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Amur curses his son for his betrayal, and at that moment word arrives that the
Moorish reinforcements have been routed. In a magnanimous gesture Alfonso grants Zeidar his freedom and agrees to spare Amur’s life. There is general rejoicing as Alfonso announces his marriage to Elvida will take place on
308:
Amur intends to use Elvida as a hostage to aid his escape with Zeidar. The two men enter the cavern in which she is imprisoned and try to force her to come with them. Elvida is defiant, and before they can drag her away, Spanish troops burst in. Amur draws his dagger with the intention of killing
286:
Amur wants to have Elvida put to death, rather than allow her to be saved by
Alfonso’s troops. However, Amur’s son, Zeidar, has fallen in love with their beautiful captive and begs his father to give her up to the approaching Spanish, if only to save the town from destruction. Zeidar pleads with
299:
Alfonso enters in triumph at the head of his troops. Although he is disappointed that Amur and Zeidar have apparently escaped, he is more concerned for the safety of Elvida. One of Amur’s slaves offers to lead him to the cavern where Elvida is being held captive.
290:
The
Castilian army is now at the gates of the town, Amur recognizes that further resistance is hopeless, but knowing that Moorish reinforcements are close at hand, he is determined to make his escape through a secret passage, taking Zeidar with him.
130:. The choice of subject matter was no doubt intended as an elegant acknowledgement of the Queen's Spanish ancestry. Donizetti received little financial reward for the work and, as a result, put the minimum of effort into its composition.
287:
Elvida to marry him, but she contemptuously rejects both his advances and his father’s threats. The Moors murdered her father, and Elvida longs for retribution. She is led away to a hidden dungeon.
283:. For two months she has been held prisoner by Amur in one of the last remaining Moorish strongholds. However, Spanish troops led by Elvida’s fiancé, Alfonso, are now advancing on the town.
1464:
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in Naples, but it "made little impression on the audience" After three performances, the piece lay forgotten until its performances and recordings in 2004.
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Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the
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Donizetti: in the light of
Romanticism and the teaching of Johann Simon Mayr
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Elvida, but Zeidar seizes his arm and the troops are able to overpower him.
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During the struggle for control of southern Spain, Elvida, a noble
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360:(Recording of a performance in the Teatro di Adria, October)
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467:
The Bel Canto Operas of
Rossini, Donizetti, and Bellini
1407:
510:Ashbrook, William (1998), "Donizetti, Gaetano" in
650:Tutti i libretti delle opere di Gaetano Donizetti
1431:
579:The New Grove Dictionary of Music and Musicians
537:Ashbrook, William and Sarah Hibberd (2001), in
520:, Vol. One. London: Macmillan Publishers, Inc.
1465:Opera world premieres at the Teatro San Carlo
671:
678:
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136:was first performed on 6 July 1826 at the
38:
636:International Music Score Library Project
576:, (Ed.); John Tyrell (Exec. Ed.) (2004),
993:Le convenienze ed inconvenienze teatrali
889:Le convenienze ed inconvenienze teatrali
558:Donizetti’s Operas in Naples, 1822—1848
247:Chorus: Spaniards, Moors, and soldiers
1432:
427:
685:
659:
570:, 2nd edition. Rowman and Littlefield
945:Elisabetta al castello di Kenilworth
448:on operadis-opera-discography.org.uk
1049:Il furioso all'isola di San Domingo
469:, Portland, Oregon: Amadeus Press.
13:
582:. 2nd edition. London: Macmillan.
442:Source for recording information:
14:
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623:
517:The New Grove Dictionary of Opera
266:Time: The late fifteenth century.
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1392:
1391:
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560:. London: The Donizetti Society.
279:lady, has been captured by the
259:Place: A fortified town in the
128:Queen Maria of the Two Sicilies
793:Chiara e Serafina, o Il pirata
500:, Cambridge University Press.
436:
358:Orcestra e Coro CittĂ di Adria
1:
746:I piccioli virtuosi ambulanti
486:Allitt, John Stewart (1991),
415:
396:London Philharmonic Orchestra
316:
120:. The opera was written as a
1475:Libretti by Giovanni Schmidt
1166:Betly, o La capanna svizzera
612:, New York: Pantheon Books.
545:, New York: Penguin Putnam.
7:
1440:Operas by Gaetano Donizetti
1009:La romanziera e l'uomo nero
608:Weinstock, Herbert (1963),
566:Loewenberg, Alfred (1970).
543:The New Penguin Opera Guide
253:
10:
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905:L'eremitaggio di Liverpool
568:Annals of Opera, 1597-1940
336:Opera house and orchestra
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16:Opera by Gaetano Donizetti
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913:Alina, regina di Golconda
881:Il borgomastro di Saardam
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498:Donizetti and His Operas
433:Osborne 1994, pp. 162—63
198:Giovanni Battista Rubini
143:
1445:Italian-language operas
753:Il falegname di Livonia
400:Geoffrey Mitchell Choir
313:the following morning.
180:Henriette MĂ©ric-Lalande
1379:Donizetti's birthplace
1097:Rosmonda d'Inghilterra
969:Imelda de' Lambertazzi
170:a Castilian noblewoman
1089:Il diluvio universale
961:Il diluvio universale
553:. pp. 224 – 247.
347:Massimiliano Fichera,
72:6 July 1826
1262:La fille du régiment
1057:Otto mesi in due ore
1025:Ugo, conte di Parigi
953:I pazzi per progetto
873:Otto mesi in due ore
817:L'ajo nell'imbarazzo
809:Il fortunato inganno
556:Black, John (1982),
393:Antonello Allemandi,
351:Cristina Pastorello,
126:for the birthday of
1470:Operas set in Spain
1222:Lucie de Lammermoor
1174:L'assedio di Calais
1137:Lucia di Lammermoor
1041:Sancia di Castiglia
825:Emilia di Liverpool
206:a Moorish chieftain
1369:Donizetti Monument
1345:Other compositions
1302:Linda di Chamounix
857:Gabriella di Vergy
785:La lettera anonima
769:Zoraida di Granata
731:Enrico di Borgogna
652:, pp. 1769ff.
349:Maria Pia Moriyon,
261:Emirate of Granada
234:Brigitta Lorenzani
188:a Castilian prince
116:wrote the Italian
44:The young composer
1405:
1404:
1001:Francesca di Foix
937:Il giovedì grasso
833:Alahor in Granata
801:Alfredo il grande
761:Le nozze in villa
687:Gaetano Donizetti
588:978-0-19-517067-2
494:Ashbrook, William
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110:Gaetano Donizetti
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1310:Caterina Cornaro
1238:L'Ange de Nisida
1190:Roberto Devereux
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1033:L'elisir d'amore
985:Gianni di Parigi
921:Gianni di Calais
865:Olivo e Pasquale
724:L'ira di Achille
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463:Osborne, Charles
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379:Jennifer Larmore
376:Pietro Spagnoli,
353:Daniele Gaspari
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123:pièce d'occasion
114:Giovanni Schmidt
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512:Stanley Sadie
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409:Cat: OR 29
365:Bongiovanni
237: [
161:6 July 1826
1434:Categories
777:La zingara
739:Una follia
465:, (1994),
416:References
406:Opera Rara
389:Bruce Ford
334:Conductor,
317:Recordings
224:Amur's son
155:Voice type
101:melodramma
76:1826-07-06
50:Librettist
1150:Belisario
988:(1828-31)
718:Olimpiade
603:419285866
277:Castilian
229:contralto
186:Alfonso,
1397:Category
1065:Parisina
929:Il paria
646:Libretto
641:Libretto
618:63-13703
605:(eBook).
496:(1982),
254:Synopsis
222:Zeidar,
168:Elvida,
118:libretto
85:, Naples
68:Premiere
60:Language
1362:Related
1352:Requiem
1206:Poliuto
1140:(1835)
541:(Ed.),
514:(Ed.),
304:Scene 3
295:Scene 2
271:Scene 1
175:soprano
74: (
63:Italian
1450:Operas
1410:Portal
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1329:(1843)
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1116:(1834)
1108:(1834)
1100:(1834)
1092:(1834)
1084:(1833)
1076:(1833)
1068:(1833)
1060:(1833)
1052:(1833)
1044:(1832)
1036:(1832)
1028:(1832)
1020:(1832)
1017:Fausta
1012:(1831)
1004:(1831)
996:(1831)
980:(1830)
972:(1830)
964:(1830)
956:(1830)
948:(1829)
940:(1829)
932:(1829)
924:(1828)
916:(1828)
908:(1828)
900:(1828)
892:(1827)
884:(1827)
876:(1827)
868:(1827)
860:(1826)
852:(1826)
849:Elvida
844:(1826)
836:(1826)
828:(1824)
820:(1824)
812:(1823)
804:(1823)
796:(1822)
788:(1822)
780:(1822)
772:(1822)
764:(1820)
756:(1819)
748:(1819)
742:(1818)
734:(1818)
726:(1817)
720:(1817)
714:(1816)
703:Operas
631:Elvida
616:
601:
594:
586:
549:
531:
524:
504:
473:
446:Elvida
339:Label
204:Amur,
134:Elvida
95:Elvida
22:Elvida
1424:Opera
648:, in
421:Notes
373:2004
344:2004
327:Cast
324:Year
281:Moors
241:]
193:tenor
151:Role
144:Roles
106:opera
98:is a
28:Opera
1286:Rita
614:LCCN
599:OCLC
592:ISBN
584:ISBN
547:ISBN
529:ISBN
522:ISBN
502:ISBN
471:ISBN
404:CD:
398:and
363:CD:
211:bass
104:or
30:by
1436::
239:it
112:.
1412::
679:e
672:t
665:v
386:,
381:,
263:.
78:)
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