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Edward Allde

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170:, and was one of the "original innovators of the merry book trade;" in the years when the Stationer's Company limited ballad printing to only five of its members (1612–20), Allde was one of the five. Toward the end of his career, in the early 1620s, Allde was involved in the syndicate that produced the first English newspapers, along with 520:
Like most printers of his era, Edward Allde concentrated on printing, and left publishing decisions to the booksellers who commissioned printers to print books. Yet again like most printers of his era, Allde did a certain amount of publishing himself; the editions of
290:
Q1 with colleague John Danter, apparently with the goal of a speedy result. Danter printed sheets A through D, while Allde printed sheets E through K. Only Danter, however, is credited on the volume's title page. Bibliographers determined Allde's participation in
566:
Allde's widow Elizabeth continued his business from his 1628 death until 1633. Since both Elizabeth and Edward Allde identified themselves on title pages as "E. A." or "E. Allde," 19th-century scholars sometimes confused their works.
108:, his mother Margaret, his widow Elizabeth, and two of her children all worked in the trade. Edward Allde took over the business of his father on the elder Allde's death in 1584; he became a "freeman" (a full member) of the 209:
regimes were serious about censorship and control of the press.) Edward Allde ran into the same types of troubles in his career: he was fined for printing unregistered works and works to which he did not own the
177:
While his output was massive and significant, Allde's craftsmanship has not been rated highly by modern scholars, critics, and bibliographers. In the succinct verdict of one commentator, "his work was poor."
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mentioned above are examples. As with his printing, Allde published a range of works of various types: he issued the tracts and pamphlets that were so common in his period, like the third edition of
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for Edward White. Allde maintained a long-term professional relationship with bookseller White, and printed a number of dramatic and non-dramatic works for him over the course of their careers.
434:—; among others. (Allde's habit of issuing undated books has been a nuisance for modern scholars.) Allde naturally printed plays in other than first editions too —; like the second edition of 710: 485:(1598), the vast, and vastly popular, chivalric romance that was one of the greatest best-sellers of the age. For John Tappe, he printed an early attempt at juvenile literature, 512:(1614), a music theory treatise. Though his name appeared on a list of those granted monopolies to print set songs under James I, he seems to have used this privilege seldom. 158:
had been one of them for a time, and Edward Allde served his own apprenticeship under his father. Edward also succeeded in business, keeping his two presses busy with
109: 670: 147:; the prison's stocks were outside the Allde shop door). In 1593, Edward moved into his own establishment, at the sign of the Gilded Cup in Fore Street, 457:
Of course, Allde also printed a wide variety of non-dramatic works of virtually all types then in circulation. He worked on a few of the pamphlets of
1228: 112:
in February of that year, "by patrimony." The son continued his father's practices and publications; John Allde, for example, had issued the undated
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Printers who published usually had to arrange with booksellers for the retail distribution of their products. Allde's edition of Richard Rich's
470: 1213: 218:. In 1623, he admitted to Company officials to "behaving my self turbulently and disorderly...and using unseemly and unfitting words...." 1203: 491:
The Passionate Shepherd...With many excellent conceited Poems and pleasant Sonnets, fit for young heads to pass away idle hours
952: 919: 723: 439: 932: 900: 215: 638:
In 1633, the Allde firm passed to Richard Oulton (or Olton), Elizabeth's son-in-law. Oulton maintained his business, in
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It was not unusual, in this period, for stationers to run into difficulties with the authorities, both those of their
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in part by tracking damaged type used in Allde's E-K sheets and in three books that he printed in the 1597–9 period.
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and the higher civil administration; most were fined for infractions large and small, and some, like Butter, Archer,
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At first, Edward ran his late father's business with the help of his mother; it was located at the Long Shop in the
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A Dictionary of the Booksellers and Printers Who Were at Work in England, Scotland and Ireland from 1641 to 1667
1223: 1218: 198: 1066: 995: 1208: 1188: 590: 1046: 878: 89: 842:, The New Cambridge Shakespeare: The Early Quartos; Cambridge, Cambridge University Press, 2007; p. 37. 274: 151:, near the Barbican; Margaret Allde continued the Long Shop operation on her own, at least until 1601. 128:
of the same play, sometime after 1584. The elder Allde published the first edition of Ulpian Fulwell's
580:(1630), which she printed for Nathaniel Butter. She printed the third edition of the anonymous comedy 303:
Beyond the limits of the Shakespearean canon, Edward Allde printed important first editions of plays:
1198: 738: 585: 154:
John Allde had maintained a flourishing business, with as many as eight apprentices simultaneously;
977: 534: 631:(1630). She was one of the four printers who worked on the 1630 collected edition of the works of 1152: 1132: 1021: 893: 715: 117: 769:
Anthony Munday and Civic Culture; Theatre, History, and Power in Early Modern London, 1580–1633
478: 258: 1157: 601: 324: 265: 1193: 571: 388: 359: 705: 541:(1584); and he published serious works, like a Latin vocabulary by John Posselius (1623). 8: 910: 319: 312: 140: 93: 1142: 886: 632: 596: 505: 450: 400: 77: 584:(1630) for Thomas Knight. Elizabeth Allde published and printed the second edition of 719: 548:(1610) reads "to be sold by John Wright" on its title page. Allde's 1607 edition of 1162: 1051: 1041: 1036: 942: 675: 576: 421: 395: 253: 240: 171: 687: 635:
for publisher James Boler. And she also printed ballads, as her husband had done.
1167: 1137: 1061: 549: 486: 458: 444: 383: 349:(1594, 1595) conjointly with printer James Roberts, for publisher Simon Waterson; 206: 194: 190: 144: 136: 81: 1086: 1076: 1031: 1016: 809: 780: 608: 245: 155: 1182: 1147: 1122: 1091: 1081: 1071: 1056: 1026: 990: 985: 679: 607:
Elizabeth Allde also produced non-dramatic works. Some examples: she printed
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Edward Allde printed key texts of the original Shakespearean bibliography:
174:, Thomas Archer, Nicholas Bourne, William Sheffard and Bartholomew Downes. 113: 85: 908: 214:; his presses were shut down twice, and he was once sent to prison by the 1096: 967: 957: 927: 426: 148: 1127: 947: 800:, Cambridge, Cambridge University Press, 1991; pp. 75–8; quote, p. 297. 497: 307: 235: 105: 104:
Edward Allde was part of a family of professional printers: his father
872:, The Bibliographical Society/Blades, East & Blades, 1907; p. 142. 771:, Manchester, Manchester University Press, 2004; pp. 20, 28–9 and ff. 231: 211: 167: 159: 639: 624: 132:
in 1568; the younger Allde published the second edition in 1587.
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4 Volumes, Oxford, Clarendon Press, 1923; Vol. 3, pp. 317, 470.
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Her most significant work in drama may be the first quarto of
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eras. He was responsible for a number of significant texts in
182: 758:
Rochester, NY, University of Rochester Press, 2002; p. 105.
623:. She published and printed a collection of the works of 502:
Sacred Hymnes of 3, 4, 5 and 6 parts for Voyces and Vyols
448:(1590), for John Perrin, and a 1606 edition of Marlowe's 481:. For Cuthbert Burby, Allde printed the sixth volume of 857:
Publications of the Bibliographical Society of America
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sometime before 1584; Edward Allde issued the undated
162:, playbooks, and more serious books too. He produced 829:
Cambridge, Cambridge University Press, 1990; p. 56.
92:, including some of the early editions of plays by 278:, for Matthew Lownes. (Lownes re-titled the book 1180: 756:Publishing and Medicine in Early Modern England, 615:(1630) for Michael Sparke, and Clement Cotton's 193:, were imprisoned. John Allde spent time in the 39:between 27 August and 3 September 1627 477:(1603), an item in the mourning literature for 430:(1624), for John Harrison and Edward Blackmore; 143:(and four doors away from a London prison, the 894: 783:, "Edward Allde as a Typical Trade Printer," 703: 546:News from Virginia: The Lost Flock Triumphant 674:(online ed.). Oxford University Press. 901: 887: 469:(1604). Allde printed topical works like 1229:17th-century English publishers (people) 798:Cheap Print and Popular Piety, 1550–1640 475:Elizabetha Quasi Vivens: Eliza's Funeral 352:the first two editions of the anonymous 699: 697: 671:Oxford Dictionary of National Biography 1181: 663: 661: 659: 657: 655: 272:(1611), which contained Shakespeare's 882: 840:The First Quarto of Romeo and Juliet 694: 1214:16th-century English businesspeople 933:List of Shakespeare plays in quarto 652: 496:Among musical works he printed was 316:(undated; 1592?), for Edward White; 13: 851:Standish Henning, "The Printer of 816:, Baltimore, Penguin, 1964; p. 27. 787:4th series, 10 (1929), pp. 121–62. 531:The Vision of the Twelve Goddesses 465:(1611) and the evocatively-titled 377:The Vision of the Twelve Goddesses 328:(undated; 1594?), again for White; 76:; born c. 1560, died 1627) was an 14: 1240: 814:A Shakespeare Companion 1564–1964 341:the first and second editions of 642:near Christ Church, until 1643. 627:(1629), and Thomas Chaffinger's 600:(1633), one of the plays of the 594:(1630) and the third edition of 1204:Publishers (people) from London 862: 845: 832: 819: 803: 790: 774: 761: 748: 732: 338:(1594), for Richard Bankworth; 221: 1: 645: 515: 356:(both 1599), again for White; 286:Allde shared the printing of 80:printer in London during the 688:UK public library membership 591:Friar Bacon and Friar Bungay 504:(1615). He also printed the 368:(1602), yet again for White; 280:The Annuals of Great Britain 7: 467:Look to It for I'll Stab Ye 404:(1607), for Arthur Johnson; 392:(1607), for Arthur Johnson; 10: 1245: 827:English Books and Readers, 633:John Taylor the Water Poet 556:was sold by Henry Rocket. 411:(1609), for Thomas Archer; 275:The Phoenix and the Turtle 1105: 1004: 976: 918: 409:Every Woman in Her Humour 298: 90:English Renaissance drama 51: 43: 35: 27: 20: 754:Elizabeth Lane Furdell, 577:The Honest Whore, Part 2 483:The Mirror of Knighthood 716:Oxford University Press 629:The Just Man's Memorial 561: 418:(1610), for John Busby; 197:in 1568 for printing a 99: 743:The Elizabethan Stage, 704:Miriam Miller (2001). 264:The second edition of 244:(1597), for publisher 1224:17th-century printers 1219:16th-century printers 868:Henry Robert Plomer, 859:60 (1966), pp. 363–4. 617:The Mirror of Martyrs 602:Shakespeare Apocrypha 336:The Battle of Alcazar 325:The Massacre at Paris 31:between 1555 and 1562 680:10.1093/ref:odnb/363 251:The third quarto of 141:St. Mildred's Church 1209:Stationers (people) 1189:16th-century births 911:William Shakespeare 554:The English Arcadia 451:Tamburlaine, Part 2 354:Soliman and Persida 320:Christopher Marlowe 313:The Spanish Tragedy 94:William Shakespeare 1143:Augustine Matthews 920:Folios and quartos 909:Early editions of 711:Grove Music Online 597:Arden of Faversham 510:A Briefe Discourse 506:Thomas Ravenscroft 463:The Knave of Clubs 230:Part of the first 216:Secretary of State 110:Stationers Company 1176: 1175: 1067:Thomas Millington 838:Lukas Erne, ed., 725:978-1-56159-263-0 686:(Subscription or 668:"Allde, Edward". 527:Like Will to Like 479:Queen Elizabeth I 389:Cupid's Whirligig 199:pro-Catholic text 166:, songbooks, and 130:Like Will to Like 59: 58: 1236: 1199:English printers 1163:Valentine Simmes 1052:Henry Herringman 1042:Philip Chetwinde 1037:Nathaniel Butter 903: 896: 889: 880: 879: 873: 866: 860: 853:Romeo and Juliet 849: 843: 836: 830: 823: 817: 807: 801: 794: 788: 778: 772: 765: 759: 752: 746: 736: 730: 729: 714:(8th ed.). 701: 692: 691: 683: 665: 613:Anti-Arminianism 422:Philip Massinger 396:Thomas Middleton 293:Romeo and Juliet 288:Romeo and Juliet 254:Titus Andronicus 241:Romeo and Juliet 172:Nathaniel Butter 18: 17: 1244: 1243: 1239: 1238: 1237: 1235: 1234: 1233: 1179: 1178: 1177: 1172: 1168:William Stansby 1138:William Jaggard 1101: 1062:Richard Meighen 1047:Richard Hawkins 1000: 972: 914: 907: 877: 876: 867: 863: 850: 846: 837: 833: 825:H. S. Bassett, 824: 820: 808: 804: 795: 791: 779: 775: 766: 762: 753: 749: 737: 733: 726: 706:"Allde, Edward" 702: 695: 685: 667: 666: 653: 648: 564: 550:Gervase Markham 535:William Baldwin 518: 487:Nicholas Breton 459:Samuel Rowlands 384:Edward Sharpham 301: 224: 195:Poultry Compter 191:William Stansby 145:Poultry Counter 102: 23: 12: 11: 5: 1242: 1232: 1231: 1226: 1221: 1216: 1211: 1206: 1201: 1196: 1191: 1174: 1173: 1171: 1170: 1165: 1160: 1155: 1150: 1145: 1140: 1135: 1130: 1125: 1120: 1115: 1109: 1107: 1103: 1102: 1100: 1099: 1094: 1089: 1087:Thomas Walkley 1084: 1079: 1077:John Smethwick 1074: 1069: 1064: 1059: 1054: 1049: 1044: 1039: 1034: 1032:Cuthbert Burby 1029: 1024: 1019: 1017:William Aspley 1014: 1008: 1006: 1002: 1001: 999: 998: 993: 988: 982: 980: 974: 973: 971: 970: 965: 960: 955: 950: 945: 940: 935: 930: 924: 922: 916: 915: 906: 905: 898: 891: 883: 875: 874: 861: 844: 831: 818: 810:F. E. Halliday 802: 789: 781:R. B. McKerrow 773: 760: 747: 739:E. K. Chambers 731: 724: 693: 650: 649: 647: 644: 640:Newgate Street 609:William Prynne 563: 560: 539:Beware the Cat 517: 514: 432: 431: 419: 412: 407:the anonymous 405: 393: 381: 369: 357: 350: 339: 329: 317: 300: 297: 284: 283: 266:Robert Chester 262: 249: 246:Cuthbert Burby 223: 220: 156:Anthony Munday 118:Thomas Preston 101: 98: 57: 56: 53: 49: 48: 45: 41: 40: 37: 33: 32: 29: 25: 24: 21: 9: 6: 4: 3: 2: 1241: 1230: 1227: 1225: 1222: 1220: 1217: 1215: 1212: 1210: 1207: 1205: 1202: 1200: 1197: 1195: 1192: 1190: 1187: 1186: 1184: 1169: 1166: 1164: 1161: 1159: 1156: 1154: 1153:James Roberts 1151: 1149: 1148:Nicholas Okes 1146: 1144: 1141: 1139: 1136: 1134: 1133:Richard Field 1131: 1129: 1126: 1124: 1123:Thomas Creede 1121: 1119: 1116: 1114: 1111: 1110: 1108: 1104: 1098: 1095: 1093: 1092:John Waterson 1090: 1088: 1085: 1083: 1082:Thomas Thorpe 1080: 1078: 1075: 1073: 1072:Thomas Pavier 1070: 1068: 1065: 1063: 1060: 1058: 1057:William Leake 1055: 1053: 1050: 1048: 1045: 1043: 1040: 1038: 1035: 1033: 1030: 1028: 1027:Edward Blount 1025: 1023: 1020: 1018: 1015: 1013: 1010: 1009: 1007: 1003: 997: 996:Edward Knight 994: 992: 991:Henry Condell 989: 987: 986:John Heminges 984: 983: 981: 979: 978:Early editors 975: 969: 966: 964: 961: 959: 956: 954: 951: 949: 946: 944: 941: 939: 936: 934: 931: 929: 926: 925: 923: 921: 917: 912: 904: 899: 897: 892: 890: 885: 884: 881: 871: 865: 858: 854: 848: 841: 835: 828: 822: 815: 811: 806: 799: 793: 786: 782: 777: 770: 767:Tracey Hill, 764: 757: 751: 744: 740: 735: 727: 721: 717: 713: 712: 707: 700: 698: 689: 681: 677: 673: 672: 664: 662: 660: 658: 656: 651: 643: 641: 636: 634: 630: 626: 622: 618: 614: 610: 605: 603: 599: 598: 593: 592: 587: 586:Robert Greene 583: 582:Wily Beguiled 579: 578: 573: 572:Thomas Dekker 568: 559: 557: 555: 551: 547: 542: 540: 536: 532: 528: 524: 513: 511: 507: 503: 499: 494: 492: 488: 484: 480: 476: 472: 468: 464: 460: 455: 453: 452: 447: 446: 441: 437: 429: 428: 423: 420: 417: 414:John Mason's 413: 410: 406: 403: 402: 397: 394: 391: 390: 385: 382: 379: 378: 374: 370: 367: 366: 361: 360:Thomas Dekker 358: 355: 351: 348: 344: 343:Samuel Daniel 340: 337: 333: 330: 327: 326: 321: 318: 315: 314: 309: 306: 305: 304: 296: 294: 289: 281: 277: 276: 271: 270:Love's Martyr 267: 263: 260: 256: 255: 250: 247: 243: 242: 237: 233: 229: 228: 227: 219: 217: 213: 208: 204: 200: 196: 192: 188: 187:Nicholas Okes 184: 179: 175: 173: 169: 165: 161: 157: 152: 150: 146: 142: 138: 133: 131: 127: 126:second quarto 123: 119: 115: 111: 107: 97: 95: 91: 87: 83: 79: 75: 71: 67: 63: 54: 50: 46: 42: 38: 34: 30: 26: 19: 16: 1118:Thomas Cotes 1113:Edward Allde 1112: 1012:Robert Allot 963:Second Folio 953:First Quarto 869: 864: 856: 852: 847: 839: 834: 826: 821: 813: 805: 797: 796:Tessa Watt, 792: 785:The Library, 784: 776: 768: 763: 755: 750: 742: 734: 709: 669: 637: 628: 621:Robert Allot 616: 612: 606: 595: 589: 581: 575: 569: 565: 558: 553: 545: 543: 538: 530: 526: 522: 519: 509: 501: 495: 490: 482: 474: 471:Henry Petowe 466: 462: 461:, including 456: 449: 443: 433: 425: 415: 408: 399: 387: 375: 365:Satiromastix 363: 353: 346: 335: 332:George Peele 323: 311: 302: 292: 287: 285: 279: 273: 269: 259:Edward White 257:(1611), for 252: 239: 225: 201:. (Both the 180: 176: 153: 139:, adjoining 134: 129: 121: 114:first quarto 103: 73: 69: 65: 62:Edward Allde 61: 60: 22:Edward Allde 15: 1194:1627 deaths 1158:Peter Short 1097:Andrew Wise 1022:John Benson 968:False Folio 958:First Folio 928:Foul papers 619:(1631) for 427:The Bondman 401:The Phoenix 222:Shakespeare 149:Cripplegate 82:Elizabethan 44:Nationality 1183:Categories 1128:George Eld 1005:Publishers 948:Bad quarto 690:required.) 646:References 516:Publishing 498:John Amner 308:Thomas Kyd 236:bad quarto 52:Occupation 440:Sackville 371:Daniel's 347:Cleopatra 212:copyright 168:jestbooks 160:chapbooks 1106:Printers 913:'s works 523:Cambyses 493:(1604). 445:Gorboduc 416:The Turk 122:Cambyses 120:'s play 86:Jacobean 625:Sallust 380:(1604); 234:, the " 164:ballads 137:Poultry 78:English 55:Printer 47:English 938:Quarto 855:, Q1, 722:  684: 529:, and 436:Norton 373:masque 299:Others 238:," of 232:quarto 207:Stuart 189:, and 70:Alldee 943:Folio 203:Tudor 183:guild 74:Alday 72:, or 720:ISBN 562:Wife 438:and 205:and 106:John 100:Life 84:and 66:Alde 36:Died 28:Born 676:doi 611:'s 588:'s 574:'s 552:'s 537:'s 508:'s 500:'s 489:'s 473:'s 442:'s 424:'s 398:'s 386:'s 362:'s 345:'s 334:'s 322:'s 310:'s 268:'s 116:of 1185:: 812:, 741:, 718:. 708:. 696:^ 654:^ 604:. 525:, 282:.) 96:. 68:, 902:e 895:t 888:v 728:. 682:. 678:: 261:. 248:. 64:(

Index

English
Elizabethan
Jacobean
English Renaissance drama
William Shakespeare
John
Stationers Company
first quarto
Thomas Preston
second quarto
Poultry
St. Mildred's Church
Poultry Counter
Cripplegate
Anthony Munday
chapbooks
ballads
jestbooks
Nathaniel Butter
guild
Nicholas Okes
William Stansby
Poultry Compter
pro-Catholic text
Tudor
Stuart
copyright
Secretary of State
quarto
bad quarto

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