air. 5244: 3616:

may refer to positions (the second and fourth positions of the feet are positions ouvertes), limbs, directions, or certain exercises or steps. In the French School, this term is used to indicate a position or direction of the body similar to

3811: 1348:. Facing one of the corners of the stage, the body presents at an oblique angle to the audience, such that the audience can see still both shoulders and hips. The working leg may be crossed to the front (devant) or to the back (derrière). 5406:

in French) of the working foot to hug the lower leg. On the accent derrière (back), the heel of the working leg is placed behind the leg with the toes pointing to the back. The action of alternating between devant and derrière is seen in a

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In classical ballet, the term ballonné is a step where the leg is extended (can be front, side, or back) at 45 degrees. The knee is then bent and the foot brought to a sur le cou-de-pied position. This can also be done as a relevé or jump.

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Second position in all schools holds the arms extended out to the side, the inner part of the upper arm parallel to the ground with the forearms and palms facing the audience. The roundness and shoulder height of the arms varies by

2380:; 'shouldering.') Rotation of the shoulders and head relative to the hips in a pose or a step. This term relates only to the movement of the body from the waist up. The head generally looks over shoulder that is forward (downstage). 1916:; literally 'spread,' as in 'separated.') One of the basic positions of the body facing the audience at an oblique angle and with the downstage leg open to the side of the body, along the other diagonal, either touching the floor or 5645:

through second starts with a dégagé of the leading leg to second position, the leading foot coming to the floor with the leg in plié, and the trailing leg lifting off the floor in dégagé to (the opposite-side) second position. A

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foot to meet it in the back before switching to the front to land, creating a beating action with the legs. In a brisé en arrière, the process is reversed, with the front leg brushing to the back and beating to land in front.

1230:: arch of the foot wrapped around the ankle with the heel in front of the ankle and the toes behind, often interchangeable with the devant/conditional position), depending on the activity and the school/method of ballet. 2597: 788:

A ballotté is a jumping step in classical ballet that consists of coupé dessous and small developpés performed with a rocking and swinging movement. The step can be performed with the leg extensions at 45 or 90 degrees.

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centered over the hips, which requires use of the abdominal muscles. In addition, the dancer must stabilize the pelvis, maintaining a neutral position, and keep the back straight to avoid arching and going off balance.

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A sliding movement forward, backward, or sideways with both legs bent, then springing into the air with legs straight and together. It can be done either in a gallop or by pushing the leading foot along the floor in a

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to fourth position devant, the extended foot coming down to the floor with the leg en plié, shifting the weight of the body onto the front leg and lifting the back leg off the floor in dégagé (to fourth derrière). A

1488:). Small, very quick half-turns performed by stepping onto one leg, and completing the turn by stepping onto the other, performed on the balls of the feet or high on the toes, with the legs held very close together. 3239:) A long horizontal jump, starting from one leg and landing on the other. Known as a split in the air. It is most often done forward and usually involves doing full leg splits in mid-air. It consists basically of a 4426:; literally 'fish.') A body position in which the back is arched and legs are crossed in fifth position or the working leg is held retiré. This position may be assumed while jumping or in partnering lifts, as in a 3808: 2085:); the dancer stands in sous-sus and brushes one leg to the side, then closes it in the opposite position (front or back) of where it started, and repeats this motion several times in succession, alternating legs. 5223:

A term that refers to the reverse of a winging, indicating a foot where the heel is too far back so the toes are in front of the ankle and heel, breaking the line of the leg at the ankle. If a dancer sickles an

2629:).) A fouetté could also change the leg/body orientation from, for example, en face à la seconde to épaulé (second) arabesque/croisé first arabesque or effacé devant, if outside/en dehors, via a 45-degree turn. 2480:; 'closed.') Converse of ouvert(e) ('open'). Fermé may refer to positions (the first, fifth, and third positions of the feet are positions fermées), limbs, directions, or certain exercises or steps. Example: a 1099:; meaning 'like a bell.') Refers to brushing through first position from fourth devant or fourth derrière to the opposite fourth with the upper body held upright. Can be done continuously, as is often done with 1509:

Circular movement where a leg that starts at the back or the side moves towards the front. For the right leg, this is a counter-clockwise circle. For the left leg, this is a clockwise circle. For example, in a

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if at a 45 angle to the audience, the downstage leg (closest to the audience) is working to the front and the arms are open in third or fourth with the downstage arm being the one in second. A dancer is in

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An alternating side-to-side movement of the working (non-supporting) leg. Typically performed in multiples, quickly and in rapid succession so that the working foot appears to be fluttering or vibrating.

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Different schools, such as Vaganova, French, and Cecchetti, Russian often use different names for similar arm positions. The Russian school names three arm positions while the other schools name five.

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A sliding movement as described above, but without the jump aspect. Instead, the leading foot is pushed along the floor in plié as described above, as a transition into another movement or position.

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A jump where the legs are successively brought to attitude derrière instead of retiré. This variant of the pas de chat appears in several Petipa ballets (e.g. the fourth variation in Paquita).

403:; meaning 'elongated.') Refers to a foot and leg position when the toes and knees are extended and elongated, rather than forming the usual soft curve. Can also refer to a similar arm position. 3523: 4636:

slightly rounded, fingertips approaching each other. This is called third position in the Russian school, which does not designate a fifth (or fourth) position. Cecchetti also recognizes a

2574:, a lowering of the body made by bending the knee of the supporting leg, the working leg extending out à terre or in the air. Saint-Léon wrote, "Fondu is on one leg what a plié is on two." 3716:

to the opposite corner while the body turns to face that corner. Weight is quickly transferred to that brushed leg, now upstage, allowing the dancer to pass the newly downstage leg through

2621:"half" turn inside/en dedans, leading to the working leg ending in arabesque and the body now facing the opposite direction or stage direction. (This brand of action can be seen in both 976: 535:) of the body. The alignment of the thigh compared to the midline in Attitude derrière will vary depending on the techniques. The foot of the supporting leg may be flat on the floor, en 896:; literally 'crossed arms') Arm placement in which one arm is extended in second position away from the audience while the other is curved in first position (Cecchetti fourth position 233:) (Literally "to second") If a step is done "à la seconde", it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. 2012:(when starting from first position) or fourth (when starting from fifth) with knees straight. The dancer may or may not return to the initial position, depending on the choreography. 940: 1004:, a series of quick, 360 degree turns that alternate the feet while traveling along a straight line or in a circular path. Each foot performs a half turn, with feet held in a tight 5074:), with movement being limited to below the knee. If the thigh is held at 90 degrees from the body, the toe draws a circle approximately between the knee of the supporting leg and 5567: 5205:

A rise, from flat to demi-pointe (from the balls to the tips of both feet), usually done multiple times in quick succession where the legs are turned out in a grand pas position.

1673:) A pivoted half turn executed on both feet. For example, if starting right foot front in fifth position, demi-plié and relevé onto demi-pointe while pivoting a half turn inwards/ 1597:; 'outwards.') Circular movement where a leg that starts at the front or the side moves towards the back. For a right working leg, this is a clockwise circle. For example, in a 3807: 2582:, where the supporting leg begins fondu with the foot of the working leg at cou-de-pied; the working leg extends out through a petit développé as the supporting leg straightens. 1386:: the front leg is the right leg and the dancer is facing the front-left corner of the stage; or the front leg is the left, and the dancer is facing his/her front-right corner. 3267:(turning en dedans). The dancer must remember to hit the fullest split at the height of the jump, with weight pushed slightly forward, giving the dancer a gliding appearance. 4230: 5525:; literally 'time raised jumped.') A term from the Russian school. This can be executed with both feet from first, second, third, fourth, or fifth position starting with a 3506:) refers to a jump initiated en plié, with the pointed working foot brushing out in dégagé from cou-de-pied (derrière) to seconde (action similar to a non-Russian-style flat 5245: 2541:. A step where the foot of the working leg sweeps flexed across the floor from pointed à la seconde (en l'air, as in dégagé) to pointed at cou-de-pied devant or derrière. 1167:

The ensemble of a ballet company, especially the ensemble apart from the featured dancers. Being a part of the corps means one is neither a soloist nor a principal dancer.

5283:) A sudden spring or small jump from both feet, traveling forward in either first, third, or fifth position and landing on both feet in the same position as they started. 3555:('in a circle'), of a coupé (changing the supporting foot) initiating the first quarter of a turn leading into a grand jeté completing the 360-degree rotation of the turn. 4558:

Bras bas ('arms low') (RAD)/bras au repos ('at rest') (French), preparatory position (Rus.), or fifth en bas (Cecc.) holds the arms low and slightly rounded near the hip.

5583:; literally 'turn in the air.') A jump, typically done by males, with a full rotation in the air. The landing can be on both feet, on one leg with the other extended in 5558:; 'time linked.') A term indicating the transfer of weight from one leg to another by shifting through to the position without any sort of gliding or sliding movement. 5098:: the leg is extended and sustained off the ground while moving from fourth devant or derrière to second or vice versa, thus drawing only half of the full semi-circle. 4664:

There are eight to eleven positions of the body in ballet, eight in Cecchetti and RAD and ten or eleven in the Russian and French schools. The general positions are

3828:; 'step of the cat.') A traveling sideways jump where while mid-air the legs are successively bent, brought to retiré, feet as high up as possible, knees apart. The 5355:

When done at the barre en demi-pointe to switch sides, only half a turn is done instead of a full turn, and the foot does not extend out into tendu. Differs from a

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in the air. If the thigh is held lower (e.g. 45 degrees), the circle is drawn to the calf of the supporting leg. This is commonly done in singles, doubles, and/or

4148:; meaning 'pricked.') A movement in which the raised, pointed foot of the working leg is lowered so that it pricks the floor and then either rebounds upward (as in 2847:

as weight bears on the trailing leg, weight is shifted to the leading leg via a jump and the trailing foot extends out of plié into degagé. The leading foot lands

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may initiate or complete by sliding the working foot up or down the supporting leg from or to the floor, may be executed directly from an open position such as in

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differs in having the working leg in second being on the same side as the corner the body is facing, i.e. the upstage leg is the working leg; the upstage arm is

1184:) In some systems, a dancer of higher rank than a member of the corps de ballet, performing in small ensembles and small solo roles but not ranked as a soloist. 385:

A category of exercises found in a traditional ballet class, e.g. petit allegro (small, generally fast jumps) and grand allegro (large, generally slower jumps).

5304:, or rise, into a tight fifth position, feet touching and ankles crossed, giving the appearance of one foot with two heels. A term from the Cecchetti school, 481:. A jump that takes off from one foot and lands on two feet. When initiated with two feet on the ground (e.g. from fifth position) the working leg performs a 5031:; meaning 'leg circle.') Half-circle made by the pointed foot, from fourth front or back through second position to the opposite fourth and returning through 5232:

foot, the ankle could collapse to the outside, resulting in a sprain. A working foot should be straight to the side and mildly winged to the front or back.

6155: 3461:; 'thrown.') A leap in which one leg appears to be thrown in the direction of the movement (en avant, en arrière, or sideways). There are several kinds of 1032:; literally 'change, changing.') A jump in which the feet change positions in the air. For example, beginning in fifth position with the right foot front, 836:) A general term for jumps in which the legs open slightly sideways and close (crossed in fifth position) multiple times, alternating feet. (See "Battu.) 3774:

pas de bourrée dessus – 'over,' initially closing the working foot in front / pas de bourrée dessous – 'under,' initially closing the working foot behind

4447:; 'carriage of the arms.') An exercise for the movement of the arms (and in some schools, the upper body) to different positions. For example, a basic 1363:

if at a 45 degree angle to the audience, the upstage leg (farthest from the audience) is working to the back and the arms are open in third, fourth, or

5177: 3637:. For a male dancer, partnering may involve lifting, catching, and carrying a partner, and providing assistance and support for leaps, promenades and 1298:; 'run,' past participle, as in 'making small quick steps.') In most cases, this holds the calves together and the feet in a tight fifth position en 4152:) or becomes a supporting foot. In the latter case, it may be used to transfer a stance from one leg to the other by stepping out directly onto an 2074:

A traveling series of jumps where each leg is alternately brought to attitude devant in the air, each foot passing the previous one in alternating.

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Third position in the Russian school holds both arms slightly rounded overhead. This is equivalent to fifth position (en haut) in other schools.

4044:, indicating passing the foot of the working leg past the knee of the supporting leg (on, below, or above) from back to front or front to back. 1960:; literally 'escaped.') A movement done from a closed (first or fifth) position to an open (second or fourth) position. There are two kinds of 917:) A flashy, showy and elaborate style of dance that involves a lot of elaborate steps and style to similar music. Usually during a key solo. 5537:.) This can also be performed from one foot, while the other maintains the same position it had before starting the jump (i.e. the same as 5359:

in that there is a repositioning of the feet on finishing (and a crossing action, if not initiated in fifth) vs. just a pivot to half turn.

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towards the direction of the back foot (here left). The feet will have now changed position with the left foot in front in fifth position.

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pointed in the air 45 degrees or lower. Dégagé is part of the (initiating) execution of jumps such as jeté, assemblé, brisé, and glissade.

6940: 1773:; literally 'over.') Used to indicate that the back leg should be brought to close in front of the other leg during a step. For example, 723:

French word meaning a ballet performance, a ballet work, a ballet company and possibly the ballet dance genre, although the expression

3582:

Manèges is a classical ballet term meaning “circular.” It describes when a dancer does steps in a circular pattern around the stage.

1736:; literally 'under.') Used to indicate that the front leg should be brought to close behind the other leg during a step. For example, 4569:

Third position in the French/RAD schools holds one arm in second with the other arm in first. The Russian equivalent of this may be

3947:

and then jumps arching the back with straight legs behind, so that the body is curved like a fish jumping out of water. Also called

2257:, 'intertwined.') "A step of beating in which the dancer jumps into the air and rapidly crosses the legs before and behind." In an 3561:

in RAD and the French school refers to a one-footed changement passing through cou-de-pied and is what other schools refer to as a

424:

the supporting leg may be flat on the floor, on the ball of the foot (demi-pointe/relevé), or on the tips of the toes (en pointe).

298:

One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements.

4215:

executed instead (i.e. working foot at cou-de-pied). Most commonly done en dedans, piqué turns en dehors are also referred to as

2453:

indicates the brushed follow-through of an arabesqued leg from elevated behind to fourth in front as lead-in to a following step.

6133: 5209: 5075: 4751: 4743: 4652:

Demi-bras ('half arms') holds the arms between first and second position, outstretched with palms presented towards the audience.

4104:; 'tilted'.) Tilting the body forward about the hip of the supporting leg so that the head is lower than the working leg, as in 2009: 649: 6222:

Grant, Gail. Technical Manual and Dictionary of Classical Ballet, Third Revised Edition, Dover Publications, Inc., 1982, p. 101.

5680: 5060:: the leg is swung around from front to side and into attitude position behind as the supporting foot goes en pointe. (See also 5032: 4755: 4747: 4739: 3717: 2457: 1985: 1602: 1515: 1005: 682: 1446:) A male ballet dancer who excels in refined classical roles, often playing the prince or other royalty in a classical ballet. 5476:

Most ballet dancers wear tights in practices and performances unless in some contemporary and character dances or variations.

5006:

the lifted leg, or it may be extended and close to perpendicular to the lifted leg. This last variant is also known as a 540.

727:

also exists for the latter meaning, is less equivocal and is more commonly used when referring to the learning of this dance.

6207: 6180: 1036:, jump switching the right leg to the back, and land in fifth position with the left foot front. In the Vaganova vocabulary, 6351:(2nd ed.). London (Hightstown, NJ): Royal Academy of Dancing (distributed in the U.S.A. and Canada by Princeton Book). 6961: 5529:, leading to a jump in the air that lands with the feet in the same position as they started. (Otherwise known as simply a 1218:; 'neck of the foot.') Position of the arched working foot raised to, and resting on, the ankle. This could be in front ( 3304: 3180: 3092: 3005: 2910: 2791: 664:). The second foot in the sequence (in any direction) assembles behind the first to relevé in fifth or fourth position. 4779:

is when a ballet dancer swiftly moves his/her leg in front then behind their calf. This motion is normally done at the

4738:

The standard, basic placements of feet on the floor. Modern-day classical ballet employs five positions, known as the

4040:; literally 'passed.') Passing the working foot through from back to front or vice versa. Generally used to refer to 6356: 6317: 6290: 6263: 6045: 5992: 3330: 3206: 3118: 3031: 2936: 2817: 3312: 3219: 3188: 3100: 3013: 2918: 2799: 6413: 2359:

in front and the downstage shoulder appears prominent to the audience as the downstage leg works to the back (e.g.

6107: 3780:

pas be bourrée en tournant en dedans – 'turning inward' / pas de bourrée en tournant en dehors – 'turning outward'

1379:

in the Russian school alternatively has the upstage leg working to the back, but the downstage arm out to second.

6698: 6692: 4732: 2423:'given way', past participle.) A slide or brush-through transition step following a preceding jump or position. 17: 4409:, a structurally reinforced type of shoe designed specifically for this purpose. Most often performed by women. 2585:

A term used to modify any one-legged position in order to indicate a bent supporting leg (e.g. arabesque fondu).

1270:

except as the preparation for specific allegros. Rather, "tombé through fifth position" is more commonly used.

1078:

to cause an upward spring. It is typically performed in a series or as part of a combination of other movements.

5697:

A classic ballet skirt, typically flat at the waist or hip level, made of several layers of tulle or tarlatan.

4923:, in which the leg brushes out propulsively from a high position through tendu to elevated off the ground, and 4535: 3308: 3184: 3096: 3009: 2914: 2795: 5054:: ('on the ground.') The extended leg with pointed toe remains on the ground to sweep around in a semi-circle. 7002: 5624:; literally 'fallen.') The action of falling, typically used as a lead-in movement to a traveling step, e.g. 4655:

Demi-seconde ('half second') holds the arms low out to the side as if grazing the tutu, palms generally down.

4333:; literally 'bent.') A smooth and continuous bending of the knees outward with the upper body held upright. 7012: 6846: 6380: 5500:

In the Cecchetti method, the specifically indicates a spring from fifth position while raising one foot to

5180:

differing in that the front leg extends through a développé instead of a grand battement. This is called a

3383:), variations for demi-soloists, variations for lead ballerina and danseur, or some combinations of these. 497: 343:

Brisk, lively motion. An attribute of many movements, including those in which a dancer is airborne (e.g.,

3053:; literally "big gap".) Opening the legs to 180°, front or sideways. Known as 'spagat' in German or 'the 6997: 6477: 417: 5451:), side, or back, passing from flat to demi-pointe to point where only the toes are touching the floor ( 1924:

and the other arm is in second position. The gaze is directed to the raised arm along the same diagonal

5369:

A configuration of the legs in which the legs are extended in opposite directions, either to the side (

4290: 4600:

in Cecchetti. The Russian school does not designate a fourth position; the Russian equivalent may be

4379:) Supporting one's body weight on the tips of the toes, usually while wearing structurally reinforced 4690:

croisé devant, à la quatrième devant, effacé (devant), à la seconde, croisé derrière, écarté, épaulé,

4304:

In other genres of dance, such as jazz or modern, it is common to see pirouettes performed with legs

4246:) A non-traveling turn on one leg, of one or more rotations, often starting with one or both legs in 4160:

foot and often immediately precedes a movement that entails elevating the new working leg, such as a

2596: 4293:

is employed to help maintain balance. A pirouette may return to its starting position or finish in

2718:

frappé back would be front, back, back. Triple frappé front would be front, back, front, front.)

7017: 6956: 6759: 5215:

Legs turned out with feet pointing in opposite directions and heels at least shoulder-width apart.

3354: 3293: 3169: 3081: 2994: 2899: 2780: 973:; literally 'arched.') A bending at the waist in any direction, forward, backward, or to the side. 4289:

turns clockwise (to the right) if the right leg is working and the left leg supporting/standing.)

3904:; 'step of the horse.') A movement of the leg (when extended) through first or fifth position, to 6976: 6966: 6836: 5926: 4127:; 'small jump.') A small jump, in which the feet do not change positions in mid-air; also called 3829: 3694: 3297: 3251:(or an unfolding motion). The back leg follows making the splits in the air. It can be performed 3173: 3085: 2998: 2903: 2784: 1537:, the dancer would turn to their right if their left leg was lifted, or vice versa. Opposite of 3777:

pas de bourrée en arriere – 'traveling backward' / pas be bourrée en avant – 'traveling forward'

6935: 6517: 3955: 1984:

followed by a jump in which the legs "escape" into either second (usually when initiating from

6527: 1135:); literally 'tail'). The concluding segment of a performance or suite of dances comprising a 4475:('high', i.e. overhead) and back down. Port de bras movements vary by school and by action. 3693:); it can be done moving toward the front or toward the back. This step can also be found in 3145:

calves. In a grande plié the heels come off the ground in first, fourth, and fifth position.

1694:) Supporting one's body weight on the balls of one or both feet, heels raised off the floor. 4783:

during warm-up. A more advanced dancer would only move their knee, to complete this action.

1480:); literally 'hurtled,' as in 'with great speed.') Another name denoting the same move as a 693:

and involving seesaw like shifting of the upper body in opposition to the legs. Similar to

7007: 6672: 6406: 6339: 5687:

Rotation of the legs at the hips, resulting in knees and feet facing away from each other.

5035:

again to repeat, in effect tracing out the letter "D". Starting front going back is called

5014: 4110:. Doing a split while standing on one foot. The dancer lifts the leg more than 90 degrees. 3992:(down, up, up)—always advancing (like a march), done in three counts to music generally in 6069: 5333:

turn is a turn usually done in multiples in quick succession. The dancer first executes a

3790:

pas de bourrée piqué – 'pricked,' with working leg quickly lifted after pricking the floor

3375:, which brings the suite to a conclusion. After the adage, it may include a dance for the 644:(down, up, down)—executed in three counts. Before the first count, one foot extends in a 8: 6893: 6677: 6608: 6588: 2851:

and the trailing foot slides in to meet the leading foot in fifth position demi-plié. A

1832: 1111:, which additionally allows seesaw like upper-body shifting in counterpoint to the legs. 6502: 5946: 2327: 2304: 681:; "swing ") Swinging the working leg between front (devant) and back (derrière) through 6925: 6634: 6558: 6542: 6456: 6310:

The Ballet Companion: A Dancer's Guide to the Technique, Traditions, and Joys of Ballet

6256:

A Manual of the Theory and Practice of Classical Theatrical Dancing (Méthode Cecchetti)

5921: 5706: 5592: 5363: 4427: 4106: 3054: 4946: 4596:('high,' i.e. raised overhead) and the other open to second position. This is called 2692: 2037:

from straight legs and flat feet. This term is used in some schools in contrast with

771:

will appear to spring effortlessly, float in mid-air, and land softly like a balloon.

254:), arms in second position, with one leg extended either to fourth position in front ( 6900: 6886: 6446: 6362: 6352: 6323: 6313: 6296: 6286: 6269: 6259: 6248: 6203: 6176: 6149: 6051: 6041: 6035: 5998: 5988: 5982: 5424: 4856: 4716:

are the converse of Cecchetti/RAD's. In addition, the French school further divides

4405:

Performing steps while on the tips of the toes, with feet fully extended and wearing

4023: 3406: 2549: 1142: 309: 31: 6749: 6583: 4644:, arms rounded between naval/chest height, known as first position in other schools. 4576:

Third position in Cecchetti holds one arm in a Cecchetti first and the other arm in

3943:, or a jump without a change of feet. From fifth position, a dancer executes a deep 2319: 6841: 6745: 6740: 6687: 6682: 6664: 6603: 6578: 6537: 6532: 5669: 4504: 4463:) to first arm position, to second arm position, back down to fifth en bas. A full 4394: 4387: 3626: 2296:, which serves as an introduction for the suite of dances comprising the grand pas. 1131: 913: 745:

A ballet fan or enthusiast. The word is of Russian origin c. 1930, with the suffix

731: 413:

The apparent elegance and precision exhibited by a confident, accomplished dancer.

335: 318: 926:

over and over again. The dancer looks as if he or she is flying across the floor.

564:, which is conversely a movement towards the back. For example, a step travelling 6971: 6815: 6768: 6730: 6725: 6704: 6618: 6598: 6568: 6482: 6399: 6197: 6170: 5620: 5600: 5579: 5554: 5521: 5489: 5440: 5398: 5321: 5296: 5279: 5262: 5168: 5143: 5112: 5027: 4997: 4980: 4959: 4901: 4872: 4844: 4822: 4801: 4499: 4443: 4422: 4375: 4329: 4242: 4144: 4123: 4100: 4036: 3984: 3935: 3900: 3824: 3759: 3677: 3654: 3604: 3457: 3235: 3136: 3049: 2954: 2835: 2705: 2676: 2612: 2562: 2533: 2476: 2419: 2398: 2376: 2347: 2282: 2249: 2107:; meaning 'in.') A preposition used in description of a dancer's position (e.g., 2103: 2077:

A series of small walks done on pointe or demi-pointe, traveling either forward (

2062: 2025: 1956: 1920:. The arm on the same side as the working leg (i.e. the downstage arm) is raised 1912: 1886: 1845: 1806: 1769: 1732: 1707: 1690: 1669: 1644: 1593: 1557: 1501: 1476: 1459: 1442: 1421: 1399: 1340: 1294: 1243: 1214: 1197: 1180: 1161: 1095: 1028: 996: 969: 952: 892: 870: 853:; meaning 'beaten') A movement with an extra beating of the feet included, as in 849: 832: 761: 677: 628: 588: 556: 510: 473: 437: 399: 275: 246: 229: 39: 6613: 4011:). The feet do not assemble (or "cross each other") on any step as occurs in a 3922:('Step of two.') A dance duet, usually performed by a female and a male dancer. 2323: 1247:; meaning 'cut.') Coupé is both a step and action. It is commonly executed from 6862: 6654: 6649: 6639: 6573: 6497: 6487: 6451: 6436: 5429: 4861: 4780: 2463:

Turned out legs with the feet pointing in opposite directions, heels touching.

2315: 2311: 1000:; 'chained', plural.) Also known as "chaînés turns", a common abbreviation for 793: 6386: 4909:. Term from the Russian school indicating raising the leg slowly from pointe 3522: 2299:

The initial appearance of a lead character or characters of a ballet on stage.

1988:) or fourth position (usually when initiating from fifth position) landing in 1354:

is used in the third, fourth, and fifth positions of the legs. A dancer is in

6991: 6917: 6879: 6764: 6753: 6720: 6644: 6002: 4279:, turning outwards in the direction of the working leg, but can also be done 4087: 3728:

the new corner, and finishing by bringing the upstage leg in to close fifth.

3682: 3344: 1426: 6366: 6327: 5675: 5444:; literally 'stretched.') Gradually extending the working leg to the front ( 2355:

where the body is at an oblique angle to the audience, the downstage arm is

2119:) or holding the meaning 'towards' when describing direction of a movement ( 1656:, and other movements or positions to indicate a smaller or lesser version. 803:

Exercising at a portable barre. A fixed barre can be seen in the background.

6930: 6735: 6593: 6563: 6522: 6300: 6273: 6055: 3965: 3401:, classical ballet technique prevails and no character dances are included. 1255:

back or vice versa. It may also be done from an extended leg position into

985: 5665:

One big step, followed by two little steps, that can be done in a circle.

3343:

A suite of individual dances that serves as a showpiece for lead dancers,

6805: 6785: 6512: 5736: 5691: 5308:('over-under') is the equivalent term in the French and Russian schools. 4406: 4380: 4364: 3916: 3634: 2513: 441:; meaning 'rounded') A position of the hand. Rounded, in contrast with 6108:"MoveTube: Anthony Dowell dances the Prince's solo from Swan Lake Act I" 4527:. This can be done in any direction or turning (the later also known as 2756:

A complicated jump involving a pas de chat with a double rond de jambe.

2269:(five) is the same as an entrechat-quatre, but done landing on one leg. 1621:, the body turns in the direction of the working leg (the leg raised in 543:(tips of the toes). The standing leg can be straight or bent ("fondu"). 6795: 6790: 3747: 2839:; literally 'glide.') A traveling step starting in fifth position from 2732: 2648: 2509: 2045:(bent knees). In other schools (French, Russian, textbook Cecchetti), 5746: 5147:; literally 'jumped.') Used to indicate a step executed jumping, e.g. 3764: 2590: 1565:

the foot of the working leg sharply brushes through the floor through

767:

Showing lightness of movement in leaps and jumps. A dancer exhibiting

737:

The foundational principles of body movement and form used in ballet.

45: 6507: 6492: 4776: 4223: 4052:

from fourth, or may transition from knee to another position such as

3834: 3660: 3638: 3414:

for the principal male and female characters of a full-length ballet.

3271: 3243:

with a moving jump. The front leg brushes straight into the air in a

2728: 2292: 2238: 2135:= 'to the front,' 'to the back', 'to the inside,' 'to the outside'). 1137: 812: 303: 3771:

pas de bourrée derrière – 'behind' / pas de bourrée devant – 'front'

3282: 3158: 3070: 2983: 2888: 2769: 1854: 1048: 5716: 5650:

can also be initiated with a small sliding hop instead of a coupé.

4265:('front')—when initiated from fourth, this would be a retiré 2331: 939: 4523:, so that if the step is repeated, the working leg will execute a 3845:

In the Cecchetti and French schools, this may be referred to as a

592:; meaning 'backwards') A movement towards the back, as opposed to 560:; meaning 'forwards') A movement towards the front, as opposed to 6820: 6800: 4285:, turning inwards in the direction of the supporting leg. (e.g. 1273:

In the United States, "coupé" may be used to denote the position

5566: 2652: 2041:(in effect, 'relifted'), which is taken to indicate a rise from 713:

An informal term for male dancers in a ballet company in Italy.

6810: 6472: 6422: 5070:: ('in the air.') The leg is lifted and sustained to the side ( 4541: 4355: 2227: 1943:

and the gaze is directed down the length of the arm in second.

799: 717: 407: 28: 6235:

Third Revised Edition, Dover Publications, Inc., 1982, p. 113.

5984:

Basic Principles of Classical Ballet: Russian Ballet Technique

4930:, in which the leg passes through retiré (or petit retiré) to 1263:). Coupé can only be performed through a closed leg position. 6387:

French Ballet terms pronunciation in video with illustrations

5971:

Barker/Kostrovitskaya: 101 Lessons in Classical Ballet - 1977

4397:

that concerns pointe work (dancing on the tips of the toes).

3793:

pas de bourrée couru – 'running,' also 'flowing like a river'

3386:

Various types of "grand pas" are found in ballet, including:

2496: 2406:

indicates facing something directly, generally the audience.

754: 4640:, the preparatory/bras bas position in other schools, and a 4316: 4229: 2488:

which lands on one leg with the other (generally) extended.

2439:), and this is often done in conjunction with an assemblé: 1533:

Turning motion in the direction of the supporting leg. In a

1371:

with the upstage arm being the one out towards second, e.g.

3685:.') Halfway between a step and a leap, taken on the floor ( 2962:

generally done leading into a following step, such as with

1810:; literally 'front.') Facing or moving to the front, as in 5377:

split). This is employed in various movements, including

4308:(i.e. sixth position) instead of turned out as in ballet. 3842:

performed by four dancers holding hands, arms interlaced.

2330:, which brings together several dancers in and out of the 1853:. A movement in which the leg is lifted to cou-de-pied or 1344:; meaning 'crossed.') One of the positions of the body or 382:

Used in ballet to refer to all jumps, regardless of tempo.

6391: 4269:—but could also be held in other positions such as 3658:; literally 'step.') A dance, or a suite of dances as in 1711:; literally 'behind.') At or to the back. For example, a 4913:

to 45 degrees or higher off the ground. Contrasts with

2435:) with the back foot then sliding through to the front ( 1145:). A particularly large or complex coda may be called a 5987:. Trans. Anatole Chujoy. New York: Dover Publications. 1306:

and travels forward, backward, or to either side. E.g.

1259:

or directly through fifth position (as in concluding a

6040:(3rd revised ed.). New York: Dover Publications. 5504:. In the Russian and French schools, this is known as 514:) A position in which a dancer stands on one leg (the 250:) One of the directions of body, facing the audience ( 3859:

A jump where the leading leg extends forward through

2351:; 'shouldered.') One of the positions of the body or 2196:

Movement of the leg in an inwards rotation direction

1605:, the foot (either left or right) would first extend 1281:

in addition to the action of passing through retiré.

1149:. If a large group of dancers participate, the terms 6233:

Technical Manual and Dictionary of Classical Ballet,

2516:, in which the male dancer supports the female in a 2241:, a secret communication system closed down in 2020. 6254:Beaumont, Cyril W.; Idzikowski, Stanislas (1975) . 6094:

Technical Manual and Dictionary of Classical Ballet

6037:

Technical Manual and Dictionary of Classical Ballet

5373:

split) or with one leg forward and the other back (

4550:positions may be combined to give other positions. 4483:bras". Bending at the waist is otherwise known as 4007:

time, traveling in any direction or while turning (

3750:pas de bourrée, which differs slightly from ballet 1118:as "passé la jambe" or "battement passé la jambe". 6253: 6249:American Ballet Theatre's Online Ballet Dictionary 4545:Arms held in Cecchetti's "Spanish fourth" position 3882: 1890:; 'double.') Making two of a movement, such as in 1277:not unlike "passé" is used to denote the position 6285:(3rd revised ed.). New York: Da Capo Press. 6096:, Third Edition, Dover Publications, 1982, p. 62. 5722:A dancer with great technical ability and skill. 3417:A grand pas danced by three or four dancers is a 2182:Front side back side ( in the shape of a cross ) 1857:and then fully extended outward, passing through 1572:Primarily a Cecchetti/RAD term, this is known as 1201:; 'sideways.') A movement traveling to the side. 295:Slow movements performed with fluidity and grace. 6989: 6154:: CS1 maint: bot: original URL status unknown ( 6136:. Archived from the original on October 16, 2011 4950:Working leg in retiré devant and retiré derrière 4068:can also pass through from back to front as in ( 2431:indicating a jump from two feet landing on one ( 1617:back, and back in again to first position. In a 632:; "balanced") A rocking sequence of three steps— 6280: 6019:University of South Florida Press, 1989, p. 15. 5155:performed while jumping on the supporting leg. 4619:and the other held in first position/Cecchetti 5039:while starting back and going front is called 4258:. The non-supporting leg is generally held in 3551:is a compound step, usually done in multiples 874:; literally 'broken') A jump consisting of an 6407: 4706:effacé devant, effacé derrière, épaulé devant 4628:Fifth position in the French/RAD schools and 4511:, a dancer steps with a straight leg onto an 3971:('Step of three.') A dance by three dancers. 2871:(leading back foot ends front), or without a 6941:Western stereotype of the male ballet dancer 4876:; 'raised, lifted.') Rising onto the balls ( 3394:is one that contributes to a ballet's story. 6172:Rumba Dance Encyclopedi: And Related Dances 5735:A sequence of steps performed in sync with 3988:; 'waltz step.') A sequence of three steps— 3961:('Step of four.') A dance by four dancers. 3311:. Unsourced material may be challenged and 3187:. Unsourced material may be challenged and 3099:. Unsourced material may be challenged and 3012:. Unsourced material may be challenged and 2917:. Unsourced material may be challenged and 2798:. Unsourced material may be challenged and 1530:front, and back in again to first position. 568:moves forwards towards the audience, as in 6414: 6400: 6349:Dictionary of Classical Ballet Terminology 6195: 5458:), or only the pointed toes are elevated ( 980:Group of ballet students performing Cambre 5653:In the Vaganova school, the full term is 5591:, or down on one knee as at the end of a 5208: 3331:Learn how and when to remove this message 3207:Learn how and when to remove this message 3119:Learn how and when to remove this message 3032:Learn how and when to remove this message 2937:Learn how and when to remove this message 2818:Learn how and when to remove this message 1561:; 'disengaged.') Common abbreviation for 1266:The Vaganova School rarely uses the term 6105: 5980: 5674: 5565: 5423: 5239: 5092:height to draw a semi-circle in the air. 5013: 4945: 4855: 4731: 4659: 4540: 4534: 4354: 4315: 4228: 4086: 4022: 3801: 3735: 3708:while brushing the downstage leg out to 3521: 3218: 2691: 2655:. As the supporting foot transitions to 2595: 2548: 2495: 2456: 1831: 1053: 975: 938: 798: 607: 496: 477:; literally 'assembled') Sometimes also 452: 6281:Kersley, Leo; Sinclair, Janet (1981) . 6099: 6029: 6027: 6025: 5974: 5088:: the leg is extended and sustained at 3357:of a ballet. It usually consists of an 2651:that begins with the supporting leg in 2484:ends with closed legs, as opposed to a 1044:where the feet barely leave the floor. 14: 6990: 6307: 6168: 5599:is a 360° rotation, a double is 720°. 5311: 4696:. The Russian school further divides 4273:. Pirouettes are most often executed 2878: 6395: 6346: 6134:"Ballet glossary - Royal Opera House" 6033: 5619: 5578: 5553: 5520: 5488: 5439: 5397: 5388: 5320: 5295: 5278: 5261: 5187:In the French and Cecchetti schools, 5167: 5142: 5111: 5026: 4996: 4979: 4958: 4900: 4871: 4843: 4821: 4800: 4519:foot, then brings the working leg to 4498: 4442: 4421: 4374: 4328: 4241: 4143: 4122: 4099: 4035: 4015:; each step instead passes the last. 3983: 3934: 3899: 3823: 3758: 3676: 3653: 3603: 3456: 3234: 3135: 3048: 2953: 2834: 2743:, and much more with fifth position. 2704: 2675: 2611: 2561: 2532: 2475: 2418: 2397: 2375: 2346: 2281: 2248: 2102: 2061: 2024: 1955: 1911: 1885: 1844: 1805: 1768: 1731: 1706: 1689: 1668: 1643: 1592: 1556: 1500: 1475: 1458: 1441: 1420: 1398: 1339: 1293: 1242: 1213: 1196: 1179: 1130: 1094: 1027: 1018: 995: 968: 951: 912: 891: 869: 848: 831: 676: 627: 587: 555: 509: 472: 436: 398: 334: 274: 245: 228: 6022: 4905:; 'lifted slowly.') Abbreviation of 4688:. Cecchetti and RAD's eight include 4673: 4665: 3854: 3491:(Rus.), or the common compound step 3349: 3309:adding citations to reliable sources 3276: 3185:adding citations to reliable sources 3152: 3097:adding citations to reliable sources 3064: 3010:adding citations to reliable sources 2977: 2915:adding citations to reliable sources 2882: 2796:adding citations to reliable sources 2763: 445:('stretched out', as in arabesque). 279:) Touching the floor; on the floor. 6106:Jennings, Luke (10 November 2011). 5905: 5511: 5337:while extending the leading leg in 5096:Demi-grand rond de jambe (en l'air) 4848:) An attitude presented on a turn. 4712:, and the Russian arm positions on 4669: 4386: 3875:") and the trailing leg remains in 3783:pas de bourrée ouvert – 'open,' an 2843:. The leading foot brushes out to 2303: 1994:échappé sur le pointes/demi-pointes 1308: 730: 204: 24: 6242: 4770: 4233:Pirouette supported by male dancer 3594: 2958:; "precipitated glide".) A quick 1320: 1160: 25: 7029: 6374: 5561: 4884:) of one or both feet. See also 4677: 4615:in Cecchetti consists of one arm 3939:; 'step of the fish.') A type of 3925: 3847: 3731: 2721: 2637:fouetté rond de jambe en tournant 2427:is often used as shorthand for a 1114:The Vaganova system may refer to 236: 34:in France, a significant part of 6312:. New York: Simon and Schuster. 6258:. New York: Dover Publications. 5193: 5009: 4938:, i.e. elevated off the ground. 3954: 3908:and then energetically out to a 3890: 3712:front. The downstage leg does a 3667: 3281: 3157: 3069: 2982: 2887: 2867:(leading front foot ends back), 2768: 2466: 2155: 2029:; 'raised, lifted.') Rising to 1659: 1432: 1303: 1012: 536: 6225: 6216: 6189: 6162: 5900: 5749: 5378: 5300:; literally 'under-under.') A 5158: 5121: 4451:exercise could move from fifth 4433: 4281: 4275: 4170:In Cecchetti and RAD, the term 3974: 3964: 3608:; 'open, opened.') Converse of 3531: 3475: 3057:' or 'jump splits' in English. 2872: 2751: 2666: 2512:, often performed as part of a 2429:sissonne (ouverte +pas) failli, 2205: 2191: 2166: 1861:. It can be done to the front ( 1627: 1539: 1505:; 'inwards.') Inside movement. 1299: 1108: 1008: 900:or RAD/French third position). 694: 540: 374: 350: 219: 199: 48: 6126: 6086: 6062: 6009: 5965: 5939: 5660: 5463: 5408: 5382: 5191:refers to what RAD/ABT call a 5176:refers to a jump similar to a 5172:) In RAD and American ballet, 5086:Grand rond de jambe (en l'air) 4926: 4891: 4400: 4163: 3915: 3797: 2973: 2709:; 'struck.') Abbreviation of 2449: 2360: 2177: 2144: 1680: 1648:; meaning 'half.') Applied to 1375:or Russian fourth arabesque. 1368: 1204: 1100: 882: 740: 685:, usually in conjunction with 578: 356: 13: 1: 6308:Minden, Eliza Gaynor (2005). 6199:Dance Anatomy and Kinesiology 6196:Clippinger, Karen S. (2007). 5895: 5712:A dance typically done solo. 5479: 5462:). A common abbreviation for 5348:(Cecc.). This is known as a 5269: 5061: 4761: 4592:('open') consists of one arm 4350: 4205: 4113: 3625: 3148: 3060: 2635:is also common shorthand for 2602:Fouetté en tournant en dehors 2578:at the barre often refers to 2366: 2216: 2149: 1931:, such as the French school, 1927:In schools that recognize an 1892:double rond de jambe en l'air 1819: 1583: 1491: 1104: 1085: 667: 570: 368: 344: 291:, meaning 'slowly, at ease.' 258:) or fourth position behind ( 194: 6847:Telstra Ballet Dancer Awards 6283:A Dictionary of Ballet Terms 6070:"Definition of GARGOUILLADE" 5981:Vaganova, Agrippina (1969). 5932: 5748: 5705: 5603:was known to perform triple 5544: 5454: 5346:assemblé soutenu en tournant 5286: 5049: 5002: 4987: 4970: 4812: 4632:in Cecchetti holds the arms 4222: 4131:in the Vaganova vocabulary. 4012: 3564: 3434: 3270: 2680:) A leap that begins with a 2523: 2517: 2491: 2232: 2221: 2199: 2185: 2160: 2049:covers both these concepts. 1996:a dancer begins with a deep 1827: 1518:, the foot first extends to 1481: 1389: 1364: 1314: 811: 708: 700: 546: 416: 47: 7: 6381:Ballet Terms and Vocabulary 6017:Classical Ballet Technique, 5915: 5715: 5637: 5447: 5325:; 'sustained.') Similar to 5301: 5235: 4919: 4834: 4809:(a dance by four dancers). 4805:) Four of something, as in 4685: 4681: 4484: 4260: 4073: 4065: 3912:through a petit développé. 3700:Starting in fifth position 3507: 3365: 3359: 2844: 2759: 2736: 2537:) Familiar French term for 2388: 2171: 2138: 2038: 1697: 1466: 1449: 1187: 1170: 934: 822: 783: 774: 492: 448: 10: 7034: 6421: 6169:Nelson, Thomas L. (2009). 5668: 5200: 5079: 4910: 4885: 4588:Fourth position or fourth 4528: 4412: 4266: 4200:posé turn/posé en tournant 4178:outside of the battement: 3577: 3379:(often referred to as the 2848: 2589: 2441:(sissonne) failli assemblé 2402:; 'facing, in front of.') 2236: 2210: 2052: 1946: 1849:) Common abbreviation for 1812: 1722: 1566: 1486:les tours chaînés déboulés 1463:) A female ballet dancer. 1411: 984: 920: 903: 603: 518:leg) while the other leg ( 427: 389: 362: 325: 265: 6949: 6910: 6871: 6855: 6829: 6778: 6713: 6663: 6627: 6551: 6465: 6429: 6347:Ryman, Rhonda S. (1998). 5636:to the front moving to a 5471: 5218: 5102: 4941: 4851: 4791: 4171: 4082: 3724:to fourth devant, ending 3371: 3353:. Often regarded as the 2955:[ɡlisadpʁesipite] 2740: 2687: 2622: 2616:; literally 'whipped.') 2580:battement fondu développé 2539:battement fouetté à terre 2409: 2337: 2272: 2042: 1902: 1876: 1796: 1759: 1576:in the Russian School or 1547: 1047: 1038:petit changement de pieds 959: 943:Double cabriole derrière. 760: 716: 406: 282: 6760:Prima ballerina assoluta 5756: 5741:pas de waltz en tournant 5730: 5610: 5419: 5362: 5327:tours chaînés (déboulés) 5133: 4134: 4018: 3785:open->closed->open 3493:coupé jeté (en tournant) 3347:, and in some cases the 2627:pas de valse en tournant 2544: 2237:Not to be confused with 2015: 1980:, a dancer takes a deep 1935:is described above, and 1713:battement tendu derrière 1284: 1233: 860: 839: 792: 313:), often referred to as 55: 6837:Prix Benois de la Danse 6336:Glossary of Dance Terms 6074:www.merriam-webster.com 6015:Warren, Gretchen Ward. 5927:Glossary of dance moves 5690: 5655:sissonne ouverte tombée 5522:[tɑ̃l(ə)vesote] 5352:in the Russian school. 5344:Common abbreviation of 5322:[sutnyɑ̃tuʁnɑ̃] 5041:rond de jambe en dedans 5037:rond de jambe en dehors 4694:à la quatrième derrière 4490: 4311: 3695:Scottish highland dance 3504:jeté ordinaire/pas jeté 3447: 2566:; literally 'melted.') 2310:An autonomous scene of 1970:échappé sur les pointes 1634: 1599:rond de jambe en dehors 1512:rond de jambe en dedans 1121: 1069:(Literally 'chased.') 539:(ball of the foot), or 6936:Royal Academy of Dance 5886: 5881: 5876: 5871: 5866: 5861: 5856: 5851: 5846: 5841: 5836: 5831: 5826: 5821: 5816: 5811: 5806: 5801: 5796: 5791: 5786: 5781: 5776: 5771: 5766: 5761: 5684: 5571: 5432: 5399:[syʁləkudəpje] 5254: 5210:Second position (feet) 5068:Rond de jambe en l'air 5058:Rond de jambe attitude 5019: 4951: 4915:(battement) tendu jeté 4864: 4546: 4393:The part of classical 4367: 4321: 4234: 4092: 4028: 3816: 3751: 3704:, a dancer executes a 3644: 3549:Coupé jeté en tournant 3527: 3485:grand jeté en tournant 3227: 2697: 2604: 2554: 2505: 2290:The initial part of a 1837: 1613:to the side, and then 1580:in the French School. 1526:to the side, and then 1128:Italian pronunciation: 1066: 1002:tours chaînés déboulés 981: 944: 910:Italian pronunciation: 804: 620: 502: 465: 332:Italian pronunciation: 185: 180: 175: 170: 165: 160: 155: 150: 145: 140: 135: 130: 125: 120: 115: 110: 105: 100: 95: 90: 85: 80: 75: 70: 65: 60: 6714:Occupations and ranks 5678: 5617:French pronunciation: 5576:French pronunciation: 5569: 5551:French pronunciation: 5518:French pronunciation: 5486:French pronunciation: 5437:French pronunciation: 5427: 5395:French pronunciation: 5318:French pronunciation: 5293:French pronunciation: 5276:French pronunciation: 5259:French pronunciation: 5252: 5182:grande jété développé 5165:French pronunciation: 5140:French pronunciation: 5109:French pronunciation: 5028:[ʁɔ̃d(ə)ʒɑ̃b] 5024:French pronunciation: 5017: 4994:French pronunciation: 4977:French pronunciation: 4956:French pronunciation: 4949: 4907:battement relevé lent 4898:French pronunciation: 4869:French pronunciation: 4860:Relevé exercise at a 4859: 4841:French pronunciation: 4819:French pronunciation: 4798:French pronunciation: 4733:Positions of the feet 4660:Positions of the body 4544: 4536:Positions of the arms 4496:French pronunciation: 4440:French pronunciation: 4419:French pronunciation: 4372:French pronunciation: 4358: 4326:French pronunciation: 4319: 4239:French pronunciation: 4232: 4184:piqué turn/tour piqué 4141:French pronunciation: 4120:French pronunciation: 4097:French pronunciation: 4090: 4033:French pronunciation: 4026: 3981:French pronunciation: 3932:French pronunciation: 3901:[pɑdəʃ(ə)val] 3897:French pronunciation: 3883:"Russian" pas de chat 3851:('jump of the cat'). 3821:French pronunciation: 3814: 3756:French pronunciation: 3746: 3674:French pronunciation: 3651:French pronunciation: 3601:French pronunciation: 3525: 3467:jeté / jeté ordinaire 3454:French pronunciation: 3247:, as opposed to from 3232:French pronunciation: 3222: 3133:French pronunciation: 3046:French pronunciation: 2951:French pronunciation: 2832:French pronunciation: 2702:French pronunciation: 2695: 2673:French pronunciation: 2609:French pronunciation: 2599: 2559:French pronunciation: 2552: 2530:French pronunciation: 2499: 2473:French pronunciation: 2458:First position (feet) 2416:French pronunciation: 2395:French pronunciation: 2373:French pronunciation: 2344:French pronunciation: 2279:French pronunciation: 2246:French pronunciation: 2100:French pronunciation: 2093: 2059:French pronunciation: 2022:French pronunciation: 1953:French pronunciation: 1909:French pronunciation: 1883:French pronunciation: 1842:French pronunciation: 1835: 1803:French pronunciation: 1785:can be designated as 1766:French pronunciation: 1748:can be designated as 1729:French pronunciation: 1704:French pronunciation: 1687:French pronunciation: 1670:[dəmidetuʁne] 1666:French pronunciation: 1641:French pronunciation: 1590:French pronunciation: 1554:French pronunciation: 1498:French pronunciation: 1473:French pronunciation: 1456:French pronunciation: 1439:French pronunciation: 1418:French pronunciation: 1396:French pronunciation: 1337:French pronunciation: 1291:French pronunciation: 1240:French pronunciation: 1211:French pronunciation: 1194:French pronunciation: 1177:French pronunciation: 1092:French pronunciation: 1064: 1025:French pronunciation: 993:French pronunciation: 979: 966:French pronunciation: 949:French pronunciation: 942: 889:French pronunciation: 867:French pronunciation: 846:French pronunciation: 829:French pronunciation: 802: 674:French pronunciation: 625:French pronunciation: 618: 585:French pronunciation: 553:French pronunciation: 507:French pronunciation: 500: 470:French pronunciation: 463: 434:French pronunciation: 396:French pronunciation: 272:French pronunciation: 247:[alakatʁijɛm] 243:French pronunciation: 226:French pronunciation: 7003:Ballet-related lists 6340:New York City Ballet 6034:Grant, Gail (1982). 5725: 5700: 5580:[tuʁzɑ̃lɛːʁ] 5428:Tendu exercise at a 5414: 5128: 4829: 4826:) Meaning 'fourth'. 4786: 4461:preparatory position 4444:[pɔʁd(ə)bʁa] 3990:fondu, relevé, elevé 3985:[pɑd(ə)vals] 3936:[pɑdəpwasɔ̃] 3830:Dance of the Cygnets 3760:[pɑd(ə)buʁe] 3678:[pɑd(ə)bask] 3620: 3589: 3572: 3442: 3429: 3305:improve this section 3181:improve this section 3093:improve this section 3006:improve this section 2911:improve this section 2792:improve this section 2746: 2383: 1897: 1574:battement tendu jeté 1522:back, then moves to 1443:[dɑ̃sœʁnɔbl] 1406: 929: 598: 339:; meaning 'happy') 214: 7013:Glossaries of dance 6894:Dance International 6430:General information 5951:merriam-webster.com 5490:[tɑ̃l(ə)ve] 5350:glissade en tourant 5312:Soutenu en tournant 5116:) Another name for 4823:[katʁijɛːm] 4174:is used instead of 3423:grand pas de quatre 3412:pièce de résistance 3399:grand pas classique 3355:pièce de résistance 3137:[ɡʁɑ̃plije] 3050:[ɡʁɑ̃tekaʁ] 2879:Glissade précipitée 2677:[fwɛteʒəte] 2008:, ending in either 1869:), or to the back ( 1691:[dəmipwɛ̃t] 1619:pirouette en dehors 1535:pirouette en dedans 1155:grand coda générale 914:[braˈvuːra] 893:[bʁakʁwaze] 678:[balɑ̃swaʁ] 656:) or to the front ( 589:[ɑ̃naʁjɛːʁ] 531:), or to the side ( 336:[alˈleːɡro] 287:Italian, or French 230:[alasəɡɔ̃d] 6998:Ballet terminology 6926:Ballet and fashion 6921:(documentary film) 6202:. Human Kinetics. 5922:Dance basic topics 5685: 5572: 5502:sur le cou-de-pied 5433: 5389:Sur le cou-de-pied 5255: 5184:in other schools. 5020: 4998:[ʁəvɔltad] 4981:[ʁeveʁɑ̃s] 4952: 4902:[ʁəlvelɑ̃] 4865: 4845:[ʁɑ̃vɛʁse] 4547: 4368: 4322: 4235: 4124:[p(ə)tiso] 4093: 4029: 3825:[pɑd(ə)ʃa] 3817: 3752: 3714:demi rond de jambe 3689:) or with a jump ( 3528: 3419:grand pas de trois 3392:grand pas d'action 3236:[ɡʁɑ̃ʒəte] 3228: 2698: 2605: 2600:Dancer performing 2555: 2534:[flikflak] 2506: 1838: 1228:sur le cou-de-pied 1067: 1019:Changement de pied 982: 953:[kabʁijɔl] 945: 805: 662:balancé en arrière 621: 503: 466: 260:quatrième derrière 36:ballet terminology 6985: 6984: 6887:Dance and Dancers 6842:Prix de Lausanne‎ 6726:Character dancers 6209:978-0-88011-531-5 6182:978-1-4389-0100-8 5383:arabesque penchée 5280:[subʁəso] 5250: 5118:changement battu. 4507:and RAD. From a 4376:[ɑ̃pwɛ̃t] 3855:Grand pas de chat 3838:involves sixteen 3812: 3744: 3605:[uvɛʁ(t)] 3407:grand pas de deux 3341: 3340: 3333: 3217: 3216: 3209: 3129: 3128: 3121: 3042: 3041: 3034: 2968:glissade assemblé 2947: 2946: 2939: 2828: 2827: 2820: 2711:battement frappé. 2625:and waltz turns ( 2570:Abbreviation for 2486:sissonne ouverte, 2377:[epolmɑ̃] 2250:[ɑ̃tʁəʃa] 2071:rotates 1/2 turn. 2063:[ɑ̃bwate] 1846:[devlɔpe] 1708:[dɛʁjɛːʁ] 1563:battement dégagé, 1502:[ɑ̃dədɑ̃] 1373:arabesque croisée 1215:[kudəpje] 1143:grand pas de deux 1101:grands battements 1062: 1029:[ʃɑ̃ʒmɑ̃] 687:grands battements 629:[balɑ̃se] 616: 557:[ɑ̃navɑ̃] 501:Attitude derrière 474:[asɑ̃ble] 461: 310:grand pas de deux 301:The section of a 32:became formalized 16:(Redirected from 7025: 6911:Related articles 6746:Principal dancer 6688:Pointe technique 6628:Ballet by region 6604:Narrative ballet 6528:Pièce d'occasion 6503:Entrée de ballet 6416: 6409: 6402: 6393: 6392: 6370: 6343: 6331: 6304: 6277: 6236: 6229: 6223: 6220: 6214: 6213: 6193: 6187: 6186: 6166: 6160: 6159: 6153: 6145: 6143: 6141: 6130: 6124: 6123: 6121: 6119: 6103: 6097: 6090: 6084: 6083: 6081: 6080: 6066: 6060: 6059: 6031: 6020: 6013: 6007: 6006: 5978: 5972: 5969: 5963: 5962: 5960: 5958: 5943: 5751: 5623: 5618: 5582: 5577: 5557: 5555:[tɑ̃lje] 5552: 5524: 5519: 5512:Temps levé sauté 5492: 5487: 5443: 5438: 5401: 5396: 5324: 5319: 5299: 5294: 5282: 5277: 5265: 5260: 5251: 5171: 5169:[sodəʃa] 5166: 5146: 5141: 5115: 5113:[ʁwajal] 5110: 5030: 5025: 5000: 4995: 4983: 4978: 4962: 4960:[ʁətiʁe] 4957: 4904: 4899: 4875: 4870: 4847: 4842: 4825: 4820: 4804: 4799: 4607:Fourth position 4505:Cecchetti school 4503:; A term of the 4502: 4497: 4467:could move from 4446: 4441: 4425: 4423:[pwasɔ̃] 4420: 4395:ballet technique 4388:Pointe technique 4378: 4373: 4332: 4327: 4250:and rising onto 4245: 4243:[piʁwɛt] 4240: 4147: 4142: 4129:temps levé sauté 4126: 4121: 4107:arabesque penché 4103: 4098: 4091:Arabesque penché 4039: 4034: 4006: 4005: 4004: 4003: 3987: 3982: 3949:temps de poisson 3938: 3933: 3903: 3898: 3827: 3822: 3813: 3762: 3757: 3745: 3680: 3675: 3657: 3652: 3607: 3602: 3543:jeté en tournant 3460: 3455: 3336: 3329: 3325: 3322: 3316: 3285: 3277: 3263:(backward), and 3238: 3233: 3212: 3205: 3201: 3198: 3192: 3161: 3153: 3139: 3134: 3124: 3117: 3113: 3110: 3104: 3073: 3065: 3052: 3047: 3037: 3030: 3026: 3023: 3017: 2986: 2978: 2957: 2952: 2942: 2935: 2931: 2928: 2922: 2891: 2883: 2838: 2836:[ɡlisad] 2833: 2823: 2816: 2812: 2809: 2803: 2772: 2764: 2708: 2703: 2679: 2674: 2615: 2610: 2565: 2560: 2536: 2531: 2479: 2474: 2422: 2417: 2401: 2396: 2379: 2374: 2361:second arabesque 2350: 2345: 2328:tragédie lyrique 2305:Entrée de ballet 2285: 2280: 2259:entrechat quatre 2252: 2247: 2106: 2101: 2065: 2060: 2028: 2023: 1959: 1954: 1915: 1913:[ekaʁte] 1910: 1889: 1884: 1865:), to the side ( 1848: 1843: 1809: 1804: 1772: 1767: 1735: 1730: 1710: 1705: 1693: 1688: 1672: 1667: 1647: 1642: 1625:). Opposite of 1601:, starting from 1596: 1594:[ɑ̃dəɔʁ] 1591: 1578:battement glissé 1560: 1558:[deɡaʒe] 1555: 1514:, starting from 1504: 1499: 1479: 1477:[debule] 1474: 1462: 1460:[dɑ̃søz] 1457: 1445: 1440: 1424: 1422:[dɑ̃sœʁ] 1419: 1402: 1400:[ɑ̃kʁwɑ] 1397: 1343: 1341:[kʁwɑze] 1338: 1331: 1330: 1325: 1324: 1297: 1292: 1246: 1241: 1217: 1212: 1200: 1198:[dəkote] 1195: 1183: 1181:[kɔʁife] 1178: 1134: 1132:[ˈkoːda] 1129: 1098: 1096:[ɑ̃klɔʃ] 1093: 1063: 1031: 1026: 999: 994: 972: 970:[kɑ̃bʁe] 967: 955: 950: 916: 911: 895: 890: 873: 868: 852: 847: 835: 830: 732:Ballet technique 680: 675: 658:balancé en avant 631: 626: 617: 591: 586: 559: 554: 513: 511:[atityd] 508: 483:battement glissé 476: 471: 462: 440: 438:[aʁɔ̃di] 435: 402: 400:[alɔ̃ʒe] 397: 338: 333: 319:dance partnering 317:, that features 278: 273: 256:quatrième devant 249: 244: 232: 227: 50: 21: 7033: 7032: 7028: 7027: 7026: 7024: 7023: 7022: 7018:Human positions 6988: 6987: 6986: 6981: 6945: 6906: 6867: 6851: 6825: 6774: 6731:Corps de ballet 6709: 6659: 6623: 6619:Romantic ballet 6599:Grotesque dance 6569:Ballets de cour 6559:Ballet d'action 6552:Ballet by genre 6547: 6461: 6425: 6420: 6377: 6359: 6334: 6320: 6293: 6266: 6245: 6243:General sources 6240: 6239: 6230: 6226: 6221: 6217: 6210: 6194: 6190: 6183: 6175:. AuthorHouse. 6167: 6163: 6147: 6146: 6139: 6137: 6132: 6131: 6127: 6117: 6115: 6104: 6100: 6091: 6087: 6078: 6076: 6068: 6067: 6063: 6048: 6032: 6023: 6014: 6010: 5995: 5979: 5975: 5970: 5966: 5956: 5954: 5945: 5944: 5940: 5935: 5918: 5913: 5912: 5911: 5910: 5752: 5733: 5728: 5720: 5710: 5703: 5695: 5673: 5663: 5621:[tɔ̃be] 5616: 5613: 5601:Vaslav Nijinsky 5575: 5570:Tours en l'air. 5564: 5550: 5547: 5517: 5514: 5506:sissonne simple 5485: 5482: 5474: 5465:battement tendu 5441:[tɑ̃dy] 5436: 5422: 5417: 5409:petit battement 5394: 5391: 5367: 5317: 5314: 5292: 5289: 5275: 5272: 5263:[sisɔn] 5258: 5240: 5238: 5221: 5213: 5203: 5164: 5161: 5149:sauté arabesque 5139: 5136: 5131: 5108: 5105: 5090:grand battement 5076:second position 5023: 5012: 4993: 4990: 4976: 4973: 4955: 4944: 4897: 4894: 4873:[ʁəlve] 4868: 4854: 4840: 4837: 4832: 4818: 4815: 4797: 4794: 4789: 4773: 4771:Petit Battement 4764: 4752:fourth position 4744:second position 4736: 4726:écarté derrière 4714:croisé derrière 4710:épaulé derrière 4662: 4611:('crossed') or 4539: 4525:petit développé 4495: 4493: 4439: 4436: 4418: 4415: 4403: 4391: 4371: 4353: 4330:[plije] 4325: 4314: 4238: 4227: 4208: 4180:piqué arabesque 4150:battement piqué 4140: 4137: 4119: 4116: 4101:[pɑ̃ʃe] 4096: 4085: 4032: 4021: 4002: 3997: 3996: 3995: 3994: 3993: 3980: 3977: 3969: 3959: 3931: 3928: 3920: 3896: 3893: 3885: 3879:until landing. 3861:grand battement 3857: 3820: 3802: 3800: 3755: 3736: 3734: 3681:; 'step of the 3673: 3670: 3650: 3647: 3630: 3623: 3600: 3597: 3595:Ouvert, ouverte 3592: 3580: 3575: 3453: 3450: 3445: 3437: 3432: 3425:, respectively. 3377:corps de ballet 3350:corps de ballet 3337: 3326: 3320: 3317: 3302: 3286: 3275: 3259:(to the side), 3245:grand battement 3231: 3213: 3202: 3196: 3193: 3178: 3162: 3151: 3132: 3125: 3114: 3108: 3105: 3090: 3074: 3063: 3045: 3038: 3027: 3021: 3018: 3003: 2987: 2976: 2950: 2943: 2932: 2926: 2923: 2908: 2892: 2881: 2831: 2824: 2813: 2807: 2804: 2789: 2773: 2762: 2754: 2749: 2724: 2706:[fʁape] 2701: 2690: 2672: 2669: 2639:(pictured here 2613:[fwɛte] 2608: 2594: 2572:battement fondu 2563:[fɔ̃dy] 2558: 2547: 2529: 2526: 2494: 2482:sissonne fermée 2477:[fɛʁme] 2472: 2469: 2461: 2415: 2412: 2399:[ɑ̃fas] 2394: 2391: 2386: 2372: 2369: 2348:[epole] 2343: 2340: 2308: 2283:[ɑ̃tʁe] 2278: 2275: 2253:; from Italian 2245: 2242: 2235: 2224: 2213: 2202: 2188: 2174: 2163: 2152: 2141: 2099: 2096: 2081:) or backward ( 2058: 2055: 2021: 2018: 2010:second position 2000:, springs onto 1957:[eʃape] 1952: 1949: 1937:écarté derrière 1929:écarté derrière 1908: 1905: 1900: 1882: 1879: 1851:temps développé 1841: 1830: 1807:[dəvɑ̃] 1802: 1799: 1765: 1762: 1728: 1725: 1717:battement tendu 1703: 1700: 1686: 1683: 1665: 1662: 1640: 1637: 1609:front, move to 1589: 1586: 1553: 1550: 1497: 1494: 1472: 1469: 1455: 1452: 1438: 1435: 1417: 1414: 1409: 1395: 1392: 1377:Croisé derrière 1361:croisé derrière 1336: 1333: 1328: 1327: 1322: 1321: 1290: 1287: 1239: 1236: 1226:), or wrapped ( 1210: 1207: 1193: 1190: 1176: 1173: 1165: 1162:Corps de ballet 1127: 1124: 1091: 1088: 1054: 1052: 1024: 1021: 992: 989: 965: 962: 948: 937: 932: 923: 909: 906: 888: 885: 871:[bʁize] 866: 863: 845: 842: 833:[batʁi] 828: 825: 816: 797: 786: 777: 765: 743: 735: 725:danse classique 721: 711: 703: 673: 670: 654:balancé de côté 650:second position 624: 608: 606: 601: 584: 581: 552: 549: 506: 495: 469: 453: 451: 433: 430: 421: 411: 395: 392: 331: 328: 285: 271: 268: 242: 239: 225: 222: 217: 212: 211: 210: 209: 51: 40:French language 23: 22: 18:Entree (ballet) 15: 12: 11: 5: 7031: 7021: 7020: 7015: 7010: 7005: 7000: 6983: 6982: 6980: 6979: 6974: 6969: 6964: 6959: 6954: 6950: 6947: 6946: 6944: 6943: 6938: 6933: 6928: 6923: 6914: 6912: 6908: 6907: 6905: 6904: 6897: 6890: 6883: 6875: 6873: 6869: 6868: 6866: 6865: 6863:Ballet Society 6859: 6857: 6853: 6852: 6850: 6849: 6844: 6839: 6833: 6831: 6827: 6826: 6824: 6823: 6818: 6813: 6808: 6803: 6798: 6793: 6788: 6782: 6780: 6779:Ballet apparel 6776: 6775: 6773: 6772: 6762: 6757: 6750:Danseur Étoile 6743: 6738: 6733: 6728: 6723: 6717: 6715: 6711: 6710: 6708: 6707: 6702: 6696: 6690: 6685: 6680: 6675: 6669: 6667: 6661: 6660: 6658: 6657: 6652: 6647: 6642: 6637: 6631: 6629: 6625: 6624: 6622: 6621: 6616: 6611: 6606: 6601: 6596: 6591: 6586: 6584:Comédie-ballet 6581: 6576: 6574:Chamber ballet 6571: 6566: 6561: 6555: 6553: 6549: 6548: 6546: 6545: 6540: 6535: 6530: 6525: 6520: 6515: 6510: 6505: 6500: 6498:Divertissement 6495: 6490: 6485: 6480: 6475: 6469: 6467: 6463: 6462: 6460: 6459: 6454: 6449: 6444: 6439: 6433: 6431: 6427: 6426: 6419: 6418: 6411: 6404: 6396: 6390: 6389: 6384: 6376: 6375:External links 6373: 6372: 6371: 6357: 6344: 6332: 6318: 6305: 6291: 6278: 6264: 6251: 6244: 6241: 6238: 6237: 6224: 6215: 6208: 6188: 6181: 6161: 6125: 6098: 6085: 6061: 6046: 6021: 6008: 5993: 5973: 5964: 5937: 5936: 5934: 5931: 5930: 5929: 5924: 5917: 5914: 5909: 5908: 5906:External links 5903: 5898: 5890: 5889: 5884: 5879: 5874: 5869: 5864: 5859: 5854: 5849: 5844: 5839: 5834: 5829: 5824: 5819: 5814: 5809: 5804: 5799: 5794: 5789: 5784: 5779: 5774: 5769: 5764: 5759: 5753: 5747: 5745: 5732: 5729: 5727: 5724: 5719: 5714: 5709: 5704: 5702: 5699: 5694: 5689: 5681:first position 5672: 5667: 5662: 5659: 5648:tombé en avant 5632:begins with a 5630:tombé en avant 5626:pas de bourrée 5612: 5609: 5605:tours en l'air 5563: 5562:Tours en l'air 5560: 5546: 5543: 5513: 5510: 5481: 5478: 5473: 5470: 5421: 5418: 5416: 5413: 5390: 5387: 5366: 5361: 5313: 5310: 5297:[susu] 5288: 5285: 5271: 5268: 5237: 5234: 5220: 5217: 5212: 5207: 5202: 5199: 5160: 5157: 5144:[sote] 5135: 5132: 5130: 5127: 5104: 5101: 5100: 5099: 5093: 5083: 5065: 5055: 5048:Rond de jambe 5033:first position 5011: 5008: 4989: 4986: 4972: 4969: 4943: 4940: 4893: 4890: 4853: 4850: 4836: 4833: 4831: 4828: 4814: 4811: 4802:[katʁ] 4793: 4790: 4788: 4785: 4772: 4769: 4763: 4760: 4756:fifth position 4748:third position 4740:first position 4735: 4730: 4670:à la quatrième 4661: 4658: 4657: 4656: 4653: 4648:Additionally: 4646: 4645: 4642:fifth en avant 4626: 4625: 4624: 4621:fifth en avant 4613:Spanish fourth 4598:fourth en haut 4586: 4585: 4584: 4581: 4567: 4563: 4559: 4538: 4533: 4500:[poze] 4492: 4489: 4455:('low') (i.e. 4435: 4432: 4414: 4411: 4402: 4399: 4390: 4385: 4352: 4349: 4313: 4310: 4226: 4221: 4207: 4204: 4196:posé arabesque 4145:[pike] 4136: 4133: 4115: 4112: 4084: 4081: 4037:[pɑse] 4020: 4017: 3998: 3976: 3973: 3968: 3963: 3958: 3953: 3927: 3926:Pas de poisson 3924: 3919: 3914: 3892: 3889: 3884: 3881: 3856: 3853: 3799: 3796: 3795: 3794: 3791: 3788: 3781: 3778: 3775: 3772: 3733: 3732:Pas de bourrée 3730: 3718:first position 3669: 3666: 3646: 3643: 3629: 3624: 3622: 3619: 3596: 3593: 3591: 3588: 3579: 3576: 3574: 3571: 3570: 3569: 3556: 3546: 3536: 3515: 3489:jeté entrelacé 3487:(Fr./Cecc.) / 3458:[ʒəte] 3449: 3446: 3444: 3441: 3436: 3433: 3431: 3428: 3427: 3426: 3415: 3410:serves as the 3402: 3395: 3339: 3338: 3289: 3287: 3280: 3274: 3269: 3215: 3214: 3165: 3163: 3156: 3150: 3147: 3127: 3126: 3077: 3075: 3068: 3062: 3059: 3040: 3039: 2990: 2988: 2981: 2975: 2972: 2945: 2944: 2895: 2893: 2886: 2880: 2877: 2826: 2825: 2776: 2774: 2767: 2761: 2758: 2753: 2750: 2748: 2745: 2723: 2722:Fifth position 2720: 2689: 2686: 2668: 2665: 2593: 2588: 2587: 2586: 2583: 2546: 2543: 2525: 2522: 2493: 2490: 2468: 2465: 2460: 2455: 2420:[faji] 2411: 2408: 2390: 2387: 2385: 2382: 2368: 2365: 2339: 2336: 2320:comédie-ballet 2316:divertissement 2312:ballet de cour 2307: 2302: 2301: 2300: 2297: 2274: 2271: 2267:entrechat cinq 2234: 2231: 2223: 2220: 2212: 2209: 2201: 2198: 2187: 2184: 2173: 2170: 2162: 2159: 2151: 2148: 2140: 2137: 2095: 2092: 2091: 2090: 2086: 2075: 2072: 2054: 2051: 2026:[elve] 2017: 2014: 1986:first position 1948: 1945: 1904: 1901: 1899: 1896: 1887:[dubl] 1878: 1875: 1829: 1826: 1798: 1795: 1779:pas de bourrée 1770:[dəsy] 1761: 1758: 1742:pas de bourrée 1733:[dəsu] 1724: 1721: 1699: 1696: 1682: 1679: 1661: 1658: 1645:[dəmi] 1636: 1633: 1603:first position 1585: 1582: 1549: 1546: 1545: 1544: 1531: 1516:first position 1493: 1490: 1468: 1465: 1451: 1448: 1434: 1431: 1413: 1410: 1408: 1405: 1391: 1388: 1332: 1319: 1309:pas de bourrée 1295:[kuʁy] 1286: 1283: 1244:[kupe] 1235: 1232: 1206: 1203: 1189: 1186: 1172: 1169: 1164: 1159: 1123: 1120: 1107:. Similar to 1087: 1084: 1083: 1082: 1079: 1051: 1046: 1020: 1017: 1006:first position 997:[ʃɛne] 988: 983: 961: 958: 936: 933: 931: 928: 922: 919: 905: 902: 884: 881: 862: 859: 850:[baty] 841: 838: 824: 821: 815: 810: 796: 791: 785: 782: 776: 773: 764: 759: 742: 739: 734: 729: 720: 715: 710: 707: 702: 699: 683:first position 669: 666: 605: 602: 600: 597: 580: 577: 548: 545: 494: 491: 450: 447: 429: 426: 420: 415: 410: 405: 391: 388: 387: 386: 383: 380: 327: 324: 323: 322: 299: 296: 284: 281: 276:[atɛʁ] 267: 264: 238: 237:À la quatrième 235: 221: 218: 216: 213: 208: 207: 205:External links 202: 197: 189: 188: 183: 178: 173: 168: 163: 158: 153: 148: 143: 138: 133: 128: 123: 118: 113: 108: 103: 98: 93: 88: 83: 78: 73: 68: 63: 58: 52: 46: 44: 9: 6: 4: 3: 2: 7030: 7019: 7016: 7014: 7011: 7009: 7006: 7004: 7001: 6999: 6996: 6995: 6993: 6978: 6975: 6973: 6970: 6968: 6965: 6963: 6960: 6958: 6955: 6952: 6951: 6948: 6942: 6939: 6937: 6934: 6932: 6929: 6927: 6924: 6922: 6920: 6916: 6915: 6913: 6909: 6903: 6902: 6898: 6896: 6895: 6891: 6889: 6888: 6884: 6882: 6881: 6880:Ballet Review 6877: 6876: 6874: 6870: 6864: 6861: 6860: 6858: 6856:Organisations 6854: 6848: 6845: 6843: 6840: 6838: 6835: 6834: 6832: 6828: 6822: 6819: 6817: 6814: 6812: 6809: 6807: 6804: 6802: 6799: 6797: 6794: 6792: 6789: 6787: 6784: 6783: 6781: 6777: 6770: 6766: 6765:Ballet master 6763: 6761: 6758: 6755: 6754:Danseur noble 6751: 6747: 6744: 6742: 6739: 6737: 6734: 6732: 6729: 6727: 6724: 6722: 6721:Ballet dancer 6719: 6718: 6716: 6712: 6706: 6703: 6700: 6697: 6694: 6691: 6689: 6686: 6684: 6681: 6679: 6676: 6674: 6671: 6670: 6668: 6666: 6662: 6656: 6653: 6651: 6648: 6646: 6643: 6641: 6638: 6636: 6633: 6632: 6630: 6626: 6620: 6617: 6615: 6612: 6610: 6607: 6605: 6602: 6600: 6597: 6595: 6592: 6590: 6587: 6585: 6582: 6580: 6577: 6575: 6572: 6570: 6567: 6565: 6562: 6560: 6557: 6556: 6554: 6550: 6544: 6541: 6539: 6536: 6534: 6531: 6529: 6526: 6524: 6521: 6519: 6518:Pas de quatre 6516: 6514: 6511: 6509: 6506: 6504: 6501: 6499: 6496: 6494: 6491: 6489: 6486: 6484: 6481: 6479: 6476: 6474: 6471: 6470: 6468: 6464: 6458: 6455: 6453: 6450: 6448: 6445: 6443: 6440: 6438: 6435: 6434: 6432: 6428: 6424: 6417: 6412: 6410: 6405: 6403: 6398: 6397: 6394: 6388: 6385: 6382: 6379: 6378: 6368: 6364: 6360: 6358:0-9524848-0-3 6354: 6350: 6345: 6341: 6337: 6333: 6329: 6325: 6321: 6319:0-7432-6407-X 6315: 6311: 6306: 6302: 6298: 6294: 6292:0-306-80094-2 6288: 6284: 6279: 6275: 6271: 6267: 6265:0-486-23223-9 6261: 6257: 6252: 6250: 6247: 6246: 6234: 6231:Grant, Gail. 6228: 6219: 6211: 6205: 6201: 6200: 6192: 6184: 6178: 6174: 6173: 6165: 6157: 6151: 6135: 6129: 6113: 6109: 6102: 6095: 6092:Grant, Gail. 6089: 6075: 6071: 6065: 6057: 6053: 6049: 6047:0-486-21843-0 6043: 6039: 6038: 6030: 6028: 6026: 6018: 6012: 6004: 6000: 5996: 5994:0-486-22036-2 5990: 5986: 5985: 5977: 5968: 5952: 5948: 5947:"Balletomane" 5942: 5938: 5928: 5925: 5923: 5920: 5919: 5907: 5904: 5902: 5899: 5897: 5894: 5893: 5892: 5888: 5885: 5883: 5880: 5878: 5875: 5873: 5870: 5868: 5865: 5863: 5860: 5858: 5855: 5853: 5850: 5848: 5845: 5843: 5840: 5838: 5835: 5833: 5830: 5828: 5825: 5823: 5820: 5818: 5815: 5813: 5810: 5808: 5805: 5803: 5800: 5798: 5795: 5793: 5790: 5788: 5785: 5783: 5780: 5778: 5775: 5773: 5770: 5768: 5765: 5763: 5760: 5758: 5755: 5754: 5744: 5742: 5738: 5723: 5718: 5713: 5708: 5698: 5693: 5688: 5682: 5677: 5671: 5666: 5658: 5656: 5651: 5649: 5644: 5639: 5635: 5631: 5627: 5622: 5608: 5606: 5602: 5598: 5594: 5590: 5586: 5581: 5568: 5559: 5556: 5542: 5540: 5536: 5532: 5528: 5523: 5509: 5507: 5503: 5498: 5496: 5491: 5477: 5469: 5467: 5466: 5461: 5457: 5456: 5450: 5449: 5442: 5431: 5426: 5412: 5410: 5405: 5400: 5386: 5384: 5380: 5376: 5372: 5365: 5360: 5358: 5353: 5351: 5347: 5342: 5340: 5336: 5332: 5328: 5323: 5309: 5307: 5303: 5298: 5284: 5281: 5267: 5264: 5233: 5231: 5227: 5216: 5211: 5206: 5198: 5196: 5195: 5190: 5185: 5183: 5179: 5175: 5170: 5156: 5154: 5150: 5145: 5126: 5123: 5119: 5114: 5097: 5094: 5091: 5087: 5084: 5081: 5077: 5073: 5069: 5066: 5063: 5059: 5056: 5053: 5051: 5046: 5045: 5044: 5042: 5038: 5034: 5029: 5018:Rond de jambe 5016: 5010:Rond de jambe 5007: 5004: 4999: 4985: 4982: 4968: 4966: 4961: 4948: 4939: 4937: 4933: 4929: 4928: 4922: 4921: 4916: 4912: 4908: 4903: 4889: 4887: 4883: 4879: 4874: 4863: 4858: 4849: 4846: 4827: 4824: 4810: 4808: 4807:pas de quatre 4803: 4784: 4782: 4778: 4768: 4759: 4757: 4753: 4749: 4745: 4741: 4734: 4729: 4727: 4723: 4722:écarté devant 4719: 4715: 4711: 4707: 4703: 4699: 4695: 4691: 4687: 4683: 4679: 4675: 4671: 4667: 4654: 4651: 4650: 4649: 4643: 4639: 4635: 4631: 4630:fifth en haut 4627: 4622: 4618: 4614: 4610: 4606: 4605: 4603: 4599: 4595: 4591: 4587: 4582: 4579: 4575: 4574: 4572: 4568: 4564: 4560: 4557: 4556: 4555: 4551: 4543: 4537: 4532: 4530: 4526: 4522: 4518: 4514: 4510: 4506: 4501: 4488: 4486: 4481: 4476: 4474: 4470: 4466: 4462: 4458: 4454: 4450: 4445: 4431: 4429: 4424: 4410: 4408: 4398: 4396: 4389: 4384: 4382: 4377: 4366: 4362: 4357: 4348: 4346: 4341: 4339: 4334: 4331: 4318: 4309: 4307: 4302: 4300: 4296: 4292: 4288: 4284: 4283: 4278: 4277: 4272: 4268: 4264: 4262: 4257: 4253: 4249: 4244: 4231: 4225: 4220: 4218: 4213: 4203: 4201: 4197: 4193: 4189: 4185: 4181: 4177: 4173: 4168: 4166: 4165: 4159: 4155: 4151: 4146: 4132: 4130: 4125: 4111: 4109: 4108: 4102: 4089: 4080: 4079: 4078:chassé passé. 4075: 4071: 4067: 4063: 4059: 4055: 4051: 4047: 4043: 4038: 4025: 4016: 4014: 4010: 4001: 3991: 3986: 3972: 3967: 3962: 3957: 3956:Pas de quatre 3952: 3950: 3946: 3942: 3937: 3923: 3918: 3913: 3911: 3910:pointe tendue 3907: 3902: 3891:Pas de cheval 3888: 3880: 3878: 3874: 3871:(an "Italian 3870: 3866: 3862: 3852: 3850: 3849: 3843: 3841: 3837: 3836: 3831: 3826: 3792: 3789: 3786: 3782: 3779: 3776: 3773: 3770: 3769: 3768: 3766: 3761: 3749: 3729: 3727: 3723: 3719: 3715: 3711: 3707: 3703: 3698: 3696: 3692: 3688: 3684: 3679: 3668:Pas de basque 3665: 3663: 3662: 3656: 3642: 3640: 3636: 3628: 3618: 3615: 3612:('closed'). 3611: 3606: 3587: 3583: 3567: 3566: 3560: 3557: 3554: 3550: 3547: 3544: 3540: 3537: 3534: 3533: 3524: 3519: 3516: 3513: 3509: 3505: 3501: 3498: 3497: 3496: 3494: 3490: 3486: 3482: 3478: 3477: 3472: 3468: 3464: 3459: 3440: 3424: 3420: 3416: 3413: 3409: 3408: 3403: 3400: 3396: 3393: 3389: 3388: 3387: 3384: 3382: 3378: 3374: 3373: 3368: 3367: 3362: 3361: 3356: 3352: 3351: 3346: 3345:demi-soloists 3335: 3332: 3324: 3314: 3310: 3306: 3300: 3299: 3295: 3290:This section 3288: 3284: 3279: 3278: 3273: 3268: 3266: 3262: 3258: 3254: 3250: 3246: 3242: 3237: 3226: 3221: 3211: 3208: 3200: 3190: 3186: 3182: 3176: 3175: 3171: 3166:This section 3164: 3160: 3155: 3154: 3146: 3143: 3138: 3123: 3120: 3112: 3102: 3098: 3094: 3088: 3087: 3083: 3078:This section 3076: 3072: 3067: 3066: 3058: 3056: 3051: 3036: 3033: 3025: 3015: 3011: 3007: 3001: 3000: 2996: 2991:This section 2989: 2985: 2980: 2979: 2971: 2969: 2965: 2964:glissade jeté 2961: 2956: 2941: 2938: 2930: 2920: 2916: 2912: 2906: 2905: 2901: 2896:This section 2894: 2890: 2885: 2884: 2876: 2874: 2870: 2866: 2862: 2858: 2854: 2850: 2846: 2842: 2837: 2822: 2819: 2811: 2801: 2797: 2793: 2787: 2786: 2782: 2777:This section 2775: 2771: 2766: 2765: 2757: 2744: 2742: 2738: 2734: 2730: 2719: 2715: 2712: 2707: 2694: 2685: 2683: 2678: 2664: 2662: 2658: 2654: 2650: 2646: 2642: 2638: 2634: 2630: 2628: 2624: 2619: 2614: 2603: 2598: 2592: 2584: 2581: 2577: 2573: 2569: 2568: 2567: 2564: 2551: 2542: 2540: 2535: 2521: 2519: 2515: 2511: 2508:A partnering 2503: 2498: 2489: 2487: 2483: 2478: 2467:Fermé, fermée 2464: 2459: 2454: 2452: 2451: 2447:phrased with 2446: 2442: 2438: 2434: 2430: 2426: 2421: 2407: 2405: 2400: 2381: 2378: 2364: 2362: 2358: 2354: 2349: 2335: 2333: 2329: 2325: 2321: 2317: 2313: 2306: 2298: 2295: 2294: 2289: 2288: 2287: 2284: 2270: 2268: 2264: 2263:entrechat six 2260: 2256: 2251: 2240: 2230: 2229: 2219: 2218: 2208: 2207: 2197: 2194: 2193: 2183: 2180: 2179: 2169: 2168: 2158: 2157: 2147: 2146: 2136: 2134: 2130: 2126: 2122: 2118: 2114: 2110: 2105: 2087: 2084: 2080: 2076: 2073: 2069: 2068: 2067: 2064: 2050: 2048: 2044: 2040: 2036: 2032: 2027: 2013: 2011: 2007: 2003: 1999: 1995: 1991: 1987: 1983: 1979: 1978:échappé sauté 1975: 1971: 1967: 1966:échappé sauté 1963: 1958: 1944: 1942: 1938: 1934: 1933:écarté devant 1930: 1925: 1923: 1919: 1914: 1895: 1893: 1888: 1874: 1872: 1868: 1864: 1860: 1856: 1852: 1847: 1834: 1825: 1823: 1821: 1816: 1814: 1808: 1794: 1792: 1788: 1784: 1780: 1776: 1771: 1757: 1755: 1751: 1747: 1743: 1739: 1734: 1720: 1719:to the rear. 1718: 1714: 1709: 1695: 1692: 1678: 1676: 1671: 1660:Demi-détourné 1657: 1655: 1651: 1646: 1632: 1630: 1629: 1624: 1620: 1616: 1612: 1608: 1604: 1600: 1595: 1581: 1579: 1575: 1570: 1568: 1564: 1559: 1542: 1541: 1536: 1532: 1529: 1525: 1521: 1517: 1513: 1508: 1507: 1506: 1503: 1489: 1487: 1483: 1478: 1464: 1461: 1447: 1444: 1433:Danseur noble 1430: 1428: 1427:ballet dancer 1423: 1404: 1401: 1387: 1385: 1380: 1378: 1374: 1370: 1366: 1362: 1357: 1356:croisé devant 1353: 1349: 1347: 1342: 1318: 1316: 1313:(also called 1312: 1310: 1305: 1301: 1296: 1282: 1280: 1276: 1271: 1269: 1264: 1262: 1258: 1254: 1250: 1245: 1231: 1229: 1225: 1221: 1216: 1202: 1199: 1185: 1182: 1168: 1163: 1158: 1157:may be used. 1156: 1152: 1151:coda générale 1148: 1144: 1140: 1139: 1133: 1119: 1117: 1112: 1110: 1106: 1102: 1097: 1080: 1077: 1072: 1071: 1070: 1050: 1045: 1043: 1039: 1035: 1030: 1016: 1014: 1010: 1007: 1003: 998: 987: 978: 974: 971: 957: 954: 941: 927: 918: 915: 901: 899: 894: 880: 877: 872: 858: 856: 851: 837: 834: 820: 814: 809: 801: 795: 790: 781: 772: 770: 763: 758: 756: 752: 748: 738: 733: 728: 726: 719: 714: 706: 698: 696: 692: 688: 684: 679: 665: 663: 659: 655: 651: 647: 643: 639: 635: 630: 596: 595: 590: 576: 574: 572: 567: 563: 558: 544: 542: 538: 534: 530: 527:), in front ( 526: 521: 517: 512: 499: 490: 488: 484: 480: 475: 446: 444: 439: 425: 419: 414: 409: 404: 401: 384: 381: 378: 377: 372: 371: 366: 365: 360: 359: 354: 353: 348: 347: 342: 341: 340: 337: 320: 316: 312: 311: 306: 305: 300: 297: 294: 293: 292: 290: 280: 277: 263: 261: 257: 253: 248: 234: 231: 206: 203: 201: 198: 196: 193: 192: 191: 187: 184: 182: 179: 177: 174: 172: 169: 167: 164: 162: 159: 157: 154: 152: 149: 147: 144: 142: 139: 137: 134: 132: 129: 127: 124: 122: 119: 117: 114: 112: 109: 107: 104: 102: 99: 97: 94: 92: 89: 87: 84: 82: 79: 77: 74: 72: 69: 67: 64: 62: 59: 57: 54: 53: 43: 41: 37: 33: 30: 19: 6931:Choreography 6918: 6899: 6892: 6885: 6878: 6872:Publications 6736:Demi-soloist 6678:Bournonville 6614:Opéra-ballet 6609:Neoclassical 6594:Comic ballet 6589:Contemporary 6564:Ballet blanc 6523:Pas de trois 6441: 6348: 6338:. New York: 6335: 6309: 6282: 6255: 6232: 6227: 6218: 6198: 6191: 6171: 6164: 6138:. Retrieved 6128: 6116:. Retrieved 6114:. London, UK 6111: 6101: 6093: 6088: 6077:. Retrieved 6073: 6064: 6036: 6016: 6011: 5983: 5976: 5967: 5957:December 23, 5955:. Retrieved 5950: 5941: 5891: 5740: 5734: 5721: 5711: 5696: 5686: 5664: 5654: 5652: 5647: 5642: 5633: 5629: 5625: 5614: 5604: 5596: 5588: 5584: 5573: 5548: 5538: 5534: 5530: 5526: 5515: 5505: 5501: 5499: 5494: 5483: 5475: 5464: 5459: 5452: 5445: 5434: 5403: 5392: 5374: 5370: 5368: 5356: 5354: 5349: 5345: 5343: 5338: 5334: 5330: 5326: 5315: 5305: 5290: 5273: 5256: 5229: 5225: 5222: 5214: 5204: 5192: 5189:saut de chat 5188: 5186: 5181: 5174:saut de chat 5173: 5162: 5159:Saut de chat 5152: 5148: 5137: 5117: 5106: 5095: 5089: 5085: 5072:à la seconde 5071: 5067: 5057: 5047: 5040: 5036: 5021: 4991: 4974: 4964: 4953: 4936:demi-hauteur 4935: 4932:à la hauteur 4931: 4924: 4918: 4914: 4906: 4895: 4881: 4877: 4866: 4838: 4816: 4806: 4795: 4774: 4765: 4737: 4725: 4721: 4717: 4713: 4709: 4705: 4701: 4697: 4693: 4689: 4678:à la seconde 4663: 4647: 4641: 4638:fifth en bas 4637: 4633: 4629: 4620: 4616: 4612: 4608: 4601: 4597: 4593: 4589: 4578:demi-seconde 4577: 4570: 4552: 4548: 4524: 4520: 4516: 4512: 4508: 4494: 4480:port de bras 4479: 4477: 4472: 4468: 4465:port de bras 4464: 4460: 4456: 4452: 4449:port de bras 4448: 4437: 4434:Port de bras 4416: 4407:pointe shoes 4404: 4392: 4381:pointe shoes 4369: 4360: 4344: 4342: 4337: 4335: 4323: 4305: 4303: 4298: 4294: 4286: 4280: 4274: 4270: 4259: 4255: 4251: 4247: 4236: 4216: 4211: 4209: 4199: 4195: 4194:= RAD/Cecc. 4191: 4187: 4183: 4179: 4175: 4169: 4161: 4157: 4153: 4149: 4138: 4128: 4117: 4105: 4094: 4077: 4069: 4061: 4057: 4053: 4049: 4046:Retiré passé 4045: 4042:retiré passé 4041: 4030: 4008: 3999: 3989: 3978: 3975:Pas de valse 3970: 3966:Pas de trois 3960: 3948: 3944: 3940: 3929: 3921: 3909: 3905: 3894: 3886: 3876: 3872: 3868: 3864: 3860: 3858: 3848:saut de chat 3846: 3844: 3839: 3833: 3818: 3784: 3753: 3725: 3722:chassé passé 3721: 3713: 3709: 3705: 3701: 3699: 3690: 3686: 3671: 3659: 3655:[pɑ] 3648: 3631: 3613: 3609: 3598: 3584: 3581: 3562: 3558: 3552: 3548: 3542: 3538: 3530: 3517: 3511: 3503: 3499: 3492: 3488: 3484: 3480: 3474: 3470: 3466: 3465:, including 3462: 3451: 3438: 3422: 3418: 3411: 3405: 3398: 3391: 3385: 3380: 3376: 3370: 3364: 3358: 3348: 3342: 3327: 3321:January 2022 3318: 3303:Please help 3291: 3264: 3260: 3257:à la seconde 3256: 3252: 3248: 3244: 3240: 3229: 3224: 3203: 3197:January 2022 3194: 3179:Please help 3167: 3141: 3130: 3115: 3109:January 2022 3106: 3091:Please help 3079: 3043: 3028: 3022:January 2022 3019: 3004:Please help 2992: 2967: 2963: 2959: 2948: 2933: 2927:January 2022 2924: 2909:Please help 2897: 2868: 2864: 2860: 2856: 2855:can be done 2852: 2840: 2829: 2814: 2808:January 2022 2805: 2790:Please help 2778: 2755: 2752:Gargouillade 2725: 2716: 2710: 2699: 2681: 2670: 2667:Fouetté jeté 2660: 2656: 2645:fouetté turn 2644: 2640: 2636: 2632: 2631: 2626: 2617: 2606: 2601: 2579: 2575: 2571: 2556: 2538: 2527: 2507: 2501: 2485: 2481: 2470: 2462: 2448: 2444: 2440: 2437:chassé passé 2436: 2432: 2428: 2424: 2413: 2403: 2392: 2370: 2356: 2352: 2341: 2324:opéra-ballet 2309: 2291: 2276: 2266: 2262: 2258: 2254: 2243: 2225: 2214: 2203: 2195: 2189: 2181: 2175: 2164: 2153: 2142: 2132: 2128: 2124: 2120: 2116: 2112: 2108: 2104:[ɑ̃] 2097: 2082: 2078: 2056: 2046: 2034: 2030: 2019: 2006:demi-pointes 2005: 2001: 1997: 1993: 1989: 1981: 1977: 1974:demi-pointes 1973: 1969: 1965: 1961: 1950: 1940: 1936: 1932: 1928: 1926: 1921: 1917: 1906: 1891: 1880: 1870: 1867:à la seconde 1866: 1862: 1858: 1850: 1839: 1818: 1811: 1800: 1790: 1786: 1782: 1778: 1774: 1763: 1753: 1749: 1745: 1741: 1737: 1726: 1716: 1712: 1701: 1684: 1674: 1663: 1653: 1649: 1638: 1626: 1623:retiré passé 1622: 1618: 1614: 1610: 1606: 1598: 1587: 1577: 1573: 1571: 1562: 1551: 1538: 1534: 1527: 1523: 1519: 1511: 1495: 1485: 1470: 1453: 1436: 1415: 1393: 1383: 1382:Examples of 1381: 1376: 1372: 1360: 1355: 1351: 1350: 1345: 1334: 1317:for short). 1307: 1288: 1278: 1275:cou-de-pied, 1274: 1272: 1267: 1265: 1260: 1256: 1252: 1248: 1237: 1227: 1223: 1219: 1208: 1191: 1174: 1166: 1154: 1150: 1146: 1136: 1125: 1115: 1113: 1089: 1075: 1068: 1041: 1040:indicates a 1037: 1033: 1022: 1001: 990: 963: 946: 924: 907: 897: 886: 875: 864: 854: 843: 826: 817: 806: 787: 778: 768: 766: 750: 749:coming from 746: 744: 736: 724: 722: 712: 704: 690: 686: 671: 661: 657: 653: 645: 641: 637: 633: 622: 593: 582: 569: 565: 561: 550: 533:à la seconde 532: 528: 524: 519: 515: 504: 486: 482: 479:pas assemblé 478: 467: 442: 431: 422: 412: 393: 375: 369: 363: 357: 351: 345: 329: 314: 308: 302: 288: 286: 269: 259: 255: 251: 240: 223: 220:À la seconde 190: 35: 26: 7008:Dance moves 6806:Pointe shoe 6786:Ballet shoe 6635:Azerbaijani 6513:Pas de deux 6466:Terminology 5737:waltz music 5683:of the feet 5679:Turnout in 5661:Triple Runs 5595:. A single 5404:cou-de-pied 5230:demi-pointe 5194:pas de chat 5178:grande jété 4892:Relevé lent 4880:) or toes ( 4878:demi-pointe 4521:cou-de-pied 4517:demi-pointe 4478:The phrase 4401:Pointe work 4365:pointe shoe 4252:demi-pointe 4192:tour dégagé 4158:demi-pointe 4009:en tournant 3917:Pas de deux 3906:cou-de-pied 3873:pas de chat 3865:pas de chat 3863:(a "French 3840:pas de chat 3815:Pas de chat 3798:Pas de chat 3763:; 'step of 3635:pas de deux 3563:changement 3526:Grand jeté. 3366:grand adage 3265:en tournant 3255:(forward), 3241:grand écart 2974:Grand écart 2733:changements 2657:demi-pointe 2514:pas de deux 2255:intrecciata 2035:demi-pointe 2002:les pointes 1681:Demi-pointe 1304:demi-pointe 1253:cou-de-pied 1249:cou-de-pied 1222:), behind ( 1205:Cou-de-pied 1013:demi-pointe 883:Bras croisé 741:Balletomane 660:) or rear ( 579:Arrière, en 537:demi-pointe 315:grand adage 6992:Categories 6962:Characters 6796:Leg warmer 6791:Dance belt 6769:Répétiteur 6673:Balanchine 6383:at Esmeree 6140:August 13, 6079:2021-01-13 5901:References 5539:temps levé 5480:Temps levé 5379:grand jeté 5270:Soubresaut 5122:changement 5052:/par terre 4762:Pulling Up 4602:grand bras 4571:petit bras 4529:tour piqué 4363:foot in a 4351:Pointe, en 4345:grand plié 4217:lame ducks 4212:tour piqué 4206:Piqué turn 4114:Petit saut 3941:soubresaut 3748:Jazz dance 3639:pirouettes 3627:Partnering 3559:Petit jeté 3532:grand jeté 3518:Grand jeté 3512:petit jeté 3476:grand jeté 3261:en arrière 3225:grand jeté 3149:Grand jeté 3061:Grand plié 2873:changement 2861:en arrière 2729:pirouettes 2623:tour jetés 2520:position. 2510:dance lift 2367:Épaulement 2353:épaulement 2150:En arrière 2125:en arrière 2083:en arrière 1584:Dehors, en 1492:Dedans, en 1346:épaulement 1147:grand coda 1109:Balançoire 1086:Cloche, en 1042:changement 855:jeté battu 668:Balançoire 562:en arrière 516:supporting 376:soubresaut 352:changement 200:References 38:is in the 6967:Companies 6699:Positions 6693:Positions 6683:Cecchetti 6665:Technique 6579:Classical 6543:Variation 6508:Grand pas 6493:Battement 6478:Arabesque 6003:439604642 5933:Citations 5707:Variation 5593:variation 5589:arabesque 5545:Temps lié 5527:demi-plié 5495:demi-plié 5335:demi-plié 5287:Sous-sous 5253:Sissonnes 5226:en pointe 5153:arabesque 4988:Revoltade 4971:Révérence 4965:développé 4927:développé 4813:Quatrième 4777:battement 4513:en pointe 4428:fish dive 4361:en pointe 4338:demi-plié 4320:Demi-plié 4295:arabesque 4287:En dehors 4282:en dedans 4276:en dehors 4224:Pirouette 4190:) / Rus. 4188:en dedans 4164:arabesque 4154:en pointe 4062:développé 4054:arabesque 4050:pirouette 3945:demi-plié 3869:développé 3835:Swan Lake 3661:grand pas 3553:en manège 3539:Tour jeté 3481:tour jeté 3435:Hortensia 3381:ballabile 3292:does not 3272:Grand pas 3249:développé 3168:does not 3140:) A full 3080:does not 2993:does not 2898:does not 2875:of feet. 2841:demi-plié 2779:does not 2641:en dehors 2524:Flic flac 2502:fish dive 2492:Fish dive 2450:arabesque 2293:grand pas 2239:EncroChat 2233:Entrechat 2222:En pointe 2200:En dehors 2186:En dedans 2161:En cloche 2133:en dehors 2129:en dedans 2117:en pointe 2113:en relevé 1990:demi-plié 1836:Développé 1828:Développé 1675:en dedans 1628:en dedans 1540:en dehors 1425:) A male 1390:Croix, en 1369:arabesque 1251:front to 1138:grand pas 1116:en cloche 1105:attitudes 1009:en pointe 813:Battement 709:Ballerino 701:Ballerina 695:en cloche 691:attitudes 594:en avant. 547:Avant, en 541:en pointe 418:Arabesque 358:entrechat 304:grand pas 6705:Vaganova 6457:Timeline 6442:Glossary 6367:39625207 6328:58831597 6150:cite web 6112:Guardian 5916:See also 5896:See also 5750:Contents 5739:, as in 5717:Virtuoso 5585:attitude 5460:en l'air 5371:straddle 5357:détourné 5306:sus-sous 5236:Sissonne 5062:attitude 4925:(temps) 4835:Renversé 4457:bras bas 4306:parallel 4299:attitude 4291:Spotting 4182:and ABT 4070:sissonne 4058:attitude 3787:sequence 3610:fermé(e) 3483:(ABT) / 3473:(Rus.), 3471:pas jeté 3469:(RAD) / 3369:, and a 3253:en avant 2960:glissade 2857:en avant 2853:glissade 2760:Glissade 2433:sissonne 2389:Face, en 2332:scenario 2172:En croix 2139:En avant 2121:en avant 2079:en avant 1976:. In an 1962:échappés 1941:en haut, 1918:en l'air 1871:derrière 1859:attitude 1820:attitude 1783:glissade 1775:assemblé 1746:glissade 1738:assemblé 1698:Derrière 1467:Déboulés 1450:Danseuse 1224:derrière 1188:Côté, de 1171:Coryphée 935:Cabriole 898:en avant 876:assemblé 823:Batterie 784:Ballotté 775:Ballonné 573:en avant 571:sissonne 566:en avant 525:derrière 493:Attitude 464:Assemblé 449:Assemblé 370:sissonne 346:assemblé 195:See also 49:Contents 27:Because 6977:Schools 6972:Dancers 6957:Ballets 6821:Unitard 6801:Leotard 6741:Soloist 6655:Russian 6650:Italian 6640:British 6538:Turnout 6447:History 6437:Company 6342:. 2010. 6301:4515340 6274:2304002 6118:12 June 6056:8756882 5670:Turnout 5455:à terre 5331:soutenu 5201:Scáfuri 5050:à terre 5003:bravura 4967:front. 4634:en haut 4617:en haut 4594:en haut 4566:school. 4562:height. 4473:en haut 4413:Poisson 4271:seconde 4060:(as in 4013:balancé 3765:bourrée 3683:Basques 3578:Manèges 3565:emboîté 3313:removed 3298:sources 3189:removed 3174:sources 3101:removed 3086:sources 3014:removed 2999:sources 2919:removed 2904:sources 2865:dessous 2800:removed 2785:sources 2737:frappés 2682:fouetté 2633:Fouetté 2618:Fouetté 2591:Fouetté 2518:poisson 2404:En face 2357:allongé 2326:, even 2211:En face 2156:Arrière 2109:en plié 2089:turn.") 2053:Emboîté 1947:Échappé 1922:en haut 1754:dessous 1723:Dessous 1412:Danseur 1365:allongé 1329:croisée 1315:bourrée 1141:(e.g., 986:Chaînés 921:Bourrée 904:Bravura 619:Balancé 604:Balancé 520:working 443:allongé 428:Arrondi 390:Allongé 326:Allegro 307:(e.g., 266:À terre 252:en face 6919:Ballet 6901:Pointe 6830:Awards 6811:Tights 6701:(feet) 6695:(arms) 6645:French 6533:Pointe 6483:Ballon 6473:Aplomb 6423:Ballet 6365: 6355: 6326: 6316: 6299: 6289: 6272: 6262: 6206: 6179: 6054: 6044: 6001: 5991: 5953:. 2011 5638:dégagé 5472:Tights 5453:tendu 5448:devant 5446:tendu 5302:relevé 5219:Sickle 5151:is an 5103:Royale 4942:Retiré 4920:dégagé 4917:, aka 4911:tendue 4882:pointe 4852:Relevé 4792:Quatre 4775:Petit 4754:, and 4718:écarté 4708:, and 4702:épaulé 4698:effacé 4686:épaulé 4684:, and 4682:écarté 4674:effacé 4666:croisé 4609:croisé 4590:ouvert 4485:cambré 4469:en bas 4453:en bas 4263:devant 4261:retiré 4256:pointe 4162:piqué 4083:Penché 4074:failli 4066:chassé 4064:). 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