383:- The oldest of the Endless, Destiny appears as a blind man dressed in grey or brown robes (purple in earlier comics), carrying a large book, the Cosmic Log. The book is chained to him (or he is chained to the book), and within the book is written the entire sum of existence, past, present and future. Destiny seems the most possessed by his function and responsibilities of any of the Endless. He rarely demonstrates much personality. His sigil is his book. His speech appears as a regular word balloon with letters in italics. In his garden are paths souls walk along as they fulfill their lives. Destiny is the only sibling who did not originate in
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the radio at the time. I bought the CD, and I said, 'You know, with that big poufy hair, he looks like that guy.' At that time, Murphy was very gestural. I don't think the guy ever had a picture taken of him that wasn't angled and in deep lighting. So I took that, too. I said, 'Whenever I do him, I'm gonna do that kind of thing. And get into his face, don't just keep him in deep shadow all the time. He will be in deep shadow all the time, but I want to put across a guy who's clueless. Not stupid, but he's not understanding things.' Because he's an immortal guy who...
505:- A huge, strong man with red hair who seems bearded at times and shaved at others. Destruction abandoned his duty as an Endless three hundred years ago, causing strife among his siblings. He did so because he refused to bear responsibility for the scientific ruin that followed the Enlightenment. Since leaving his domain, the other Endless have referred to him as "the Prodigal" or "Brother" instead of "Destruction". He has a strong desire to be creative and productive, yet he lacks skill. A sword is his symbol. His text is in a standard balloon with a strong outline.
576:- Delirium, the Endless' youngest member, appears as a little girl whose shape changes the most frequently of any Endless, owing to the unpredictable oscillations of her temperament. Her hair is wild and colorful, and her clothing are unusual and mismatched. Her only consistent physical feature is that one of her eyes is emerald green (typically the right side) splashed with silver flecks and the other light blue (usually the left side), although even those may fluctuate between the two. Her
564:- A short, fat woman with gray complexion and crooked teeth. She is constantly nude in the comics. Despair has a cool, silent intelligence about her. She has a tendency of cutting her skin with a hooked ring that she wears and also serves as her symbol/sigil. The second component is one that is present throughout the primary plot. The writing of Despair's balloon is normal, with ragged-waved edges. She frequently connects with Desire, but unlike Desire, she enjoys Destruction.
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and dying on Earth. She is by far the most pleasant of The
Endless, being kind and personable to almost everyone; encountering her upon dying feels like "meeting an old friend". However, she is capable of intimidation: in "Season of Mists", she browbeat Desire into silence; and in "The Kindly Ones", she ordered The Furies to be silent so that she and Dream could speak.
353:(vol. 2) #16 that once another world was lost to a vortex. Death has claimed that she was there when the first living thing stirred, and Destiny has said that Dream gave the Earth itself the fond dream of being able to support life. Dream, according to Abel, was created shortly after Death, as living things are born before they can dream.
469:, he must come to deal with his past cruelties. He is very concerned with fulfilling his responsibilities. His sigil is his dream-helm, made from the spine and skull of a long-dead god. His personal realm/domain is called "The Dreaming". His word balloons have wavy edges and a black background outlined in white, with white lettering.
364:#5. Night is joined by Dusk, who was described by illustrator J. H. Williams III as Dream's "distant sister." However, Neil Gaiman has stated that this was only J. H. Williams III's speculation and there is nothing in canon that shows she is connected to them. The screenplay solely refers to her as an attendant.
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In the comic, The
Endless are as ancient as the ideals they symbolize. The Endless are claimed to predate fairies, gods, angels, and other supernatural entities. Their precise ages in years are unclear, although they are believed to have existed long before life on Earth; Destruction claims in "Brief
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The exact limits of the powers the
Endless may use are subject to debate and speculation by readers, but are set by rules (such as Dream being forbidden to kill dreamers unless they become a vortex, in which case killing becomes an obligation). It is unknown if the Endless are capable of using their
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around her right eye. Her personal realm/domain is the
Sunless Lands. Death prefers to dress and act casually and is on better terms with Dream than any of the other Endless. Her speech is presented in regular letters in a regular balloon. She spends one day out of every century as a mortal, living
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I know Neil always said was based on Robert Smith of the Cure, but I just hated the Cure. I didn't want to hear that. I was really into Peter Murphy at that time, the guy from
Bauhaus. I didn't like Bauhaus, but I liked him on his own, and he had a song called "Cut You Up" or something; it was on
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characters. Dream's usual appearance is as a tall, pale man with wild dark blue-black hair. He dresses in a shapeless cloak of "night" with "flames dancing in its folds". His eyes are pools of shadows with glimmers of light within. He is known by many names, most commonly "Morpheus". He has a long
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The
Endless beings, in addition to monitoring their area of influence, exist to define their opposites. This dualistic feature of the Endless has been affirmed by Death, who is present at both the beginning and conclusion of every existence. Destruction enjoys creative/constructive activities like
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leads the souls of the dead away from the realm of the living, while Dream oversees the realm of dreams, nightmares and imagination. One notable facet of their depiction is that none of them are "representations" or "personifications" of their function; as cosmic beings, they simply
544:- In her first form, Despair had many of the same physical qualities as her later form, but taller and tattooed with intricate red lines. She was also much more talkative and self-assured than her later incarnation. She is occasionally mentioned in passing and is later depicted in
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of seven siblings. They appear in different forms but are most often depicted as having very white skin and black hair, with the exception of redheads
Delirium and Destruction. Their appearance often changes to fit the expectations of those they meet or the situation they are in.
523:, Dream refers to Desire as "sibling"). Desire has a cruel streak and a long-standing rivalry with Dream, their relationship deteriorating eons ago after Desire caused Dream to fall in love with a woman who ultimately left him for another. Desire's sigil is a silver-tinted glass
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Sandman inker Mike
Dringenberg observed, '"Hey, looks like Peter Murphy from Bauhaus'". Cover artist Dave McKean and Gaiman 'got some Bauhaus videos and immediately saw that Mike was right; and Dave ended up making the central image on the cover of Sandman a Peter Murphy-like
289:, of the other Endless beings. The Endless may contact each other by holding the appropriate sigil and calling for that member of the Endless. Destiny is also able to summon his siblings by using his gallery of portraits, whether they want it or not (as seen in
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and they live in a huge flesh-and-blood statue of themselves called "The
Threshold". Although Desire is Despair's twin, in a sense they are older than Despair. The current incarnation of Desire is the original one, while Despair is currently in her second
493:. He is generally softer in his approach than Morpheus. Daniel carries an emerald eagle stone, although his sigil remains the same (that of the dream-helm). His word balloons are similar to Morpheus', only with a white background and black lettering.
360:(vol. 2) #70, where some type of sentient being in the Necropolis Litharge that protects the emblems of each Endless weeps "like a mother mourning for her departed child." The Endless' father is Time and their mother is Night, as revealed in
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powers on those more powerful or more ancient than they are. At one point when Dream heads into Hell to rescue a former lover of his, he admits that his power will allow him entrance, but that he does not know if he would be able to defeat
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As portrayed, some
Endless beings are more committed to their work than others. The younger Endless, particularly Desire, are known to interfere with mortal life. Destruction, also known as "The Prodigal," abandoned his duty entirely.
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Mike Dringenberg: "The Sandman himself is even more of a composite. Certain well-known people influenced the design -- his mop of hair came from Robert Smith and ballet dancer Farukh Ruzimatov was always in my mind for his dramatic
481:- Morpheus' successor appears as a tall, pale young man with white hair and a white costume. Like Morpheus, his eyes are formed by shadows with a glimmer of light in their center. Before becoming the new Dream at the end of
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The Sandman image was inspired by Peter Murphy, the ex-Bauhaus singer and Maxell tape model, because when artist Mike Dringenberg saw the original sketches for the character he said "He looks like Peter Murphy from
232:. They are depicted as among the most powerful beings in the world of these characters, and are distinct in this universe from gods, which are created by mortal belief. The character Dream is the
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is an abstract, shapeless blob of colors. Her speech is portrayed in standard comic book block-caps, characterized by wavy, unpredictable orientation and a multi-colored
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The Endless are not known to have proper names, although Dream has a habit of collecting different names for himself. They are each known by their respective function.
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The host that was first presented in a framing sequence by scribe Marv Wolfman and artist Bernie Wrightson would provide endless creative material for Neil Gaiman's
588:, but some traumatic event (of which even Destiny does not know the particulars) caused her to change into her current role. Her sigil as Delight was a flower.
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woman. Her appearance was inspired by Utah-based performer Cinamon Hadley, a friend of illustrator Mike Dringenberg. The character wears a silver
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Each of the Endless has a realm in which they are sovereign. Within their realm, all members of the Endless have a gallery containing symbols, or
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436:- Portrayed as both lord and personification of all dreams and fictional stories. His face and physique are based on the amalgamation of
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485:, he was a young boy named Daniel, which he later retains as a name. Daniel has been gestated in dreams for two years, the child of
303:(vol. 2) #18 titled "A Dream of a Thousand Cats" in which a great number of beings dream of an alternate universe and create it.
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In the comic book, The Endless spend most of their time fulfilling their functions as embodiments of natural forces. For example,
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Lives" that he has carried out his responsibilities for 10 billion years (not including the prior three centuries).
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Howell-Baptiste and Preston reprise their roles as Death and Despair in cameo appearances in the Netflix series
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painting, poetry, and cookery. Dream appears to have the ability to modify reality, as demonstrated in
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If I remember correctly Dave based the face on the cover of Sandman #1 on an image of Peter Murphy.
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Artist Kelley Jones says, "I know Neil always said was based on Robert Smith of the Cure,...
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Hanging out with the dream king: conversations with Neil Gaiman and his collaborators
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826:"The Sandman Connection: How Vertigo's Flagship Title Crossed Over With the DCU"
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as a means to create the ultimate despair. It has been suggested that she was
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1198:"Neil Gaiman's new series Dead Boy Detectives gets exciting Sandman cameo"
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The Endless are merely patterns. The Endless are ideas. The Endless are
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853:"Rest in Peace, or head off to your next adventure, Cinamon Hadley..."
269:(vol. 2) #48, Destruction gives a further description of the Endless:
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explain the fiction more clearly and provide non-fictional perspective
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chapter "Dream: The Heart of the Star," which takes place before our
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This article is about Comic book characters. For the 2017 movie, see
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and that the one responsible will suffer until the end of existence.
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The original idea-model for Morpheus was Peter Murphy from Bauhaus.
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938:"Comics in Context #72: F. O. G. - Neil Gaiman and Charles Addams"
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26:"Destiny (DC Comics)" redirects here. For other DC topics, see
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Baddeley, Gavin; Woods, Paul A. (2006). Woods, Paul A. (ed.).
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The Sandman Vol.6: Fables & Reflections, p.145, Vertigo,
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Wallace, Dan (2008). "Destiny". In Dougall, Alastair (ed.).
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994:. Sophia Quach (photographer). Fantagraphics. p. 92.
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The Endless characters also appear in Neil Gaiman's book
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883:"Cinamon Hadley—The Inspiration for Neil Gaiman's Death"
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history of insensitivity towards others, and throughout
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One of the few mentions to Endless paternity comes in
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describes a work or element of fiction in a primarily
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series, but all the Endless beings play major roles.
699:(2008). "Endless, The". In Dougall, Alastair (ed.).
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The Endless, as depicted on promotional artwork for
789:McAvennie, Michael; Dolan, Hannah (2010). "1970s".
519:, Despair refers to Desire as "sister-brother"; in
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1125:"Dream of the Endless - #15 Top Comic Book Heroes"
331:(vol. 2) #5, "Passengers," Dream is recognized by
228:(1989–1996). They embody forces of nature in the
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1079:Goth Chic: A Connoisseur's Guide to Dark Culture
349:'s planets have developed life. Dream states in
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222:and first appeared in the comic book series
199:are a family of cosmic beings who appear in
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791:DC Comics Year By Year: A Visual Chronicle
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80:Learn how and when to remove this message
409:- Death appears as a level-headed young
1615:Destiny: A Chronicle of Deaths Foretold
1107:"The 50 Greatest Comic Book Characters"
963:The Collected Sandman Covers, 1989-1997
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311:, who is a former archangel created by
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218:The Endless characters were created by
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1081:(2nd ed.). Plexus. p. 1941.
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632:in the show's upcoming second season.
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1833:Comics characters introduced in 1989
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961:McKean, Dave; Gaiman, Neil (1997).
906:Curiel, Jonathan (April 18, 2014).
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1019:Gaiman, Neil (February 16, 2013).
851:Gaiman, Neil (January 6, 2018).
584:background. She was once known as
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1828:Characters created by Neil Gaiman
1021:"The official Neil Gaiman Tumblr"
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315:(the DC Comics analogue of God).
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1622:The Little Endless Storybook
1608:Death: The Time of Your Life
990:McCabe, Joseph, ed. (2004).
881:post-punk.com (2018-01-07).
335:as the dream god on ancient
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670:The Sandman: Book of Dreams
547:The Sandman: Endless Nights
109:The Sandman: Endless Nights
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701:The DC Comics Encyclopedia
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1361:Fables & Reflections
1326:Preludes & Nocturnes
28:Destiny (disambiguation)
16:Sandman comic characters
1838:DC Comics organizations
124:Publication information
1818:Mythology in DC Comics
1703:Sandman: 24 Hour Diner
1629:Death: At Death's Door
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1636:The Sandman Companion
1224:The Sandman Companion
813:series decades later.
610:Kirby Howell-Baptiste
517:The Sandman: Overture
362:The Sandman: Overture
292:The Sandman: Overture
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1685:The Sandman Universe
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618:Mason Alexander Park
387:; he was created by
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252:Function and domains
245:dysfunctional family
201:American comic books
166:In-story information
1843:Comics about dreams
1763:Dead Boy Detectives
1739:Lucifer Morningstar
1671:Dead Boy Detectives
1222:Bender, Hy (1999).
638:Dead Boy Detectives
398:Weird Mystery Tales
265:their function. In
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758:Dorling Kindersley
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243:The Endless are a
21:The Endless (film)
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767:978-0-7566-4119-1
714:978-0-7566-4119-1
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542:The First Despair
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401:in 1972.
190:Delirium
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