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652:; 1891), the women in the workshop are assembled out of areas of color. The faces, seen from the side, have no details. The patterns of their costumes and the decor dominate the pictures. The figures include his grandmother, to the left, and his sister Marie, in the bold patterned dress that is a central feature of the painting. He also placed a mirror on the wall to the left, a device which allowed him to give two points of view simultaneously and to reflect and distort the scene. The result is a work that is deliberately flattened and decorative.
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1513:, Switzerland) was at the time the only one of the three known to still exist and to have been fully confirmed as a genuine Vuillard. With assistance from art experts, the program undertook an exhaustive investigation and analysis of the Tutt painting, as well as carrying out extensive research to establish the painting's provenance. After submitting all the evidence to a committee at the secretive and highly conservative
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apartment. The one man in the series, presumably Vaquez himself, is shown in his library reading, paying little attention to the woman sewing next to him. The figures in the panels are almost entirely integrated into the elaborate wallpaper, carpet, and patterns of the dresses of the women. Art critics immediately compared the works to medieval tapestries. The paintings, completed in 1896, were originally titled simply
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545:(Figures in an Interior) were made for the Natanson brothers, whom he had known at the Lycée Condorcet, and for their friends. They gave Vuillard freedom to choose the subjects and style. Between 1892 and 1899, Vuillard made eight cycles of decorative paintings, with altogether some thirty panels. The murals, though rarely displayed during his lifetime, later became among his most famous works.
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three paintings of the factories at work. He served briefly, from 2 February to 22 February, as an official artist to the French armies in the region of the Vosges, making a series of pastels. These included a sympathetic sketch of a captured German prisoner being interrogated. In August 1917, back in Paris, he received a commission from the architect
560:, a method he had used in painting theater sets, which required him to work very quickly, but allowed him to make modifications and to achieve the appearance of frescoes. He received the commission on 24 August 1894, and completed the series at the end of the same year. They were installed in the dining room/salon of the Natansons.
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investigated a painting owned by
British scriptwriter Keith Tutt, which both he and the previous owners, Mr. and Mrs. Warren, believed to be by Vuillard. The oval painting, which depicts a café scene, was thought to be one of a group of three paintings commissioned from Vuillard in 1918 to decorate a
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Vuillard frequently painted interior scenes, usually of women in a workplace, at home, or in a garden. The faces and features of the figures in these scenes are rarely articulated in detail; instead
Vuillard often places greater focus on the patterns and planes of wallpaper, carpets, and furnishings.
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is a series of six panels depicting children in the parks of Paris. The patrons, Alexander
Natanson and his wife Olga, had three young daughters. The paintings show a variety of different inspirations, including the medieval tapestries at the Hotel de Cluny in Paris that Vuillard greatly appreciated.
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In the late 1990s, the
National Gallery of Canada discovered that Édouard Vuillard's The Salon of Madame Aron (1904, reworked in 1934), which it had purchased in 1956, belonged to the Lindon family in France. The gallery contacted the descendant who, surprisingly, insisted that the artwork had never
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In 1900, Vuillard met Lucy Hessel, wife of a Swiss art dealer, who became his new muse, traveling with him each year to
Normandy in July, August and September, and giving him advice. She remained with him, despite many rivals and many dramatic scenes, until the end of his life. In addition to Misia
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Vuillard was unmarried, but his personal life and his work were greatly influenced by his women friends. In the late 1890s he began a long relationship with Misia
Natanson, the wife of his important patron, Thadée Natanson. Natanson had married her in April 1893, when she was sixteen years old. She
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In 1921, Vuillard received an important commission for decorative panels for the art patron
Camille Bauer, for his residence in Basel, Switzerland. Vuillard completed a series of four panels, plus two over-the-door paintings, which were finished by 1922. He passed his summers each year from 1917 to
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After the separation of the Nabis in 1900, Vuillard's artistic style and subjects changed. He gradually abandoned the close, crowded and dark interiors he had painted before 1900, and began to paint more outdoors, with natural light. He continued to paint interiors, but the interiors had more light
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Vuillard wrote in his journal in 1890, "In the decoration of an apartment, and overly-precise subject can easily become intolerable. One might less quickly get tired of a textile, or drawings without too much literal precision." He also preferred to populate his interiors with women. As he wrote in
302:, dedicated to transforming art down to its foundations. In 1890, through Denis, Vuillard became a member of the group, which met in Ransom's studio or in the cafes of the Passage Brady. The existence of the organization was in theory secret, and members used coded nicknames; Vuillard became the
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After 1900, Vuillard continued to paint numerous domestic interiors and gardens, but in a more naturalistic, colorful style than he had used as a Nabi. Though the faces of the persons were still often looking away, the interiors had depth, a richness of detail, and warmer colors. He particularly
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Following the outbreak of the First World War in August 1914, Vuillard was briefly mobilized for military duty as a highway guard. He was soon released from this duty, and returned to painting. He visited the armaments factory of his patron, Thadée
Natanson, near Lyon, and later made a series of
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Vuillard began keeping a journal during this time, which records the formation of his artistic philosophy. "We perceive nature through the senses which give us images of forms, sounds, colors, etc." he wrote on 22 November 1888, shortly before he became a Nabi. "A form or a color exists only in
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In 1895, Vuillard received a commission from the cardiologist Henri Vaquez for four panels to decorate the library of his Paris house at 27 rue du Général Foy. The primary subjects were women engaged in playing the piano, sewing, and other solitary occupations in a highly decorated bourgeois
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The theater was an important part of
Vuillard's life. He had started his artistic career making sets and designing programs for an avant-garde theater, and throughout his life, had close contacts with the professional world of the theater. Vuillard painted his friend, the actor and director
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Vuillard, like other members of the Nabis, believed that decorative art was equal to traditional easel painting. Vuillard created theatrical sets and programs, decorative murals and painted screens, prints, designs for stained glass windows, and ceramic plates. In the early 1890s, he worked
700:, reading a book; Madame Vuillard seated in an armchair, Ida Rousseau coming in the door, and her daughter Germaine Rousseau, standing at the left. The unstated subject was the romantic affair between Ker-Xavier Roussel and Germaine Rousseau, his sister-in-law, which shocked the Nabis.
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his journal in 1894, "When my attention is directed toward men, I see only gross caricatures... I never feel so with women, where I always find the means to isolate a few elements which satisfy me as a painter. It's not that men are uglier than women, they're only so in my imagination."
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painted in 1899 became the most valuable
Vuillard sold at auction when it achieved $ 17.75 million at Christie's. The painting had been owned by Nancy Lee and Perry Bass since 1979 when they bought the painting from Wildenstein & Co., the French art dealing family.
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plates, decorated with faces and figures of women in modern dress, immersed in floral designs. The plates, along with his design for the Tiffany window and the decorative panels made for the Natansons, were displayed at the opening of Bing's gallery
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In 1938, Vuillard was elected to the Académie des Beaux Arts in February, and in July, the Musée des Arts Decoratifs presented a major retrospective of his paintings. Later in the year, he traveled to Geneva to oversee the installation of his mural
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Between 1930 and 1935, Vuillard divided his time between Paris and the Château de Clayes, owned by his friend Hessel. Vuillard did not receive official recognition from the French state until July 1936, when he was commissioned to make a mural,
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relation to another. Form does not exist on its own. We can only conceive of the relations." In 1890 he returned to the same idea: "Let's look at a painting as a set of relations that are definitely detached from any idea of naturalism."
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captured the play of the sunlight on the gardens and his subjects. He did not want to return to the past, but wanted to move into the future with a vision that was more decorative, naturalistic and familiar than that of the modernists.
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In 1912, Vuillard, Bonnard and Roussel were nominated for the Légion d'honneur, but all three refused the honor. "I do not seek any other compensation for my efforts than the esteem of people with taste," Vuillard told a journalist.
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and color, more depth, and the faces and features were clearer. The effects of the light became primary components of his paintings, whether they were interior scenes or the parks and streets of Paris. Vuillard gradually returned to
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Vuillard first worked on theater decoration. He shared a studio at 28 Rue Pigalle with Bonnard with the theater impresario Lugné-Poe, and the theater critic Georges Rousel. There, Vuillard designed sets for several works by
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846:(1894–1908), which split French society. Dreyfus was a Jewish French army officer accused falsely of treason, and sentenced to a penal colony, before finally being exonerated. Among the Nabis, Vuillard and
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After his father's retirement in 1877, the family settled in Paris at 18 Rue de Chabrol, then moved to a building on Rue Daunou where his mother had a sewing workshop. Vuillard entered a school run by the
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belonged to his family. The NGC maintained that the evidence was incontrovertible and encouraged the Lindon family to make a claim, which it finally did in 2003. The gallery returned the work in 2006.
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in February and July 1886 and again in February 1887. In July 1887, the persistent Vuillard was accepted, and was placed in the course of Robert-Fleury, then in 1888 with the academic history painter
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In November 1885, when Vuillard left the Lycée, he gave up his original idea of following his father in a military career, and set out to become an artist. He joined Roussel at the studio of painter
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The Nabis went their separate ways after their exposition in 1900. They had always had different styles, though they shared common ideas and ideals about art. The separation was made deeper by the
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He made new series of decorative panels, depicting urban scenes and parks in Paris, as well as many interior scenes of Paris shops and homes. He depicted the galleries of the
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From theater decoration, Vuillard soon moved into interior decoration. In the course of his theater work, he met brothers Alexandre and Thadée Natanson, the founders of
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The works of Vuillard and the Nabis were strongly influenced by Japanese woodblock prints, which were shown in Paris at the gallery of art dealer
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in Loire-Atlantique to restore his health. He died there on 21 June 1940, the same month that the French army was defeated by the Germans in the
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After 1920, Vuillard was increasingly occupied painting portraits for wealthy and distinguished Parisians. He preferred to use the technique of
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wrote of "Works still indecisive, where one finds the features in style, literary shadows, sometimes a tender harmony." (September 19, 1891).
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and Lucy, he also had a long relationship with the actress Lucie Belin, for whom he arranged a pension when she fell ill in the 1920s.
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on canvas, 150 × 290 cm, the largest of the three paintings commissioned from Vuillard in 1918 for the Paris café "Le Grand Teddy"
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technique, which allowed him to create more precise details and richer color effects. His subjects ranged from the actor and director
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Vuillard painted a series of paintings of seamstresses in the workshop of a dressmaker, based on the workshop of his mother. In
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in their heyday. In 1937 he and Bonnard combined their impressions of the history of Paris theater world in a large mural,
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on Place Fürstenberg. There, Roussel and Vuillard learned the rudiments of painting. In 1885, Vuillard took courses at the
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and others. In 1892, on a commission for Natanson brothers, Vuillard painted his first decorations ("apartment
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In 1940, Vuillard completed his last two portraits. He suffered from pulmonary difficulties and traveled to
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2860:– Exhibition catalog (2 December 1989 – 4 February 1990), which contains material on Vuillard throughout
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2611:(in French). Montreal: Musée des Beax-Arts, Montreal, and National Gallery of Art, Washington, D.C.
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in Paris, including one of Guitry in his loge at the theater, and another of the comic playwright
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Vuillard used some of the same techniques he had used in the theater for making scenery, such as
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Late in 1889, Vuillard began to frequent meetings of the informal group of artists known as
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The Public Gardens - The Nurses (left), The conversation (center), The Red Umbrella (right)
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1546:(1904, reworked in 1934), which it had purchased in 1956, to the Lindon family in France.
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1744:(1894–95), glue-based distemper on cardboard, mounted on canvas, 110 x 70 cm,
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In 1894, Vuillard and the other Nabis received a commission from art gallery owner
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writers. In 1891, he took part in his first exposition with the Nabis at the
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502:Édouard Vuillard, Ceramic plate depicting a woman in a striped blouse, (1895)
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its name, to design stained glass windows to be made by the American firm of
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2648:. New York, New Haven and London: Jewish Museum and Yale University Press.
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Edouard Vuillard: Painter-decorator : Patrons and Projects, 1892-1912
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Edouard Vuillard: Painter-decorator : Patrons and Projects, 1892-1912
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between 1911 and 1914, and dined with the Russian director of the Ballet,
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Portrait of Toulouse Lautrec, in Villeneuve-sur-Yonne, with the Natansons
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Private Lives: Home and Family in the Art of the Nabis, Paris 1889-1900
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team learned that the committee had unanimously agreed it was genuine.
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The Green Interior or Figure in front of a Window with Drawn Curtains
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Interior: Madame Vuillard and Grand-Mère Roussel at L'Étang-la-Ville
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new Parisian café, "Le Grand Teddy", named after American president
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and classical sculptures. At the Lycée he met several of the future
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In 2006, the National Gallery of Canada restituted Vuillard's
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In 1897, Vuillard interiors showed a noticeable change, with
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Frèches-Thory, Claire; Perucchi-Petri, Ursula, eds. (1993).
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Frèches-Thory, Claire; Perucchi-Petri, Ursula, eds. (1990).
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Chestnut Trees, a Cartoon for a Tiffany Stained-Glass Window
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Les Nabis et le décor – Bonnard, Vuillard, Maurice Denis...
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Under the Influence: Édouard Vuillard and Contemporary Art
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for a mural for a fashionable Paris café, Le Grand Teddy.
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Groom, Gloria Lynn; Vuillard, Edouard (1 January 1993).
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Groom, Gloria Lynn; Vuillard, Edouard (1 January 1993).
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had traveled to Brittany, where, under the direction of
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as a binder mixed with chalk and white pigment to make
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Vuillard: Critical Catalogues of Paintings and Pastels
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Jean-Édouard Vuillard was born on 11 November 1868 in
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Artist biography from Jill Newhouse Gallery, New York
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Indoor/Outdoor: Vuillard's "Landscapes and Interiors"
2646:Édouard Vuillard: A Painter and His Muses, 1890–1940
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Edouard Vuillard: A Painter and His Muses, 1890–1940
1808:(1908–10, reworked in 1912), Cleveland Museum of Art
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Edouard Vuillard: A Painter and His Muses, 1890–1940
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and Sérusier supported the side of the French army.
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For this series Vuillard did not use oil paint, but
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377:, National Gallery of Art, Washington DC (1894–95)
2517:"At the Revue Blanche (Portrait of Félix Fénéon)"
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2847:Sitting for Vuillard – The Bloch Family Portrait
2415:"BBC One – Fake or Fortune?, Series 3, Vuillard"
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1777:(1900–01), oil on cardboard, 53 x 70 cm,
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2759:Vuillard: Master of the Intimate Interior
2253:. Jewish Women's Archive, Michele Siegel.
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1643:Edouard Vuillard: Portraits Reconsidered
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2780:Cogeval, Guy; Salomon, Antoine (2003).
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1549:
1247:Actress Yvonne Printemps in an armchair
14:
3632:Members of the Académie des beaux-arts
3574:
3101:
2803:. San Francisco: Alan Wofsy Fine Arts.
2564:
2003:
2001:
1999:
1894:"The life and art of Édouard Vuillard"
1822:(1920, reworked in 1926, 1935, 1936),
1753:(c.1897–1899), Cleveland Museum of Art
1328:The Comtesse Marie-Blanche de Polignac
1130:. He attended the performances of the
3075:
2878:
2468:from the original on 24 November 2015
2335:
2296:
2214:
2137:
2044:Paroles d'Artiste – Édouard Vuillard.
2032:Paroles d'Artiste – Édouard Vuillard.
1904:from the original on 25 October 2017.
1872:. Yale University Press. p. 77.
1469:"Le Grand Teddy" painting rediscovery
888:New interiors, cityscapes and gardens
593:Royal Museums of Fine Arts of Belgium
526:
322:. He showed two paintings, including
128:
2801:The Graphic Work of Édouard Vuillard
1923:
1908:
1767:(Misia Natanson with Mimi Godebska,
1735:(from "The Public Gardens") (1894),
1431:Misia Natanson seated in an armchair
832:(1898), The Thiel Gallery, Stockholm
669:but later critics added subtitles:
196:(Vuillard's future brother in law),
2628:Édouard Vuillard- Paroles d'Artiste
2543:"Collection | Garden at Vaucresson"
2173:Paroles d'Artiste- Édouard Vuillard
2160:Paroles d'Artiste- Édouard Vuillard
1996:
1662:25 September 2003 – 4 January 2004
1646:, Jill Newhouse Gallery in New York
1607:16 October 2015 – 15 February 2016
1555:1 July 2021 to 19 September 2021 –
1475:The Grand Teddy tea-rooms paintings
1390:at the League of Nations Building.
1372:1937 Paris International Exposition
1160:1937 Paris International Exposition
1105:Morning concert at Place Vintimille
1090:At Clayes, Geranium on a blue table
1060:Morning in the garden, Clos Cezanne
589:Public Gardens - The two schoolboys
306:, because of his military service.
24:
3622:French Post-impressionist painters
2832:Le Déjeuner à Villeneuve-sur-Yonne
2660:
2034:Éditions Fage, Paris (2019), p. 10
1784:At the Revue Blanche (Portrait of
1581:Maman Vuillard and Madame Vuillard
1578:19 October 2018 – 20 January 2019
1537:
685:They are now in the Museum of the
629:
25:
3673:
2825:
2046:Éditions Fage, Paris (2019), p. 8
1676:
956:decorative panels. First series,
797:Persons in an Interior - Intimacy
3662:19th-century French male artists
3612:20th-century French male artists
2738:Die Nabis: Propheten der Moderne
2721:(in French). Paris: Flammarion.
2694:Correspondence: Bonnard-Vuillard
1649:19 January 2003 – 20 April 2003
1568:13 March 2019 to 30 June 2019 –
1453:
1438:
1423:
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876:Vuillard served as a juror with
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320:Chateau of Saint-Germain-en-Laye
3652:20th-century French printmakers
3647:Burials at Batignolles Cemetery
2853:Pierre Bonnard: The Graphic Art
2535:
2509:
2484:
2450:
2435:Misia et Vallotton à Villeneuve
2433:"Edouard Vuillard (1868–1940),
2425:
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2025:
2013:
1980:(in French). 1934. p. 158.
1831:(1936), Cleveland Museum of Art
1704:Mother and Sister of the Artist
1620:4 May 2012 – 23 September 2012
1531:Misia et Vallotton à Villeneuve
1138:, and with the American dancer
1077:(c. 1928), pastel and charcoal
1075:Morning Light, Place Vintimille
812:Large Interior with Six Persons
694:Large Interior with Six Persons
2837:Vuillard's Biography and works
2740:(in German). Munich: Prestel.
1984:
1966:
1954:
1942:
1886:
1859:
782:Persons in an interior - Music
607:Public Gardens - Girls playing
13:
1:
2864:Vuillard at The Jewish Museum
2673:Vuillard: His Life & Work
2492:"Collection | Green Interior"
1601:in New York at The Art Show,
1586:Barber Institute of Fine Arts
1295:Portrait of David David-Weill
1195:peinture à la colle sur toile
609:(1894), Paris, Musée d'Orsay
576:, Paris, Musée d'Orsay (1894)
394:
159:
3607:20th-century French painters
3597:19th-century French painters
2784:. Paris & Milan: Skila.
2630:(in French). Èditions Fage.
2158:Journal, 6 September 1890,
1665:Edouard Vuillard (1868–1940)
1388:Peace, Protector of the Arts
1368:Théâtre national de Chaillot
1310:Portrait of Princess Bibesco
1186:
1156:Théâtre national de Chaillot
731:The Seamstress with Chiffons
715:(The flowered dress), 1891,
624:(1894), Paris, Musée d'Orsay
486:Theater program for Ibsen's
324:The Woman in a Striped Dress
242:
7:
2799:Roger-Marx, Claude (1990).
2251:"Florence Meyer Blumenthal"
2122:, pp. 164–165, 192–193
1835:
1154:, for the foyer of the new
871:Théodore Duret in his Study
838:After the Nabis (1900–1914)
749:Three women in conversation
152:Vuillard was influenced by
10:
3678:
3592:People from Saône-et-Loire
2858:Metropolitan Museum of Art
2808:Vuillard, Édouard (1985).
2626:Vuillard, Édouard (2019).
2588:Thompson, Belinda (1988).
1824:Metropolitan Museum of Art
1716:Indianapolis Museum of Art
1687:Metropolitan Museum of Art
1472:
1228:Portrait of Theodore Duret
1124:Théâtre des Champs-Élysées
1112:
1026:Metropolitan Museum of Art
869:In 1912, Vuillard painted
735:Indianapolis Museum of Art
622:Public Gardens - Questions
225:William-Adolphe Bouguereau
215:, in the former studio of
27:French painter (1868–1940)
3538:
3517:
3456:
3350:
3312:
3269:Henri de Toulouse-Lautrec
3166:
3111:
3036:
2993:
2912:
2904:
2842:Vuillard at Musée d'Orsay
2592:. Oxford: Phaidon Press.
2282:. Yale University Press.
2082:Le Beau dans le quotidien
1524:
902:Museum of Decorative Arts
878:Florence Meyer Blumenthal
850:supported Dreyfus, while
799:(1896), decorative panel
784:(1896), decorative panel
543:Figures dans un Interieur
417:Henri de Toulouse-Lautrec
105:
82:
56:
41:
34:
3657:French portrait painters
3018:Toulouse-Lautrec Cooking
2713:, in French and German:
2692:Bonnard, Pierre (2001).
2571:Preston, Stuart (1972).
1852:
1765:Woman in Blue With Child
1640:11 April - 21 May 2012,
1544:The Salon of Madame Aron
1207:to the fashion designer
1022:The Garden of Vaucresson
375:Child in an orange shawl
294:, were among the first
130:[ʒɑ̃edwaʁvɥijaʁ]
2644:Brown, Stephen (2012).
2171:Journal, 27 July 1894,
2103:1 February 2014 at the
1842:Intimism (art movement)
1737:Cleveland Museum of Art
1657:National Gallery of Art
1628:1 February 2014 at the
1563:Cleveland Museum of Art
1517:in Paris, Tutt and the
1314:São Paulo Museum of Art
1262:Portrait of Lucy Hessel
1232:National Gallery of Art
1166:Final years (1914–1940)
992:National Gallery of Art
939:Arthur Fontaine reading
717:São Paulo Museum of Art
472:Maison de l'Art Nouveau
3642:Académie Julian alumni
3637:Lycée Condorcet alumni
3499:Salon des Indépendants
3479:Le Barc de Boutteville
3433:Robert Antoine Pinchon
2088:March 2019, pp. 21–27.
1974:"L'Amateur d'estampes"
1491:
1194:
555:
488:An Enemy of the People
433:
383:The Japanese influence
263:
3464:Artistes Indépendants
3393:Karl Schmidt-Rottluff
3388:Ernst Ludwig Kirchner
3294:Théo van Rysselberghe
2757:Cogeval, Guy (2002).
2711:The Time of the Nabis
2607:Cogeval, Guy (2003).
2078:Les Nabis et le Japon
2067:March 2019, pp. 21–27
2061:Les Nabis et Le Decor
2057:Les Nabis et le Japon
1599:Jill Newhouse Gallery
1529:On 13 November 2017,
1515:Wildenstein Institute
1482:
1446:Lucy Hessel on a sofa
1357:Recognition and death
1351:(1933), Musée d'Orsay
1142:, and frequented the
535:Les Jardins Publiques
250:
122:Jean-Édouard Vuillard
51:, 1889, oil on canvas
3602:French male painters
2575:. New York: Abrams.
1820:Garden at Vaucresson
1799:Villeneuve-sur-Yonne
1779:Dallas Museum of Art
1746:Dallas Museum of Art
1550:Selected exhibitions
906:Palace of Versailles
904:, the chapel of the
290:, Maurice Denis and
254:, Édouard Vuillard,
233:École des Beaux-Arts
3509:Salon des Tuileries
3484:La Libre Esthétique
3249:René Schützenberger
3229:Hippolyte Petitjean
3045:L'Estampe originale
2945:Henri-Gabriel Ibels
2667:Vuillard, Édouard;
2565:Books cited in text
1769:rue Saint-Florentin
1615:Norton Simon Museum
1573:Musée du Luxembourg
1498:television program
830:In the Waiting Room
679:The Choice of Books
667:People in Interiors
572:Decorative screen,
556:peinture à la colle
434:peinture à la colle
400:especially for the
3474:Volpini Exhibition
3209:Henri-Edmond Cross
3104:Post-Impressionism
3061:Post-Impressionism
2965:Ker-Xavier Roussel
2669:Roger-Marx, Claude
2320:, pp. 480–481
2266:, pp. 323–325
2211:, pp. 208–209
2199:, pp. 195–199
2134:, pp. 164–165
1847:Post-Impressionism
1721:The Yellow Curtain
1603:Park Avenue Armory
1492:
975:panels (1908–1910)
650:The Flowered Dress
549:The Public Gardens
539:The Public Gardens
528:The Public Gardens
474:in December 1895.
402:Théâtre de l'Œuvre
346:Édouard Vuillard,
264:
252:Ker-Xavier Roussel
206:Aurélien Lugné-Poe
194:Ker-Xavier Roussel
3569:
3568:
3398:Wassily Kandinsky
3121:Neo-Impressionism
3069:
3068:
3026:Homage to Cézanne
2812:. JPL Fine Arts.
2703:978-2-07-076076-3
2637:978-2-84975-560-0
2599:978-0-7148-2955-5
2547:www.metmuseum.org
2462:www.lootedart.com
2380:Brown 2012, p. 21
2308:, pp. 465–68
2289:978-0-300-05555-9
2109:The Jewish Museum
1879:978-0-300-05555-9
1792:Guggenheim Museum
1659:in Washington, DC
1635:The Jewish Museum
1565:, Cleveland, Ohio
1380:League of Nations
713:La Robe À Ramages
646:La Robe à Ramages
119:
118:
16:(Redirected from
3669:
3489:Ambroise Vollard
3438:Henriette Tirman
3332:Der Blaue Reiter
3304:Édouard Vuillard
3289:Vincent van Gogh
3219:Georges Dufrénoy
3105:
3096:
3089:
3082:
3073:
3072:
2985:Édouard Vuillard
2955:Aristide Maillol
2899:
2892:
2885:
2876:
2875:
2869:Édouard Vuillard
2821:
2810:Édouard Vuillard
2804:
2795:
2776:
2751:
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2707:
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2603:
2584:
2573:Édouard Vuillard
2558:
2557:
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2553:
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2528:
2523:. 1 January 1901
2513:
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2399:
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2392:, pp. 24–31
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1652:Édouard Vuillard
1591:1-5 March 2017,
1519:Fake or Fortune?
1501:Fake or Fortune?
1457:
1442:
1427:
1399:Battle of France
1370:, built for the
1343:
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1197:
1173:Francis Jourdain
1158:, built for the
1136:Sergei Diaghilev
1101:
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1041:The Salle Clarac
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988:Place Vintimille
984:
973:Place Vintimille
969:
954:Streets of Paris
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457:, who had given
444:rabbit-skin glue
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409:La Revue Blanche
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348:The Seamstresses
343:
237:Jean-Léon Gérôme
217:Eugène Delacroix
213:Diogène Maillart
132:
127:
98:Loire-Inférieure
89:
67:11 November 1868
66:
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36:Édouard Vuillard
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18:Edouard Vuillard
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3199:Marius Borgeaud
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2930:Maxime Dethomas
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2268:
2256:
2242:
2230:
2213:
2201:
2189:
2177:
2164:
2151:
2136:
2124:
2112:
2090:
2069:
2048:
2036:
2024:
2012:
1995:
1983:
1965:
1953:
1941:
1922:
1907:
1885:
1878:
1857:
1856:
1854:
1851:
1850:
1849:
1844:
1837:
1834:
1833:
1832:
1826:
1817:
1813:Le Grand Teddy
1809:
1803:
1797:Le Déjeuner à
1794:
1781:
1772:
1762:
1754:
1748:
1739:
1730:
1724:
1718:
1711:The Seamstress
1707:
1701:
1698:Woman Sweeping
1695:
1689:
1678:
1677:Selected works
1675:
1674:
1673:
1660:
1647:
1638:
1618:
1605:
1589:
1576:
1566:
1551:
1548:
1539:
1536:
1526:
1523:
1488:glue distemper
1484:Le Grand Teddy
1473:Main article:
1470:
1467:
1466:
1465:
1459:
1452:
1450:
1444:
1437:
1435:
1429:
1422:
1412:Public Gardens
1406:
1403:
1358:
1355:
1354:
1353:
1345:
1338:
1336:
1326:
1319:
1317:
1308:
1301:
1299:
1293:
1286:
1284:
1275:
1268:
1266:
1260:
1253:
1251:
1245:
1238:
1236:
1226:
1219:
1213:Jane Renouardt
1188:
1185:
1167:
1164:
1144:Folies Bergère
1140:Isadora Duncan
1132:Ballets Russes
1114:
1111:
1110:
1109:
1103:
1096:
1094:
1088:
1081:
1079:
1073:
1066:
1064:
1058:
1051:
1049:
1039:
1032:
1030:
1020:
1013:
1011:
1005:
998:
996:
990:panel (1915),
986:
979:
977:
971:
964:
962:
952:
945:
943:
937:
930:
928:
925:Pushkin Museum
919:
912:
889:
886:
848:Pierre Bonnard
844:Dreyfus Affair
839:
836:
835:
834:
828:
821:
819:
810:
803:
801:
795:
788:
786:
780:
773:
771:
762:
755:
753:
747:
740:
738:
729:
722:
720:
711:
704:
633:
628:
627:
626:
620:
613:
611:
605:
598:
596:
587:
580:
578:
571:
564:
530:
525:
524:
523:
513:
506:
504:
501:
494:
492:
485:
478:
455:Siegfried Bing
413:Pierre Bonnard
396:
393:
389:Siegfried Bing
384:
381:
380:
379:
373:
366:
364:
361:
354:
352:
345:
338:
288:Pierre Bonnard
244:
241:
170:Saône-et-Loire
161:
158:
117:
116:
107:
106:Known for
103:
102:
92:
90:(aged 71)
84:
80:
79:
75:Saône-et-Loire
69:
58:
54:
53:
47:
39:
38:
35:
26:
9:
6:
4:
3:
2:
3674:
3663:
3660:
3658:
3655:
3653:
3650:
3648:
3645:
3643:
3640:
3638:
3635:
3633:
3630:
3628:
3625:
3623:
3620:
3618:
3615:
3613:
3610:
3608:
3605:
3603:
3600:
3598:
3595:
3593:
3590:
3588:
3585:
3583:
3580:
3579:
3577:
3562:
3559:
3557:
3554:
3552:
3549:
3547:
3546:Impressionism
3544:
3543:
3541:
3537:
3531:
3530:Albert Aurier
3528:
3526:
3523:
3522:
3520:
3516:
3510:
3507:
3505:
3502:
3500:
3497:
3495:
3492:
3490:
3487:
3485:
3482:
3480:
3477:
3475:
3472:
3470:
3467:
3465:
3462:
3461:
3459:
3455:
3449:
3446:
3444:
3443:Jean Marchand
3441:
3439:
3436:
3434:
3431:
3429:
3428:Pablo Picasso
3426:
3424:
3421:
3419:
3418:Henry Ottmann
3416:
3414:
3411:
3409:
3406:
3404:
3401:
3399:
3396:
3394:
3391:
3389:
3386:
3384:
3381:
3379:
3378:Henri Matisse
3376:
3374:
3371:
3369:
3366:
3364:
3361:
3359:
3356:
3355:
3353:
3349:
3343:
3340:
3338:
3337:Expressionism
3335:
3333:
3330:
3328:
3325:
3323:
3320:
3319:
3317:
3313:20th-century
3311:
3305:
3302:
3300:
3297:
3295:
3292:
3290:
3287:
3285:
3282:
3280:
3277:
3275:
3274:Charles Laval
3272:
3270:
3267:
3265:
3262:
3260:
3257:
3255:
3254:Paul Sérusier
3252:
3250:
3247:
3245:
3242:
3240:
3237:
3235:
3232:
3230:
3227:
3225:
3222:
3220:
3217:
3215:
3214:Maurice Denis
3212:
3210:
3207:
3205:
3202:
3200:
3197:
3195:
3192:
3190:
3187:
3185:
3184:Émile Bernard
3182:
3180:
3177:
3175:
3172:
3171:
3169:
3165:
3159:
3156:
3154:
3151:
3149:
3146:
3144:
3143:
3139:
3137:
3134:
3132:
3129:
3127:
3124:
3122:
3119:
3118:
3116:
3112:19th-century
3110:
3106:
3097:
3092:
3090:
3085:
3083:
3078:
3077:
3074:
3062:
3059:
3057:
3054:
3052:
3049:
3047:
3046:
3042:
3041:
3039:
3035:
3028:
3027:
3023:
3020:
3019:
3015:
3012:
3011:
3007:
3004:
3003:
2999:
2998:
2996:
2992:
2986:
2983:
2981:
2978:
2976:
2973:
2971:
2970:Paul Sérusier
2968:
2966:
2963:
2961:
2958:
2956:
2953:
2951:
2948:
2946:
2943:
2941:
2938:
2936:
2933:
2931:
2928:
2926:
2925:Maurice Denis
2923:
2921:
2918:
2917:
2915:
2911:
2907:
2900:
2895:
2893:
2888:
2886:
2881:
2880:
2877:
2870:
2867:
2865:
2862:
2859:
2855:
2854:
2850:
2848:
2845:
2843:
2840:
2838:
2835:
2833:
2830:
2829:
2819:
2815:
2811:
2806:
2802:
2797:
2793:
2787:
2783:
2778:
2774:
2772:0-500-30109-3
2768:
2764:
2760:
2755:
2749:
2747:3-7913-1969-8
2743:
2739:
2734:
2730:
2724:
2720:
2715:
2714:
2712:
2709:
2705:
2699:
2696:. Gallimard.
2695:
2690:
2686:
2682:
2678:
2674:
2670:
2665:
2664:
2655:
2654:9780300176759
2651:
2647:
2643:
2639:
2633:
2629:
2624:
2620:
2618:2-7118-4640-7
2614:
2610:
2605:
2601:
2595:
2591:
2586:
2582:
2578:
2574:
2569:
2568:
2548:
2544:
2538:
2522:
2518:
2512:
2497:
2493:
2487:
2480:
2467:
2463:
2459:
2453:
2438:
2436:
2428:
2420:
2416:
2410:
2403:
2398:
2391:
2386:
2377:
2370:
2365:
2359:, p. 389
2358:
2353:
2347:, p. 482
2346:
2341:
2339:
2332:, p. 481
2331:
2326:
2319:
2314:
2307:
2302:
2300:
2291:
2285:
2281:
2280:
2272:
2265:
2260:
2252:
2246:
2240:, p. 126
2239:
2238:Thompson 1988
2234:
2227:
2222:
2220:
2218:
2210:
2205:
2198:
2193:
2187:, p. 138
2186:
2181:
2174:
2168:
2161:
2155:
2149:, p. 135
2148:
2143:
2141:
2133:
2128:
2121:
2116:
2110:
2106:
2102:
2099:
2094:
2087:
2086:L'Objet d'Art
2083:
2079:
2073:
2066:
2065:L'Objet d'Art
2062:
2058:
2052:
2045:
2040:
2033:
2028:
2021:
2020:Thompson 1988
2016:
2010:, p. 475
2009:
2004:
2002:
2000:
1992:
1991:Thompson 1988
1987:
1979:
1975:
1969:
1963:, p. 474
1962:
1957:
1951:, p. 474
1950:
1945:
1939:, p. 474
1938:
1933:
1931:
1929:
1927:
1919:
1914:
1912:
1903:
1899:
1895:
1889:
1881:
1875:
1871:
1870:
1862:
1858:
1848:
1845:
1843:
1840:
1839:
1830:
1827:
1825:
1821:
1818:
1815:
1814:
1810:
1807:
1804:
1801:
1800:
1795:
1793:
1789:
1787:
1782:
1780:
1776:
1773:
1770:
1766:
1763:
1760:
1759:
1755:
1752:
1749:
1747:
1743:
1740:
1738:
1734:
1731:
1728:
1725:
1722:
1719:
1717:
1713:
1712:
1708:
1705:
1702:
1699:
1696:
1693:
1692:Self Portrait
1690:
1688:
1684:
1681:
1680:
1671:
1670:Musée d'Orsay
1667:
1666:
1661:
1658:
1654:
1653:
1648:
1645:
1644:
1639:
1636:
1632:
1631:
1627:
1624:
1619:
1616:
1612:
1611:
1606:
1604:
1600:
1596:
1595:
1590:
1588:in Birmingham
1587:
1583:
1582:
1577:
1574:
1571:
1567:
1564:
1560:
1559:
1554:
1553:
1547:
1545:
1535:
1532:
1522:
1520:
1516:
1512:
1508:
1503:
1502:
1497:
1494:In 2014, the
1489:
1485:
1481:
1476:
1462:
1456:
1451:
1447:
1441:
1436:
1432:
1426:
1421:
1420:
1419:
1415:
1413:
1405:Personal life
1402:
1400:
1396:
1391:
1389:
1383:
1381:
1377:
1373:
1369:
1365:
1350:
1349:
1348:Jeanne Lanvin
1342:
1337:
1333:
1332:Musée d'Orsay
1330:(1928–1932),
1329:
1323:
1318:
1315:
1311:
1305:
1300:
1296:
1290:
1285:
1281:
1280:
1272:
1267:
1263:
1257:
1252:
1248:
1242:
1237:
1233:
1229:
1223:
1218:
1217:
1216:
1214:
1210:
1209:Jeanne Lanvin
1206:
1202:
1198:
1196:
1184:
1182:
1176:
1174:
1163:
1161:
1157:
1153:
1149:
1145:
1141:
1137:
1133:
1129:
1125:
1121:
1106:
1100:
1095:
1091:
1085:
1080:
1076:
1070:
1065:
1061:
1055:
1050:
1046:
1042:
1036:
1031:
1027:
1023:
1017:
1012:
1008:
1007:Venus de Milo
1002:
997:
993:
989:
983:
978:
974:
968:
963:
959:
955:
949:
944:
940:
934:
929:
926:
922:
916:
911:
910:
909:
907:
903:
899:
898:Louvre Museum
894:
885:
883:
879:
874:
872:
867:
863:
861:
855:
853:
852:Maurice Denis
849:
845:
831:
825:
820:
817:
813:
807:
802:
798:
792:
787:
783:
777:
772:
769:
765:
759:
754:
750:
744:
739:
736:
732:
726:
721:
718:
714:
708:
703:
702:
701:
699:
695:
690:
688:
684:
680:
676:
672:
668:
662:
660:
659:with Chiffons
657:
653:
651:
647:
642:
638:
632:
623:
617:
612:
608:
602:
597:
594:
590:
584:
579:
575:
568:
563:
562:
561:
559:
557:
550:
546:
544:
540:
536:
529:
520:
519:Louis Tiffany
516:
515:The Chestnuts
510:
505:
498:
493:
489:
482:
477:
476:
475:
473:
468:
464:
463:Louis Tiffany
460:
456:
451:
449:
445:
441:
437:
435:
428:
426:
422:
418:
414:
410:
405:
403:
392:
390:
376:
370:
365:
358:
353:
349:
342:
337:
336:
335:
331:
329:
325:
321:
317:
313:
307:
305:
301:
297:
293:
289:
285:
281:
277:
276:Paul Sérusier
273:
269:
261:
257:
256:Romain Coolus
253:
249:
240:
238:
234:
230:
229:Robert-Fleury
226:
222:
218:
214:
209:
207:
203:
199:
198:Maurice Denis
195:
191:
187:
183:
179:
173:
171:
167:
157:
155:
150:
148:
144:
140:
136:
131:
123:
115:
111:
108:
104:
99:
95:
85:
81:
76:
72:
59:
55:
50:
49:Self-portrait
45:
40:
33:
30:
19:
3561:Secessionism
3525:Félix Fénéon
3448:Othon Friesz
3368:André Derain
3303:
3239:Odilon Redon
3224:Paul Gauguin
3204:Paul Cézanne
3189:Edvard Munch
3140:
3043:
3024:
3016:
3008:
3002:The Talisman
3000:
2984:
2940:Hermann-Paul
2851:
2809:
2800:
2781:
2763:New Horizons
2758:
2737:
2718:
2710:
2693:
2672:
2645:
2627:
2608:
2589:
2572:
2550:. Retrieved
2546:
2537:
2525:. Retrieved
2520:
2511:
2499:. Retrieved
2495:
2486:
2477:
2470:. Retrieved
2461:
2452:
2440:. Retrieved
2434:
2427:
2418:
2409:
2402:Cogeval 2003
2397:
2390:Cogeval 2003
2385:
2376:
2371:, p. 49
2369:Preston 1972
2364:
2357:Cogeval 2003
2352:
2345:Cogeval 2003
2330:Cogeval 2003
2325:
2318:Cogeval 2003
2313:
2306:Cogeval 2003
2278:
2271:
2264:Cogeval 2003
2259:
2245:
2233:
2226:Cogeval 2003
2209:Cogeval 2003
2204:
2197:Cogeval 2003
2192:
2185:Cogeval 2003
2180:
2172:
2167:
2159:
2154:
2147:Cogeval 2003
2132:Cogeval 2003
2127:
2120:Cogeval 2003
2115:
2093:
2085:
2081:
2077:
2072:
2064:
2060:
2056:
2051:
2043:
2039:
2031:
2027:
2022:, p. 18
2015:
2008:Cogeval 2003
1993:, p. 10
1986:
1977:
1968:
1961:Cogeval 2003
1956:
1949:Cogeval 2003
1944:
1937:Cogeval 2003
1920:, p. 14
1918:Preston 1972
1897:
1888:
1868:
1861:
1828:
1819:
1812:
1805:
1796:
1786:Félix Fénéon
1783:
1774:
1764:
1756:
1750:
1741:
1732:
1727:Married Life
1726:
1720:
1709:
1703:
1697:
1691:
1682:
1663:
1650:
1642:
1621:
1608:
1593:
1579:
1569:
1556:
1543:
1541:
1530:
1528:
1518:
1499:
1493:
1483:
1460:
1445:
1430:
1416:
1411:
1408:
1392:
1387:
1384:
1376:Anabaptistes
1375:
1363:
1360:
1346:
1327:
1309:
1294:
1279:Sacha Guitry
1277:Portrait of
1276:
1261:
1246:
1227:
1205:Sacha Guitry
1192:
1190:
1177:
1169:
1151:
1148:Moulin Rouge
1120:Sacha Guitry
1116:
1104:
1089:
1074:
1059:
1040:
1021:
1006:
994:, Washington
987:
972:
957:
953:
938:
920:
895:
891:
875:
870:
868:
864:
856:
841:
829:
811:
796:
781:
763:
748:
730:
712:
693:
691:
687:Petit Palais
682:
678:
674:
670:
666:
663:
658:
655:
654:
649:
645:
643:
639:
635:
630:
621:
606:
588:
573:
553:
548:
547:
542:
538:
534:
532:
527:
514:
487:
471:
458:
452:
431:
429:
408:
406:
398:
386:
374:
347:
332:
328:Le Chat Noir
327:
323:
308:
303:
299:
295:
284:The Talisman
283:
280:Paul Gauguin
272:The prophets
271:
265:
210:
202:Pierre Véber
192:, including
186:Michelangelo
174:
163:
154:Paul Gauguin
151:
121:
120:
88:(1940-06-21)
86:21 June 1940
29:
3617:Nabis (art)
3587:1940 deaths
3582:1868 births
3457:Exhibitions
3264:Paul Signac
3234:Paul Ranson
3158:Art Nouveau
3136:Cloisonnism
3131:Pointillism
3126:Divisionism
2980:Jan Verkade
2960:Paul Ranson
2442:14 November
1978:Gallica.Bnf
1829:André Bénac
1806:Café Wepler
1751:At the Café
1637:in New York
1617:in Pasadena
1461:Lucie Belin
1382:in Geneva.
698:Paul Ranson
459:Art Nouveau
312:Maeterlinck
304:Nabi Zouave
292:Paul Ranson
139:avant garde
114:printmaking
3576:Categories
3556:Modern art
3408:Franz Marc
3373:Raoul Dufy
3327:Die Brücke
3174:Cuno Amiet
3148:Synthetism
2818:B00100R0HC
2791:8884911192
2728:2080109413
2552:4 February
2527:4 February
2521:Guggenheim
2501:4 February
1898:Christie's
1364:La Comédie
1181:Vaucresson
1152:La Comédie
1028:, New York
860:naturalism
689:in Paris.
656:Seamstress
395:Decoration
314:and other
160:Early life
135:printmaker
63:1868-11-11
3551:Modernism
3315:movements
3153:Symbolism
3142:Les Nabis
3114:movements
3056:Lugné-Poe
2994:Paintings
2719:Les Nabis
2677:Paul Elek
2581:871630733
1249:(1920–21)
1201:distemper
1187:Portraits
1107:(1937–38)
683:Intimacy.
521:(1894–95)
467:porcelain
440:distemper
316:symbolist
268:Les Nabis
243:Les Nabis
200:, writer
143:Les Nabis
3051:Intimism
2913:Painters
2671:(1946).
2609:Vuillard
2590:Vuillard
2472:25 April
2466:Archived
2101:Archived
1902:Archived
1836:See also
1790:, 1901,
1771:) (1899)
1714:(1893),
1685:(1891),
1672:in Paris
1626:Archived
1486:, 1918,
1395:La Baule
1312:(1925),
1230:(1912),
1179:1924 at
1146:and the
1024:(1920),
923:(1904),
921:Interior
900:and the
814:(1897),
766:(1895),
733:(1893),
591:(1894),
425:frescoes
166:Cuiseaux
110:Painting
100:, France
94:La Baule
77:, France
71:Cuiseaux
3539:Related
3518:Critics
3351:Artists
3322:Fauvism
3167:Artists
3037:Related
2856:at the
2685:1237747
2496:The Met
2175:, p. 30
2162:, p. 30
1575:, Paris
1334:, Paris
1113:Theater
1043:at the
126:French:
3469:Les XX
3342:Cubism
3029:(1900)
3021:(1898)
3013:(1893)
3005:(1888)
2816:
2788:
2769:
2744:
2725:
2700:
2683:
2652:
2634:
2615:
2596:
2579:
2286:
1876:
1816:(1918)
1802:(1902)
1761:(1898)
1729:(1894)
1723:(1893)
1706:(1893)
1700:(1892)
1694:(1892)
1525:Market
1511:Geneva
1463:(1915)
1448:(1900)
1433:(1901)
1297:(1925)
1282:(1925)
1264:(1924)
1092:(1932)
1062:(1924)
1047:(1922)
1045:Louvre
1009:(1920)
960:(1908)
941:(1904)
751:(1893)
681:, and
541:) and
350:(1890)
300:nabiim
262:, 1899
2906:Nabis
2080:, in
2059:, in
1853:Notes
1199:, or
958:Passy
671:Music
448:gesso
438:, or
296:Nabis
270:, or
190:Nabis
2814:ASIN
2786:ISBN
2767:ISBN
2742:ISBN
2723:ISBN
2698:ISBN
2681:OCLC
2650:ISBN
2632:ISBN
2613:ISBN
2594:ISBN
2577:OCLC
2554:2019
2529:2019
2503:2019
2474:2021
2444:2017
2284:ISBN
1874:ISBN
675:Work
227:and
83:Died
57:Born
2761:. '
2419:BBC
2107:at
1496:BBC
298:of
3578::
2679:.
2675:.
2545:.
2519:.
2494:.
2476:.
2464:.
2460:.
2417:.
2337:^
2298:^
2216:^
2139:^
2084:,
2063:,
1998:^
1976:.
1925:^
1910:^
1900:.
1896:.
1668:,
1655:,
1633:,
1613:,
1597:,
1584:,
1561:,
1401:.
1162:.
908:.
677:,
673:,
419:,
415:,
258:,
208:.
112:,
96:,
73:,
3095:e
3088:t
3081:v
2898:e
2891:t
2884:v
2820:.
2794:.
2775:.
2750:.
2731:.
2706:.
2687:.
2656:.
2640:.
2621:.
2602:.
2583:.
2556:.
2531:.
2505:.
2446:.
2437:"
2421:.
2292:.
1882:.
1788:)
648:(
537:(
168:(
124:(
65:)
61:(
20:)
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