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virginity and angrily jealous of her rivals". By the mid-twentieth century, perceptions had changed again so that Siddal became "a Pre-Raphaelite groupie, a child of the 1950s and 60s pop culture." More recently, authors and biographers have reassessed Siddal. In this reexamination, she emerges as "partly a victim of masculine oppression and partly a rediscovered proto-feminist", and a rediscovery that includes "a determined effort to detach
Elizabeth Siddal's story from that of Rossetti and the
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justification, that
Rossetti was always seeking to replace her with a younger muse, which contributed to her later depressive periods and illness. Although Ruskin urged Rossetti to marry in 1855, their relationship deteriorated: the reasons probably included Siddal's ill-health, her laudanum addiction, Rossetti's philandering, Rossetti's lack of funds, the aforementioned disapproval of the Rossetti family, and Rossetti's probable aversion to marriage in general.
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827:. A 2018 exhibition, "Beyond Ophelia", curated by National Trust Assistant Curator Hannah Squire, ran for nine months and featured twelve artworks by Siddal and owned by the National Trust. Only the second solo exhibition of her work, the exhibition examined Siddal's career, artistic style, subject matter, and the recognition challenges she faced as a female artist.
390:, Siddal floated in a bathtub full of water to portray the drowning Ophelia. Millais painted daily through the winter, putting oil lamps under the tub to warm the water. On one occasion, the lamps went out and the water became icy cold. Millais, absorbed by his painting, did not notice and Siddal did not complain. After this, she became ill with a severe
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subsidised her career and paid £150 per year in exchange for all the drawings and paintings she produced. She produced many sketches, drawings, and watercolours as well as one oil painting. Her sketches are similar to other Pre-Raphaelite compositions illustrating
Arthurian legend and other idealized
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visited the milliner's to meet a woman he was acquainted with and admired; Siddal was the woman's co-worker and joined the pair on their walk home, as it was the women's usual practice to travel home from work together. Siddal made such an impression on
Allingham that he recommended her as a possible
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am on 11 February 1862 at their home at 14 Chatham Place. Her obituary noted that she "had expressed no wish to die, but quite the reverse. Indeed she contemplated going out of town in a day or two, and had ordered a new mantle which she intended to wear on the occasion." The coroner ruled her death
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During this period, Rossetti's most abundant and personal works were his pencil sketches of Siddal at home, most of which he entitled simply "Elizabeth Siddal". He portrayed Siddal in moments of leisure, such as reading, sitting, or in repose, or when painting or drawing. She also became the subject
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confessed that "Oh, we have all, when young, been in love with Miss Siddal." With the emerging fields of psychology and sexology, a reevaluation of Siddal in fiction, poems, and biographies occurred in the 1920s and 1930s. She became regarded as "a morbid, hysterical, suicidal woman clinging to her
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In 1852, Siddal began to study with
Rossetti. She started staying at his Chatham Place residence, sometimes with him and sometimes by herself. They subsequently became anti-social and absorbed in each other's affections. They coined affectionate nicknames for one another, such as "Guggums" or "Gug"
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During Siddal's career as an artist and poet from 1852 to 1861, she produced more than a hundred works. Unpublished during her lifetime, her poetry often dwelt on dark themes, lost love, or the impossibility of true love. Her small poetic output was nonetheless accomplished. Constance
Hassett wrote
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Siddal and
Rossetti married on Wednesday, 23 May 1860 at St. Clement's Church in Hastings. There were no family or friends present, only a couple of witnesses whom they had asked. When Siddal's health improved, they honeymooned in Paris and Boulogne in the latter half of 1860, then returned to the
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met Siddal in 1849, probably while they both modelled for
Deverell. Rossetti gave Siddal the nickname "Lizzie" when she entered the Pre-Raphaelite Brotherhood circle, and "the diminutive enhanced her youthful, dependent role". By 1851 or 1852, they became engaged. Siddal had also become Rossetti's
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to disinter her coffin to retrieve a handwritten book of
Rossetti's poems, which he had laid beside her head before burial. With the aid of a Dr. Llewelyn Williams and two others, Howell accomplished this in October 1869. Dr. Williams subsequently disinfected the book. Rossetti then published the
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there. She moved in with her cousin's family. A son of this family, Willie Ibbett, proposed to her, but she indicated that she was already engaged. However, by mid-1858, Siddal and
Rossetti appeared to be both done with their engagement and little is known about Siddal from that time until 1860.
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As Siddal came from a working-class family, Rossetti feared introducing her to his family. Siddal was the victim of harsh criticism from his sisters. The knowledge that his family would not approve contributed to Rossetti's delaying the marriage. Siddal appears to have believed, with some
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643:. Upon returning home from teaching, Rossetti found Siddal unconscious in bed and could not revive her. The first doctor Rossetti called claimed that he was unable to save her, upon which Rossetti sent for another three doctors. A stomach pump was used, but to no avail. She died at 7:20
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255:, in south London. The remainder of the Siddall children were born in Southwark: Lydia, to whom she was particularly close; Mary, Clara, James and Henry. Elizabeth Eleanor Siddall "received an ordinary education, conformable to her condition in life" and first "read
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of much of Rossetti's poetry throughout their relationship and particularly after her death. Rossetti became obsessive in portraying Siddal. It has been estimated that there are thousands of Rossetti's drawings, paintings, and poems in which Siddal was a subject.
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A third account has Deverell accompanying his mother to the millinery where he noticed Siddal in the back of the shop. In any case, Deverell later described Siddal as "magnificently tall, with a lovely figure, and a face of the most delicate and finished
259:... by finding one or two poems of his on a piece of paper" that had been wrapped around some butter. Literary analysts have noted that her artwork sometimes used subjects from Tennyson's writings and that his writings may have influenced her poetry.
446:(see right) diverged from the Pre-Raphaelites' typical idealised beauty. As Anna Solomon wrote, "she depicts herself looking harsher, angrier and less attractive than the languid Siddal of the Pre-Raphaelite paintings." From 1855 to 1857, art critic
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that her "fecundity of invention and facility are quite wonderful, much greater than mine". Siddal seems to have inspired Rossetti, as he followed her in depicting the same subjects, and he reused her designs after her death.
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as accidental; however, there are suggestions that Rossetti found a suicide note, with the words "Please look after Harry" (her invalid brother, who may have had a slight intellectual disability), supposedly "pinned
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244:. Her parents were Charles Crooke Siddall, and Elizabeth Eleanor Evans, from a family of English and Welsh descent. She had two older siblings, Ann and Charles Robert. At the time of her birth, her father had a
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916:(2000). In it, a dying Lizzie drugged with laudanum has a last dream or vision in which the trio takes a train trip to a forest "where they each would see their true love". This story bears the same title as
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for several years for her health. At the time of her wedding, she was so frail and ill that she had to be carried to the church, despite it being a five-minute walk from where she was staying. She became
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and her long illness gave her access to laudanum to which she became addicted. By 1861, Siddal became pregnant, which ended with the birth of a stillborn daughter. The stillbirth left Siddal with
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wrote that "Her verses were as simple and moving as ancient ballads; her drawings were as genuine in their medieval spirit as much more highly finished and competent works of Pre-Raphaelite art."
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as "E. E. Siddal", the first time she had signed one of her works and an early instance of her shortened surname. By that same year, Rossetti had taken Siddal on as a student. He told his friend
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who is supposed to have instructed him to burn the note. Since suicide was illegal and considered immoral, it would have brought scandal on the family and barred Siddal from a Christian burial.
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themes, and she was the only woman who exhibited with the Pre-Raphaelites at an 1857 exhibition at No. 4 Russell Place, Fitzroy Square, London. That same year, Siddal studied at the
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that "Siddal's poetry ranges from the perfectly realized ballad narrative, to its opposite, the overheard lyric, and to something in between, the made-to-be heard monologue." Critic
332:... she has grey eyes, and her hair is like dazzling copper, and shimmers with luster." Deverell subsequently employed Siddal as a model and introduced her to the Pre-Raphaelites.
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painting, he based Orsino on himself, Feste on his friend Dante Gabriel Rossetti and Viola/Cesario on Siddal. This was the first time Siddal sat as a model. According to
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Siddal became an artist in her own right and was the only woman to exhibit at an 1857 Pre-Raphaelite exhibition. Significant collections of her artworks can be found at
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558:. In a change of heart, Rossetti hurried to her side that April with a marriage license. Shortly before their marriage, Rossetti produced a famous portrait of Siddal,
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and his son was Willie Ibbett. Alyssa Grady identifies the writer of the letter to the editor, "The Death of Mrs. D. G. Rosetta," signed "W.I", as William Ibbitt.
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In Spring 1860, Siddal's family contacted Ruskin with the news that Siddal was gravely ill. Ruskin in turn informed Rossetti. Siddal was at the seaside resort of
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Cherry, Deborah; Pollock, Griselda (1984). "Woman as sign in Pre-Raphaelite literature: A Study of the Representation of Elizabeth Siddall".
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301:. Accounts differ on the circumstances of their meeting. One account is that she became acquainted with Deverell's father, who worked at the
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As with the other Pre-Raphaelites, Deverell took his inspiration directly from life rather than from an idealized classical figure. In his
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and "Dove", the latter one of Rossetti's names for Siddal. He also shortened the spelling of her surname to Siddal, dropping the second
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Chatham Place residence that they expanded into an adjoining house. Siddal became pregnant and appeared to be happier and healthier.
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At the suggestion of her future husband Dante Gabriel Rossetti, she shortened her surname to Siddal. She was also known by the
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5077:"My Ladys Soul": The Successes of Elizabeth Siddal & Jane Morris, & the Rise of the Pre-Raphaelite Sisterhood
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Johnson, Chloe (10 February 2010). "Presenting the Pre-Raphaelites: From Radio Reminiscences toDesperate Romantics".
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taint. This may, I suppose, have come from the father; for the mother was a healthy woman, living on til past ninety.
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In 1857, Siddal gave up her stipend from Ruskin and went to Sheffield, the birth place of her father, to attend the
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1824:""Strong Traivelling": Re-visions of Women's Subjectivity and Female Labor in the Ballad-work of Elizabeth Siddal"
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had dined together in a nearby hotel. After having taken Siddal home, Rossetti attended his weekly lecture at the
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398:. Her father held Millais responsible and, under the threat of legal action, Millais paid her doctor's bills.
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2888:"The Passions of Artists and Models – Victorian Passions: Stories from the Mark Samuels Lasner Collection"
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Elizabeth Eleanor Siddall, named after her mother, was born on 25 July 1829, at the family's home at 7
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Donnelly, Brian (2020). "Dante Gabriel Rossetti, the Little Green Book, and the Dispute with Death".
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3166:"Rossetti paints us a (sometimes not so) pretty picture in exhibition devoted to artist's portraits"
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652:... on the breast of her night-shirt." Consumed with grief and guilt Rossetti allegedly went to see
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309:. Siddal showed some of her artwork to him, and he introduced her to his son. In another account,
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5336:"Woman as sign in Pre-Raphaelite literature: A Study of the Representation of Elizabeth Siddall"
2068:"Elizabeth Siddal and the Pre-Raphaelite women, Fibres - a play about asbestos, Women's cricket"
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The Quest of the Holy Grail, 1855, watercolour, conceived by Siddal, collaboration with Rossetti
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A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids
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4599:"See Freddy Carter and Hannah Onslow in 'The Doll Factory' which premieres on Paramount+ today"
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2938:"Portrait of Elizabeth Siddal Resting, Holding a Parasol (The J. Paul Getty Museum Collection)"
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A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids
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This sequence contained the poem "Without Her", a reflection on life once love has departed.
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taken to relieve the pain had grown into a necessity." Others suggest that she may have been
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and exclusive model, and he portrayed her in almost all his early artwork depicting women.
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175:, and poet. Siddal was perhaps the most significant of the female models who posed for the
2158:"Recovering Walter Howell Deverell: Image, Identity and Portraiture in Pre-Raphaelite Art"
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Pre-Raphaelite Girl Gang: fifty makers, shakers and heartbreakers from the Victorian era
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Siddal came to either embody or influence the Pre-Raphaelite ideals of feminine beauty.
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model to his friend Deverell, who was struggling with a large oil painting based on the
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The segment featured an interview with an author and a curator about Siddal before the
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Rossetti's relationship with Siddal has been the subject of television dramas, notably
898:, Siddal and Rossetti are the subjects of "How They Met Themselves", which is part of
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Rossetti's Portraits of Elizabeth Siddal: a catalogue of the drawings and watercolours
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The Paintings and Drawings of Dante Gabriel Rossetti (1828-1882): A Catalogue Raisonné
4692:"The Delaware Art Museum and Somerville Manning Gallery present Holly Trostle Brigham"
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179:. Their ideas of female beauty were fundamentally influenced and personified by her.
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or that her poor health was due to laudanum addiction or a combination of ailments.
343:, Dante Gabriel's brother, "Deverell drew another Viola from her, in an etching for
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Hallamshire worthies characteristics and work of notable Sheffield men and women .
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Bradley, Laurel (1992). "Elizabeth Siddal: Drawn into the Pre-Raphaelite Circle".
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Shefer, Elaine (1985). "Deverell, Rossetti, Siddal, and "The Bird in the Cage"".
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2776:"Picasso Isn't The Only One: Artists Who Shared A Troubled Bond With Their Muse"
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Siddal overdosed on laudanum on 10 February 1862. She, Rossetti, and his friend
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4883:""Lady Affixing Pennant to a Knight's Spear", Elizabeth Eleanor Siddal, c.1856"
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216:. Sickly and melancholic during the last decade of her life, Siddal died of a
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2365:"Was Elizabeth Siddal the real brains behind the Pre-Raphaelite Brotherhood?"
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bought some of Siddal's works at auction in 1961. These works became part of
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566:(1860). This painting is a close-up, vibrantly coloured depiction of Siddal.
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2824:"Dante Gabriel Rossetti: Elizabeth Siddal having her hair combed - Pictures"
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4328:"Ophelia resurfaces: pre-Raphaelite muse is recognised as a skilled artist"
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1318:
1016:
1012:
597:
580:
5279:
3912:
7216:
7184:
7021:
6937:
6912:
6902:
6667:
6444:
6439:
5180:
4976:
2816:
2077:
984:
956:
939:
905:
875:
447:
391:
315:
172:
6062:. Aldershot: Scolar Press in association with Ashmolean Museum, Oxford.
5564:. London; New York: Seeley and Company, Limited; Macmillan and Company.
4526:
3107:
1848:
1795:
7128:
6897:
6047:
5516:
5295:
4501:
4365:, MS Eng 769, Cambridge, MA, US: Houghton Library, Harvard University,
3083:
2547:
2397:"Muse and model or painter-poet? Elizabeth Siddal given fresh portrait"
1823:
1770:
1452:
976:
862:
One of three surviving pages from the book of poems buried with Siddal.
418:
5479:
4502:""Dante's Inferno": Seeing Ken Russell Through Dante Gabriel Rossetti"
3525:
3523:
1741:
1739:
600:, but some historians believe an intestinal disorder was more likely.
6154:
5959:
5929:
5891:
5263:
5229:
5040:
2059:
1361:
1186:
Beatrice meeting Dante at a marriage feast, denies him her salutation
867:
806:
798:
690:
on 17 February 1862 in the Rossetti family grave in the west side of
605:
516:
Beatrice Meeting Dante at a Marriage Feast, Denies him her Salutation
395:
294:
252:
251:
About 1831, the Siddall family moved to the less affluent borough of
6192:
6109:""Beyond Ophelia" – A Celebration of Lizzie Siddal, Artist and Poet"
6031:
5500:
5341:
Vision and Difference: Feminism, femininity and the histories of art
2531:
2273:"Tate exhibition spotlights overlooked female Pre-Raphaelite artist"
1628:. Sheffield, South Yorkshire, England. 15 February 1862. p. 3.
773:
Their home at 14 Chatham Place was demolished and is now covered by
6196:
5208:. Bell's miniature series of painters. London: G. Bell & Sons.
5167:. Vol. v. 2. East Aurora, NY: The Roycrofters. pp. 1–23.
2428:"The Rossettis: Inside Europe's most culturally influential family"
949:
613:
609:
555:
506:
Beginning in 1853, Rossetti used Siddal as a model for a series of
452:
217:
4905:
6128:
4744:
4157:"Beyond Ophelia: A Celebration of Lizzie Siddal, Artist and Poet"
2782:. 11 July 2019. 5/6 Elizabeth Siddal And Dante Gabriel Rossetti.
2136:
2134:
2132:
2130:
245:
220:
overdose in 1862 during her second year of marriage to Rossetti.
66:
5405:
The Lives of the Muses: nine women and the artists they inspired
4450:"Communication with the Dead: The Séance Diary of W.M. Rossetti"
2851:
2849:
4630:"Elizabeth 'Lizzie' Siddal and the Famous Women Dinner Service"
4210:
3972:"Grave doubts: Dante Gabriel Rossetti and the exhumation poems"
1295:
1170:
Two Gentlemen of Verona, Valentine Rescuing Sylvia From Proteus
375:
Two Gentlemen of Verona, Valentine Rescuing Sylvia From Proteus
32:
6018:
Shefer, Elaine (1988). "Elzabeth Siddal's "Lady of Shalott"".
5614:(23 September 2004). "Siddal, Elizabeth Eleanor (1829–1862)".
2127:
5700:. Manchester: Manchester University Press. pp. 143–195.
4785:
4783:
4781:
4779:
4777:
2846:
2586:"Who Was Elizabeth Siddal, Pre-Raphaelite Artist & Muse?"
858:
528:(1864–1870), which he painted as a memorial after her death.
297:
in Cranbourne Alley, London, Siddal made the acquaintance of
4850:
4058:
3325:
Hektoen International - an Online Medical Humanities Journal
632:. By early 1862, she had become pregnant for a second time.
4441:
4118:
2969:"The Project Gutenberg eBook of Drawings of D. G. Rossetti"
1771:"Elizabeth Siddal's Poetry: A Problem and Some Suggestions"
1760:
1758:
620:
349:." Elaine Shefer asserts that Deverell portrayed Siddal in
6237:
4774:
4550:
4548:
3321:"A picture of ill-health: the illness of Elizabeth Siddal"
3075:
1919:"Elizabeth Siddal's Sketch for "La Belle Dame sans merci""
1867:
5466:(3). The Burlington Magazine Publications Ltd.: 273–295.
5129:
Lizzie Siddal: The Tragedy of a Pre-Raphaelite Supermodel
4828:
4683:
3870:"Rossetti Family Grave in Highgate West Cemetery, London"
3474:
3005:"Smitten by the Casual Glance of a Pair of Sparking Eyes"
2647:
2645:
2643:
2040:
1547:"Dante Gabriel Rossetti, Head of Elizabeth Siddal (1855)"
721:
These became part of Rossetti's sonnet sequence entitled
171:(a spelling she adopted in 1853), was an English artist,
6093:"Poems by Elizabeth Eleanor Siddal (British, 1829-1862)"
3539:
1911:
1755:
694:. Later burials in the same grave are her mother-in-law
6133:
includes many portraits of Elizabeth Siddal by Rossetti
5446:
4798:
4545:
4492:
3892:
3529:
3293:
3253:
3251:
2768:
2663:
2630:
2330:
2328:
2168:(2). Australasian Victorian Studies Association: 1–23.
2140:
1814:
1745:
6127:. Birmingham Museums & Art Gallery. Archived from
3614:
3612:
2640:
2567:
2565:
1674:
1672:
522:(1855), and, perhaps his most famous portrait of her,
5161:"Dante Gabriel Rossetti and Elizabeth Eleanor Siddal"
4943:""Sir Patrick Spens", Elizabeth Eleanor Siddal, 1856"
4359:"Praise and prayer: manuscript [before 1862]"
3170:
The Art Newspaper - International art news and events
2513:
2511:
2509:
2450:
2180:
1384:
My Ladys Soul: The Poems of Elizabeth Eleanor Siddall
1116:, circa 1856, watercolour, gouache and metallic paint
5864:
Lasner, Mark Samuels; Lewis, Roger C., eds. (1978).
3963:
3412:
3410:
2712:"Women in Rossetti's Life and Art: Muses and Lovers"
2149:
1941:
1475:. Her first signed work in 1853 bears the signature
891:, ... and present her with a biography of her own."
238:
Saffron Hill, Hatton Garden, Ely Rents and Ely Place
6871:
I Am Half-Sick of Shadows, Said the Lady of Shalott
4448:Bullen, J. B.; White, Rosalind (22 February 2021).
3951:
3671:
3628:
2685:
Victoria and Albert Museum: Explore the Collections
2562:
1641:
167:(25 July 1829 – 11 February 1862), better known as
5996:(play script), Toronto: Playwrights Canada Press,
5899:
5807:
5746:
5693:
5665:Artists and Writers in Revolt: The Pre-Raphaelites
5662:
5581:
5525:
5398:
5334:
5233:
5126:
5092:
5044:
5010:
4500:
3805:
3084:"Metaphor and Maternity: Dante Gabriel Rossetti's"
2703:
2506:
2363:
1992:. Sheffield, South Yorkshire, England. p. 2.
1983:
1822:
1769:
1619:
1019:, (1932–1934), commissioned by the art historian,
755:Where the long cloud, the long wood's counterpart,
16:Pre-Raphaelite model, artist, and poet (1829–1862)
4410:
4240:
3760:
3446:
757:Sheds doubled up darkness up the labouring hill.
742:Without her? Tears, ah me! For love's good grace,
732:There where the pool is blind of the moon's face.
7445:
4419:"The Sandman Reader XII: Conclusions & Misc"
4179:
3771:. Chicago: University of Chicago Press. p.
3009:Voces Novae Chapman University Historical Review
2746:"Elizabeth Siddal: A Life Overshadowed by Death"
2205:
2203:
2201:
2199:
2197:
2195:
2052:
1479:. Her legal surname name after her marriage was
1131:, 1857, watercolour, bodycolour, coloured chalks
830:Siddal was among the women featured in the 2019
797:A retrospective of Siddal's work was curated by
491:, and he stopped her from modelling for others.
4380:
3482:"Rossetti-Elizabeth Siddal Playing the Cythern"
2892:Library, Museums and Press – Online Exhibitions
2357:
2355:
2353:
2351:
2349:
2347:
1581:"7 Pre-Raphaelite Artworks by Elizabeth Siddal"
1151:
1005:Siddal is depicted on one of the plates in the
870:wrote that those fascinated by Siddal included
761:— Dante Gabriel Rossetti, "The House of Life",
747:What of the heart without her? Nay, poor heart,
668:Siddal's grave in Highgate Cemetery (West side)
579:In Elizabeth Siddal's constitution there was a
4350:
3807:"Did Rossetti really need to exhume his wife?"
3094:(4). West Virginia University Press: 467–486.
1977:
1975:
1835:(2). West Virginia University Press: 251–276.
1782:(4). West Virginia University Press: 443–470.
1621:"Death of a Lady from an Overdose of Laudanum"
1218:The First Anniversary of the Death of Beatrice
780:
749:Of thee what word remains ere speech be still?
736:Of cloud-rack whence the moon has passed away.
512:The First Anniversary of the Death of Beatrice
7037:
6223:
5902:Women Artists and the Pre-Raphaelite Movement
5532:. Middletown, CT: Wesleyan University Press.
5329:
5047:Pre-Raphaelite drawings in the British Museum
4789:
4652:
3680:Encyclopedia of British writers, 19th century
3649:"The women of the Pre-Raphaelite Brotherhood"
3314:
3312:
3310:
3308:
3306:
2739:
2737:
2709:
2192:
740:Usurped by desolate night. Her pillowed place
734:Her dress without her? The tossed empty space
730:What of her glass without her? The blank grey
550:, Rossetti's 1860 marriage portrait of Siddal
470:
7105:Joan of Arc Kissing the Sword of Deliverance
6173:Chatfield, Stephanie E. (11 February 2008).
5165:Little Journeys to the Homes of Great Lovers
4319:
4006:– via Gale Literature Resource Center.
3640:
3157:
3126:
2998:
2996:
2994:
2803:
2801:
2681:"Elizabeth Siddal - Rossetti, Dante Gabriel"
2419:
2344:
1411:He & She & Angels Three: Three Poems
1386:. Brighton, U.K: Victorian Secrets Limited.
841:In 2023, the Tate Gallery had an exhibition
5274:(1). Oxford University Press (OUP): 64–82.
4935:
4875:
4447:
4416:
4246:
4148:
2856:Rossetti, Dante Gabriel (21 January 2018).
2673:
2459:"The First Pre-Raphaelite Group Exhibition"
2264:
2095:
1972:
1574:
1572:
1433:List of paintings by Dante Gabriel Rossetti
1331:Lady Affixing a Pennant to a Knight's Spear
979:. She was portrayed in a recurring role by
848:
753:Steep ways and weary, without her thou art,
738:Her paths without her? Day's appointed sway
7544:Pre-Raphaelite Brotherhood artists' models
7051:
7044:
7030:
6410:Louisa Beresford, Marchioness of Waterford
6230:
6216:
5839:Lizzie Siddal: face of the Pre-Raphaelites
5669:. Philadelphia: Art Alliance. p. 46.
5657:
4661:"Charleston's Famous Women Dinner Service"
4621:
4289:
4185:
3836:
3769:Art in an age of civil struggle, 1848-1871
3303:
2734:
2388:
2295:
2212:"The tragedy of art's greatest supermodel"
2176:– via National Library of Australia.
2058:
2000:– via The British Newspaper Archive.
1382:— (2018). Trowbridge, Serena (ed.).
1352:(1856) – watercolour, Tate Gallery, London
1327:(1856) – watercolour, Tate Gallery, London
479:Rossetti's 1852 drawing of Siddal painting
187:painted Siddal, and she was the model for
31:
6175:"Photographs of Elizabeth Siddal's Grave"
6153:Chatfield, Stephanie E. (27 March 2007).
5868:. Wolfville, N.S., Canada: Wombat Press.
5783:(in Portuguese). Lisboa: Relógio D'Água.
5523:
5201:
4689:
4264:
4066:"Blackfriars Almshouses - Bladder Street"
4048:
3599:
3081:
3045:
2991:
2960:
2798:
2577:
2234:
2162:Australasian Journal of Victorian Studies
1529:
686:Siddal was buried with her father-in-law
7386:Tristram and Isoude stained glass panels
6689:The Finding of the Saviour in the Temple
5696:The Poems of Elizabeth Siddal in Context
5554:
5460:The Burlington Magazine for Connoisseurs
5429:
5407:. London: Union Books. pp. 99–136.
5189:. New York: E.P. Dutton & Co., Inc.
5186:The Wife of Rossetti: Her Life and Death
5121:
5087:
4088:
4032:
4016:
3907:(1). Edinburgh University Press: 12–32.
3898:
3874:The Victorian Web (www,victorianweb.org)
3852:
3750:
3730:
3714:
3583:
3510:
3397:
3381:
3365:
3273:
3257:
3230:
3210:
3194:
2855:
2744:Evemy, Benjamin Blake (7 October 2022).
2334:
2209:
2030:
2010:
1885:
1726:
1710:
1694:
1678:
1659:
1569:
1539:
1371:(1857) – watercolour, private collection
1059:, 1853, pen, black ink, sepia and pencil
857:
784:
671:
663:
542:
474:
417:
278:
266:
6097:ArtMagick Illustrated Poetry Collection
5749:Painting Women: Victorian Women Artists
5691:
5616:Oxford Dictionary of National Biography
5610:
5576:
5155:
4658:
4554:
4247:Ekkelenkamp, Mariëlle (15 March 2020).
4186:Trowbridge, Serena (28 February 2018).
3978:(5681). NI Syndication Limited: 14–16.
3957:
3677:
3646:
3618:
3567:
3163:
3132:
2916:
2710:Jargalsaikhan, Bolor (28 August 2022).
2520:Art Institute of Chicago Museum Studies
2517:
2456:
2425:
2361:
1873:
1764:
744:And cold forgetfulness of night or day.
659:
573:
262:
197:(1852). Early in her relationship with
7446:
5994:Clever as Paint: The Rossettis in Love
5966:. New York, N.Y: Thames & Hudson.
5866:Poems and Drawings of Elizabeth Siddal
5630:
5486:
5266:(1988). "Imagining Elizabeth Siddal".
4325:
2270:
2252:from the original on 11 September 2017
2186:
2155:
2100:exhibition and included an excerpt of
2046:
1820:
1647:
1636:– via British Newspaper Archive.
596:It was thought that she suffered from
7025:
6211:
6155:"Letters Written by Elizabeth Siddal"
5456:"Dante Rossetti and Elizabeth Siddal"
5393:
5262:
5228:
5073:
5005:
4953:from the original on 15 November 2021
4923:from the original on 19 December 2021
4893:from the original on 15 November 2021
4732:from the original on 19 December 2021
4498:
4454:The Journal of Pre-Raphaelite Studies
4188:"Exhibition review: 'Beyond Ophelia'"
4154:
3969:
3941:
3803:
3766:
3530:Rossetti, Rossetti & Hartley 1903
3452:
3318:
3294:Rossetti, Rossetti & Hartley 1903
2979:from the original on 12 February 2020
2743:
2664:Rossetti, Rossetti & Hartley 1903
2651:
2631:Rossetti, Rossetti & Hartley 1903
2614:
2571:
2394:
2271:Hughes, Rebecca Ann (15 April 2023).
2222:from the original on 22 December 2021
2141:Rossetti, Rossetti & Hartley 1903
2113:
2102:Plot 5779 Unearthing Elizabeth Siddal
1947:
1901:
1746:Rossetti, Rossetti & Hartley 1903
1356:Clerk Saunders (1857) – watercolour,
924:by Rossetti that both depict Siddal.
845:which included 17 of Siddal's works.
404:
6586:Our English Coasts ('Strayed Sheep')
5302:
5179:
5039:
4627:
4609:from the original on 4 December 2023
4513:(3). Salisbury University: 274–279.
4429:from the original on 2 December 2021
4398:from the original on 2 December 2021
4369:from the original on 2 December 2021
4356:
3880:from the original on 4 December 2021
3818:from the original on 13 October 2019
3464:
3436:
3416:
3002:
2966:
2828:Lowell Libson & Jonny Yarker Ltd
2807:
2583:
2303:"Elizabeth Eleanor Siddal 1829–1862"
2242:"The Story of Ophelia – Look Closer"
2210:Hawksley, Lucinda (3 January 2020).
2084:from the original on 1 December 2021
1578:
1202:Elizabeth Siddal - Study for Ophelia
1146:, unknown date, watercolor on pencil
751:A wayfarer by barren ways and chill,
709:In August 1869, Rossetti authorized
4975:
3682:. New York: Facts On File. p.
3634:
3164:Kennedy, Maev (22 September 2021).
2942:The J. Paul Getty Museum Collection
1311:(1853–54) – oil, private collection
604:wrote that "She suffered much from
410:
152:
13:
7479:19th-century English women writers
7469:19th-century British women artists
6551:Christ in the House of His Parents
5814:. New York: Ticknor & Fields.
5738:
5379:10.1111/j.1467-8365.1984.tb00141.x
5343:. London and New York: Routledge.
5074:Grady, Alyssa (16 December 2020).
4762:from the original on 12 April 2023
4752:"Artist / Maker / Culture: Siddal"
4702:from the original on 15 March 2022
4671:from the original on 14 April 2023
4659:Lohmann, Silke (19 October 2021).
4640:from the original on 14 April 2023
4533:from the original on 12 April 2023
4480:from the original on 12 April 2023
4417:Christensen, D. S. (28 May 2017).
4198:from the original on 11 April 2023
4167:from the original on 11 April 2023
4136:from the original on 10 April 2023
4106:from the original on 10 April 2023
4076:from the original on 10 April 2023
3647:Prodger, Michael (24 April 2023).
3488:. 15 December 2004. Archived from
3347:from the original on 29 April 2023
2898:from the original on 30 April 2023
2786:from the original on 22 April 2023
2756:from the original on 22 April 2023
2722:from the original on 10 April 2023
2596:from the original on 14 April 2023
2457:Lanigan, Dennis T. (Spring 2008),
2438:from the original on 20 April 2023
2407:from the original on 10 April 2023
1981:
1960:from the original on 25 April 2023
1929:from the original on 25 April 2023
1595:from the original on 15 April 2023
1333:(1856) – watercolour, Tate Gallery
1042:
975:(2009) in which she was played by
965:(1975) in which she was played by
14:
7580:
6750:King Cophetua and the Beggar Maid
6085:
4917:Collections – Delaware Art Museum
4816:from the original on 2 April 2023
4690:Obenreder, Gail (14 March 2022).
4338:from the original on 3 April 2023
4307:from the original on 3 April 2023
4228:from the original on 9 April 2023
3133:Stewart, Doug (1 February 2007).
2868:from the original on 7 April 2023
2834:from the original on 7 April 2023
2466:Journal of Pre-Raphaelite Studies
2376:from the original on 7 April 2023
1985:"The Death of Mrs. D. G. Rosetta"
1855:from the original on 9 April 2023
1802:from the original on 9 April 2023
1638:Eliza Eleanor Rossetti's Obituary
1413:. London: Eric and Joan Stevens.
1257:
1234:Dante's Vision of Rachel and Leah
520:Dante's Vision of Rachel and Leah
6200:
6125:"Pre-Raphaelite Online Resource"
5962:; Nunn, Pamela Gerrish (1999) .
5430:Rossetti, Dante Gabriel (1881).
5240:. New York: St. Martin's Press.
5051:. London: British Museum Press.
4842:. 9 January 2006. Archived from
4591:
4563:(1). Informa UK Limited: 67–92.
4326:Brooks, Richard (2 April 2023).
4253:Nineteenth-Century Art Worldwide
4155:McNay, Anna (24 December 2018).
3998:from the original on 22 May 2023
3082:Remoortel, Marianne van (2008).
2967:Wood, T. Martin (24 June 2014).
2584:Snow, Emily (16 November 2022).
2395:Wyver, Kate (7 September 2021).
1241:
1225:
1209:
1193:
1177:
1158:
1136:
1121:
1106:
1094:
1079:
1064:
1049:
7277:(with other artists, 1857–1859)
6138:"Portraits of Elizabeth Siddal"
5083:(Thesis). Iowa Research Online.
3970:Marsh, Jan (17 February 2012).
3804:Marsh, Jan (15 February 2012).
3797:
3659:from the original on 2 May 2023
3176:from the original on 5 May 2023
3145:from the original on 5 May 2023
3114:from the original on 5 May 2023
3027:from the original on 9 May 2023
2948:from the original on 7 May 2023
2930:
2691:from the original on 7 May 2023
2362:McLaren, Iona (24 March 2023).
2313:from the original on 8 May 2023
2283:from the original on 8 May 2023
1557:from the original on 4 May 2023
1486:
1337:Madonna and Child with an Angel
273:Twelfth Night, Act II, Scene IV
236:, at the time in the parish of
148:
7519:Female Pre-Raphaelite painters
7504:Drug-related deaths in England
6730:Pygmalion and the Image series
5934:The Legend of Elizabeth Siddal
4913:"Madonna and Child with Angel"
4126:"Elizabeth Siddal (1829-1862)"
3976:TLS. Times Literary Supplement
3678:Krueger, Christine L. (2003).
3319:Boyle, Emily (19 April 2019).
3003:Kong, Sharon (26 April 2018).
2426:Solomon, Anna (6 April 2023).
1948:Owens, Susan (25 April 2023).
1492:The father in this family was
1445:
619:Siddal travelled to Paris and
1:
7464:19th-century British painters
7089:Paolo and Francesca da Rimini
6600:Paolo and Francesca da Rimini
6099:. 7 June 2008. Archived from
5924:– via Internet Archive.
5841:. New York: Walker & Co.
5832:– via Internet Archive.
5771:– via Internet Archive.
5687:– via Internet Archive.
5606:– via Internet Archive.
5550:– via Internet Archive.
5425:– via Internet Archive.
5361:– via Internet Archive.
5258:– via Internet Archive.
5236:The Pre-Raphaelite Sisterhood
5197:– via Internet Archive.
5175:– via Internet Archive.
5151:– via Internet Archive.
5117:– via Internet Archive.
5069:– via Internet Archive.
5035:– via Internet Archive.
4983:. New York: Harry N. Abrams.
4858:"The Quest of the Holy Grail"
1516:
942:, in which she was played by
927:
853:
510:-themed paintings, including
223:
38:
7494:Burials at Highgate Cemetery
7484:Accidental deaths in England
7474:19th-century British writers
6480:John Roddam Spencer Stanhope
6405:Robert Braithwaite Martineau
5964:Pre-Raphaelite Women Artists
5017:. New York: Schocken Books.
2862:The Art Institute of Chicago
1579:Snow, Emily (6 March 2023).
1302:
1271:(n.d.), J.S. Maas Collection
1152:Works with Siddal as a model
293:In 1849, while working at a
7:
7073:The Girlhood of Mary Virgin
6199:(public domain audiobooks)
5618:. Oxford University Press.
5588:. Oxford: Clarendon Press.
5450:; Rossetti, Dante Gabriel;
5434:. London: Ellis and White.
5099:. Bath, U.K: Parragon Pub.
4806:"Lovers listening to Music"
1982:I., W. (18 February 1862).
1426:
1315:The Quest of the Holy Grail
1262:
1008:Famous Women Dinner Service
781:Exhibitions and collections
700:Christina Georgina Rossetti
682:a year after Siddal's death
303:Government School of Design
10:
7585:
7569:Women of the Victorian era
7549:Pre-Raphaelite Brotherhood
7364:Pre-Raphaelite Brotherhood
6495:Algernon Charles Swinburne
6239:Pre-Raphaelite Brotherhood
6142:National Museums Liverpool
5837:Hawksley, Lucinda (2006).
5528:Rossetti and the Fair Lady
5333:; Cherry, Deborah (1988).
4969:
4810:National Trust Collections
4628:Tsar, Diana (April 2021).
4388:"Vertigo: Winter's Edge 3"
4266:10.29411/ncaw.2020.19.1.13
2526:(2). JSTOR: 136–145, 187.
2101:
1037:
896:Algernon Charles Swinburne
819:, donated by her husband,
637:Algernon Charles Swinburne
471:Relationship with Rossetti
408:
177:Pre-Raphaelite Brotherhood
7559:Romantic muses and models
7356:
7303:
7284:
7267:
7059:
6951:
6880:
6807:The Roses of Heliogabalus
6523:
6430:Valentine Cameron Prinsep
6291:
6248:
6193:Works by Elizabeth Siddal
5556:Stephens, Frederic George
5524:Sonstroem, David (1970).
5448:Rossetti, William Michael
5202:Marillier, H. C. (1906).
5133:. London: Andr ̌Deutsch.
5095:Essential Pre-Raphaelites
4790:Pollock & Cherry 1988
4722:"British Pre-Raphaelites"
4569:10.1080/14714780903509847
4557:Visual Culture in Britain
4507:Literature/Film Quarterly
4499:Gomez, Joseph A. (1973).
4357:Rossetti, Dante Gabriel,
4222:National Portrait Gallery
3812:Times Literary Supplement
3015:(3). Chapman University.
1375:
1339:(c. 1856) – watercolour,
1275:Lovers listening to Music
1089:, 1854, pen and brown ink
1087:Lovers Listening to Music
1030:hosted a 2022 exhibit of
914:Vertigo: Winter's Edge #3
836:National Portrait Gallery
768:
591:, Dante Gabriel's brother
165:Elizabeth Eleanor Siddall
130:
112:
104:
93:
74:
53:Elizabeth Eleanor Siddall
48:
30:
23:
7539:Polidori-Rossetti family
7335:William Michael Rossetti
7329:Maria Francesca Rossetti
6792:The Legend of Briar Rose
6621:The Awakening Conscience
6278:Frederic George Stephens
6273:William Michael Rossetti
5745:Cherry, Deborah (1993).
5268:History Workshop Journal
5013:The pre-Raphaelite dream
4249:"Pre-Raphaelite Sisters"
4218:"Pre-Raphaelite Sisters"
2156:Bryant, Barbara (2018).
1821:Ehnenn, Jill R. (2014).
1438:
1248:Dante Gabriel Rossetti,
1232:Dante Gabriel Rossetti,
1216:Dante Gabriel Rossetti,
1184:Dante Gabriel Rossetti,
882:. The artist and author
849:Works inspired by Siddal
704:William Michael Rossetti
589:William Michael Rossetti
341:William Michael Rossetti
7554:Pre-Raphaelite painters
7509:English artists' models
7407:Rossetti and His Circle
6977:Rossetti and His Circle
6918:Marie Spartali Stillman
6505:John William Waterhouse
6490:John Melhuish Strudwick
6485:Marie Spartali Stillman
6355:Charles Allston Collins
5810:Pre-Raphaelites in Love
5631:Walker, Kirsty (2018).
5572:– via HathiTrust.
5482:– via HathiTrust.
5325:– via HathiTrust.
5224:– via HathiTrust.
5214:2027/inu.39000009046280
1591:, by Elizabeth Siddal.
834:exhibition at London's
457:Sheffield School of Art
430:In 1853, Siddal signed
7499:Dante Gabriel Rossetti
7489:British women painters
7053:Dante Gabriel Rossetti
6579:The Light of the World
6515:William Lindsay Windus
6263:Dante Gabriel Rossetti
5692:Woolley, Anne (2021).
5624:10.1093/ref:odnb/37957
5561:Dante Gabriel Rossetti
5363:Originally published:
5303:Odom, William (1926).
4981:Dante Gabriel Rossetti
4363:Harvard Mirador Viewer
4070:British History Online
3767:Boime, Albert (2007).
2097:Pre-Raphaelite Sisters
1317:(1855) – watercolour,
1200:John Everett Millais,
1000:
863:
832:Pre-Raphaelite Sisters
794:
766:
683:
669:
630:post-partum depression
594:
551:
484:Dante Gabriel Rossetti
480:
427:
290:
283:John Everett Millais,
276:
199:Dante Gabriel Rossetti
137:Dante Gabriel Rossetti
7233:A Vision of Fiammetta
6724:A Vision of Fiammetta
6628:The Hireling Shepherd
6340:Georgiana Burne-Jones
5753:. London: Routledge.
5495:(3). JSTOR: 437–438.
5373:(2). Wiley: 206–227.
5309:Sheffield: Northend.
3913:10.3366/vic.2020.0364
1990:Sheffield Independent
1766:Hassett, Constance W.
1626:Sheffield Independent
1032:Holly Trostle Brigham
861:
788:
727:
675:
667:
641:Working Men's College
577:
546:
478:
421:
282:
270:
7529:Painters from London
6842:Hylas and the Nymphs
6395:Edward Robert Hughes
6360:Frank Cadogan Cowper
6305:Lawrence Alma-Tadema
6258:John Everett Millais
6103:on 6 September 2012.
5896:Nunn, Pamela Gerrish
4605:. 27 November 2023.
4394:. 24 November 2021.
4161:Studio International
3876:. 28 December 2013.
3557:on 25 February 2020.
3486:arthistory.upenn.edu
3139:Smithsonian Magazine
3135:"Incurably Romantic"
2687:. 15 December 1999.
1950:"Out of the Shadows"
1553:. 17 December 2019.
1345:Wilmington, Delaware
813:Rosalie Glynn Grylls
660:After Siddal's death
574:Ill health and death
564:The Queen of Hearts
382:John Everett Millais
263:Pre-Raphaelite model
201:, Siddal became his
189:John Everett Millais
7534:People from Holborn
7514:English women poets
7431:Desperate Romantics
7275:Oxford Union murals
7225:The Blessed Damozel
7081:Ecce Ancilla Domini
7001:Desperate Romantics
6863:The Lady of Shalott
6799:The Lady of Shalott
6743:Cymon and Iphigenia
6710:The Shadow of Death
6662:Oxford Union murals
6607:The Last of England
6565:Ecce Ancilla Domini
6510:William James Webbe
6253:William Holman Hunt
6026:(1). JSTOR: 21–29.
6020:Woman's Art Journal
5635:. London: Unicorn.
5432:Ballads and sonnets
5315:2027/wu.89079714432
5280:10.1093/hwj/25.1.64
4949:. 11 January 2022.
4889:. 11 January 2022.
4840:rossettiarchive.org
4756:Delaware Art Museum
4726:Delaware Art Museum
4696:Broad Street Review
4192:Culture and Anarchy
3551:rossettiarchive.org
2066:(19 October 2019).
2049:, pp. 437–438.
1923:Delaware Art Museum
1876:, pp. 143–195.
1589:The Lady of Shalott
1341:Delaware Art Museum
1269:The Lady of Shalott
1166:William Holman Hunt
1074:, 1854, pen and ink
1057:The Lady of Shalott
1028:Delaware Art Museum
972:Desperate Romantics
912:, and published in
866:Writer and curator
775:Blackfriars Station
763:Ballads and Sonnets
676:Rossetti completed
432:The Lady of Shalott
365:William Holman Hunt
191:'s famous painting
185:William Holman Hunt
86:Blackfriars, London
7399:La Damoiselle élue
7341:Christina Rossetti
6771:Dante and Beatrice
6435:Christina Rossetti
6375:Henry Treffry Dunn
6335:Edward Burne-Jones
6310:George Price Boyce
5906:. London: Virago.
5806:Daly, Gay (1989).
5659:Williamson, Audrey
4541:– via JSTOR.
4096:"Elizabeth Siddal"
2780:The Economic Times
2076:. 43 minutes in.
1358:Fitzwilliam Museum
864:
795:
789:Elizabeth Siddal,
723:The House of Life.
684:
670:
626:severely depressed
552:
481:
428:
422:Elizabeth Siddal,
405:Artwork and poetry
291:
277:
248:-making business.
108:Elizabeth Rossetti
7441:
7440:
7434:(2009 miniseries)
7426:(1975 miniseries)
7323:Gabriele Rossetti
7177:Veronica Veronese
7137:Venus Verticordia
7067:List of paintings
7019:
7018:
6764:The Golden Stairs
6425:Joseph Noel Paton
6400:Frederic Leighton
6069:978-0-85967-885-8
6056:Surtees, Virginia
6003:978-0-88754-552-8
5973:978-0-500-28104-8
5943:978-0-7043-0170-2
5913:978-0-86068-065-9
5875:978-0-9690828-0-4
5848:978-0-8027-1550-0
5821:978-0-89919-450-9
5790:978-989-641-160-2
5760:978-0-415-06052-3
5707:978-1-5261-4384-6
5676:978-0-87982-022-0
5642:978-1-911604-63-1
5612:Surtees, Virginia
5595:978-0-19-817174-4
5578:Surtees, Virginia
5414:978-1-908526-43-4
5400:"Elizbeth Siddal"
5350:978-0-415-00722-1
5331:Pollock, Griselda
5247:978-0-312-63738-5
5140:978-1-78012-168-0
5123:Hawksley, Lucinda
5106:978-0-7525-4228-7
5089:Hawksley, Lucinda
5024:978-0-8052-0119-2
4990:978-0-8109-3784-0
4603:Anthea Represents
4423:STUDIO REMARKABLE
4130:Women's Art Tours
3782:978-0-226-06342-3
3693:978-1-4381-0870-4
2973:Project Gutenberg
2830:. 12 April 2012.
2716:DailyArt Magazine
2654:, pp. 64–82.
2248:. 2 August 2017.
1988:. To the editor.
1624:. Miscellaneous.
1393:978-1-906469-62-7
1350:Sir Patrick Spens
1144:Madonna and Child
989:Elizabeth Macneal
823:, and her to the
692:Highgate Cemetery
311:William Allingham
271:Walter Deverell,
162:
161:
98:Highgate Cemetery
69:, London, England
7576:
7381:Morris & Co.
7347:Gaetano Polidori
7317:Frances Polidori
7311:Elizabeth Siddal
7046:
7039:
7032:
7023:
7022:
6971:Morris & Co.
6888:Elizabeth Siddal
6785:The Magic Circle
6778:Love's Messenger
6535:
6460:Elizabeth Siddal
6450:Frederick Sandys
6365:Evelyn De Morgan
6330:Richard Burchett
6325:Lucy Madox Brown
6320:Ford Madox Brown
6232:
6225:
6218:
6209:
6208:
6204:
6203:
6189:
6187:
6185:
6179:LizzieSiddal.com
6169:
6167:
6165:
6159:LizzieSiddal.com
6149:
6148:on 7 April 2004.
6144:. Archived from
6132:
6120:
6115:. Archived from
6104:
6081:
6051:
6014:
5985:
5955:
5925:
5905:
5887:
5860:
5833:
5813:
5802:
5772:
5752:
5734:
5732:
5730:
5699:
5688:
5668:
5654:
5627:
5607:
5587:
5573:
5551:
5531:
5520:
5489:The Art Bulletin
5483:
5443:
5426:
5402:
5390:
5362:
5338:
5326:
5299:
5259:
5239:
5225:
5198:
5176:
5152:
5132:
5118:
5098:
5084:
5082:
5070:
5050:
5036:
5016:
5002:
4963:
4962:
4960:
4958:
4939:
4933:
4932:
4930:
4928:
4909:
4903:
4902:
4900:
4898:
4879:
4873:
4872:
4870:
4868:
4862:Rossetti Archive
4854:
4848:
4847:
4832:
4826:
4825:
4823:
4821:
4802:
4796:
4787:
4772:
4771:
4769:
4767:
4748:
4742:
4741:
4739:
4737:
4718:
4712:
4711:
4709:
4707:
4687:
4681:
4680:
4678:
4676:
4656:
4650:
4649:
4647:
4645:
4625:
4619:
4618:
4616:
4614:
4595:
4589:
4588:
4552:
4543:
4542:
4540:
4538:
4504:
4496:
4490:
4489:
4487:
4485:
4445:
4439:
4438:
4436:
4434:
4414:
4408:
4407:
4405:
4403:
4384:
4378:
4377:
4376:
4374:
4354:
4348:
4347:
4345:
4343:
4323:
4317:
4316:
4314:
4312:
4303:. 29 June 2022.
4293:
4287:
4286:
4268:
4244:
4238:
4237:
4235:
4233:
4214:
4208:
4207:
4205:
4203:
4183:
4177:
4176:
4174:
4172:
4152:
4146:
4145:
4143:
4141:
4132:. 18 July 2020.
4122:
4116:
4115:
4113:
4111:
4092:
4086:
4085:
4083:
4081:
4062:
4056:
4046:
4040:
4030:
4024:
4014:
4008:
4007:
4005:
4003:
3967:
3961:
3955:
3949:
3939:
3933:
3932:
3901:Victoriographies
3896:
3890:
3889:
3887:
3885:
3866:
3860:
3850:
3844:
3834:
3828:
3827:
3825:
3823:
3809:
3801:
3795:
3794:
3764:
3758:
3748:
3742:
3728:
3722:
3712:
3706:
3705:
3675:
3669:
3668:
3666:
3664:
3644:
3638:
3637:, pp. 4, 7.
3632:
3626:
3616:
3607:
3597:
3591:
3581:
3575:
3565:
3559:
3558:
3553:. Archived from
3547:"Regina Cordium"
3543:
3537:
3527:
3518:
3508:
3502:
3501:
3499:
3497:
3492:on 25 March 2023
3478:
3472:
3462:
3456:
3450:
3444:
3434:
3428:
3414:
3405:
3395:
3389:
3379:
3373:
3363:
3357:
3356:
3354:
3352:
3316:
3301:
3291:
3285:
3271:
3265:
3255:
3246:
3228:
3222:
3208:
3202:
3192:
3186:
3185:
3183:
3181:
3161:
3155:
3154:
3152:
3150:
3130:
3124:
3123:
3121:
3119:
3088:Victorian Poetry
3079:
3073:
3043:
3037:
3036:
3034:
3032:
3000:
2989:
2988:
2986:
2984:
2964:
2958:
2957:
2955:
2953:
2934:
2928:
2914:
2908:
2907:
2905:
2903:
2884:
2878:
2877:
2875:
2873:
2853:
2844:
2843:
2841:
2839:
2820:
2814:
2805:
2796:
2795:
2793:
2791:
2772:
2766:
2765:
2763:
2761:
2741:
2732:
2731:
2729:
2727:
2707:
2701:
2700:
2698:
2696:
2677:
2671:
2661:
2655:
2649:
2638:
2628:
2622:
2612:
2606:
2605:
2603:
2601:
2581:
2575:
2569:
2560:
2559:
2515:
2504:
2503:
2502:
2500:
2495:on 27 April 2023
2494:
2488:, archived from
2463:
2454:
2448:
2447:
2445:
2443:
2423:
2417:
2416:
2414:
2412:
2392:
2386:
2385:
2383:
2381:
2367:
2359:
2342:
2332:
2323:
2322:
2320:
2318:
2309:. 10 June 2022.
2299:
2293:
2292:
2290:
2288:
2268:
2262:
2261:
2259:
2257:
2238:
2232:
2231:
2229:
2227:
2207:
2190:
2184:
2178:
2177:
2153:
2147:
2138:
2125:
2111:
2105:
2093:
2091:
2089:
2056:
2050:
2044:
2038:
2028:
2022:
2008:
2002:
2001:
1987:
1979:
1970:
1969:
1967:
1965:
1945:
1939:
1938:
1936:
1934:
1925:. 17 June 2020.
1915:
1909:
1899:
1893:
1883:
1877:
1871:
1865:
1864:
1862:
1860:
1829:Victorian Poetry
1826:
1818:
1812:
1811:
1809:
1807:
1776:Victorian Poetry
1773:
1762:
1753:
1743:
1734:
1724:
1718:
1708:
1702:
1692:
1686:
1676:
1667:
1657:
1651:
1645:
1639:
1637:
1623:
1616:
1605:
1604:
1602:
1600:
1576:
1567:
1566:
1564:
1562:
1543:
1537:
1527:
1510:
1505:, an artist and
1504:
1501:
1490:
1484:
1449:
1422:
1409:— (1979).
1405:
1325:The Haunted Wood
1292:Ashmolean Museum
1250:Elizabeth Siddal
1245:
1229:
1213:
1197:
1181:
1162:
1140:
1125:
1110:
1098:
1083:
1068:
1053:
994:The Doll Factory
955:and Rossetti by
954:
951:
884:Charles Ricketts
696:Frances Rossetti
654:Ford Madox Brown
651:
646:
592:
436:Ford Madox Brown
414:
377:(1850 or 1851).
373:(1849–1850) and
331:
232:Charles Street,
231:
214:Ashmolean Museum
169:Elizabeth Siddal
156:
154:
150:
105:Other names
81:
78:11 February 1862
62:
60:
43:
40:
35:
25:Elizabeth Siddal
21:
20:
7584:
7583:
7579:
7578:
7577:
7575:
7574:
7573:
7564:Victorian poets
7444:
7443:
7442:
7437:
7423:The Love School
7415:Dante's Inferno
7352:
7299:
7280:
7263:
7145:Pia de' Tolomei
7055:
7050:
7020:
7015:
6993:The Love School
6985:Dante's Inferno
6947:
6893:Fanny Cornforth
6876:
6856:The Love Potion
6536:
6533:
6531:
6530:
6528:
6526:
6519:
6470:Rebecca Solomon
6420:Alexander Munro
6370:Walter Deverell
6298:
6296:
6294:
6287:
6268:James Collinson
6244:
6236:
6201:
6183:
6181:
6172:
6163:
6161:
6152:
6136:
6131:on 29 May 2009.
6123:
6119:on 25 May 2022.
6107:
6091:
6088:
6070:
6054:
6032:10.2307/1358359
6017:
6004:
5988:
5974:
5958:
5944:
5936:. Quartet Bks.
5928:
5914:
5890:
5876:
5863:
5849:
5836:
5822:
5805:
5791:
5775:
5761:
5744:
5741:
5739:Further reading
5728:
5726:
5708:
5677:
5643:
5596:
5540:
5501:10.2307/3050961
5452:Hartley, Harold
5415:
5395:Prose, Francine
5364:
5351:
5248:
5157:Hubbard, Elbert
5141:
5107:
5080:
5059:
5025:
4991:
4972:
4967:
4966:
4956:
4954:
4941:
4940:
4936:
4926:
4924:
4911:
4910:
4906:
4896:
4894:
4881:
4880:
4876:
4866:
4864:
4856:
4855:
4851:
4846:on 18 May 2022.
4834:
4833:
4829:
4819:
4817:
4804:
4803:
4799:
4788:
4775:
4765:
4763:
4750:
4749:
4745:
4735:
4733:
4720:
4719:
4715:
4705:
4703:
4688:
4684:
4674:
4672:
4665:London Art Week
4657:
4653:
4643:
4641:
4626:
4622:
4612:
4610:
4597:
4596:
4592:
4553:
4546:
4536:
4534:
4497:
4493:
4483:
4481:
4446:
4442:
4432:
4430:
4415:
4411:
4401:
4399:
4386:
4385:
4381:
4372:
4370:
4355:
4351:
4341:
4339:
4324:
4320:
4310:
4308:
4297:"The Rossettis"
4295:
4294:
4290:
4245:
4241:
4231:
4229:
4216:
4215:
4211:
4201:
4199:
4184:
4180:
4170:
4168:
4153:
4149:
4139:
4137:
4124:
4123:
4119:
4109:
4107:
4094:
4093:
4089:
4079:
4077:
4064:
4063:
4059:
4047:
4043:
4031:
4027:
4015:
4011:
4001:
3999:
3968:
3964:
3956:
3952:
3940:
3936:
3897:
3893:
3883:
3881:
3868:
3867:
3863:
3851:
3847:
3837:Williamson 1976
3835:
3831:
3821:
3819:
3802:
3798:
3783:
3765:
3761:
3749:
3745:
3729:
3725:
3713:
3709:
3694:
3676:
3672:
3662:
3660:
3645:
3641:
3633:
3629:
3617:
3610:
3598:
3594:
3582:
3578:
3566:
3562:
3545:
3544:
3540:
3528:
3521:
3509:
3505:
3495:
3493:
3480:
3479:
3475:
3463:
3459:
3451:
3447:
3435:
3431:
3415:
3408:
3396:
3392:
3380:
3376:
3364:
3360:
3350:
3348:
3317:
3304:
3292:
3288:
3272:
3268:
3256:
3249:
3229:
3225:
3209:
3205:
3193:
3189:
3179:
3177:
3162:
3158:
3148:
3146:
3131:
3127:
3117:
3115:
3080:
3076:
3044:
3040:
3030:
3028:
3001:
2992:
2982:
2980:
2965:
2961:
2951:
2949:
2936:
2935:
2931:
2915:
2911:
2901:
2899:
2886:
2885:
2881:
2871:
2869:
2858:"Beata Beatrix"
2854:
2847:
2837:
2835:
2822:
2821:
2817:
2806:
2799:
2789:
2787:
2774:
2773:
2769:
2759:
2757:
2742:
2735:
2725:
2723:
2708:
2704:
2694:
2692:
2679:
2678:
2674:
2662:
2658:
2650:
2641:
2629:
2625:
2613:
2609:
2599:
2597:
2582:
2578:
2570:
2563:
2532:10.2307/4101558
2516:
2507:
2498:
2496:
2492:
2461:
2455:
2451:
2441:
2439:
2424:
2420:
2410:
2408:
2393:
2389:
2379:
2377:
2360:
2345:
2333:
2326:
2316:
2314:
2301:
2300:
2296:
2286:
2284:
2269:
2265:
2255:
2253:
2240:
2239:
2235:
2225:
2223:
2208:
2193:
2185:
2181:
2154:
2150:
2139:
2128:
2112:
2108:
2087:
2085:
2057:
2053:
2045:
2041:
2029:
2025:
2009:
2005:
1980:
1973:
1963:
1961:
1954:Literary Review
1946:
1942:
1932:
1930:
1917:
1916:
1912:
1900:
1896:
1884:
1880:
1872:
1868:
1858:
1856:
1819:
1815:
1805:
1803:
1763:
1756:
1744:
1737:
1725:
1721:
1709:
1705:
1693:
1689:
1677:
1670:
1658:
1654:
1646:
1642:
1618:
1617:
1608:
1598:
1596:
1577:
1570:
1560:
1558:
1545:
1544:
1540:
1528:
1524:
1519:
1514:
1513:
1496:
1491:
1487:
1450:
1446:
1441:
1429:
1408:
1394:
1381:
1378:
1305:
1279:Wightwick Manor
1265:
1260:
1253:
1246:
1237:
1230:
1221:
1214:
1205:
1198:
1189:
1182:
1173:
1163:
1154:
1147:
1141:
1132:
1126:
1117:
1111:
1102:
1099:
1090:
1084:
1075:
1069:
1060:
1054:
1045:
1043:Works by Siddal
1040:
1003:
962:The Love School
946:
935:Dante's Inferno
930:
856:
851:
821:Geoffrey Mander
817:Wightwick Manor
801:in 1991 at the
783:
771:
759:
756:
754:
752:
750:
748:
746:
745:
743:
741:
739:
737:
735:
733:
731:
662:
649:
644:
593:
587:
576:
487:main model and
473:
416:
412:
411:Selected works
407:
367:painted her in
358:The Grey Parrot
329:
299:Walter Deverell
265:
229:
226:
210:Wightwick Manor
181:Walter Deverell
158:
146:
142:
139:
89:
83:
79:
70:
64:
58:
56:
55:
54:
44:
41:
26:
17:
12:
11:
5:
7582:
7572:
7571:
7566:
7561:
7556:
7551:
7546:
7541:
7536:
7531:
7526:
7521:
7516:
7511:
7506:
7501:
7496:
7491:
7486:
7481:
7476:
7471:
7466:
7461:
7456:
7439:
7438:
7436:
7435:
7427:
7419:
7411:
7403:
7402:(1893 cantata)
7395:
7393:Great Bookcase
7390:
7389:
7388:
7378:
7373:
7366:
7360:
7358:
7354:
7353:
7351:
7350:
7344:
7338:
7332:
7326:
7320:
7314:
7307:
7305:
7301:
7300:
7298:
7297:
7288:
7286:
7282:
7281:
7279:
7278:
7271:
7269:
7265:
7264:
7262:
7261:
7253:
7245:
7237:
7229:
7221:
7213:
7205:
7197:
7193:La Ghirlandata
7189:
7181:
7173:
7165:
7157:
7156:(c. 1864–1870)
7149:
7141:
7133:
7125:
7117:
7109:
7101:
7093:
7085:
7077:
7069:
7063:
7061:
7057:
7056:
7049:
7048:
7041:
7034:
7026:
7017:
7016:
7014:
7013:
7005:
6997:
6989:
6981:
6973:
6968:
6963:
6955:
6953:
6949:
6948:
6946:
6945:
6940:
6935:
6930:
6925:
6920:
6915:
6910:
6905:
6900:
6895:
6890:
6884:
6882:
6878:
6877:
6875:
6874:
6867:
6859:
6852:
6845:
6838:
6831:
6824:
6817:
6810:
6803:
6795:
6788:
6781:
6774:
6767:
6760:
6753:
6746:
6739:
6732:
6727:
6720:
6713:
6706:
6699:
6692:
6685:
6682:Mary Magdalene
6678:
6671:
6664:
6659:
6652:
6645:
6638:
6631:
6624:
6617:
6610:
6603:
6596:
6589:
6582:
6575:
6568:
6561:
6554:
6547:
6539:
6537:
6524:
6521:
6520:
6518:
6517:
6512:
6507:
6502:
6497:
6492:
6487:
6482:
6477:
6475:Simeon Solomon
6472:
6467:
6462:
6457:
6452:
6447:
6442:
6437:
6432:
6427:
6422:
6417:
6415:William Morris
6412:
6407:
6402:
6397:
6392:
6387:
6382:
6377:
6372:
6367:
6362:
6357:
6352:
6347:
6345:James Campbell
6342:
6337:
6332:
6327:
6322:
6317:
6312:
6307:
6301:
6299:
6292:
6289:
6288:
6286:
6285:
6283:Thomas Woolner
6280:
6275:
6270:
6265:
6260:
6255:
6249:
6246:
6245:
6235:
6234:
6227:
6220:
6212:
6206:
6205:
6190:
6170:
6150:
6134:
6121:
6113:National Trust
6105:
6087:
6086:External links
6084:
6083:
6082:
6068:
6052:
6015:
6002:
5990:Morrissey, Kim
5986:
5972:
5956:
5942:
5926:
5912:
5888:
5874:
5861:
5847:
5834:
5820:
5803:
5789:
5777:Correia, Hélia
5773:
5759:
5740:
5737:
5736:
5735:
5706:
5689:
5675:
5655:
5641:
5628:
5608:
5594:
5574:
5552:
5538:
5521:
5484:
5444:
5427:
5413:
5391:
5349:
5327:
5300:
5260:
5246:
5226:
5199:
5177:
5153:
5139:
5119:
5105:
5085:
5071:
5057:
5037:
5023:
5007:Gaunt, William
5003:
4989:
4971:
4968:
4965:
4964:
4934:
4904:
4874:
4849:
4836:"Pippa Passes"
4827:
4797:
4773:
4743:
4713:
4682:
4651:
4620:
4590:
4544:
4491:
4440:
4409:
4379:
4349:
4318:
4288:
4239:
4209:
4178:
4147:
4117:
4087:
4057:
4049:Marillier 1906
4041:
4025:
4009:
3962:
3950:
3934:
3891:
3861:
3845:
3829:
3796:
3781:
3759:
3743:
3723:
3707:
3692:
3670:
3639:
3627:
3608:
3600:Marillier 1906
3592:
3576:
3560:
3538:
3519:
3503:
3473:
3457:
3445:
3429:
3406:
3390:
3374:
3358:
3302:
3286:
3266:
3247:
3223:
3203:
3187:
3156:
3125:
3074:
3046:Sonstroem 1970
3038:
2990:
2975:. p. xx.
2959:
2929:
2909:
2879:
2845:
2815:
2797:
2767:
2733:
2702:
2672:
2656:
2639:
2623:
2607:
2576:
2574:, pp. 72.
2561:
2505:
2449:
2418:
2387:
2343:
2324:
2294:
2263:
2233:
2191:
2189:, p. 437.
2179:
2148:
2126:
2106:
2064:Smith, Allison
2051:
2039:
2023:
2003:
1971:
1940:
1910:
1894:
1878:
1866:
1813:
1754:
1735:
1719:
1703:
1687:
1668:
1652:
1640:
1606:
1568:
1538:
1530:Sonstroem 1970
1521:
1520:
1518:
1515:
1512:
1511:
1494:William Ibbett
1485:
1443:
1442:
1440:
1437:
1436:
1435:
1428:
1425:
1424:
1423:
1406:
1392:
1377:
1374:
1373:
1372:
1366:
1353:
1347:
1334:
1328:
1322:
1312:
1304:
1301:
1300:
1299:
1285:
1272:
1264:
1261:
1259:
1258:Selected works
1256:
1255:
1254:
1247:
1240:
1238:
1231:
1224:
1222:
1215:
1208:
1206:
1199:
1192:
1190:
1183:
1176:
1174:
1172:, 1850 or 1851
1164:
1157:
1153:
1150:
1149:
1148:
1142:
1135:
1133:
1129:Clerk Saunders
1127:
1120:
1118:
1112:
1105:
1103:
1100:
1093:
1091:
1085:
1078:
1076:
1070:
1063:
1061:
1055:
1048:
1044:
1041:
1039:
1036:
1002:
999:
987:adaptation of
967:Patricia Quinn
929:
926:
855:
852:
850:
847:
825:National Trust
803:Ruskin Gallery
782:
779:
770:
767:
728:
711:Charles Howell
661:
658:
602:Elbert Hubbard
585:
575:
572:
560:Regina Cordium
548:Regina Cordium
472:
469:
442:Siddal's 1854
406:
403:
307:Somerset House
264:
261:
242:central London
225:
222:
160:
159:
144:
140:
135:
134:
132:
128:
127:
126:
125:
124:artist's model
122:
119:
114:
110:
109:
106:
102:
101:
95:
91:
90:
84:
82:(aged 32)
76:
72:
71:
65:
52:
50:
46:
45:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
7581:
7570:
7567:
7565:
7562:
7560:
7557:
7555:
7552:
7550:
7547:
7545:
7542:
7540:
7537:
7535:
7532:
7530:
7527:
7525:
7522:
7520:
7517:
7515:
7512:
7510:
7507:
7505:
7502:
7500:
7497:
7495:
7492:
7490:
7487:
7485:
7482:
7480:
7477:
7475:
7472:
7470:
7467:
7465:
7462:
7460:
7457:
7455:
7452:
7451:
7449:
7433:
7432:
7428:
7425:
7424:
7420:
7417:
7416:
7412:
7409:
7408:
7404:
7401:
7400:
7396:
7394:
7391:
7387:
7384:
7383:
7382:
7379:
7377:
7374:
7372:
7371:
7367:
7365:
7362:
7361:
7359:
7355:
7349:(grandfather)
7348:
7345:
7342:
7339:
7336:
7333:
7330:
7327:
7324:
7321:
7318:
7315:
7312:
7309:
7308:
7306:
7302:
7295:
7294:
7290:
7289:
7287:
7283:
7276:
7273:
7272:
7270:
7266:
7259:
7258:
7254:
7251:
7250:
7246:
7243:
7242:
7241:The Day Dream
7238:
7235:
7234:
7230:
7227:
7226:
7222:
7219:
7218:
7214:
7211:
7210:
7206:
7203:
7202:
7198:
7195:
7194:
7190:
7187:
7186:
7182:
7179:
7178:
7174:
7171:
7170:
7166:
7163:
7162:
7161:Dante's Dream
7158:
7155:
7154:
7153:Beata Beatrix
7150:
7147:
7146:
7142:
7139:
7138:
7134:
7131:
7130:
7126:
7123:
7122:
7118:
7115:
7114:
7110:
7107:
7106:
7102:
7099:
7098:
7097:Bocca Baciata
7094:
7091:
7090:
7086:
7083:
7082:
7078:
7075:
7074:
7070:
7068:
7065:
7064:
7062:
7058:
7054:
7047:
7042:
7040:
7035:
7033:
7028:
7027:
7024:
7012:
7010:
7006:
7004:
7003:(2009 series)
7002:
6998:
6996:
6995:(1975 series)
6994:
6990:
6988:
6986:
6982:
6979:
6978:
6974:
6972:
6969:
6967:
6964:
6962:
6961:
6957:
6956:
6954:
6950:
6944:
6941:
6939:
6936:
6934:
6931:
6929:
6928:Maria Zambaco
6926:
6924:
6923:Alexa Wilding
6921:
6919:
6916:
6914:
6911:
6909:
6906:
6904:
6901:
6899:
6896:
6894:
6891:
6889:
6886:
6885:
6883:
6879:
6873:
6872:
6868:
6866:
6864:
6860:
6858:
6857:
6853:
6851:
6850:
6846:
6844:
6843:
6839:
6837:
6836:
6832:
6830:
6829:
6825:
6823:
6822:
6818:
6816:
6815:
6811:
6809:
6808:
6804:
6802:
6800:
6796:
6794:
6793:
6789:
6787:
6786:
6782:
6780:
6779:
6775:
6773:
6772:
6768:
6766:
6765:
6761:
6759:
6758:
6757:The Day Dream
6754:
6752:
6751:
6747:
6745:
6744:
6740:
6738:
6737:
6733:
6731:
6728:
6726:
6725:
6721:
6719:
6718:
6714:
6712:
6711:
6707:
6705:
6704:
6703:Beata Beatrix
6700:
6698:
6697:
6696:Morgan le Fay
6693:
6691:
6690:
6686:
6684:
6683:
6679:
6677:
6676:
6672:
6670:
6669:
6665:
6663:
6660:
6658:
6657:
6656:Bocca Baciata
6653:
6651:
6650:
6649:Autumn Leaves
6646:
6644:
6643:
6639:
6637:
6636:
6632:
6630:
6629:
6625:
6623:
6622:
6618:
6616:
6615:
6611:
6609:
6608:
6604:
6602:
6601:
6597:
6595:
6594:
6593:The Scapegoat
6590:
6588:
6587:
6583:
6581:
6580:
6576:
6574:
6573:
6569:
6567:
6566:
6562:
6560:
6559:
6555:
6553:
6552:
6548:
6546:
6545:
6541:
6540:
6538:
6522:
6516:
6513:
6511:
6508:
6506:
6503:
6501:
6498:
6496:
6493:
6491:
6488:
6486:
6483:
6481:
6478:
6476:
6473:
6471:
6468:
6466:
6465:James Smetham
6463:
6461:
6458:
6456:
6455:Thomas Seddon
6453:
6451:
6448:
6446:
6443:
6441:
6438:
6436:
6433:
6431:
6428:
6426:
6423:
6421:
6418:
6416:
6413:
6411:
6408:
6406:
6403:
6401:
6398:
6396:
6393:
6391:
6390:Arthur Hughes
6388:
6386:
6385:Henry Holiday
6383:
6381:
6378:
6376:
6373:
6371:
6368:
6366:
6363:
6361:
6358:
6356:
6353:
6351:
6348:
6346:
6343:
6341:
6338:
6336:
6333:
6331:
6328:
6326:
6323:
6321:
6318:
6316:
6313:
6311:
6308:
6306:
6303:
6302:
6300:
6290:
6284:
6281:
6279:
6276:
6274:
6271:
6269:
6266:
6264:
6261:
6259:
6256:
6254:
6251:
6250:
6247:
6243:
6240:
6233:
6228:
6226:
6221:
6219:
6214:
6213:
6210:
6198:
6194:
6191:
6180:
6176:
6171:
6160:
6156:
6151:
6147:
6143:
6139:
6135:
6130:
6126:
6122:
6118:
6114:
6110:
6106:
6102:
6098:
6094:
6090:
6089:
6079:
6075:
6071:
6065:
6061:
6057:
6053:
6049:
6045:
6041:
6037:
6033:
6029:
6025:
6021:
6016:
6013:
6009:
6005:
5999:
5995:
5991:
5987:
5983:
5979:
5975:
5969:
5965:
5961:
5957:
5953:
5949:
5945:
5939:
5935:
5931:
5927:
5923:
5919:
5915:
5909:
5904:
5903:
5897:
5893:
5889:
5885:
5881:
5877:
5871:
5867:
5862:
5858:
5854:
5850:
5844:
5840:
5835:
5831:
5827:
5823:
5817:
5812:
5811:
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5800:
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5786:
5782:
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5770:
5766:
5762:
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5750:
5743:
5742:
5725:
5721:
5717:
5713:
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5698:
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5682:
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5667:
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5660:
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5634:
5629:
5625:
5621:
5617:
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5605:
5601:
5597:
5591:
5586:
5585:
5579:
5575:
5571:
5567:
5563:
5562:
5557:
5553:
5549:
5545:
5541:
5539:0-8195-4019-6
5535:
5530:
5529:
5522:
5518:
5514:
5510:
5506:
5502:
5498:
5494:
5490:
5485:
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5477:
5473:
5469:
5465:
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5449:
5445:
5441:
5437:
5433:
5428:
5424:
5420:
5416:
5410:
5406:
5401:
5396:
5392:
5388:
5384:
5380:
5376:
5372:
5368:
5360:
5356:
5352:
5346:
5342:
5337:
5332:
5328:
5324:
5320:
5316:
5312:
5308:
5307:
5301:
5297:
5293:
5289:
5285:
5281:
5277:
5273:
5269:
5265:
5261:
5257:
5253:
5249:
5243:
5238:
5237:
5231:
5227:
5223:
5219:
5215:
5211:
5207:
5206:
5200:
5196:
5192:
5188:
5187:
5182:
5178:
5174:
5170:
5166:
5162:
5158:
5154:
5150:
5146:
5142:
5136:
5131:
5130:
5124:
5120:
5116:
5112:
5108:
5102:
5097:
5096:
5090:
5086:
5079:
5078:
5072:
5068:
5064:
5060:
5058:0-7141-2603-9
5054:
5049:
5048:
5042:
5041:Gere, John A.
5038:
5034:
5030:
5026:
5020:
5015:
5014:
5008:
5004:
5000:
4996:
4992:
4986:
4982:
4978:
4974:
4973:
4952:
4948:
4944:
4938:
4922:
4918:
4914:
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4892:
4888:
4884:
4878:
4863:
4859:
4853:
4845:
4841:
4837:
4831:
4815:
4811:
4807:
4801:
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4784:
4782:
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4761:
4757:
4753:
4747:
4731:
4727:
4723:
4717:
4701:
4697:
4693:
4686:
4670:
4666:
4662:
4655:
4639:
4635:
4631:
4624:
4608:
4604:
4600:
4594:
4586:
4582:
4578:
4574:
4570:
4566:
4562:
4558:
4551:
4549:
4532:
4528:
4524:
4520:
4516:
4512:
4508:
4503:
4495:
4479:
4475:
4471:
4467:
4463:
4459:
4455:
4451:
4444:
4428:
4424:
4420:
4413:
4397:
4393:
4389:
4383:
4368:
4364:
4360:
4353:
4337:
4333:
4329:
4322:
4306:
4302:
4298:
4292:
4284:
4280:
4276:
4272:
4267:
4262:
4258:
4254:
4250:
4243:
4227:
4223:
4219:
4213:
4197:
4193:
4189:
4182:
4166:
4162:
4158:
4151:
4135:
4131:
4127:
4121:
4105:
4101:
4097:
4091:
4075:
4071:
4067:
4061:
4054:
4050:
4045:
4038:
4034:
4033:Hawksley 2004
4029:
4022:
4018:
4017:Rossetti 1881
4013:
3997:
3993:
3989:
3985:
3981:
3977:
3973:
3966:
3959:
3954:
3947:
3943:
3938:
3930:
3926:
3922:
3918:
3914:
3910:
3906:
3902:
3895:
3879:
3875:
3871:
3865:
3858:
3854:
3853:Hawksley 2004
3849:
3842:
3838:
3833:
3817:
3813:
3808:
3800:
3792:
3788:
3784:
3778:
3774:
3770:
3763:
3756:
3752:
3751:Hawksley 2004
3747:
3740:
3736:
3732:
3731:Hawksley 2004
3727:
3720:
3716:
3715:Hawksley 2004
3711:
3703:
3699:
3695:
3689:
3685:
3681:
3674:
3658:
3654:
3653:New Statesman
3650:
3643:
3636:
3631:
3624:
3620:
3615:
3613:
3605:
3601:
3596:
3589:
3585:
3584:Hawksley 2004
3580:
3573:
3569:
3564:
3556:
3552:
3548:
3542:
3535:
3531:
3526:
3524:
3516:
3512:
3511:Hawksley 2004
3507:
3491:
3487:
3483:
3477:
3470:
3466:
3461:
3454:
3449:
3442:
3438:
3433:
3426:
3422:
3418:
3413:
3411:
3403:
3399:
3398:Hawksley 2004
3394:
3387:
3383:
3382:Hawksley 2004
3378:
3371:
3367:
3366:Hawksley 2004
3362:
3346:
3342:
3338:
3334:
3330:
3326:
3322:
3315:
3313:
3311:
3309:
3307:
3299:
3295:
3290:
3283:
3279:
3275:
3274:Hawksley 2004
3270:
3263:
3259:
3258:Hawksley 2004
3254:
3252:
3244:
3240:
3236:
3232:
3231:Hawksley 2004
3227:
3220:
3216:
3212:
3211:Hawksley 2004
3207:
3200:
3196:
3195:Hawksley 2001
3191:
3175:
3171:
3167:
3160:
3144:
3140:
3136:
3129:
3113:
3109:
3105:
3101:
3097:
3093:
3089:
3085:
3078:
3071:
3067:
3063:
3059:
3055:
3051:
3047:
3042:
3026:
3022:
3018:
3014:
3010:
3006:
2999:
2997:
2995:
2978:
2974:
2970:
2963:
2947:
2943:
2939:
2933:
2926:
2922:
2918:
2913:
2897:
2893:
2889:
2883:
2867:
2863:
2859:
2852:
2850:
2833:
2829:
2825:
2819:
2813:
2809:
2804:
2802:
2785:
2781:
2777:
2771:
2755:
2751:
2747:
2740:
2738:
2721:
2717:
2713:
2706:
2690:
2686:
2682:
2676:
2669:
2665:
2660:
2653:
2648:
2646:
2644:
2636:
2632:
2627:
2620:
2616:
2611:
2595:
2591:
2587:
2580:
2573:
2568:
2566:
2557:
2553:
2549:
2545:
2541:
2537:
2533:
2529:
2525:
2521:
2514:
2512:
2510:
2491:
2487:
2483:
2479:
2475:
2471:
2467:
2460:
2453:
2437:
2433:
2432:Luxury London
2429:
2422:
2406:
2402:
2398:
2391:
2375:
2371:
2370:The Telegraph
2366:
2358:
2356:
2354:
2352:
2350:
2348:
2340:
2336:
2335:Hawksley 2004
2331:
2329:
2312:
2308:
2304:
2298:
2282:
2278:
2274:
2267:
2251:
2247:
2243:
2237:
2221:
2217:
2213:
2206:
2204:
2202:
2200:
2198:
2196:
2188:
2183:
2175:
2171:
2167:
2163:
2159:
2152:
2146:
2142:
2137:
2135:
2133:
2131:
2123:
2119:
2115:
2110:
2103:
2099:
2098:
2083:
2079:
2075:
2074:
2069:
2065:
2061:
2055:
2048:
2043:
2036:
2032:
2031:Stephens 1894
2027:
2020:
2016:
2012:
2011:Hawksley 2004
2007:
1999:
1995:
1991:
1986:
1978:
1976:
1959:
1955:
1951:
1944:
1928:
1924:
1920:
1914:
1907:
1903:
1898:
1891:
1887:
1886:Hawksley 2004
1882:
1875:
1870:
1854:
1850:
1846:
1842:
1838:
1834:
1830:
1825:
1817:
1801:
1797:
1793:
1789:
1785:
1781:
1777:
1772:
1767:
1761:
1759:
1751:
1747:
1742:
1740:
1732:
1728:
1727:Hawksley 2004
1723:
1716:
1712:
1711:Hawksley 2004
1707:
1700:
1696:
1695:Hawksley 2004
1691:
1684:
1680:
1679:Hawksley 2004
1675:
1673:
1665:
1661:
1660:Hawksley 2004
1656:
1650:, p. 24.
1649:
1644:
1635:
1631:
1627:
1622:
1615:
1613:
1611:
1594:
1590:
1586:
1582:
1575:
1573:
1556:
1552:
1548:
1542:
1535:
1531:
1526:
1522:
1508:
1507:silver-chaser
1502:
1495:
1489:
1482:
1478:
1474:
1470:
1466:
1462:
1458:
1454:
1448:
1444:
1434:
1431:
1430:
1420:
1416:
1412:
1407:
1403:
1399:
1395:
1389:
1385:
1380:
1379:
1370:
1367:
1365:
1363:
1359:
1354:
1351:
1348:
1346:
1342:
1338:
1335:
1332:
1329:
1326:
1323:
1320:
1316:
1313:
1310:
1309:Self Portrait
1307:
1306:
1297:
1293:
1289:
1286:
1284:
1283:West Midlands
1280:
1276:
1273:
1270:
1267:
1266:
1251:
1244:
1239:
1235:
1228:
1223:
1219:
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1207:
1203:
1196:
1191:
1187:
1180:
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1167:
1161:
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1155:
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1139:
1134:
1130:
1124:
1119:
1115:
1109:
1104:
1097:
1092:
1088:
1082:
1077:
1073:
1067:
1062:
1058:
1052:
1047:
1046:
1035:
1033:
1029:
1024:
1022:
1021:Kenneth Clark
1018:
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1009:
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981:Hannah Onslow
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963:
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941:
937:
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925:
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915:
911:
910:Michael Zulli
907:
903:
902:
897:
892:
890:
885:
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880:Arthur Symons
877:
873:
869:
860:
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843:The Rossettis
839:
837:
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828:
826:
822:
818:
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810:
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804:
800:
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701:
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679:Beata Beatrix
674:
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633:
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617:
615:
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607:
603:
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537:school of art
533:
529:
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525:Beata Beatrix
521:
517:
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509:
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498:
492:
490:
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465:William Gaunt
460:
458:
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445:
444:self-portrait
440:
437:
433:
425:
424:self-portrait
420:
415:
402:
399:
397:
393:
389:
388:
383:
378:
376:
372:
371:
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362:
360:
359:
354:
353:
348:
347:
342:
338:
337:Twelfth Night
333:
325:
323:
322:
321:Twelfth Night
317:
312:
308:
304:
300:
296:
288:
287:
281:
274:
269:
260:
258:
254:
249:
247:
243:
239:
235:
234:Hatton Garden
221:
219:
215:
211:
206:
204:
200:
196:
195:
190:
186:
182:
178:
174:
170:
166:
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6908:Annie Miller
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6828:Flaming June
6826:
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6532:(period and
6500:Henry Wallis
6459:
6380:William Dyce
6350:John Collier
6295:artists and
6182:. Retrieved
6178:
6162:. Retrieved
6158:
6146:the original
6141:
6129:the original
6117:the original
6112:
6101:the original
6096:
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5933:
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5727:. Retrieved
5716:j.ctv1h45mnp
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5181:Hunt, Violet
5164:
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4977:Ash, Russell
4955:. Retrieved
4946:
4937:
4925:. Retrieved
4916:
4907:
4895:. Retrieved
4886:
4877:
4865:. Retrieved
4861:
4852:
4844:the original
4839:
4830:
4818:. Retrieved
4809:
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4764:. Retrieved
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4746:
4734:. Retrieved
4725:
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4673:. Retrieved
4664:
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4642:. Retrieved
4633:
4623:
4611:. Retrieved
4602:
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4560:
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4535:. Retrieved
4510:
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4482:. Retrieved
4457:
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4431:. Retrieved
4422:
4412:
4400:. Retrieved
4391:
4382:
4371:, retrieved
4362:
4352:
4340:. Retrieved
4332:The Guardian
4331:
4321:
4309:. Retrieved
4300:
4291:
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4252:
4242:
4230:. Retrieved
4221:
4212:
4200:. Retrieved
4191:
4181:
4169:. Retrieved
4160:
4150:
4138:. Retrieved
4129:
4120:
4108:. Retrieved
4099:
4090:
4078:. Retrieved
4069:
4060:
4044:
4028:
4012:
4000:. Retrieved
3975:
3965:
3958:Surtees 2004
3953:
3937:
3904:
3900:
3894:
3882:. Retrieved
3873:
3864:
3848:
3832:
3820:. Retrieved
3811:
3799:
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3762:
3746:
3726:
3710:
3679:
3673:
3661:. Retrieved
3652:
3642:
3630:
3619:Hubbard 1906
3595:
3579:
3568:Surtees 1971
3563:
3555:the original
3550:
3541:
3506:
3494:. Retrieved
3490:the original
3485:
3476:
3460:
3448:
3432:
3393:
3377:
3361:
3349:. Retrieved
3324:
3289:
3269:
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3206:
3190:
3178:. Retrieved
3169:
3159:
3147:. Retrieved
3138:
3128:
3116:. Retrieved
3091:
3087:
3077:
3041:
3029:. Retrieved
3012:
3008:
2981:. Retrieved
2972:
2962:
2950:. Retrieved
2941:
2932:
2917:Surtees 1971
2912:
2900:. Retrieved
2891:
2882:
2870:. Retrieved
2861:
2836:. Retrieved
2827:
2818:
2788:. Retrieved
2779:
2770:
2758:. Retrieved
2749:
2724:. Retrieved
2715:
2705:
2693:. Retrieved
2684:
2675:
2659:
2626:
2610:
2598:. Retrieved
2590:TheCollector
2589:
2579:
2523:
2519:
2497:, retrieved
2490:the original
2469:
2465:
2452:
2440:. Retrieved
2431:
2421:
2409:. Retrieved
2401:The Guardian
2400:
2390:
2378:. Retrieved
2369:
2315:. Retrieved
2306:
2297:
2285:. Retrieved
2276:
2266:
2254:. Retrieved
2245:
2236:
2224:. Retrieved
2215:
2182:
2165:
2161:
2151:
2109:
2096:
2086:. Retrieved
2073:Womans' Hour
2072:
2054:
2042:
2026:
2006:
1989:
1962:. Retrieved
1953:
1943:
1931:. Retrieved
1922:
1913:
1897:
1881:
1874:Woolley 2021
1869:
1857:. Retrieved
1832:
1828:
1816:
1804:. Retrieved
1779:
1775:
1722:
1706:
1690:
1655:
1643:
1625:
1597:. Retrieved
1588:
1585:TheCollector
1584:
1559:. Retrieved
1550:
1541:
1525:
1488:
1480:
1477:E. E. Siddal
1476:
1472:
1468:
1464:
1460:
1456:
1447:
1410:
1383:
1368:
1355:
1349:
1336:
1330:
1324:
1319:Tate Gallery
1314:
1308:
1288:Pippa Passes
1287:
1274:
1268:
1249:
1233:
1217:
1201:
1185:
1169:
1143:
1128:
1113:
1086:
1072:Pippa Passes
1071:
1056:
1025:
1017:Duncan Grant
1013:Vanessa Bell
1006:
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992:
970:
960:
944:Judith Paris
933:
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772:
762:
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715:
714:contents in
708:
702:(1895), and
685:
677:
634:
618:
598:tuberculosis
595:
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168:
164:
163:
94:Burial place
80:(1862-02-11)
63:25 July 1829
18:
7459:1862 deaths
7454:1829 births
7418:(1967 film)
7410:(1922 book)
7260:(1854–1881)
7252:(1876–1881)
7228:(1875–1878)
7217:A Sea-Spell
7209:Roman Widow
7188:(1866–1873)
7185:Lady Lilith
7140:(1864–1868)
7121:Monna Vanna
7116:(1865–1866)
7113:The Beloved
7011:(2014 film)
6987:(1967 film)
6980:(1922 book)
6938:Fanny Eaton
6913:Jane Morris
6903:Sophie Gray
6849:Lady Godiva
6736:The Beloved
6675:Roman Widow
6668:Lady Lilith
6527:well-known
6445:Emma Sandys
6440:John Ruskin
6293:Associated
6242:(paintings)
5367:Art History
4927:19 December
4812:. 1287930.
4736:19 December
3944:, pp.
3753:, pp.
3733:, pp.
3717:, pp.
3513:, pp.
3439:, pp.
3419:, pp.
3276:, pp.
3260:, pp.
3233:, pp.
3213:, pp.
3048:, pp.
2919:, pp.
2256:22 December
2226:22 December
2216:BBC Culture
2187:Shefer 1985
2116:, pp.
2078:BBC Radio 4
2047:Shefer 1985
2013:, pp.
1648:Walker 2018
1497: [
1453:diminutives
1114:Holy Family
957:Oliver Reed
947: [
940:Ken Russell
938:(1967), by
908:, drawn by
906:Neil Gaiman
901:The Sandman
894:Along with
876:Oscar Wilde
581:consumptive
448:John Ruskin
316:Shakespeare
113:Occupations
42: 1860
7448:Categories
7201:Proserpine
7129:Monna Rosa
7009:Effie Gray
6898:Effie Gray
6717:Proserpine
6635:April Love
6315:John Brett
5960:Marsh, Jan
5930:Marsh, Jan
5922:1245994634
5892:Marsh, Jan
5724:1240583004
5685:1147716120
5651:1022077892
5604:1150993415
5359:1195474796
5264:Marsh, Jan
5256:1036826434
5230:Marsh, Jan
5195:1128025191
5149:1280842323
5115:1149023802
5033:1256500687
4792:, p.
4634:Charleston
4613:4 December
4474:9027966701
4433:2 December
4402:2 December
4373:2 December
4051:, p.
4035:, p.
4019:, p.
3942:Prose 2013
3884:3 December
3855:, p.
3839:, p.
3822:13 October
3621:, p.
3602:, p.
3586:, p.
3570:, p.
3532:, p.
3467:, p.
3453:Grady 2020
3400:, p.
3384:, p.
3368:, p.
3296:, p.
3197:, p.
3021:9788824049
2810:, p.
2666:, p.
2652:Marsh 1988
2633:, p.
2617:, p.
2615:Gaunt 1972
2572:Marsh 1988
2556:5546369860
2337:, p.
2174:1076617862
2143:, p.
2114:Marsh 1985
2060:Marsh, Jan
2033:, p.
1904:, p.
1902:Prose 2013
1888:, p.
1748:, p.
1729:, p.
1713:, p.
1697:, p.
1681:, p.
1662:, p.
1532:, p.
1517:References
1402:1054934095
1369:Lady Clare
985:Paramount+
977:Amy Manson
928:Television
922:a painting
904:series by
854:Literature
791:Lady Clare
608:, and the
409:See also:
305:, then at
224:Early life
59:1829-07-25
7337:(brother)
7249:Mnemosyne
7148:(c. 1868)
7060:Paintings
6040:0270-7993
5952:982668463
5830:581354842
5799:609530931
5769:620935614
5570:936902691
5548:644149662
5509:0004-3079
5472:0951-0788
5423:853507390
5387:0141-6790
5323:681405561
5288:1477-4569
5222:679722444
5173:607457460
5091:(2001) .
5067:767691441
5009:(1972) .
4585:194023142
4577:1471-4787
4519:0090-4260
4466:0271-1435
4392:DCU Guide
4283:216478471
4275:1543-1002
3992:779961123
3984:0307-661X
3929:216331992
3921:2044-2416
3791:304458512
3702:241299826
3465:Hunt 1932
3437:Odom 1926
3417:Hunt 1932
3341:621429987
3333:2155-3017
3100:0042-5206
2808:Gere 1994
2750:MutualArt
2540:0069-3235
2486:229860172
2478:1060-149X
1998:610063112
1841:0042-5206
1788:0042-5206
1634:610063112
1364:, England
1362:Cambridge
1303:Paintings
1298:, England
1252:, 1850–65
918:a drawing
872:Swinburne
868:Jan Marsh
807:Sheffield
799:Jan Marsh
606:neuralgia
396:pneumonia
328:modelling
295:millinery
289:(1851–52)
253:Southwark
173:art model
88:, England
7370:The Germ
7343:(sister)
7331:(sister)
7325:(father)
7319:(mother)
7285:Drawings
6960:The Germ
6197:LibriVox
6078:24697778
6058:(1991).
6012:38431611
5992:(1998),
5982:41493673
5932:(1992).
5898:(1989).
5857:71053778
5779:(2010).
5661:(1976).
5580:(1971).
5558:(1894).
5440:20712955
5397:(2013).
5232:(1985).
5205:Rossetti
5183:(1932).
5159:(1906).
5125:(2004).
5043:(1994).
4999:32236211
4979:(1995).
4951:Archived
4921:Archived
4891:Archived
4814:Archived
4766:11 April
4760:Archived
4730:Archived
4706:12 April
4700:Archived
4675:14 April
4669:Archived
4644:14 April
4638:Archived
4607:Archived
4537:12 April
4531:Archived
4527:43795436
4484:12 April
4478:Archived
4460:: 4–11.
4427:Archived
4396:Archived
4367:archived
4336:Archived
4305:Archived
4226:Archived
4202:11 April
4196:Archived
4171:11 April
4165:Archived
4140:10 April
4134:Archived
4110:10 April
4104:Archived
4080:10 April
4074:Archived
3996:Archived
3878:Archived
3816:Archived
3657:Archived
3635:Ash 1995
3351:29 April
3345:Archived
3174:Archived
3143:Archived
3112:Archived
3108:40347045
3025:Archived
2977:Archived
2946:Archived
2902:26 April
2896:Archived
2866:Archived
2832:Archived
2790:22 April
2784:Archived
2760:22 April
2754:Archived
2726:10 April
2720:Archived
2689:Archived
2600:14 April
2594:Archived
2499:15 April
2472:: 9–19,
2442:20 April
2436:Archived
2411:14 April
2405:Archived
2374:Archived
2311:Archived
2281:Archived
2277:euronews
2250:Archived
2220:Archived
2082:Archived
1964:25 April
1958:Archived
1933:25 April
1927:Archived
1853:Archived
1849:43592688
1800:Archived
1796:40002261
1768:(1997).
1599:15 April
1593:Archived
1555:Archived
1481:Rossetti
1455:such as
1427:See also
1321:, London
1290:(1854),
1277:(1954),
1263:Drawings
997:(2023).
718:(1870).
706:(1919).
698:(1886),
688:Gabriele
614:anorexic
610:laudanum
586:—
556:Hastings
518:(1851),
514:(1852),
453:medieval
346:The Germ
257:Tennyson
218:laudanum
212:and the
100:, London
37:Siddal,
7357:Related
6952:Related
6572:Mariana
6544:Ophelia
6297:figures
6184:4 April
6164:4 April
6048:1358359
5884:5389659
5781:Adoecer
5729:9 April
5517:3050961
5296:4288819
4970:Sources
4957:4 April
4897:4 April
4867:4 April
4820:4 March
4342:4 April
4311:4 April
4232:9 April
4100:Orlando
3946:102–103
3719:182–183
2872:7 April
2838:7 April
2548:4101558
2380:7 April
2088:9 April
1859:9 April
1806:9 April
1469:Guggums
1461:the Sid
1419:6043505
1038:Gallery
983:in the
413:section
387:Ophelia
286:Ophelia
246:cutlery
194:Ophelia
157:
145:
141:
67:Holborn
7313:(wife)
7304:Family
7296:(1873)
7268:Murals
7244:(1880)
7236:(1880)
7220:(1877)
7212:(1874)
7204:(1874)
7196:(1873)
7180:(1872)
7172:(1871)
7164:(1871)
7132:(1867)
7124:(1866)
7108:(1863)
7100:(1859)
7092:(1855)
7084:(1850)
7076:(1849)
6881:Models
6865:(Hunt)
6814:Lilith
6076:
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1996:
1847:
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1632:
1471:, and
1457:Lizzie
1417:
1400:
1390:
1376:Poetry
1296:Oxford
1236:, 1855
1220:, 1853
1204:, 1852
1188:, 1852
969:; and
878:, and
793:, 1857
769:Legacy
650:
645:
426:, 1854
330:
275:, 1850
230:
151:
131:Spouse
118:Artist
7524:Muses
7257:Found
6642:Found
6529:works
6525:Some
6044:JSTOR
5712:JSTOR
5513:JSTOR
5476:JSTOR
5292:JSTOR
5081:(PDF)
4581:S2CID
4523:JSTOR
4279:S2CID
4259:(1).
4002:4 May
3925:S2CID
3663:2 May
3496:6 May
3180:4 May
3149:4 May
3118:4 May
3104:JSTOR
3031:6 May
2983:7 May
2952:7 May
2695:7 May
2544:JSTOR
2493:(PDF)
2462:(PDF)
2317:8 May
2287:8 May
1845:JSTOR
1792:JSTOR
1587:. 6.
1561:4 May
1503:]
1439:Notes
953:]
716:Poems
508:Dante
352:A Pet
318:play
155:)
147:(
143:
6835:Hope
6614:Work
6186:2023
6166:2023
6074:OCLC
6064:ISBN
6036:ISSN
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1551:COVE
1473:Dove
1415:OCLC
1398:OCLC
1388:ISBN
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1015:and
920:and
621:Nice
489:muse
392:cold
380:For
355:and
203:muse
183:and
153:1860
121:poet
75:Died
49:Born
6821:Eos
6195:at
6028:doi
5620:doi
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