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The term "eccentric" is a catchall for dancers who have their own non-standard movements and sell themselves on their individual styles. It has been used to describe a variety of highly personal performances by dancer-comedians on
Broadway. Thus,
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have all been labeled eccentric dancers at one time or another, although some are much more than that, and James Barton, for example, used eccentric movements along with a wealth of other and perhaps finer steps.
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is a style of dance performance in which the moves are unconventional and individualistic. It developed as a genre in the United States in the late 19th and early 20th centuries as a result of the influence of
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Joel
Schechter describes eccentric dance as the "vaudevillian impulse to dance like crazy, even if the legs do not agree with the upper torso, or the music, about which way to go."
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have been acclaimed as the greatest eccentric dance act. Their routine had a mock
Egyptian style and their dance moves included
639:"Gordon Dooley Dies. Noted in Vaudeville, Comedian and Eccentric Dancer, the Last of Three brothers, a Victim of Pneumonia"
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Joe
Bennett, a vaudeville headliner early in the century whose specialty was eccentric dancing, died yesterday...
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Harker, Brian (2008). "Louis
Armstrong, Eccentric Dance, and the Evolution of Jazz on the Eve of Swing".
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such as flips and contortions were used in a more exuberant, expressive and idiosyncratic way.
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Wilson, Keppel and Betty formed one of the greatest eccentric dance acts of all time
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Wilson, Keppel and Betty formed the greatest eccentric dance act of all time.
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Vaudeville Old & New: an encyclopedia of variety performances in
America
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dancing. Instead of holding the body stiff and straight in the style of a
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Eccentric dancers' major contribution to film dance is that of humor. ...
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I was twelve years old when I developed my eccentric dance. ...
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Early distinctive forms of eccentric dancing had names like
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392:, vol. 1, Psychology Press, 2004, p. 346,
447:Jazz Dance: The Story of American Vernacular Dance
70:The style was used in stage performances such as
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51:and exotic dancers on the traditional styles of
746:(1). University of California Press: 67–121.
740:Journal of the American Musicological Society
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518:"Legmania: About the Allisons",
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609:"The Stage As I Have Seen It"
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574:Staff (September 2, 1967).
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637:Staff (January 25, 1930).
444:and Stearns, Jean (1968).
105:and the showcase style of
23:The Anglo-American act of
813:Free and improvised dance
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442:Stearns, Marshall Winslow
367:Wilson, Keppel and Betty
308:Wilson, Keppel and Betty
132:Marshall Winslow Stearns
25:Wilson, Keppel and Betty
823:Eccentricity (behavior)
134:defines it as follows:
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113:'s performance as the
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388:"Eccentric Dancing",
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119:If I Only Had a Brain
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767:Wilkie, Ian (2017).
533:Lewis, Lisa (2013),
614:Green Book Magazine
535:Beginning Tap Dance
500:Delamater, Jerome.
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581:The New York Times
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480:"Eccentric dance"
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338:Street dance
312:
303:George White
285:Jack Lorimer
237:(1888-1930).
235:Jack Donahue
214:(1890-1962).
212:James Barton
165:James Barton
161:Jack Donahue
153:George White
137:
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88:comic relief
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37:sand-dancing
299:(1897-1985)
297:Hal Sherman
293:(1891-1950)
287:(1883-1920)
281:(1913-1985)
275:(1905-1983)
269:(1889-1958)
249:(1908–2003)
247:Buddy Ebsen
243:(1899-1930)
226:(1878–1942)
220:(1904-1987)
208:(1948-1995)
202:(1889-1967)
200:Joe Bennett
177:Buddy Ebsen
95:rubber legs
807:Categories
698:140813148X
674:0786410302
650:2015-01-06
620:2015-02-06
587:2015-02-03
486:2015-02-03
344:References
267:Joe Frisco
262:Leon Errol
257:Fred Stone
218:Ray Bolger
206:Tony Azito
181:Ray Bolger
149:Joe Frisco
145:Leon Errol
111:Ray Bolger
84:Charleston
80:vaudeville
76:music hall
65:acrobatics
796:192962012
460:cite book
279:Hal Leroy
173:Hal Leroy
117:singing "
115:Scarecrow
33:soft-shoe
607:(1915).
322:See also
99:legmania
720:, BBC,
372:V&A
49:African
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179:, and
792:S2CID
772:(PDF)
756:JSTOR
349:Notes
121:" in
693:ISBN
669:ISBN
539:ISBN
466:link
394:ISBN
103:Shag
55:and
53:clog
35:and
784:doi
748:doi
97:or
78:or
61:jig
57:tap
29:tap
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