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Meserand left and became assistant news director of WOR, making her one of the first women in radio to assign reporters and shape the news broadcast. She helped design what is considered today the modern radio newsroom and produced some of the first radio news documentaries that used authentic
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with her partner, Jane Barton. In her retirement she continued to lead an active life, starting an advertising agency where she managed radio and television campaigns for Mary Anne
Krupsak, the former
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in 1926 in their press office. From 1931-37 Meserand worked for the Hearst radio stations as the director of promotions and the ''Musical Clock Girl'' on WGBS, the forerunner of WINS in New York City.
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Freedom Foundation awards for her radio documentary work, she was also honored by the Northeast Area Conference of American Women in Radio and Television for her 50 years in the industry.
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of New York. In the 1970s, Meserand became her town historian and the founding chairman of the
Charleston Historical Society in 1978 where she helped to save the town's first
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American Women in Radio and Television, and served as its first president. Throughout her career, Meserand collected many accolades, including
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background sounds. She took over the department when her supervisor, David
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She retired from WOR in 1952 and moved to a
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