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145:, Norfolk, the son of a farmer. His year of birth is now believed to be c. 1790 rather than 1798, as previously thought. For a period he worked taking portraits and teaching drawing in
193:. Rippingille was also a close friend of Francis Danby, and his style developed alongside that of Danby under Bird's influence. In 1819 Rippingille had a success at the Royal Academy with
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In 1830 Rippingille left
Bristol and travelled to France and Germany. He returned to London where he married in 1832, before travelling to France again, in the company of
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typical of those made by the school's members. He worked particularly closely with Edward Bird, and was influenced by Bird's
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at the Royal
Academy. This is his best known painting. It depicts some of the literary figures associated with Bristol:
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in 1823, and in 1824 was one of the organisers of the first exhibition there by local artists. In 1824 he exhibited
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Greenacre, Francis (2004). "Rippingille, Edward
Villiers". In Matthew, H.C.G.; Harrison, Brian (eds.).
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The
Bristol School of Artists: Francis Danby and Painting in Bristol 1810–1840 (exhibition catalogue)
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The
Bristol School of Artists: Francis Danby and Painting in Bristol 1810–1840 (exhibition catalogue)
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who was a member of the informal group of artists which has come to be known as the
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Rippingille had a brother, Alexander, who was also a painter working in
Bristol.
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From
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The
Funeral Procession of William Canynge to St Mary Redcliffe, 1474
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244:. In 1835, returning to London, he held his own exhibition at
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401:. Wolverhampton: Wolverhampton Art Gallery. pp. 18–22.
386:. Bristol: City Art Gallery, Bristol. pp. 105–107.
315:. Vol. 47. Oxford University Press. p. 1003.
293:. Bristol: City Art Gallery, Bristol. pp. 121–126.
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38 artworks by or after Edward
Villiers Rippingille
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113:(c. 1790–1859) was an English
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183:Leigh Woods
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127:Edward Bird
115:oil painter
103:Watercolour
87:Nationality
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340:. Methuen.
263:References
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137:Early life
69:1859-04-22
159:Enlisting
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