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Edmond Clément

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erupted in 1914 and was wounded subsequently while serving with the French army. America heard him again during the early 1920s when he travelled across the Atlantic for concert and recital appearances. His last years were spent in semi-retirement in France and are considered his declining period. He
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His voice lives on in the form of recordings which he made in France and the United States for the Odeon, Victor and Pathe companies. These recordings, which have been reissued on CD, consist mainly of operatic arias from his core repertoire. They are helpful in elucidating the vibrant culture of
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was not in high demand at the time. Because of Caruso's growing prestige as a verismo tenor, Clement was not re-signed by the Met's management. While in New York City, he kept his voice in performance shape by taking lessons from the noted pedagogue
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who earned an international reputation due to the polished artistry of his singing. During his career he also held a private studio, one of his students being the internationally recognized soprano
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When he reached his 40s, his career had begun moving Westward. He was not only popular in Paris and began singing in Brussels, Monte Carlo, Madrid and London, although he never appeared at the
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Edmond Clement is noted to have sung over 40 roles during his professional career, before retiring at 60 to focus on teaching, as well as perform in smaller concerts and recitals.
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of his era by dint of his musicianship. He was also considered incredibly handsome and possessed developed acting skills for the stage.
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in New York City, where he performed from 1909-1910. He faced competition from the equally popular Italian verismo tenor
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Edmond Clément: The Complete Odéon (1905) and Victor (1911-13) Recordings - Plácido Domingo | Releases | AllMusic
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Edmond Clément: The Complete Odéon (1905) and Victor (1911-13) Recordings (Romophone, 1995 and Masterworks)
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Edmond Clément: The Complete Pathé Recordings (1916-1925) - Edmond Clement | Releases | AllMusic
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French Opera and Mèlodies; Traditional Chansons - Edmond Clement | User Reviews | AllMusic
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gave his last recital in Nice at the age of 60 in 1927. He died on February 24, 1928, in
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Edmond Clement: French Opera and Mèlodies; Traditional Chansons (Pearl Records, 1995)
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Edmond Clement: Edmont Clément: The Most Famous Recordings (Vocal Archives, 1998)
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Edmond Clement: The Legendary French Tenor, 1911-14 (Minerva Recordings, 2011)
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Edmond Clement – Edmond Clement, An Historical Recording (1964, Vinyl)
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After his time at the MET, from 1911 to 1913 he began singing at the
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Chanson de l'inconstant / H. Maurice Jacquet - Discover Archives".
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Edmond Clement, An Historical Recording (Delta Records, 1964)
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Edmond Clement: The Complete Pathe Recordings, 1916-1925 (
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says, Perfect Tenor Recital Selections (2017-04-24).
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In 1911, the French-American composer and conductor
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"Clément, Edmond". 1098: 1096: 1002:discoverarchives.library.utoronto.ca 947: 906: 883: 881: 879: 877: 13: 1229:, Michael Scott, (Duckworth, 1977) 1194: 1093: 950:"THE FACH SYSTEM: The tenor voice" 14: 1309: 1233: 874: 124:Clément began his studies at the 1298:Officers of the Legion of Honour 1168: 1147: 1135:from the original on 2021-07-19 1117: 16:French opera singer (1867–1928) 1178:French Tenor-Recordings 1930's 1072: 1050: 1029: 1008: 993: 966: 941: 288: 1: 1278:Conservatoire de Paris alumni 867: 824: 889:"Edmond Clement (1867-1928)" 119: 7: 66:23 February 1928, age of 61 10: 1314: 785:Frédéric Alfred d'Erlanger 833:, for voice and piano by 647:François-Adrien Boieldieu 303:Chanson de l'Inconstant" 279: 182:and Italienischer tenor. 88: 80: 72: 62: 52: 42: 37: 28: 21: 677:Il Barbiere di Siviglia 538:La Fille de Madame Angot 308: 1005:. Retrieved 2021-07-19. 927:Oxford University Press 925:. Oxford Music Online. 136:in 1889, as Vincent in 1283:French operatic tenors 1248:, retrieved 2021-07-19 1038:Edmond Clément - Adieu 1017:Edmond Clément - Adieu 691:Les Contes d’Hoffmann 126:Conservatoire de Paris 38:Background information 1227:The Record of Singing 358:La Fille du Regiment 108:) was a French lyric 48:Frédéric-Jean Clément 521:L’Attaque du Moulin 254:Boston Opera Company 982:. February 24, 1928 954:The IPA Source Blog 595:Camille Saint-Saëns 504:L’Attaque du Moulin 492:Wolfgang A. Mozart 478:Wolfgang A. Mozart 317: 203:Camille Saint-Saëns 1273:Singers from Paris 1062:(in Russian), 1964 979:The New York Times 922:Grove Music Online 694:Jacques Offenbach 680:Gioachino Rossini 361:Gaetano Donizetti 316: 295:H. Maurice Jacquet 276:at the age of 61. 250:Boston Opera House 230:Metropolitan Opera 1175:Clement, Edmond, 893:Mahler Foundation 822: 821: 781:Le Juif Polonais 346:Gaetano Donizetti 243:Frederick Bristol 222:Royal Opera House 96: 95: 1305: 1188: 1187: 1186: 1185: 1172: 1166: 1165: 1164: 1163: 1151: 1145: 1144: 1142: 1140: 1125:"EDMOND CLEMENT" 1121: 1115: 1114: 1113: 1112: 1100: 1091: 1090: 1089: 1088: 1076: 1070: 1069: 1068: 1067: 1054: 1048: 1047: 1046: 1045: 1033: 1027: 1026: 1025: 1024: 1012: 1006: 997: 991: 990: 988: 987: 970: 964: 963: 961: 960: 945: 939: 938: 913: 904: 903: 901: 900: 885: 475:Die Zauberflöte 318: 315: 214:Madama Butterfly 193:Camille Erlanger 188:Le Juif polonais 45: 33: 19: 18: 1313: 1312: 1308: 1307: 1306: 1304: 1303: 1302: 1253: 1252: 1236: 1197: 1195:Further reading 1192: 1191: 1183: 1181: 1173: 1169: 1161: 1159: 1153: 1152: 1148: 1138: 1136: 1123: 1122: 1118: 1110: 1108: 1102: 1101: 1094: 1086: 1084: 1078: 1077: 1073: 1065: 1063: 1056: 1055: 1051: 1043: 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Index


Nice
tenor
Marie Sundelius
Conservatoire de Paris
Victor Warot
Opéra-Comique
Mireille
Ottavio
Tamino
Almaviva
Georges Brown
Fra Diavolo
Gérald
des Grieux
Werther
Hoffmann
Lyrischer Tenor
Le Juif polonais
Camille Erlanger
Hélène
Camille Saint-Saëns
Falstaff
Madama Butterfly
Royal Opera House
Covent Garden
Metropolitan Opera
Enrico Caruso
bel canto style
Frederick Bristol

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