587:'s style; Smith felt that the track could have a mainstream appeal. It is followed by "Sugar & Diesel", a traditional rap song according to Gölz, and then by "Don't Ask". On "Security!", the album's tenth track, Ecco2K's expresses his internal struggles, lamenting, "Every time I look in the mirror I see monsters," and yearning to hide an inner perceived ugliness: "How did you get so perfect? / I wish that I was perfect." "Time", according to Gölz, has electronic beats and is one of the most danceable on the album, with its lyrics presenting themes of hedonism, self-destruction, and excess. Fantano described it as containing "slightly aggressive rap flows" and
31:
552:"bracing self-portrayal", with "Ecco Arogundade's early encounters with otherness". According to Sobolik, Ecco2k narrates his deep, anxious confusion, but ultimately embraces his strength, singing: "No peroxide, I stay dark." Smith said that the line "They all stare at me / I don't care at all" demonstrates Ecco2K's self-acceptance and commitment to self-expression. The next song is "Fragile", which Fantano described as the most
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maximalist. According to
Borrelli-Persson, the lyrics explore the differences between perception and reality, including the differences between people's social and inner selves. Smith felt that the lyrics "twinge with anguish and self-loathing". Borrelli-Persson said that, although Ecco2K has embraced his differences as strengths, he reveals his vulnerability in these tracks. Zac Cazes of
591:-like "glistening layers of electronics". Borrelli-Persson said that it "evokes the sweaty, beyond-tired feeling of a magical night fading into morning". On "Blue Eyes", the album's final track in its standard edition, Ecco2K addresses the white Swedish gaze, while distorted screams serve as the backing vocals.
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fifth track. Describing it as a chaotic ambient recording, Gölz suggested it feels more like immersive cinema than a conventional song. The subsequent song, "Cc", contains a "futuristic trap beat that's so cold it's sub-zero", according to
Fantano, while also presenting Ecco2K's vocals in a glitchy
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inspired song on the album with its "gorgeous and pristine layers of synths". He also described its lyrics as "disturbing and surreal". The fourth track, "Bliss Fields", is not a song, but a "skit" or interlude, where Ecco2K says: "I feel like I'm flying and sinking at the same time. Like I'm being
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feels like a direct connection to Ecco2K's thoughts, with vivid lyrics and honest delivery. He further added that the songs address "romantic longing, substance abuse, insomnia and existential dread in a redemptive arc delivered through oblique lyrics that follow their own dream logic". Fantano
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writer Levi Hielle-Bergstrom noted the album's contrasts, including the charming melodies and experimental productions existing alongside fragile lyrics and the mix between love lyrics and lyrics about destructiveness. Similarly, Gölz said that the album, while minimalistic, is still sensorily
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begins with "AAA Powerline", which centers around the repeated line "Zip-tied up / Can't move my arms." Smith described it as an example of a track on the album with "phrases repeated like fading memories turned over and over again in your mind". The second track, "Peroxide", is a futuristic
298:. Ecco2K described the winter of 2018, when the album was still in its early stages, as "a period of rapid growth and self-discovery"; he had just left his day job as a designer and photo retoucher at
30:
332:. Ecco2K had to purposefully seclude himself from collaborators and friends. He described the process as "the first time where started to get assisted". The album was executive-produced by
725:"does little to dispel the artist's sense of mystery", while also highlighting its varied production and praising it as Gud and Whitearmor's "most accomplished effort". Yannik Gölz of
286:, Ecco2K had maintained a "mysterious" figure. Releasing music under that pseudonym since 2013, he was known for his participation on other people's projects, including as a member of
248:. Musically, multiple reviewers noted the album's contrast with Ecco2K's previous works, in addition to its futuristic sound and personal lyrical themes. Reviewers described
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had more potential, with some songs feeling one-dimensional, though recognizing that the album had some "beautiful" sounds and ideas. In retrospect, Jordan
Darville of
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was released on 27 November 2019. After the album's release, Ecco2K toured Europe. On 29 January 2020, he released a music video "Peroxide", which was recorded at the
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said that, despite its "atmospheric production", "this isn't music for somnambulists; there's a sense of urgency even to the dreamy tracks". Jordan
Darville of
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I still feel like a manic perfectionist, but my idea of perfection has changed as I've gotten to know myself better. I let chaos back in. That's what allowed
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consolidated the futuristic sound Ecco2K was developing that decade, while Gölz described it as a mix between hip-hop and futuristic electronic.
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as a "project of subliminal bangers", with a feel that was "regal-yet-desolate, like a marble sculpture of some unspeakable tragedy".
236:. Previously known for his work on other people's projects, Ecco2K began working on the album after leaving his day job at
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is
Arogundade's first definitive musical statement, an album that recounts life-spanning experiences and molds the
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340:. It was preceded by singles "AAA Powerline" and "Fruit Bleed Juice", with the latter receiving a music video.
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song where Ecco2k ruminates on his skin color. Sobolik wrote that the track establishes the foundation for
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pulled from below and from above. In every direction, at once." This phrase was taken from Ecco2K's
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and electronic sounds he and his friends pioneered into a palate that's distinctly his."
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peculiarity as it ventures into unexplored domains, and called Ecco2K a visionary.
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1448:"Swedish Musician Ecco2K Drops a Surprise Solo Album (and an Extreme New Look)"
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falsetto, with Gölz saying that Ecco2K's light helium-like voice is central to
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addresses universal topics, the album is highly personal. Thomas
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described it as a unique album with a compelling listening experience.
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as bringing Ecco2K into the spotlight, while Thomas
Sobolik of
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Zac Cazes highlighted the album's balance between psychedelic
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Commenting on Ecco2K's mystery figure, Zac Cazes wrote to
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1685:"Ecco2k bathes in light in his new video for 'Security!'"
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348:. On 30 July, he released a music video for "Security!".
224:, ℮) is the debut studio album by Swedish-British singer
1618:"Zak Arogundade, a Musician and Designer From Stockholm"
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1581:"Listen to Ecco2k's debut album
1323:Smith, Nathan (6 January 2020).
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1548:"Ecco2K's second coming of age"
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18:2019 studio album by Ecco2K
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418:-like, blending elements from
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282:Before the release of
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262:Background and release
835:Carl-Mikael Berlander
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1935:(13 December 2019).
1001:"Sugar & Diesel"
600:Professional ratings
1918:, 3:30, 5:39, 5:49.
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907:"Fruit Bleed Juice"
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346:Lillgrund Wind Farm
198:"Fruit Bleed Juice"
1768:"Ecco2K Biography"
1623:The New York Times
1485:"Reviews: Ecco2k:
1377:. 22 November 2022
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595:Critical reception
493:noted that, while
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2104:2019 debut albums
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1181:"Life After Life"
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1329:Album Review"
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368:productions;
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2011:Trash Island
2009:
1956:– via
1950:. Retrieved
1942:Album Review
1941:
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1930:
1916:Fantano 2019
1911:
1904:Fantano 2019
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1892:Fantano 2019
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1880:Fantano 2019
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1868:Fantano 2019
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1856:Fantano 2019
1851:
1839:. Retrieved
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1807:Fantano 2019
1802:
1795:Fantano 2019
1775:. Retrieved
1746:. Retrieved
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1694:. Retrieved
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1594:. Retrieved
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138:Trash Island
136:
39:Studio album
15:
1835:Nöjesguiden
1744:(in German)
1637:8 September
1559:8 September
1494:The Quietus
1170:Producer(s)
1114:"Blue Eyes"
1053:"Security!"
1027:"Don't Ask"
782:Producer(s)
718:The Quietus
702:Nöjesguiden
691:said that "
518:The Quietus
511:Nöjesguiden
462:electronica
454:The Quietus
402:wrote that
352:Composition
318:Los Angeles
272:to happen.
2098:Categories
2078:Drain Gang
2017:Drain Gang
1841:3 February
1596:3 February
1500:3 February
1459:19 October
1381:25 October
1340:3 February
1289:References
1238:Whitearmor
1199:Whitearmor
1187:Arogundade
1120:Arogundade
1094:Arogundade
1059:Arogundade
1042:Whitearmor
1033:Arogundade
1016:Whitearmor
1007:Arogundade
990:Whitearmor
981:Arogundade
960:Whitearmor
939:Arogundade
913:Arogundade
887:Arogundade
861:Arogundade
831:Arogundade
825:"Peroxide"
805:Sean Bowie
749:described
739:felt that
585:Charli XCX
523:auto-tuned
503:said that
480:described
445:electronic
338:Whitearmor
296:Yves Tumor
288:Drain Gang
246:Whitearmor
127:chronology
108:Whitearmor
1938:Ecco2K –
1826:"Ecco2k:
1777:6 January
1696:6 January
1690:The Fader
1668:6 January
1662:The Fader
1632:0362-4331
1590:The Fader
1410:The Fader
1334:Pitchfork
1325:"Ecco2k:
1226:Personnel
1190:Rosenberg
1167:Writer(s)
1126:Rosenberg
1123:Berlander
1097:Berlander
1036:Rosenberg
1010:Rosenberg
984:Rosenberg
975:"Calcium"
942:Berlander
890:Berlander
864:Berlander
855:"Fragile"
779:Writer(s)
746:The Fader
697:cloud-rap
658:Pitchfork
477:The Fader
466:dream pop
420:Yung Lean
377:Pitchfork
310:Stockholm
292:Yung Lean
255:The Fader
62:2017–2019
2083:Year0001
1952:29 April
1772:AllMusic
1553:The Face
1071:Mechatok
688:The Face
581:pop-punk
500:The Face
449:PC Music
400:AllMusic
234:Year0001
117:Mechatok
96:Producer
89:Year0001
59:Recorded
51:Released
41: by
1958:YouTube
1906:, 6:14.
1894:, 1:45.
1882:, 4:40.
1870:, 4:23.
1858:, 4:06.
1809:, 1:35.
1797:, 1:02.
1741:laut.de
728:laut.de
620:laut.de
561:diary.
554:new age
434:art pop
416:new age
387:laut.de
366:hip hop
330:Bangkok
174:Singles
160:(2021)
151:(2019)
142:(2019)
2063:(2021)
2044:(2022)
2040:Bladee
2038:(with
2029:(2019)
2021:(2019)
2015:(with
1996:Ecco2K
1630:
1416:26 May
1173:Length
1088:"Time"
922:Shanti
813:Shanti
785:Length
710:'s
663:7.4/10
613:Rating
610:Source
577:'s
569:'s
550:'s
458:'s
447:, and
438:glitch
328:, and
322:London
314:Berlin
226:Ecco2K
125:Ecco2K
113:Shanti
67:Length
44:Ecco2K
2034:Crest
1748:4 May
1453:Vogue
1374:Dazed
1260:Notes
1218:32:45
1164:Title
1145:30:23
916:Bowie
776:Title
721:that
559:Notes
533:Songs
490:Vogue
471:Vogue
371:Dazed
326:Falun
300:Eytys
238:Eytys
176:from
84:Label
1954:2024
1843:2020
1779:2024
1750:2024
1698:2024
1670:2024
1639:2023
1628:ISSN
1598:2020
1561:2023
1502:2020
1461:2023
1418:2024
1383:2023
1342:2020
1208:2:22
1135:1:33
1106:2:01
1080:2:35
1045:2:20
1019:3:19
993:3:44
967:2:34
933:"Cc"
925:1:12
899:0:22
873:2:53
847:3:34
817:4:12
675:7/10
464:and
430:trap
394:and
374:and
364:and
336:and
244:and
228:. A
2060:PXE
2052:EPs
1403:PXE
1232:Gud
1202:Gud
1178:13.
1160:No.
1132:Gud
1111:12.
1103:Gud
1085:11.
1074:Gud
1050:10.
956:Gud
896:Gud
870:Gud
843:Gud
772:No.
735:of
543:pop
422:'s
410:of
362:rap
334:Gud
242:Gud
156:PXE
103:Gud
2100::
1945:.
1832:.
1814:^
1787:^
1770:.
1758:^
1706:^
1687:.
1659:.
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1626:.
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1450:.
1426:^
1407:.
1391:^
1371:.
1350:^
1331:.
1297:^
1024:9.
998:8.
972:7.
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822:2.
790:1.
529:.
440:,
436:,
432:,
428:,
324:,
320:,
316:,
312:,
178:E
76:23
72:30
2042:)
2026:E
2019:)
1988:e
1981:t
1974:v
1960:.
1940:E
1845:.
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1828:E
1781:.
1752:.
1700:.
1672:.
1641:.
1600:.
1585:"
1583:E
1563:.
1504:.
1489:"
1487:E
1463:.
1420:.
1405:"
1385:.
1344:.
1327:E
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342:E
306:E
284:E
270:E
250:E
217:E
147:E
74::
24:E
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