504:. In Western musical terms, it 'stayed on the one'. The song was tethered to a four-beat bass pattern and structured as a series of sections, each with a different mood, mode and color, always underscored by the drummer, who contributed not only the rhythmic feel but much in the way of tonal shading, using mallets as well as sticks on the various drums and the different regions of the cymbals. In addition to playing beautiful solos, Paul played important, unifying things in the background–– chords, melodies,
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Going on to call the
Butterfield Blues Band "one of the greatest bands of the rock era", Marsh concludes that "With 'East-West', above any other extended piece of the mid-Sixties, a rock band finally achieved a version of the musical freedom that
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Marsh's expansive liner notes observe that the song "East-West" "was an exploration of music that moved modally, rather than through chord changes. As
Naftalin explains, "The song was based, like
370:. The social complexion of the band changed as well; ruled by Butterfield in the beginning, it evolved into more of a democracy both in terms of financial reward and input into repertoire.
515:'East-West' can be heard as part of what sparked the West Coast's rock revolution, in which such song structures with extended improvisatory passages became commonplace."
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contributed a substantial essay in the liner notes regarding the historic importance of the song, both the original 1966 recording and the live versions.
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Direct link inside the above website to a highly detailed analysis of the studio and various recorded live versions of the tune East-West
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Paul
Butterfield Blues Band in concert (including East-West) Fillmore Auditorium, 10/14/66
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1141:"The Paul Butterfield Blues Band Biography | The Rock and Roll Hall of Fame and Museum"
1116:"How the Paul Butterfield Blues Band Earned Its Spot in the Rock and Roll Hall of Fame"
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Paul
Butterfield- The Glory Years (includes further look at East-West development)
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at the instigation of
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had left the band due to illness and was replaced by the more jazz-oriented
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The band members appearing on the album were all inducted into the
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sound. The track "East-West", with its early use of the extended
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The album is also credited with having helped spawn the harder
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standard, and the title track "East-West" used elements of
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in that area, especially his incorporation of ideas from
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Woodstock: Music from the
Original Soundtrack and More
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did not include a songwriter's credit for this track.
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Martin
Scorsese Presents the Blues: A Musical Journey
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One result was the inclusion of two all-instrumental
1064:"Laying the odds on the Rock Hall of Fame nominees"
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397:" featuring harmonica by Butterfield had become a
990:. Warner Strategic Marketing 8122 73571-2, 2001,
431:," which Nesmith would soon record with his band
415:album. Bloomfield had become enamored of work by
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1159:"Chart History: The Paul Butterfield Blues Band"
466:In 1996, original Butterfield Blues Band member
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1014:"Bloomfield biography retrieved 28 August 2010"
549:The album's cover art was photographed at the
1333:Woodstock: 40 Years On: Back to Yasgur's Farm
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860:William S. Harvey - cover design, photography
442:On October 29, 2001, a reissue of this album
1189:Michael Bloomfield Chronology & Analysis
1090:"East-West Live - The Paul Butterfield Band"
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988:The Paul Butterfield Blues Band/East West
1326:Woodstock: Three Days of Peace and Music
511:In his summation, Marsh points out that
350:, this album features traditional blues
454:and coupled with the debut appeared on
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1691:Grammy Hall of Fame Award recipients
1676:Albums produced by Paul A. Rothchild
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956:Russell, Tony; Smith, Chris (2006).
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335:The album was recorded at the famed
1276:The Resurrection of Pigboy Crabshaw
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199:The Resurrection of Pigboy Crabshaw
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1671:Paul Butterfield Blues Band albums
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339:on 2120 South Michigan Avenue in
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629:"I Got a Mind to Give Up Living"
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523:had found a few years earlier."
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1003:Doggett, liner notes, p. 8.
913:Catalog number EKS 7315 in
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1645:Electric Dylan controversy
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758:"East-West" (instrumental)
539:Rock and Roll Hall of Fame
423:. The album also included
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325:Billboard pop albums chart
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317:the Butterfield Blues Band
168:The Butterfield Blues Band
49:the Butterfield Blues Band
18:East West (disambiguation)
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1038:Bloomfield bio, op. cit.
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1579:Love Her with a Feeling
1551:Nobody's Fault but Mine
857:- production supervisor
409:on his ground-breaking
385:during March alongside
354:and the guitar work of
1686:Elektra Records albums
1603:Other related articles
1425:Look Over Yonders Wall
1303:(with various artists)
1516:Drown in My Own Tears
1495:Born Under a Bad Sign
1481:Driftin' and Driftin'
1397:Shake Your Moneymaker
1120:Ultimate Classic Rock
348:eponymous debut album
1544:Baby Please Don't Go
1404:Blues with a Feeling
728:"Two Trains Running"
489:trip that "East-West
214:Professional ratings
16:For other uses, see
1411:Got My Mojo Working
1088:Erlewine, Michael.
1020:on 20 November 2016
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1460:Two Trains Running
1357:Compilation albums
1199:2008-03-05 at the
1062:Roberts, Randall.
387:Jefferson Airplane
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643:"All These Blues"
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405:as introduced by
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1586:That's All Right
1537:Too Many Drivers
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1488:I Pity the Fool
1390:Born in Chicago
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1170:December 28,
1168:. Retrieved
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1145:the original
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1123:. Retrieved
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1097:. Retrieved
1094:Allmusic.com
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811:Elvin Bishop
732:Muddy Waters
665:Nat Adderley
553:in Chicago.
548:
536:
525:
517:
510:
498:Indian music
495:
484:
475:
471:
465:
456:Rhino WEA UK
441:
436:
412:Kind of Blue
410:
379:the Fillmore
372:
360:Elvin Bishop
345:
334:
303:
302:
301:
268:
197:
189:
188:
179:
44:Studio album
1666:1966 albums
1558:Mannish Boy
1300:Live albums
992:liner notes
855:Jac Holzman
747:Traditional
646:Traditional
632:Traditional
545:Album cover
433:The Monkees
407:Miles Davis
1660:Categories
1453:Mary, Mary
929:References
890:Pop Albums
710:Mary, Mary
480:Dave Marsh
444:remastered
429:Mary, Mary
403:modal jazz
313:blues rock
170:chronology
103:blues rock
1446:Work Song
1269:East-West
1024:29 August
888:Billboard
878:Position
849:Technical
797:harmonica
778:Personnel
697:Writer(s)
659:Work Song
578:Writer(s)
541:in 2015.
532:rock solo
528:acid rock
521:free jazz
472:East-West
448:Bob Irwin
437:East-West
427:'s song "
395:Work Song
304:East-West
190:East-West
74:July 1966
29:East-West
1523:Poor Boy
1467:Spoonful
1197:Archived
837: —
828: —
819: —
804: —
791: —
681:Side two
562:Side one
399:hard bop
233:Allmusic
140:Producer
71:Recorded
56:Released
46: by
1630:Sam Lay
1565:Rock Me
994:, p. 8.
964:Penguin
500:, on a
364:Sam Lay
341:Chicago
331:Content
321:Elektra
203:(1967)
194:(1966)
185:(1965)
133:Elektra
84:Chicago
82:Chess,
63:1966-08
61: (
970:
915:stereo
875:Chart
865:Charts
793:vocals
700:Length
581:Length
352:covers
227:Rating
224:Source
111:Length
79:Studio
1382:Songs
1125:1 May
1099:1 May
1073:1 May
1049:"CDS"
901:Notes
883:1967
872:Year
843:organ
839:piano
830:drums
770:13:10
694:Title
575:Title
502:drone
315:band
309:album
128:Label
98:Blues
91:Genre
1172:2020
1127:2016
1101:2016
1075:2016
1026:2010
968:ISBN
919:mono
821:bass
750:2:57
736:3:50
720:2:48
673:7:53
649:2:18
635:4:57
621:3:13
601:3:15
391:jazz
358:and
894:65
690:No.
571:No.
487:LSD
450:at
446:by
381:in
1662::
1161:.
1118:.
1092:.
1066:.
962:.
937:^
841:,
795:,
764:,
755:4.
741:3.
725:2.
705:1.
667:,
654:5.
640:4.
626:3.
606:2.
586:1.
343:.
120:21
116:44
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118::
65:)
20:.
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