282:, staying at Birmingham for 18 years. He also lectured at Oxford University, Williams College, and the University of Pittsburgh during this time. In 1970, he moved to the US to take up the position of director at the Yale Center for British Arts. In 1974, he became the Kress Professor in Residence at the National Gallery of Art in Washington, D.C. He also found time to act as an advisor to the J. Paul Getty Trust.
301:
for
Studies in British Art. On taking up the post he brought with him his extensive archive of annotated photographs and associated documentation of British art which were formally donated to the Centre on Waterhouse's death in 1985. The material includes a series of general English sale catalogues
308:
In recalling his friendship of over 40 years with Ellis
Waterhouse, Cecil Gould stated that he was 'a most remarkable man, with a ringing, sardonic, slightly nasal voice, with a mischievous glint behind the spectacles, exquisite handwriting, underlying kindness, accessibility to young scholars and
235:
Waterhouse was among the first
Monuments Men to investigate Holland, inspecting churches, museums and monuments. While looking at the restitution of stolen painting, he realised that a painting acquired by the Boymans Museum in Rotterdam β
302:
running from 1896 to 1940 (formerly belonging to
William Roberts); Waterhouse's annotated copy of Graves and Cronin's catalogue of Reynolds paintings and a large collection of annotated photographs of British paintings.
387:(in series Pelican History of Art) (Baltimore: Penguin, then Yale University Press) 1953, rev. ed 1978; Michael Kitson contributed an introduction and brief sketch of Waterhouse's career to the 5th edition, 1994.
274:
and began his academic career at
Manchester University, 1947β48 and Director of the National Galleries of Scotland, Edinburgh (1949β52). In 1952, he was appointed Barber Professor of Fine Art,
342:
He died at home, suddenly, of a heart attack in 1985. His unusually extensive personal library and annotated photograph collection were sold to help in the initial formation of the
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809:
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We was holidaying in Athens when WWII broke out. He stayed in Greece, working as a cartographer for the
British military attachΓ©. He was then commissioned into the
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to
Waterhouse, the editor noted that he made his most memorable contributions in the areas of the Italian Baroque and in English painting; his work on
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and H. Isherwood Kay. He stayed at the
National Gallery for four years, but resigned in 1933 because of the amateurish approach of his colleagues.
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727:(Getty Research Institute) "Inventory of the Ellis Kirkham Waterhouse notebooks and research files, 1801-1987, bulk ca. 1924-ca. 1979"
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open handed willingness to share his results with them and an astonishing industry which continued almost to the day of his death.
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and in 1925 he achieved a first in classical honour moderations. He graduated with a second class degree in 1927 and then went to
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Photographs by Sir Ellis
Kirkham Waterhouse are held at the Conway Library in the Courtauld, London, and are being digitised.
688:
Waterhouse, E. K. (1952). "Paintings from Venice for
Seventeenth-Century England: Some Records of a Forgotten Transaction".
769:
217:
563:
354:
Much of Waterhouse's wide-ranging information is buried in brief articles, often in obscure publications. He edited
637:
305:
He was knighted in 1975. His reaction was ' I was surprised, slightly amused, but on the whole not displeased.'
749:
244:β was a fake. Further investigations by the Monuments Men concluded that another painting attributed to Vermeer,
324:, an archaeologist of ancient Greece whom he had met during the war in Athens, where she was connected with the
131:
229:
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as librarian until 1936, working on the combination of connoisseurship and archival material that resulted in
279:
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154:, through whom he possessed the means to pursue a largely independent career. His fellow student at
134:(1949β52) and held the Barber chair at Birmingham University until his official retirement in 1970.
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and museum director who specialised in Roman baroque and English painting. He was Director of the
266:
194:
541:"Waterhouse, Maj. Sir Ellis K. | Monuments Men and Women | Monuments Men Foundation"
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Paintings from Venice for seventeenth century England: some records of a forgotten transaction
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403:
Roman Baroque Painting: a List of the Principal Painters and their Works In and Around Rome.
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754:
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82:
8:
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was also a fake. As a result, one of the most accomplished forgers of the 20th century,
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in Oxford. It was his family home to which he returned between foreign assignments.
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399:(The Jayne Lectures for 1964) (Philadelphia: American Philosophical Society) 1965;
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in Spain. He returned to London 1929 to take up an Assistant Keeper's post at the
162:, with whom he continued a lifelong professional friendship. He won a scholarship
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in Cairo. In September 1944 Waterhouse was selected for service with the British
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287:
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127:
95:
556:
The Paul Mellon Centre for Studies in British Art : A History 1970-2010
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336:
736:" at Paul Mellon Centre, Yale University; material concerning British art
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No. 809, "British Art in the Eighteenth Century" (August 1970), p. 487.
360:
The Dictionary of British 18th Century Painters in Oils and Crayons
179:
558:. The Paul Mellon Centre for Studies in British Art. p. 21.
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In 1970, Waterhouse became the Director of the newly established
464:
147:
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201:(1937), on the strength of which he was elected a Fellow of
465:"Waterhouse & Son β Epsom & Ewell History Explorer"
126:(16 February 1905 – 7 September 1985) was an English
513:"Waterhouse, Maj. Sir Ellis K. | Monuments Men Foundation"
356:
The Dictionary of 16th & 17th century British Painters
723:; full entry; summary of his stature; lists obituaries.
264:
After the war, Waterhouse briefly served as editor to
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In 1937, Waterhouse commissioned the modernist house
477:
His study did not result in a monograph on El Greco.
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People associated with the National Gallery, London
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Slade Professors of Fine Art (University of Oxford)
367:Baroque Painting in Rome: the Seventeenth Century.
488:"Ellis Kirkham Waterhouse Archive - Archives Hub"
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286:asked him to write a volume for the projected
580:"William Roberts Archive, Paul Mellon Centre"
397:Three Decades of British Art, 1740–1770
362:1981; only his major books are listed here.
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795:Academics of the University of Manchester
785:Academics of the University of Birmingham
205:(1938β47) and prepared the catalog for a
598:"Ellis Waterhouse | Archive Collections"
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137:
246:Christ with the Woman Taken in Adultery
775:People educated at Marlborough College
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734:Ellis Waterhouse | Archive Collections
608:from the original on 30 December 2020.
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586:from the original on 6 February 2021.
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385:Painting in Britain, 1530–1790.
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533:
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790:Fellows of Magdalen College, Oxford
335:built by Samuel and Harding of the
178:and received a fellowship to study
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14:
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411:, Italian Studies, vol vii (1952)
393:(London: Phaidon Press Ltd) 1962;
328:in 1949; they had two daughters.
16:British art historian (1905β1985)
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805:20th-century British historians
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663:
652:
626:
381:(Oxford University Press 1952);
270:where he was soon succeeded by
174:. He studied at Princeton with
150:. His father was the architect
729:, Online Archive of California
721:: "Waterhouse, Ellis K, Sir"
636:. 30 June 2020. Archived from
634:"Who made the Conway Library?"
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427:When the August 1970 issue of
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292:Painting in Britain, 1530-1790
132:National Galleries of Scotland
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765:Alumni of New College, Oxford
326:British School of Archaeology
280:Barber Institute of Fine Arts
719:Dictionary of Art Historians
124:Sir Ellis Kirkham Waterhouse
7:
770:Princeton University alumni
431:was dedicated as a kind of
379:Titian's Diana and Actaeon.
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369:(London: Macmillan, 1937);
224:by Monuments Man Lt. Col.
211:17th-Century Art in Europe
391:Italian Baroque Painting.
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405:(Oxford: Phaidon, 1976).
344:Getty Research Institute
228:, MFAA Director for the
203:Magdalen College, Oxford
184:National Gallery, London
172:Commonwealth Fund Fellow
28:Ellis Kirkham Waterhouse
659:Helen Thomas Waterhouse
445:The Burlington Magazine
429:The Burlington Magazine
267:The Burlington Magazine
152:Percy Leslie Waterhouse
142:Waterhouse was born in
116:Percy Leslie Waterhouse
750:British art historians
702:10.1179/its.1952.7.1.1
492:archiveshub.jisc.ac.uk
294:was its first volume.
288:Pelican History of Art
199:Roman Baroque Painting
195:British School in Rome
554:Allen, Brian (2010).
350:Selected publications
276:Birmingham University
256:was exposed in 1945.
186:, under its Keepers,
138:Early life and career
278:and director of its
168:Princeton University
83:Princeton University
604:. Yale University.
443:became standards. (
320:Waterhouse married
193:He then joined the
188:C. H. Collins Baker
176:Frank Jewett Mather
164:New College, Oxford
156:Marlborough College
78:New College, Oxford
65:Marlborough College
602:Paul Mellon Centre
299:Paul Mellon Centre
218:Intelligence Corps
272:Benedict Nicolson
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284:Nikolaus Pevsner
254:Han van Meegeren
240:, attributed to
238:Supper at Emmaus
106:Helen Waterhouse
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52:7 September 1985
44:16 February 1905
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250:Hermann Goering
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54:(1985-09-07)
18:
760:1985 deaths
755:1905 births
433:festschrift
248:, owned by
744:Categories
671:"Overshot"
92:Occupation
40:1905-02-16
373:Reynolds.
358:1988 and
61:Education
696:: 1β23.
606:Archived
584:Archived
441:Reynolds
333:Overshot
180:El Greco
644:1 March
622:Unknown
522:1 March
497:1 March
242:Vermeer
102:Partner
562:
290:; his
148:Surrey
112:Parent
447:vol.
416:Notes
170:as a
144:Epsom
646:2021
560:ISBN
524:2021
499:2021
439:and
222:MFAA
158:was
49:Died
34:Born
698:doi
449:112
146:in
25:Sir
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