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but the subject matter isn't necessarily very nice. A lot of it is relationship-based, but it's always vague, and never just boy-meets-girl. It could easily be boy-meets-boy, or girl-meets-girl. Then there's hate, and whimsical thoughts you get from nowhere". Ó Cíosóig remarked that "it's more weird perversions of feeling you get in a relationship" and referred to the lyrics as being marked by "extremes, because we're entertained by extreme things". Shields noted that the lyrics were a progression from the band's earlier releases as "the idea of composing a sweet pop song that sugar-coated some lyrical horror and sending it hurtling up the charts appealed to our sense of humour" and considered the songwriting process for
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318:. After performing one show in April 1987 with both on vocals, My Bloody Valentine considered Byfield "unsuitable" for the band and he was subsequently fired. Butcher, whose prior musical experience had been playing classical guitar as a child, and singing and playing tambourine "with some girlfriends for fun", was chosen as My Bloody Valentine's new vocalist and began rehearsing with the band in the middle of 1987.
727:. The band toured small student venues and, according to Kevin Shields, at "one particular place, there were these guy playing pool in the background, shouting amongst themselves and being quite loud and not paying attention". Before performing "Clair", Shields said to the band "let's just do it until those guys stop" and performed a two-chord riff in the song that lasted for an approximate 30 minutes.
370:-like". A number of songs were recorded that did not feature on the final release, as the band considered them "awful". However, the sessions were "the first time actually played around properly in the studio", which resulted in "extreme" and "quite nasty" guitar sounds, which My Bloody Valentine would later become associated with.
387:
Steve Nunn, who mislaid the source material of the final mix prior to its transfer to the master recording. Shields subsequently "brought an independent engineer in to the studios to point out what was wrong" but Lazy
Records refused to invest further finances into the album's recording process. As a
567:
has been criticised as being "directionless and floundered about within the framework of songs which appeared to be only half formed ideas," which was due to the band's in-studio experimentation with different aspects of their guitar sound. In hindsight, Shields said that "even when we'd finished it
413:
s seven tracks were written and composed by Kevin
Shields, with Colm Ó Cíosóig credited as the co-writer of three tracks—"The Things I Miss", "Clair" and "(Please) Lose Yourself in Me". Regarding the lyrical content of the album in contrast to the music, Shields said that "the songs may sound sweet,
340:
Lazy
Records, on which the band released "Sunny Sundae Smile", requested a full-length album from My Bloody Valentine during summer 1987. The band refused the label's request, claiming their newly formed line-up "had only been together a couple of months and hadn't really had time to get settled".
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took place a week after the recording sessions for "Strawberry Wine". My Bloody
Valentine spent a total of 10 days recording the album. According to Kevin Shields, the sessions "had no direction and didn't even know what were doing" and "bashed out all these tunes quickly, very
656:, however, was released without the band's consent and Kevin Shields retrieved 10,000 LP copies from the manager of Lazy Records soon after its release. Shields sold the records to various distributors in the early 1990s, after My Bloody Valentine were dropped from
568:
we didn't like half the songs we'd done. The record never came out right and it made us realise that we were still too twee". In response to the band's "unwanted reputation for jangly feyness", My Bloody
Valentine later incorporated elements of American
304:—considered splitting up and forming a new band under a different name. However, the band placed advertisements for a vocalist in the local music press in London, which Shields referred to later as "pointless, … disastrous and excrutiating [
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in
December 1987 and spent four weeks in total on the chart, peaking at number 12. The contents of the album were later combined with the band's preceding single, "Strawberry Wine", and reissued on the compilation album
532:
30:
201:, released on 23 November 1987 on Lazy Records. Released in a limited edition of 3,000 copies, it was the band's final release for Lazy Records and second to feature vocalist and guitarist
673:
referred to the album as "a series of aloof, pastel washes of sound, suspended guitars, words from the back of beyond tying in to a large, shifting whole" and "larger than the sum of its parts". In
709:
territory, using guitarist
Bilinda Butcher's airy voice to define their image" and when "Shields and Butcher exploring the guitar landscapes that would later become their trademark".
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s supporting tour My Bloody
Valentine conceived the idea of an interlude of white noise during live performances which was later attributed to their song "
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398:] was lost, and much of the tone was dulled" and the album "showed a group who appeared to have run out of money half way through recording".
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journalists in the early 1990s to describe certain bands' "motionless performing style, where they stood on stage and stared at the floor".
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was released on 23 November 1987 on Lazy
Records. It received a limited edition release of 3,000 LP copies distributed by
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left the band due to a gastric illness, disillusionment with music and his ambitions to become a writer. The remaining members—guitarist
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s sound as "bubblegum pop with buzzsaw guitars", which was similar to their prior releases and further diverged from their earlier
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inspired vocalists who he referred to as "fruitballs". Through mutual friends the band recruited two vocalists, Joe
Byfield and
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s overall sound "ushered in a sunnier, more optimistic vibe" for the band which was reminiscent of the sound of 1960s American
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The album experienced several technical and financial problems during its recording sessions, including errors in the
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standards of My Bloody Valentine's earlier releases for the label, drawing influence from various artists including
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s recording was plagued by technical and financial errors, which impacted the eventual release of the album. The
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during the writing process, which resulted in the guitar tones being "too jingly jangly". Writer
1568:"My Bloody Valentine's Kevin Shields on the early days of the band, using synths and tape-loops"
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486:. "Clair", one of the first recordings to feature Bilinda Butcher, features a sampled tape
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Indie Hits: 1980–1989: The Complete Guide to UK Independent Charts (Singles & Albums)
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process, and the band were dissatisfied with its outcome; although upon its release,
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rated the album two and a half out of five stars. In a separate review of
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1994:
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Milk It!: Collected Musings on the Alternative Music Explosion of the 90s
1506:"Ecstasy and Wine – My Bloody Valentine: Songs, Reviews, Credits, Awards"
503:(1977). The sample was processed through audio filters to emulate guitar
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266:(1989), which was released on Lazy Records without the band's consent.
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received moderate critical acclaim and peaked at number 12 on the
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Dalton, Stephen (1992). "My Bloody Valentine: The Sound of Violence".
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Following minor success on the underground scene after the release of
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was the band's second release to feature vocalist and guitarist
1678:
1117:"TD Archive: My Bloody Valentine's Bilinda Butcher Interviewed"
233:, and the album distanced the band further from their earlier
1973:
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1068:
Booth, Vachel (1989). "My Bloody Valentine: Weep For You".
660:, and used the funds to finance later recording sessions.
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within three months of its release. The album entered the
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sound on the album, a venture which was influenced by
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However, the band compromised and agreed to record a
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Nicholls, Phil (1988). "The Excellence of Ecstasy".
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705:as the point where the band "started moving toward
1652:The Guinness Who's Who of Indie and New Wave Music
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652:, released in February 1989 on Lazy Records.
388:result, "much of what was originally the sound of
1359:"Shoegaze: Significant Albums, Artists and Songs"
418:as "fresh after having made pure noise earlier".
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1388:"MBV inspires Japan to keep staring at its feet"
1535:"Articles: My Bloody Valentine | Features"
1237:: CS1 maint: others in cite AV media (notes) (
825:"(You're) Safe in Your Sleep (From This Girl)"
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701:, AllMusic writer Bradley Torreano described
689:as a "rarified, effete and poppy approach to
576:systems, resulting in the band pioneering an
433:similar to "Strawberry Wine". Shields used a
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1100:Brown, Nick (1991). "My Bloody Valentine".
681: series about the My Bloody Valentine
482:, in particular the Los Angeles based band
444:s recording sessions and was influenced by
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572:music and Shields customised his guitars'
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1430:(5 December 1987). "My Bloody Valentine:
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1280:Speller, Stephen (1988). "Dream Demons".
260:", and reissued on the compilation album
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1172:"Kevin Shields: The Buddyhead Interview"
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277:The New Record by My Bloody Valentine
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1125:. Totally Partner. Archived from
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500:The Beatles at the Hollywood Bowl
1931:Man You Love to Hate – Live
1386:Martin, Ian (28 February 2013).
1170:North, Aaron (19 January 2005).
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554:Problems playing this file? See
538:"Clair" demonstrated the band's
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904:"(Please) Lose Yourself in Me"
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1906:This Is Your Bloody Valentine
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351:UK Independent Singles Chart
7:
1533:Ewing, Tom (23 June 2008).
1030:UK Independent Albums Chart
995:My Bloody Valentine –
643:UK Independent Albums Chart
361:The recording sessions for
254:UK Independent Albums Chart
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736:All tracks are written by
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2103:Kevin Shields discography
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1700:Moore, Christie (2006).
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223:The Jesus and Mary Chain
1723:McGonial, Mike (2007).
771:"She Loves You No Less"
2048:Feed Me with Your Kiss
1673:Lazell, Barry (1997).
960: – vocals, guitar
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683:album of the same name
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594:Release and reception
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1286:(10 December 1988).
1072:(February 1989): 25.
977:Additional musicians
887:"You've Got Nothing"
599:Professional ratings
2041:You Made Me Realise
1988:You Made Me Realise
1816:My Bloody Valentine
1656:Guinness Publishing
1640:Harris Publications
1514:. All Media Network
1504:Torreano, Bradley.
1485:. All Media Network
1437:New Musical Express
1367:. All Media Network
1265:(20 January 1988).
1233:cite AV media notes
1225:My Bloody Valentine
1057:. 16 November 2016.
990:Technical personnel
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788:"The Things I Miss"
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721:You Made Me Realise
635:Rough Trade Records
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280:(1986) and 1987's "
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170:You Made Me Realise
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2118:Rollercoaster Tour
2027:Sunny Sundae Smile
1781:(list of releases)
1769:(list of releases)
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1624:978-0-306-81271-2
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143:
142:
135:
134:
129:
123:
122:
119:
113:
112:
101:
97:
96:
95:
94:
89:
84:
77:
71:
70:
67:
63:
62:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
2182:
2171:
2168:
2166:
2163:
2161:
2158:
2157:
2155:
2140:
2139:
2135:
2133:
2132:
2128:
2126:
2125:
2121:
2119:
2116:
2114:
2111:
2109:
2106:
2104:
2101:
2099:
2096:
2094:
2091:
2090:
2088:
2084:
2077:
2073:
2070:
2066:
2063:
2059:
2056:
2052:
2049:
2045:
2042:
2038:
2035:
2031:
2028:
2024:
2021:
2017:
2016:
2014:
2010:
2004:
2003:
1999:
1997:
1996:
1992:
1990:
1989:
1985:
1983:
1982:
1978:
1976:
1975:
1971:
1970:
1968:
1964:
1958:
1957:
1953:
1951:
1950:
1946:
1945:
1943:
1939:
1933:
1932:
1928:
1927:
1925:
1921:
1915:
1914:
1910:
1908:
1907:
1903:
1902:
1900:
1896:
1890:
1889:
1885:
1883:
1882:
1878:
1876:
1875:
1871:
1870:
1868:
1866:Studio albums
1864:
1858:
1855:
1854:
1851:
1850:
1846:
1844:
1843:
1839:
1837:
1836:
1832:
1830:
1829:
1828:Kevin Shields
1825:
1824:
1821:
1817:
1810:
1805:
1803:
1798:
1796:
1791:
1790:
1787:
1780:
1776:
1775:
1771:
1768:
1764:
1763:
1759:
1758:
1748:
1742:
1738:
1734:
1730:
1726:
1721:
1717:
1711:
1707:
1703:
1698:
1694:
1692:0-9517206-9-4
1688:
1684:
1680:
1676:
1671:
1667:
1665:0-85112-579-4
1661:
1657:
1653:
1649:
1648:Larkin, Colin
1645:
1641:
1637:
1636:
1630:
1626:
1620:
1616:
1615:Da Capo Press
1611:
1610:
1604:
1600:
1599:
1579:
1575:
1574:
1569:
1562:
1546:
1542:
1541:
1536:
1529:
1513:
1512:
1507:
1500:
1484:
1483:
1478:
1471:
1465:, p. 24.
1464:
1463:McGonial 2007
1459:
1452:
1447:
1440:. p. 30.
1439:
1438:
1433:
1429:
1423:
1417:, p. 31.
1416:
1415:McGonial 2007
1411:
1395:
1394:
1389:
1382:
1366:
1365:
1360:
1354:
1348:, p. 26.
1347:
1342:
1334:
1330:
1329:
1321:
1314:
1309:
1302:
1297:
1289:
1285:
1284:
1276:
1268:
1264:
1263:
1255:
1253:
1251:
1249:
1240:
1234:
1226:
1222:
1216:
1214:
1206:
1201:
1186:
1183:(Interview).
1182:
1181:
1173:
1166:
1164:
1162:
1154:
1149:
1147:
1145:
1129:on 3 May 2019
1128:
1124:
1123:
1118:
1111:
1103:
1096:
1094:
1092:
1090:
1088:
1086:
1084:
1082:
1080:
1071:
1064:
1056:
1050:
1046:
1033:
1031:
1027:
1019:Chart (1987)
1017:
1006:
1004:
1000:
998:
994:
993:
992:
991:
981:
980:
979:
978:
972: – drums
971:
968:
965:
962:
959:
956:
953:
952:Kevin Shields
950:
949:
948:
947:
943:
938:
922:
919:Total length:
916:
912:
909:
906:
903:
899:
895:
892:
889:
886:
882:
878:
875:
872:
869:
865:
846:
833:
830:
827:
824:
820:
816:
813:
810:
807:
803:
799:
796:
794:
790:
787:
783:
779:
776:
773:
770:
766:
747:
741:
739:
738:Kevin Shields
731:Track listing
728:
726:
722:
715:
710:
708:
707:Cocteau Twins
704:
700:
696:
692:
688:
684:
680:
676:
672:
671:
666:
661:
659:
655:
651:
650:
644:
640:
636:
632:
623:
621:
620:
616:
615:
607:
604:Review scores
602:
591:
589:
588:
583:
579:
575:
571:
566:
559:
557:
545:
541:
525:
508:
506:
502:
501:
493:
489:
485:
481:
474:
470:
469:Jim DeRogatis
466:
462:
455:
451:
447:
440:
436:
432:
428:
424:
419:
417:
409:
399:
397:
396:
391:
386:
382:
375:
371:
369:
364:
354:
352:
348:
344:
335:
331:
327:
323:
319:
317:
313:
309:
308:
303:
299:
295:
294:Kevin Shields
291:
287:
283:
279:
278:
267:
265:
264:
259:
255:
251:
247:
242:
240:
236:
232:
228:
224:
220:
216:
213:followed the
212:
208:
204:
200:
196:
192:
188:
187:
172:
171:
167:
163:
162:
158:
154:
153:
149:
148:
144:
140:
136:
133:
130:
128:
124:
120:
118:
114:
102:
98:
93:
90:
88:
85:
83:
80:
79:
78:
76:
72:
68:
64:
53:
49:
45:
40:
36:
32:
27:
22:
16:
2136:
2129:
2122:
2113:Glide guitar
2076:Only Shallow
2055:Instrumental
2000:
1993:
1986:
1979:
1972:
1954:
1947:
1941:Compilations
1929:
1912:
1911:
1904:
1886:
1879:
1872:
1857:David Conway
1847:
1842:Debbie Googe
1840:
1833:
1826:
1773:
1760:
1724:
1701:
1674:
1651:
1635:Guitar World
1633:
1608:
1596:Bibliography
1581:. Retrieved
1571:
1561:
1549:. Retrieved
1545:the original
1538:
1528:
1516:. Retrieved
1509:
1499:
1489:30 September
1487:. Retrieved
1480:
1470:
1458:
1446:
1435:
1431:
1428:Stanley, Bob
1422:
1410:
1398:. Retrieved
1391:
1381:
1369:. Retrieved
1362:
1353:
1346:DiPerna 1992
1341:
1326:
1320:
1308:
1296:
1281:
1275:
1262:Melody Maker
1260:
1220:
1205:DiPerna 1992
1200:
1188:. Retrieved
1178:
1131:. Retrieved
1127:the original
1120:
1110:
1101:
1069:
1063:
1049:
989:
988:
976:
975:
966: – bass
964:Debbie Googe
945:
944:
936:
934:
735:
713:
711:
702:
698:
686:
674:
670:Melody Maker
668:
664:
662:
653:
647:
639:out of print
630:
629:
617:
585:
564:
562:
553:
498:
497:live album,
472:
453:
450:Colin Larkin
438:
420:
415:
407:
405:
393:
389:
373:
372:
362:
360:
339:
333:
325:
305:
302:Debbie Googe
300:and bassist
290:David Conway
284:", original
275:
273:
261:
249:
243:
210:
207:David Conway
185:
184:
183:
168:
160:
159:
150:
15:
2160:1987 albums
2108:The Complex
2093:Discography
1923:Live albums
1898:Mini albums
1779:MusicBrainz
1706:AuthorHouse
1301:Larkin 1992
1153:Lazell 1997
1070:Underground
1003:engineering
492:The Beatles
480:psychedelia
471:noted that
465:gothic rock
437:during the
402:Composition
239:gothic rock
2154:Categories
1683:Cherry Red
1451:Moore 2006
1041:References
997:production
693:rock" and
582:shoegazing
570:indie rock
556:media help
452:described
392: [
343:mini album
296:, drummer
270:Background
191:mini album
141:chronology
92:jangle pop
58:1987-11-23
1737:Continuum
1583:16 August
1551:16 August
1540:Pitchfork
1400:16 August
1371:16 August
1333:IPC Media
1288:IPC Media
1267:IPC Media
1180:Buddyhead
1024:position
931:Personnel
793:Ó Cíosóig
791:Shields,
637:and went
540:noise pop
461:post-punk
446:The Byrds
423:noise pop
381:mastering
357:Recording
312:Morrissey
288:vocalist
246:mastering
235:post-punk
231:The Byrds
215:noise pop
87:noise pop
69:July 1987
1881:Loveless
1733:New York
1725:Loveless
1650:(1992).
1605:(2003).
1573:Westword
1511:AllMusic
1482:AllMusic
1364:AllMusic
1185:New York
843:Side two
744:Side one
725:decibels
695:AllMusic
691:Byrdsian
675:Loveless
505:feedback
431:twee pop
385:engineer
219:twee pop
127:Producer
66:Recorded
51:Released
41: by
2086:Related
2012:Singles
2002:Tremolo
1913:Ecstasy
1774:Ecstasy
1767:Discogs
1762:Ecstasy
1432:Ecstasy
1396:. Nifco
1221:Ecstasy
937:Ecstasy
910:Shields
876:Shields
870:"Clair"
714:Ecstasy
703:Ecstasy
687:Ecstasy
665:Ecstasy
631:Ecstasy
574:tremolo
565:Ecstasy
524:"Clair"
473:Ecstasy
467:sound.
454:Ecstasy
439:Ecstasy
416:Ecstasy
408:Ecstasy
406:All of
390:Ecstacy
374:Ecstasy
363:Ecstasy
326:Ecstasy
250:Ecstasy
241:sound.
211:Ecstasy
193:by the
186:Ecstasy
174:(1988)
165:(1987)
161:Ecstasy
156:(1987)
56: (
24:Ecstasy
1995:Glider
1743:
1712:
1689:
1679:London
1662:
1621:
1518:2 July
1223:(LP).
1190:2 July
1133:2 July
893:
890:
862:Length
856:Lyrics
831:
828:
814:
811:
777:
774:
763:Length
757:Lyrics
612:Rating
609:Source
587:Sounds
100:Length
2098:Songs
2062:Sugar
1974:Geek!
1888:m b v
1175:(PDF)
940:'
923:20:48
859:Music
853:Title
760:Music
754:Title
717:'
495:'
476:'
457:'
442:'
411:'
377:'
197:band
117:Label
75:Genre
1741:ISBN
1710:ISBN
1687:ISBN
1660:ISBN
1619:ISBN
1585:2013
1553:2013
1520:2013
1491:2012
1402:2013
1373:2013
1239:link
1192:2013
1135:2013
1022:Peak
913:3:26
896:3:40
879:2:34
834:2:31
817:3:07
800:2:56
780:2:34
624:9/10
488:loop
484:Love
463:and
368:demo
237:and
229:and
227:Love
217:and
121:Lazy
1777:at
1765:at
1729:33⅓
1434:".
1328:Vox
1283:NME
1034:12
984:(5)
849:No.
750:No.
712:On
679:33⅓
395:sic
307:sic
2156::
1739:.
1735::
1731:.
1727:.
1708:.
1704:.
1685:.
1681::
1677:.
1658:.
1654:.
1617:.
1613:.
1576:.
1570:.
1537:.
1508:.
1479:.
1390:.
1361:.
1247:^
1235:}}
1231:{{
1212:^
1177:.
1160:^
1143:^
1119:.
1078:^
901:7.
884:6.
867:5.
822:4.
805:3.
785:2.
768:1.
507:.
353:.
225:,
209:.
109:48
105:20
39:EP
2078:"
2074:"
2071:"
2067:"
2064:"
2060:"
2057:"
2053:"
2050:"
2046:"
2043:"
2039:"
2036:"
2032:"
2029:"
2025:"
2022:"
2018:"
1808:e
1801:t
1794:v
1749:.
1718:.
1695:.
1668:.
1642:.
1627:.
1587:.
1555:.
1522:.
1493:.
1404:.
1375:.
1335:.
1290:.
1269:.
1241:)
1194:.
1137:.
558:.
546:.
332:(
107::
60:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
