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As she grew older, she experienced difficulty in reaching the high soprano notes, preferring to return to contralto roles such as the Witch of Endor in
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where she lived together with the medical specialist
Johanne Feilberg (1878–1960). Her friends included cultural figures such as
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to create a sculpture of her in this role for the theatre's foyer. In 1888 at the age of 24, she was given the title of
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114:(royal chamber singer), putting her on a par with earlier stars such as
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from 1885. Thanks to training in Paris, she was later able to take on
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When only 21, she made her début in the demanding role of
Azucena in
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where she studied under two of the best singers of the times,
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294:"Relief pĂĄ Marienlystsskolen"
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272:"Elisabeth Dons (1864–1942)"
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57:Born on 19 April 1864 in
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67:Royal Music Conservatory
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199:and Vilhelm Wanscher.
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61:in the north east of
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39:Royal Danish Theatre
274:(in Danish). Kvinfo
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381:1942 deaths
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47:prima donna
350:Categories
214:References
328:Biography
59:Bjergsted
53:Biography
314:Portals
300:14 June
278:14 June
246:14 June
204:Taarbæk
63:Zealand
43:soprano
150:Carmen
139:Gounod
340:Opera
168:Gluck
127:Paris
96:Verdi
302:2017
280:2017
248:2017
101:Aida
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