38:
135:
266:" was used at the beginning of his career when Presley was not the headliner, followed by a plea for the audience to return to their seats so as to watch those artists following Presley. Once he became a headliner, it was invariably followed by a polite "thank you, and good night", to imply to those present at the concert that there was not going to be an encore.
276:. He and his band leave the stage after performing their set and return for a typical encore of usually two songs and band introductions. Then they leave the stage again and Buffett comes back out on stage by himself for a second encore and performs an acoustic ballad to end the show. This final song is usually what his
81:
It is commonly believed the encores first began due to a lack of ways to listen to pieces on demand. If people wanted to listen to their favorite pieces, they would have to see them live and many rarely had the opportunity to do this. For this reason, people would demand the chance to hear a piece a
241:
were known to play the concerts of their last two tours in 1979 and 1980 in two halves: after the first half was performed they stopped performing for some minutes to tune their instruments again or to have a break, while the audience was demanding for more. They continued to play the concert with
315:
have been known to play a large number of songs in their encores, either in a long singular encore or spanning across multiple encores. The encore portions of their sets have sometimes lasted longer than the initial shows themselves. The Cure has played up to five encores on a handful of occasions
225:
bands to perform an encore when in small venues. Artists often plan their encores in advance, and they are commonly included on the artist's setlist; one common practice is to leave one or more of their most popular songs for an encore. However, encores are usually only performed by the headlining
90:
At the end of a concert, if there is prolonged applause, one more relatively short piece may be performed as an encore. In some modern circumstances, encores have come to be expected, and artists often plan their encores. Traditionally, in a concert that has a printed set list for the audience,
57:
from the audience. They are regarded as the most complimentary kind of applause for performers. Multiple encores are not uncommon, and they initially originated spontaneously, when audiences continued to applaud and demand additional performance from the artists after they had left the stage.
125:
Haydn had requested for there to not be any encores of movements out of respect for the entirety of the piece and the continuity of the work. Sometimes, however, some longer and larger works will not have an encore as it is deemed inappropriate. Sometimes though, it is just simply due to the
343:, encores are commonly used as a chance to recognize the cast for a longer period of time. Rather than calling the actors back to the stage to demand another performance, the audience will call the actors back to the stage for a final bow to accept more applause.
280:
look forward to the most because it's a different song every show and usually an obscure selection; many fans consider
Buffett's ballads to be his best songs despite not being among his famous songs. A collection of Buffett's second encores, entitled
297:
sometimes mocked the practice. At the close of
Morphine shows, he would wave and say "Thank you! Good night!", but the band would remain in their places, and the lights would not be dimmed. After several minutes, the band would begin playing again.
77:
Contrary to modern encores, encores were traditionally spontaneous and followed a singular piece or movement. Performers would often perform an encore to multiple pieces within one concert; this could nearly double the length of a concert.
330:
For modern performers, it is common for them to perform a song they have not previously done on their setlist. Usually, it is one of the more popular songs from the artist. However, some may still perform a song they have already done.
242:
the "encore" which lasted about an hour. Sometimes they even played one or two additional songs (a "real" encore in the traditional sense, rather than an inevitable performance staged as an encore) after the planned encore. Similarly,
250:
generally plays songs from his solo career for the first half of his shows, and then, for the inevitable encore, will play a lengthy selection of Guided by Voices songs, with the two halves generally having roughly equal duration.
192:
The ban at the
Metropolitan was explicit in the printed programs at the beginning of the 20th century, but was nevertheless often broken at the insistence of the audience. Encores at the Met became rarer later in the century.
184:
felt they would interrupt the pace of the opera and drew attention to individual singers as opposed to the work. Toscanini had, in 1887, been challenged to a duel after stubbornly refusing an aria's encore.
201:
Following the restrictions of encores, rock bands picked them up in the 60s, likely because they were associated with chaos. In most circumstances, it has become standard for
600:
713:
226:
artist, as opening bands almost always have restrictions on how long their set can last, and are prohibited from going over the set time with an encore.
964:
66:
Encores are believed to have originated from
Italian operas in the 18th century. One of the earliest recorded encores was in 1786 at the premiere of
114:
Sometimes, especially with premiers, certain movements might be applauded enough to provoke an encore of the movement. At the first performance of
737:
574:
761:
682:
138:
Javier
Camarena finishing an encore at the Metropolitan Opera. This is notable considering that encores were banned from the MET stage.
142:
Beginning in the 18th century, if an aria was strongly applauded, it might be repeated. For example, at the premiere of Mozart's
180:
felt they would lead to public disorder. In 1921, encores were forbidden at la Scala (in northern Italy), because the conductor
414:(Italian for 'another time') was used in the early nineteenth century, but such usage had been completely supplanted by 1900.
664:
629:
834:
503:
479:
973:
858:
173:, officially discourage encores, especially for vocal solos, as encores were associated with less serious performances.
146:, 1 May 1786, and other early performances, "many pieces were encored, almost doubling the length of each performance".
882:
557:
528:
327:" as an encore song. After their last regular setlist song, fans would chant "We want 'Sex'!" instead of "Encore!"
810:
283:
155:
108:
238:
104:
263:
906:
37:
111:; neither piece is ever listed in the official program, but they are traditionally played every year.
937:
58:
However, in modern times they are rarely spontaneous and are usually a pre-planned part of the show.
582:
91:
encores are not listed, even when they are planned. A well-known example is the performance of the
942:
319:
Most modern encores in pop and rock music are pre-planned and added to the fans' setlist. During
67:
31:
17:
273:
656:
229:
Some artists include their encore as the second half of the concert. For example, the
Jamaican
72:
950:
619:
120:
8:
714:"Bob Marley & The Wailers Setlist at Meehan Auditorium, Brown University, Providence"
324:
367:, which means 'again, some more'; however, it is not used this way in French, but it is
649:
170:
143:
786:
993:
660:
625:
553:
312:
176:
In the mid-19th century, encores were officially banned in northern Italy, since the
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at the conclusion of a show or concert, usually in response to extended
448:
277:
234:
202:
621:
Arpa d'or dei fatidici vati: The
Verdian Patriotic Chorus in the 1840s
222:
210:
181:
50:
762:"Robert Pollard Setlist at The Theatre of Living Arts, Philadelphia"
738:"Bob Marley & The Wailers Setlist at Westfalenhalle 1, Dortmund"
465:
859:"Prince Setlist at Festival International de Jazz de Montréal 2011"
399:
320:
308:
166:
54:
407:
262:
intended to leave audiences wanting more. The now-famous phrase "
214:
126:
conductor or artist simply being exhausted after a long program.
213:
artists to give an encore; especially in large settings such as
230:
186:
787:"Elvis Presley and the Dying Art of Leaving Them Wanting More"
304:
played multiple shows with four encores throughout the 1980s.
218:
683:"The Metropolitan Opera's Sunday Evening Concerts and Verdi"
529:"Javier Camarena Gives Rare Encore at Metropolitan Opera"
437:, Alison Latham, ed., Oxford University Press, 2002,2003
323:'s 2013 tour, they routinely played their popular song "
27:
Additional performance added to the end of a concert
907:"The Truth About Why Bands Still Do Encores – HOME"
930:
681:
648:
447:
835:"The Cure Setlist at Don Haskins Center, El Paso"
985:
929:
601:"Ban on Solo Encores at the Met? Ban, What Ban?"
575:"Tenor's encore breaks with La Scala tradition"
655:. University of Illinois Press. 1997. p.
651:Joyce's Grand Operoar: Opera in Finnegans Wake
504:"'More!' The surprising history of the encore"
480:"'More!' The surprising history of the encore"
272:was known for his intimate second encores at
258:never played encores, a practice his manager
883:"The 1975 Setlist at Webster Hall, New York"
544:
542:
454:The Musical Times and Singing Class Circular
41:An encore at the Austrian World Music Awards
398:('second time') in the same circumstances.
429:
427:
149:
539:
643:
641:
254:In the early days of modern rock music,
133:
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36:
811:"Boston Setlist at USF Sun Dome, Tampa"
594:
592:
424:
61:
14:
986:
925:
923:
679:
617:
334:
49:is an additional performance given by
638:
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568:
566:
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951:participating institution membership
784:
589:
573:Barry, Colleen (February 24, 2007).
526:
974:A Dictionary of Music and Musicians
920:
316:and Prince has played up to seven.
24:
563:
158:issued an order limiting encores.
25:
1005:
552:, New York, HarperCollins, 1996,
599:Wakin, Daniel J. (August 2008).
196:
957:
899:
875:
851:
827:
803:
778:
754:
730:
706:
680:Martin, George Whitney (2003).
673:
189:was similarly against encores.
161:By tradition, some world-class
611:
527:Wise, Brian (April 26, 2014).
520:
496:
472:
440:
13:
1:
417:
109:Vienna Philharmonic Orchestra
460:(565): 139–141. March 1890.
379:commonly use instead either
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178:Austrian-Italian authorities
156:Emperor Joseph II of Austria
154:For "Figaro", on 9 May 1786
7:
264:Elvis has left the building
10:
1010:
29:
938:Oxford English Dictionary
785:Bort, Ryan (2015-01-09).
548:Solomon, Maynard (1996),
435:Oxford Companion to Music
105:Vienna New Year's Concert
287:, was released in 2010.
221:. It is very common for
943:Oxford University Press
624:. EDT srl. p. 23.
150:Restrictions on encores
32:Encore (disambiguation)
618:Parker, Roger (1997).
139:
42:
533:New York Public Radio
433:Lalange Cochrane, in
137:
86:Instrumental concerts
40:
62:Origin of the encore
30:For other uses, see
941:(Online ed.).
688:The Opera Quarterly
335:Encores on Broadway
700:10.1093/oq/19.1.16
605:The New York Times
171:Metropolitan Opera
144:Marriage of Figaro
140:
130:Opera performances
103:at the end of the
73:Marriage of Figaro
43:
949:(Subscription or
666:978-0-252-06557-6
631:978-88-85065-15-4
579:The Seattle Times
16:(Redirected from
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383:('another'),
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271:
270:Jimmy Buffett
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256:Elvis Presley
252:
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237:and his band
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387:('a return,
384:
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295:Mark Sandman
289:
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163:opera houses
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121:The Creation
119:
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965:Altra Volta
449:""Encores""
412:altra volta
239:The Wailers
953:required.)
913:2024-05-08
892:2024-05-08
887:setlist.fm
868:2019-07-16
863:setlist.fm
844:2019-07-16
839:setlist.fm
820:2019-07-16
815:setlist.fm
796:2019-07-16
771:2019-07-16
766:setlist.fm
747:2019-07-16
742:setlist.fm
723:2019-07-16
718:setlist.fm
513:2024-04-16
508:Gramophone
489:2024-04-16
484:Gramophone
418:References
391:') or the
235:Bob Marley
165:, such as
51:performers
385:un rappel
381:une autre
351:The word
347:Etymology
293:frontman
246:frontman
233:musician
182:Toscanini
994:Concerts
988:Category
932:"encore"
406:too. In
400:Italians
341:Broadway
321:The 1975
309:The Cure
291:Morphine
215:stadiums
169:and the
167:La Scala
55:applause
977:(1900).
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791:Esquire
408:England
373:Italian
284:Encores
107:by the
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369:ancora
360:encore
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353:encore
313:Prince
302:Boston
231:reggae
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187:Wagner
68:Mozart
47:encore
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307:Both
207:metal
116:Haydn
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311:and
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