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Elisabeth Frink

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271: 608: 299: 203:, which broke out shortly before Frink's ninth birthday, provided context for some of her earliest artistic works. Growing up near a military airfield in Suffolk, she heard bombers returning from their missions and on one occasion was forced to hide under a hedge to avoid the machine gun attack of a German fighter plane. Her early drawings, from the period before she attended arts school in London, have a powerful apocalyptic flavour: themes include wounded birds and falling men. During the course of the war Frink was evacuated with her mother and brother Tim to 51: 288: 340:). Frink's sculpture, and her lithographs and etchings created as book illustrations, drew on archetypes expressing masculine strength, struggle and aggression. In 1984 she explained that she "focused on the male because to me he is a subtle combination of sensuality and strength with vulnerability". 418:
in New York City. 1971 saw Frink first exhibit in the Royal Academy, London as part of the Summer Exhibition. In the same year, Frink was elected an Associate of the Royal Academy. In 1974, Frink began exhibiting with Beaux Arts (Patricia and Reg Singh). In 1985, a retrospective of Frink's work was
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of all of her works to date; and the Royal Academy planned a retrospective of her life's work. The date of the retrospective, originally to be held in 1986, was moved forward a year due to space demands at the gallery, causing Frink some headaches due to her busy commissioned work schedule. In 1985
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In the 1960s Frink's continuing fascination with the human form was evident in a series of falling figures and winged men. While living in France from 1967 to 1970, she began a series of threatening, monumental male heads, known as the goggled heads. On returning to England, she focused on the male
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Frink married Michel Jammet in 1955: their son was born in 1958 and the marriage was dissolved in 1963. Between 1964 and 1974 she was married to Edward Pool. Hungarian born Alexander Csaky, whom she married as her third husband in 1974, predeceased her by only a few months. Dame Elisabeth died of
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However, despite the potential for conflict, the retrospective was a success and spurred the art world to hold more exhibitions of Frink's worth, with four solo exhibitions and several group ones coming in the following year. Tirelessly, Frink continued to accept commissions and sculpt, as well as
405:. Stephen Gardiner, Frink's official biographer, argued that this final sculpture was appropriate: "This awesome work, beautiful, clear and commanding, a vivid mirror-image of the artist's mind and spirit, created against fearful odds, was a perfect memorial for a remarkable great individual." 413:
Frink's first solo exhibition was held at St George's Gallery, London in 1955. In 1958 she joined the Waddington Galleries, London. Between 1959 and 1972 Frink exhibited with regularity (usually one show every year) at the Waddington Galleries. In the 1960s she was also represented by the
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caused an enforced break. However, short weeks later Frink was again creating sculptures and preparing for solo exhibitions. In September, she underwent further surgery. Again, Frink did not let this hold her back, proceeding with a planned trip for exhibitions to
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of Figurative Sculpture opened in 1996, with an emphasis on sculptural form; it attempted to give some balance to the declining figurative training and increased conceptualism in sculpture schools in the UK.
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alone, she was committed to two major projects: a set of three figures for a corporate headquarters, one of which was a nearly 7-foot-tall (2.1 m) male nude; and the other, a grouping entitled
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where she attended Southlands Church of England School. When Southlands School was commandeered for the war effort in 1943 Frink became a full time pupil at The Convent of the Holy Family School.
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Although she made many drawings and prints, she is best known for her bronze outdoor sculpture, which has a distinctive cut and worked surface. This is created by her adding plaster to an
1827: 1852: 1568:: Unseen and Rare Pieces by Elisabeth Frink and work by four contemporary British artists who continue today in the figurative expressionist tradition. Published by 956: 369:
in 1979, there were moves to make the 54-year-old sculptor the first female president of the academy, Frink however did not want the post and it went instead to
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there and their shared artistic outlook brought about the Frink School of Figurative Sculpture which opened in 1996 in Longton and closed in 2005 at Tunstall.
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on performing the sculptor's method of building up plaster, which was then ferociously worked and carved. Frink's work also appeared in Losey's next film,
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at Grade II* in 2007, less than 30 years from its creation by the Department for Culture, Media and Sport. It may be seen opposite Liverpool Gardens in
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Frink was chosen as the subject of the British Art Medal Society medal in 1992. The medal by Avril Vaughan was featured in the Society's journal,
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Permission from the Frink Estate was given to name a new school after her, because it was to continue the tradition which she represented. The
188:, England. Her parents were Ralph Cuyler Frink and Jean Elisabeth (née Conway-Gordon). Captain Ralph Cuyler Frink, was a career officer in the 1616: 1569: 263:) with its alert, menacing stance, characterizes her early work. She created a bookrest in the form of an eagle, for the lectern of the new 1812: 397:. This sculpture would prove to be her last; just one week after its installation, Frink died from cancer on 18 April 1993, aged 62, in 1822: 164:
obituary noted the three essential themes in her work as "the nature of Man; the 'horseness' of horses; and the divine in human form".
1802: 1678: 389:. The exhibitions were a success, but Frink's health was clearly deteriorating. Despite this, she was working on a colossal statue, 1807: 556: 487:
took over as principal of the Sir Henry Doulton School of Sculpture, Stoke-on-Trent, briefly before its closure. In 1990 she met
1611: 519:. A collection of original plasters were exhibited in the studio alongside tools and objects salvaged from the original studio. 362:
serve on advisory committees, meet art students who had expressed an interest in her work, and pursue other public commitments.
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Before Frink died in 1993, she had given master classes at the Sir Henry Doulton School of Sculpture then headed by sculptor
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nude, barrel-chested, with mask-like features, attenuated limbs and a pitted surface, for example Running Man (1976;
270: 231:(1949–1953). She was part of a postwar group of British sculptors, dubbed the Geometry of Fear school, that included 1842: 560: 247:. Frink's subject matter included men, birds, dogs, horses and religious motifs, but very seldom any female forms. 220: 1601: 768: 695: 1254: 1018: 624: 552: 1382: 1671: 1179: 1581: 1270: 1223: 1837: 189: 1862: 1626: 564: 1847: 822: 1726: 1702: 1664: 607: 376:
Frink kept up this hectic pace of sculpting and exhibiting until early 1991, when an operation for
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The 1980s held capstones for Frink's career. In 1982, a new publishing firm proposed to produce a
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Elisabeth Frink was born in November 1930 at her paternal grandparents' home The Grange in
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in Tisbury, Wiltshire by the art gallery Messums Wiltshire for their 2020 exhibition
377: 158:(14 November 1930 – 18 April 1993) was an English sculptor and printmaker. Her 154: 40: 1303: 801: 488: 484: 444: 309: 244: 240: 200: 1433: 1458: 845: 742: 733: 620: 612: 595: 548: 532: 480: 456: 398: 236: 104: 906:"Overlooked sculptor Elisabeth Frink's legacy reexamined in extensive UK survey" 536: 468: 1786: 1541:. Sculpture since 1984 & Drawings. Published by Art Books International. 1282: 1142: 1068: 540: 386: 370: 325: 259:), one of a number of bird sculptures, and her first successful pieces (also 173: 81: 1247:
Portrait Sculpture A Catalogue of the British Museum collection c. 1675-1975
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in the early summer of 1940. She was raised in a Catholic household.
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The Great Spectacle: 250 Years of the Royal Academy Summer Exhibition
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Coventry Cathedral : art and architecture in post-war Britain
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Elisabeth Frink at Caroline Wiseman Gallery, London and New York
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Elisabeth Frink : catalogue raisonnĂ© of sculpture 1947-93
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Elisabeth Frink : catalogue raisonnĂ© of sculpture 1947-93
796:"Expression of Society - Collection catalogue". 2 June 1998. 547:(writer). Works by Frink are held in the collections of the 1122: 1048: 529:'Women of Achievement' selected for a set of British stamps 256: 1459:"Elisabeth Frink on IMDb: Movies, TV, Celebs, and more..." 671:"Horse and Rider | Sculptures | CASS Sculpture Foundation" 1104:
Mellow, James R., ed. (1964). "New York: The Art World".
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in Dorset was reconstructed in a historic tithe barn at
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The Elisabeth Frink Archive at Dorset History Centre
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Elisabeth Frink: original prints catalogue raisonné
1828:Dames Commander of the Order of the British Empire 1053:. Ratuszniak, Annette. Farnham, U.K. p. 198. 1195:"A Life in Focus: Dame Elisabeth Frink, sculptor" 447:. Other work is at the Jerwood Sculpture Park at 1853:Members of the Order of the Companions of Honour 1784: 1383:"Elisabeth Frink: sculptures, drawings, prints" 732: 267:, as well as a canopy for its Bishop's throne. 365:Having been elected a full Academician at the 1873:People educated at Southlands School, Exmouth 1672: 1632:Listen to Elizabeth Frink discussing her work 1434:"British Medal Art Society | Elisabeth Frink" 1244: 581:Frink's sculptures were featured in the 1963 1011:"Liverpool Cathedral - Art in the Cathedral" 989:. Royal Academy of Arts. 2018. p. 140. 769:"Artist guide: Elisabeth Frink | Christie's" 728: 726: 724: 722: 720: 718: 716: 696:"Artist guide: Elisabeth Frink | Christie's" 1617:Elisabeth Frink at Mumford Fine Art, London 1159:) CS1 maint: multiple names: authors list ( 1085:) CS1 maint: multiple names: authors list ( 557:The Ingram Collection of Modern British Art 455:(1990), Frink's penultimate sculpture, was 1679: 1665: 1163:) CS1 maint: numeric names: authors list ( 1155:: CS1 maint: location missing publisher ( 1112:. New York, NY: The Art Digest, Inc.: 111. 1089:) CS1 maint: numeric names: authors list ( 1081:: CS1 maint: location missing publisher ( 574:, no 23 (1993). The medal was cast by the 419:held at the Royal Academy of Art, London. 192:and among the men of the cavalry regiment 1858:People from the Borough of St Edmundsbury 1818:Academics of Saint Martin's School of Art 1192: 713: 1833:Deaths from esophageal cancer in England 1602:Elisabeth Frink's collection in The Tate 1582:174 artworks by or after Elisabeth Frink 1555:. Published by Art Books International. 1504: 930: 606: 502: 297: 286: 269: 261:Three Heads and the Figurative Tradition 1512:Elisabeth Frink: The Official Biography 531:issued in August 1996. The others were 1785: 1103: 1660: 1352: 1350: 935:. Clarendon Press. pp. 234–236. 522: 1193:Robertson, Bryan (27 October 2018). 1123:Frink, Elisabeth, 1930-1993 (2013). 1049:Frink, Elisabeth, 1930-1993 (2013). 874: 872: 870: 868: 866: 791: 789: 475:Frink School of Figurative Sculpture 1686: 1622:Elisabeth Frink at Goldmark Gallery 1539:Elisabeth Frink: catalogue raisonnĂ© 1525:Elisabeth Frink: catalogue raisonnĂ© 13: 1813:20th-century English women artists 1597:Elisabeth Frink at Sherborne House 1566:Art is Why I Get Up in the Morning 1347: 1186: 1177: 878: 619:A 1956 bronze statue of Frink, by 428:cancer on 18 April 1993, aged 62. 14: 1889: 1823:Alumni of Chelsea College of Arts 1642:at La Salle University Art Museum 1575: 863: 786: 1803:20th-century British printmakers 1627:Elisabeth Frink at Bohun Gallery 1180:"A house with an artist's touch" 738:"Obituary: Dame Elisabeth Frink" 656:Dame Elisabeth Frink; Obituary, 561:The Priseman Seabrook Collection 483:ARA in Stoke-on-Trent, England. 422: 221:University for the Creative Arts 49: 1475: 1451: 1426: 1401: 1375: 1322: 1296: 1263: 1238: 1220:"The Twentieth Century Society" 1212: 1171: 1116: 1097: 1042: 1033: 1003: 979: 949: 924: 898: 16:English sculptor and printmaker 1808:20th-century British sculptors 1634:- a British Library recording. 838: 829: 761: 688: 663: 650: 625:Herbert Art Gallery and Museum 553:National Galleries of Scotland 408: 294:, Chatsworth House, Derbyshire 1: 1015:www.liverpoolcathedral.org.uk 643: 539:(ballerina / choreographer), 443:may be seen in the garden at 431: 167: 1878:20th-century women sculptors 1514:. HarperCollins Publishers. 578:in an edition of 47 medals. 467:is in the collection of the 190:4th/7th Royal Dragoon Guards 7: 881:"Elisabeth Frink Biography" 630: 543:(sports administrator) and 507:In 2019, Frink's studio at 10: 1894: 846:"Elisabeth Frink | artnet" 565:Victoria and Albert Museum 1868:British women printmakers 1753: 1694: 1607:Elisabeth Frink at artnet 1362:www.collectgbstamps.co.uk 931:Campbell, Louise (1996). 210: 143:Dame Elisabeth Jean Frink 130: 116: 93: 63: 48: 23: 1727:Eagle Squadrons Memorial 1703:Blind Beggar and his Dog 1510:Stephen Gardiner, 1998, 1249:. British Museum Press. 378:cancer of the oesophagus 1843:English women sculptors 1735:Dorset Martyrs Memorial 910:www.theartnewspaper.com 637:Bust of Sir Georg Solti 451:. Uniquely in England, 416:Bertha Schaefer Gallery 217:Guildford School of Art 121:Guildford School of Art 1652:Messums' Frink Archive 1245:Aileen Dawson (1999). 817:Cite journal requires 616: 527:Frink was one of five 338:Carnegie Museum of Art 313: 295: 284: 194:evacuated from Dunkirk 1505:Biography and sources 1039:Gardiner 1998, p. 282 885:British Art Portfolio 623:, stands outside the 610: 503:Studio reconstruction 328:'s handling of clay. 307:Odette Sculpture Park 301: 290: 273: 229:Chelsea School of Art 223:) (1946–1949), under 215:Frink studied at the 125:Chelsea School of Art 1537:Edward Lucie-Smith. 1487:Inexpensive Progress 1277:. 3 September 2000. 961:www.exploreart.co.uk 675:www.sculpture.org.uk 583:science fiction film 68:Elisabeth Jean Frink 1838:English printmakers 1743:Bust of Georg Solti 1304:"EVERINGTON, Harry" 1021:on 9 September 2015 611:Statue of Frink by 463:. Her 1975 bust of 395:Liverpool Cathedral 1863:Royal Academicians 1638:Elisabeth Frink's 1551:Caroline Wiseman. 1271:"Harry Everington" 1226:on 2 December 2008 912:. 24 December 2018 617: 523:Cultural reference 465:John Pope-Hennessy 356:Dorchester, Dorset 345:catalogue raisonnĂ© 314: 296: 285: 281:Paternoster Square 265:Coventry Cathedral 1780: 1779: 1389:. 23 January 2018 1334:Messums Wiltshire 1310:. 13 January 2016 996:978-1-910350-70-6 773:www.christies.com 736:(18 April 1993). 700:www.christies.com 545:Daphne Du Maurier 385:, Louisiana, and 140: 139: 1885: 1848:Geometry of Fear 1681: 1674: 1667: 1658: 1657: 1570:Mumford Fine Art 1498: 1497: 1495: 1493: 1479: 1473: 1472: 1470: 1468: 1455: 1449: 1448: 1446: 1444: 1430: 1424: 1423: 1421: 1419: 1405: 1399: 1398: 1396: 1394: 1379: 1373: 1372: 1370: 1368: 1354: 1345: 1344: 1342: 1340: 1326: 1320: 1319: 1317: 1315: 1308:Not Just Hockney 1300: 1294: 1293: 1291: 1289: 1267: 1261: 1260: 1242: 1236: 1235: 1233: 1231: 1222:. 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McWilliam 596:Viveca Lindfors 549:Jerwood Gallery 533:Dorothy Hodgkin 525: 505: 481:Colin Melbourne 477: 441:Walking Madonna 434: 425: 411: 399:Blandford Forum 292:Walking Madonna 237:Bernard Meadows 213: 170: 145: 123: 117:Alma mater 112: 105:Blandford Forum 102: 98: 89: 79: 73: 71: 70: 69: 59: 44: 31: 29: 28:Elisabeth Frink 26: 17: 12: 11: 5: 1891: 1881: 1880: 1875: 1870: 1865: 1860: 1855: 1850: 1845: 1840: 1835: 1830: 1825: 1820: 1815: 1810: 1805: 1800: 1795: 1778: 1777: 1775: 1774: 1766: 1757: 1755: 1751: 1750: 1748: 1747: 1739: 1731: 1723: 1715: 1707: 1698: 1696: 1692: 1691: 1684: 1683: 1676: 1669: 1661: 1655: 1654: 1649: 1647:Frink's Studio 1644: 1635: 1629: 1624: 1619: 1614: 1609: 1604: 1599: 1594: 1589: 1577: 1576:External links 1574: 1573: 1572: 1563: 1549: 1535: 1522: 1506: 1503: 1500: 1499: 1474: 1450: 1425: 1400: 1374: 1346: 1321: 1295: 1262: 1255: 1237: 1211: 1185: 1178:Temkin, Anna. 1170: 1133: 1115: 1096: 1059: 1041: 1032: 1002: 995: 978: 967:on 18 May 2021 948: 941: 923: 897: 862: 850:www.artnet.com 837: 828: 819:|journal= 785: 760: 712: 687: 662: 648: 647: 645: 642: 641: 640: 632: 629: 590:, directed by 537:Margot Fonteyn 524: 521: 504: 501: 476: 473: 469:British Museum 453:Desert Quartet 433: 430: 424: 421: 410: 407: 351:Dorset Martyrs 212: 209: 205:Exmouth, Devon 182:St Edmundsbury 169: 166: 138: 137: 132: 131:Known for 128: 127: 118: 114: 113: 103: 101:(aged 62) 95: 91: 90: 80: 67: 65: 61: 60: 54: 46: 45: 30: 27: 24: 15: 9: 6: 4: 3: 2: 1890: 1879: 1876: 1874: 1871: 1869: 1866: 1864: 1861: 1859: 1856: 1854: 1851: 1849: 1846: 1844: 1841: 1839: 1836: 1834: 1831: 1829: 1826: 1824: 1821: 1819: 1816: 1814: 1811: 1809: 1806: 1804: 1801: 1799: 1796: 1794: 1791: 1790: 1788: 1772: 1771: 1767: 1764: 1763: 1759: 1758: 1756: 1752: 1745: 1744: 1740: 1737: 1736: 1732: 1729: 1728: 1724: 1721: 1720: 1716: 1713: 1712: 1708: 1705: 1704: 1700: 1699: 1697: 1693: 1689: 1682: 1677: 1675: 1670: 1668: 1663: 1662: 1659: 1653: 1650: 1648: 1645: 1643: 1641: 1636: 1633: 1630: 1628: 1625: 1623: 1620: 1618: 1615: 1613: 1610: 1608: 1605: 1603: 1600: 1598: 1595: 1593: 1590: 1587: 1583: 1580: 1579: 1571: 1567: 1564: 1562: 1561:1-874044-25-2 1558: 1554: 1550: 1548: 1547:1-874044-04-X 1544: 1540: 1536: 1534: 1533:0-946425-05-1 1530: 1526: 1523: 1521: 1520:0-00-255606-5 1517: 1513: 1509: 1508: 1488: 1484: 1478: 1463: 1460: 1454: 1439: 1435: 1429: 1414: 1410: 1404: 1388: 1387:Wendover News 1384: 1378: 1363: 1359: 1353: 1351: 1335: 1331: 1325: 1309: 1305: 1299: 1284: 1280: 1276: 1272: 1266: 1258: 1252: 1248: 1241: 1225: 1221: 1215: 1200: 1196: 1189: 1181: 1174: 1166: 1162: 1158: 1152: 1144: 1140: 1136: 1134:9781848221130 1130: 1126: 1119: 1111: 1107: 1106:Arts Yearbook 1100: 1092: 1088: 1084: 1078: 1070: 1066: 1062: 1060:9781848221130 1056: 1052: 1045: 1036: 1020: 1016: 1012: 1006: 998: 992: 988: 982: 966: 962: 958: 952: 944: 942:9780198175193 938: 934: 927: 911: 907: 901: 886: 882: 875: 873: 871: 869: 867: 851: 847: 841: 832: 824: 811: 803: 799: 792: 790: 774: 770: 764: 749: 748: 744: 739: 735: 729: 727: 725: 723: 721: 719: 717: 701: 697: 691: 676: 672: 666: 659: 653: 649: 638: 635: 634: 628: 627:in Coventry. 626: 622: 614: 609: 605: 603: 602: 597: 593: 589: 588: 584: 579: 577: 573: 568: 566: 562: 558: 554: 550: 546: 542: 541:Marea Hartman 538: 535:(scientist), 534: 530: 520: 518: 517:A Place Apart 514: 510: 500: 497: 492: 490: 486: 482: 472: 470: 466: 462: 458: 454: 450: 446: 442: 438: 429: 423:Personal life 420: 417: 406: 404: 400: 396: 392: 388: 387:New York City 384: 379: 374: 372: 371:Roger de Grey 368: 367:Royal Academy 363: 359: 357: 353: 352: 346: 341: 339: 335: 329: 327: 323: 319: 311: 308: 304: 300: 293: 289: 282: 278: 277: 272: 268: 266: 262: 258: 254: 250: 246: 242: 238: 234: 230: 227:, and at the 226: 222: 218: 208: 206: 202: 197: 195: 191: 187: 183: 179: 175: 174:Great Thurlow 165: 163: 162: 156: 152: 148: 144: 136: 133: 129: 126: 122: 119: 115: 110: 106: 97:18 April 1993 96: 92: 87: 83: 82:Great Thurlow 66: 62: 58: 52: 47: 42: 38: 34: 22: 19: 1768: 1760: 1741: 1733: 1725: 1717: 1709: 1701: 1687: 1639: 1584: at the 1565: 1552: 1538: 1524: 1511: 1490:. 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Index

CH
DBE
RA

John McKenna
Great Thurlow
Suffolk
Blandford Forum
Dorset
Guildford School of Art
Chelsea School of Art
Sculpture
CH
DBE
RA
Times
Great Thurlow
civil parish
St Edmundsbury
Suffolk
4th/7th Royal Dragoon Guards
evacuated from Dunkirk
Second World War
Exmouth, Devon
Guildford School of Art
University for the Creative Arts
Willi Soukop
Chelsea School of Art
Reg Butler
Bernard Meadows

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